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Adobe Photoshop Elements 10 : maximum performance : unleash the hidden performance of elements / / Mark Galer, Dr. Abhijit Chattaraj
| Adobe Photoshop Elements 10 : maximum performance : unleash the hidden performance of elements / / Mark Galer, Dr. Abhijit Chattaraj |
| Autore | Galer Mark |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Oxford : , : Focal Press, an imprint of Elsevier, , 2012 |
| Descrizione fisica | 1 online resource (365 p.) |
| Disciplina | 006.686 |
| Altri autori (Persone) | ChattarajAbhijit |
| Soggetto topico | Photography - Digital techniques |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-138-37208-0
1-136-10958-7 1-283-35496-9 9786613354969 0-240-52381-4 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. 1. Optimize -- pt. 2. Enhance -- pt. 3. Composites. |
| Record Nr. | UNINA-9910461652803321 |
Galer Mark
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| Oxford : , : Focal Press, an imprint of Elsevier, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Adobe Photoshop Elements 10 : maximum performance : unleash the hidden performance of elements / / Mark Galer, Dr. Abhijit Chattaraj
| Adobe Photoshop Elements 10 : maximum performance : unleash the hidden performance of elements / / Mark Galer, Dr. Abhijit Chattaraj |
| Autore | Galer Mark |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Oxford : , : Focal Press, an imprint of Elsevier, , 2012 |
| Descrizione fisica | 1 online resource (365 p.) |
| Disciplina | 006.686 |
| Altri autori (Persone) | ChattarajAbhijit |
| Soggetto topico | Photography - Digital techniques |
| ISBN |
1-138-37208-0
1-136-10958-7 1-283-35496-9 9786613354969 0-240-52381-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. 1. Optimize -- pt. 2. Enhance -- pt. 3. Composites. |
| Record Nr. | UNINA-9910789887803321 |
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Galer Mark
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| Oxford : , : Focal Press, an imprint of Elsevier, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Audio post production for television and film : an introduction to technology and techniques / / Hilary Wyatt and Tim Amyes
| Audio post production for television and film : an introduction to technology and techniques / / Hilary Wyatt and Tim Amyes |
| Autore | Wyatt Hilary |
| Edizione | [3rd ed. /] |
| Pubbl/distr/stampa | Oxford ; ; Burlington, Mass. : , : Focal Press, an imprint of Elsevier, , 2005 |
| Descrizione fisica | 1 online resource (303 p.) |
| Disciplina | 778.52344 |
| Altri autori (Persone) | AmyesTim |
| Soggetto topico |
Motion pictures - Sound effects
Sound motion pictures Sound - Recording and reproducing Video tapes - Editing |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-136-12005-X
1-136-12006-8 1-280-96156-2 9786610961566 0-08-047045-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Acknowledgements; About the authors; Introduction to the third edition; Part 1 Audio Basics; 1 The evolution of audio post production; An overview; A little history: the development of technology and techniques; Where we are now: post production today; 2 Digital recording and processing; The digital audio process; Sampling rate and pulse code modulation; Quantizing level; Storing digital audio data; Compression; Buffers; Interconnecting between digital audio systems; 3 Synchronizing and controlling audio post production equipment; SMPTE/EBU timecode; Timecode and speed
Identification and labellingLongitudinal timecode (LTC); Vertical interval timecode (VITC); Burnt-in timecode; MIDI timecode (MTC); Controlling equipment through synchronization; Synchronization modes; The control of tape/film transports; 4 Audio transfers and file formats; Compression; Linear transfers; File transfers; File conversion software; Network systems; 5 Video, film and pictures; Film; Telecine; Video; Video compression; Film recording; Audio on video recorders; Viewing pictures in audio post production; Viewing images; Comparing film and video; 6 Film in audio post production Film releaseConforming film; Film timecode; Sound on sprocketed film; Photographic film recording; Recording analogue optical soundtracks; Digital optical soundtracks; Part 2 The Post Production Process; 7 Post production workflows; 8 Recording audio for post production; Aims; Types of microphone; Mono and stereo recording; Microphone position; Using multiple microphones; Production mixing; Studio and field recorders; Identing and logging takes; Studio-based recording; Field/location recording; 9 Editing picture and sound; An overview; Non-linear editing; System configuration Video resolutionThe editing process; Logging the rushes; Digitizing sound and picture; Syncing sound and picture; Editing audio in the timeline; Audio tools; Outputting the audio edit; Spotting the soundtrack; Handing over to the sound editors; 10 The digital audio workstation; An overview; Digital audio editing; System configuration; Hard drives; Drive configurations; Working with picture; System requirements and interconnectivity; Audio editing tools; Mixing tools; Backing up; Setting up a tracklaying workspace; Choosing the right workstation for the job 11 Preparing for the mix: editing production soundAims; The conform; Checking sync; Starting the dialogue edit; Boom or personal mic?; Handling twin/multiple-track material; Handling M/S recordings; Techniques for improving audio edits; Dialogue editing software; ADR spotting; ADR cue sheets; ADR spotting software; Attending the ADR session; Editing ADR; ADR fitting software; Splitting the dialogues for the mix; Crowd spotting; Attending the crowd session; Editing the crowd; 12 Preparing for the mix: sound effects editing; Aims; Types of sound effect; Planning the tracklay Sourcing sound effects |
| Record Nr. | UNINA-9910457537003321 |
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Wyatt Hilary
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| Oxford ; ; Burlington, Mass. : , : Focal Press, an imprint of Elsevier, , 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Audio post production for television and film : an introduction to technology and techniques / / Hilary Wyatt and Tim Amyes
| Audio post production for television and film : an introduction to technology and techniques / / Hilary Wyatt and Tim Amyes |
| Autore | Wyatt Hilary |
| Edizione | [3rd ed. /] |
| Pubbl/distr/stampa | Oxford ; ; Burlington, Mass. : , : Focal Press, an imprint of Elsevier, , 2005 |
| Descrizione fisica | 1 online resource (303 p.) |
| Disciplina | 778.52344 |
| Altri autori (Persone) | AmyesTim |
| Soggetto topico |
Motion pictures - Sound effects
Sound motion pictures Sound - Recording and reproducing Video tapes - Editing |
| ISBN |
1-136-12005-X
1-136-12006-8 1-280-96156-2 9786610961566 0-08-047045-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Acknowledgements; About the authors; Introduction to the third edition; Part 1 Audio Basics; 1 The evolution of audio post production; An overview; A little history: the development of technology and techniques; Where we are now: post production today; 2 Digital recording and processing; The digital audio process; Sampling rate and pulse code modulation; Quantizing level; Storing digital audio data; Compression; Buffers; Interconnecting between digital audio systems; 3 Synchronizing and controlling audio post production equipment; SMPTE/EBU timecode; Timecode and speed
Identification and labellingLongitudinal timecode (LTC); Vertical interval timecode (VITC); Burnt-in timecode; MIDI timecode (MTC); Controlling equipment through synchronization; Synchronization modes; The control of tape/film transports; 4 Audio transfers and file formats; Compression; Linear transfers; File transfers; File conversion software; Network systems; 5 Video, film and pictures; Film; Telecine; Video; Video compression; Film recording; Audio on video recorders; Viewing pictures in audio post production; Viewing images; Comparing film and video; 6 Film in audio post production Film releaseConforming film; Film timecode; Sound on sprocketed film; Photographic film recording; Recording analogue optical soundtracks; Digital optical soundtracks; Part 2 The Post Production Process; 7 Post production workflows; 8 Recording audio for post production; Aims; Types of microphone; Mono and stereo recording; Microphone position; Using multiple microphones; Production mixing; Studio and field recorders; Identing and logging takes; Studio-based recording; Field/location recording; 9 Editing picture and sound; An overview; Non-linear editing; System configuration Video resolutionThe editing process; Logging the rushes; Digitizing sound and picture; Syncing sound and picture; Editing audio in the timeline; Audio tools; Outputting the audio edit; Spotting the soundtrack; Handing over to the sound editors; 10 The digital audio workstation; An overview; Digital audio editing; System configuration; Hard drives; Drive configurations; Working with picture; System requirements and interconnectivity; Audio editing tools; Mixing tools; Backing up; Setting up a tracklaying workspace; Choosing the right workstation for the job 11 Preparing for the mix: editing production soundAims; The conform; Checking sync; Starting the dialogue edit; Boom or personal mic?; Handling twin/multiple-track material; Handling M/S recordings; Techniques for improving audio edits; Dialogue editing software; ADR spotting; ADR cue sheets; ADR spotting software; Attending the ADR session; Editing ADR; ADR fitting software; Splitting the dialogues for the mix; Crowd spotting; Attending the crowd session; Editing the crowd; 12 Preparing for the mix: sound effects editing; Aims; Types of sound effect; Planning the tracklay Sourcing sound effects |
| Altri titoli varianti | Audio post-production for television and film |
| Record Nr. | UNINA-9910784575603321 |
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Wyatt Hilary
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| Oxford ; ; Burlington, Mass. : , : Focal Press, an imprint of Elsevier, , 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Basic critical theory for photographers / / Ashley la Grange
| Basic critical theory for photographers / / Ashley la Grange |
| Autore | La Grange Ashley |
| Edizione | [1st edition] |
| Pubbl/distr/stampa | Oxford : , : Focal Press, an imprint of Elsevier, , 2005 |
| Descrizione fisica | 1 online resource (278 p.) |
| Disciplina |
770
770.1 |
| Soggetto topico |
Photographic criticism
Photography - Philosophy |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-136-09013-4
1-136-09014-2 1-280-75429-X 9786610754298 0-08-046838-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Basic Critical Theory for Photographers; Copyright Page; Contents; How to use this book; Frontispiece; Foreword; Acknowledgements; 1. John Berger, Ways of Seeing; 2. John Szarkowski, The Photographer's Eye and Stephen Shore, The Nature of Photographs; 3. Susan Sontag, On Photography; 4. Roland Barthes, Camera Lucida; 5. Martha Rosler, In, Around and Afterthoughts (On Documentary Photography); 6. Abigail Solomon-Godeau, Inside/Out; 7. Clive Scott, The Spoken Image: Photography and Language; 8. Andy Grundberg, The Crisis of the Real; 9. Raghubir Singh, River of Colour
10. Bertrand Russell, Appearance and Reality11. Italo Calvino, The Adventures of a Photographer; 12. Poems by Felix Morisseau-Leroy and George Szirtes; 13. Robert Adams', John Baldessari's and Peter Godwin's Analysis of Particular Photographs; Figures; Bibliography; Appendixes; Glossary; Index |
| Record Nr. | UNINA-9910457521603321 |
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La Grange Ashley
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||
| Oxford : , : Focal Press, an imprint of Elsevier, , 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Basic critical theory for photographers / / Ashley la Grange
| Basic critical theory for photographers / / Ashley la Grange |
| Autore | La Grange Ashley |
| Edizione | [1st edition] |
| Pubbl/distr/stampa | Oxford : , : Focal Press, an imprint of Elsevier, , 2005 |
| Descrizione fisica | 1 online resource (278 p.) |
| Disciplina |
770
770.1 |
| Soggetto topico |
Photographic criticism
Photography - Philosophy |
| ISBN |
1-136-09013-4
1-136-09014-2 1-280-75429-X 9786610754298 0-08-046838-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Basic Critical Theory for Photographers; Copyright Page; Contents; How to use this book; Frontispiece; Foreword; Acknowledgements; 1. John Berger, Ways of Seeing; 2. John Szarkowski, The Photographer's Eye and Stephen Shore, The Nature of Photographs; 3. Susan Sontag, On Photography; 4. Roland Barthes, Camera Lucida; 5. Martha Rosler, In, Around and Afterthoughts (On Documentary Photography); 6. Abigail Solomon-Godeau, Inside/Out; 7. Clive Scott, The Spoken Image: Photography and Language; 8. Andy Grundberg, The Crisis of the Real; 9. Raghubir Singh, River of Colour
10. Bertrand Russell, Appearance and Reality11. Italo Calvino, The Adventures of a Photographer; 12. Poems by Felix Morisseau-Leroy and George Szirtes; 13. Robert Adams', John Baldessari's and Peter Godwin's Analysis of Particular Photographs; Figures; Bibliography; Appendixes; Glossary; Index |
| Record Nr. | UNINA-9910784572603321 |
|
La Grange Ashley
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||
| Oxford : , : Focal Press, an imprint of Elsevier, , 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Branding TV : principles and practices / / by Walter McDowell and Alan Batten
| Branding TV : principles and practices / / by Walter McDowell and Alan Batten |
| Autore | McDowell Walter |
| Edizione | [[2nd ed.].] |
| Pubbl/distr/stampa | Burlington, Mass. : , : Focal Press, an imprint of Elsevier, , 2005 |
| Descrizione fisica | 1 online resource (170 p.) |
| Disciplina | 384.551 |
| Altri autori (Persone) | BattenAlan |
| Soggetto topico |
Television broadcasting
Brand name products |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-136-03473-0
1-136-03474-9 1-280-63081-7 9786610630813 0-08-046043-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Branding TV: Principles and Practices; Copyright; Contents; Introduction to Second Edition; About the Authors; PART I The Principles of Branding TV; CHAPTER 1 Competition Changes Everything; CHAPTER 2 Branding is Just a Fancy Name for Promotion, Right?; CHAPTER 3 Branding and the Marketing Mix; CHAPTER 4 Why People Like Brands; CHAPTER 5 Sales Promotion as Branding; CHAPTER 6 Say What You Mean, Mean What You Say: The Jargon of Brand Management; CHAPTER 7 TV Brand Equity: Why Brand Equity Is a Good Thing for TV; CHAPTER 8 Learning from Radio; CHAPTER 9 Building TV Brand Equity
CHAPTER 10 Measuring TV Brand EquityPART II The Practice of Branding TV; CHAPTER 11 Who's in Charge of the Execution?; CHAPTER 12 First, You Need A Plan; CHAPTER 13 What to Brand: Setting Priorities; CHAPTER 14 Using On-Air Media for Branding; CHAPTER 15 Effective Use of Advertising Media; CHAPTER 16 Public Relations and Contests as Branding Tools; CHAPTER 17 The TV Station: WFXX; CHAPTER 18 Dealing with the Digital World; CHAPTER 19 Legal Issues Surrounding Branding: Branding and the Law; CHAPTER 20 The Future: Limitless Choice and the Future of TV Branding; APPENDIX A: Recommended Reading APPENDIX B: Basic Training: How To Read A Rating BookSubject Index |
| Record Nr. | UNINA-9910457542603321 |
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McDowell Walter
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| Burlington, Mass. : , : Focal Press, an imprint of Elsevier, , 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Branding TV : principles and practices / / by Walter McDowell and Alan Batten
| Branding TV : principles and practices / / by Walter McDowell and Alan Batten |
| Autore | McDowell Walter |
| Edizione | [[2nd ed.].] |
| Pubbl/distr/stampa | Burlington, Mass. : , : Focal Press, an imprint of Elsevier, , 2005 |
| Descrizione fisica | 1 online resource (170 p.) |
| Disciplina | 384.551 |
| Altri autori (Persone) | BattenAlan |
| Soggetto topico |
Television broadcasting
Brand name products |
| ISBN |
1-136-03473-0
1-136-03474-9 1-280-63081-7 9786610630813 0-08-046043-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Branding TV: Principles and Practices; Copyright; Contents; Introduction to Second Edition; About the Authors; PART I The Principles of Branding TV; CHAPTER 1 Competition Changes Everything; CHAPTER 2 Branding is Just a Fancy Name for Promotion, Right?; CHAPTER 3 Branding and the Marketing Mix; CHAPTER 4 Why People Like Brands; CHAPTER 5 Sales Promotion as Branding; CHAPTER 6 Say What You Mean, Mean What You Say: The Jargon of Brand Management; CHAPTER 7 TV Brand Equity: Why Brand Equity Is a Good Thing for TV; CHAPTER 8 Learning from Radio; CHAPTER 9 Building TV Brand Equity
CHAPTER 10 Measuring TV Brand EquityPART II The Practice of Branding TV; CHAPTER 11 Who's in Charge of the Execution?; CHAPTER 12 First, You Need A Plan; CHAPTER 13 What to Brand: Setting Priorities; CHAPTER 14 Using On-Air Media for Branding; CHAPTER 15 Effective Use of Advertising Media; CHAPTER 16 Public Relations and Contests as Branding Tools; CHAPTER 17 The TV Station: WFXX; CHAPTER 18 Dealing with the Digital World; CHAPTER 19 Legal Issues Surrounding Branding: Branding and the Law; CHAPTER 20 The Future: Limitless Choice and the Future of TV Branding; APPENDIX A: Recommended Reading APPENDIX B: Basic Training: How To Read A Rating BookSubject Index |
| Record Nr. | UNINA-9910784572303321 |
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McDowell Walter
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||
| Burlington, Mass. : , : Focal Press, an imprint of Elsevier, , 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Branding TV : principles and practices / / by Walter McDowell and Alan Batten
| Branding TV : principles and practices / / by Walter McDowell and Alan Batten |
| Autore | McDowell Walter |
| Edizione | [[2nd ed.].] |
| Pubbl/distr/stampa | Amsterdam ; ; Boston, : Elsevier/Focal Press, c2005 |
| Descrizione fisica | 1 online resource (170 p.) |
| Disciplina | 384.551 |
| Altri autori (Persone) | BattenAlan |
| Soggetto topico |
Television broadcasting
Brand name products |
| ISBN |
1-136-03473-0
1-136-03474-9 1-280-63081-7 9786610630813 0-08-046043-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Branding TV: Principles and Practices; Copyright; Contents; Introduction to Second Edition; About the Authors; PART I The Principles of Branding TV; CHAPTER 1 Competition Changes Everything; CHAPTER 2 Branding is Just a Fancy Name for Promotion, Right?; CHAPTER 3 Branding and the Marketing Mix; CHAPTER 4 Why People Like Brands; CHAPTER 5 Sales Promotion as Branding; CHAPTER 6 Say What You Mean, Mean What You Say: The Jargon of Brand Management; CHAPTER 7 TV Brand Equity: Why Brand Equity Is a Good Thing for TV; CHAPTER 8 Learning from Radio; CHAPTER 9 Building TV Brand Equity
CHAPTER 10 Measuring TV Brand EquityPART II The Practice of Branding TV; CHAPTER 11 Who's in Charge of the Execution?; CHAPTER 12 First, You Need A Plan; CHAPTER 13 What to Brand: Setting Priorities; CHAPTER 14 Using On-Air Media for Branding; CHAPTER 15 Effective Use of Advertising Media; CHAPTER 16 Public Relations and Contests as Branding Tools; CHAPTER 17 The TV Station: WFXX; CHAPTER 18 Dealing with the Digital World; CHAPTER 19 Legal Issues Surrounding Branding: Branding and the Law; CHAPTER 20 The Future: Limitless Choice and the Future of TV Branding; APPENDIX A: Recommended Reading APPENDIX B: Basic Training: How To Read A Rating BookSubject Index |
| Altri titoli varianti | Branding television : principles and practices |
| Record Nr. | UNINA-9910827616303321 |
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McDowell Walter
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| Amsterdam ; ; Boston, : Elsevier/Focal Press, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Crafting short screenplays that connect / / Claudia Hunter Johnson
| Crafting short screenplays that connect / / Claudia Hunter Johnson |
| Autore | Johnson Claudia (Claudia Hunter) |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | Burlington, Mass. : , : Focal Press, an imprint of Elsevier, , 2005 |
| Descrizione fisica | 1 online resource (303 p.) |
| Disciplina | 808.2/3 |
| Soggetto topico |
Motion picture authorship
Short films |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-136-05130-9
1-280-96400-6 9786610964000 0-08-047060-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Crafting Short Screenplays That Connect; Copyright Page; Contents; Preface to the Second Edition; Acknowledgments; Introduction: The Power and Importance of Human Connection; Part I: Preparing to Write the Short Screenplay; Chapter 1.Connecting to Purpose; Only Connect; The Screenplay Paradox; Chapter 2.Connecting to Self; Le Menu; Depart the Donnée; Chapter 3.Connecting to Process; The Space-Time Conundrum; Madness in Your Method; Creating Rituals; Taking Care of Yourself; Just Do It; Chapter 4.Connecting to Screenplays; Surface and Deep Action; Making Change; The Mood Exercise
The Pearl in the OysterEmotional Flow; Everything You Need to Know You Can LearnFrom City Lights; Demystifying Format; Chapter 5. Connectingto Collaboration; Top Ten Reasons to Write With a Partner; Finding the Right Writing Partner; The Space-Time Conundrum, The Sequel; Co-Drafting the Script; Dealing With Disagreements; Part II: Five (Not So) Easy Screenplays; Chapter 6.The Discovery; The First Screenplay-The Discovery; Choosing an Idea; Developing Character; Developing Story and Structure; Drafting the Screenplay; Rewriting the Screenplay; Chapter 7.The Decision The Second Screenplay-The DecisionChoosing an Idea; Developing Character; Developing Story and Structure; Drafting the Screenplay; Rewriting the Screenplay; Chapter 8.The Boxing Match; The Third Screenplay-The Boxing Match; Choosing an Idea; Developing Character; Developing Story and Structure; Drafting the Screenplay; Rewriting the Screenplay; Chapter 9.The Improbable Connection; The Fourth Screenplay-The Improbable Connection; Choosing an Idea; Developing Character; Developing Story and Structure; Drafting the Screenplay; Rewriting the Screenplay; Chapter 10.The Long Short Screenplay The Fifth Screenplay-The Long Short ScreenplayChoosing an Idea; Developing Character; Developing Story and Structure; Drafting the Screenplay; Rewriting the Screenplay; Part III: Seven Screenplays That Make It Look Easy; Chapter 11.Kosher (by Aimee Barth); Chapter 12.My Josephine (by Barry Jenkins); Chapter 13. A Work in Progress (by Wes Ball); Chapter 14.Lena's Spaghetti (by Rachel A. Witenstein); Chapter 15.Cool Breeze and Buzz (by Lani Sciandra); Chapter 16. The Making of "Killer Kite" (story By Matt Stevens, screenplay By Robert S. Gray) Chapter 17.Slow Dancin' Down the Aisles of the Quickcheck (by Thomas Wade Jackson)Chapter 18.Conclusion; Appendix A: Available Screenwriting Software; Appendix B: Films Referenced; Appendix C: Further Reading; Index |
| Record Nr. | UNINA-9910457512403321 |
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Johnson Claudia (Claudia Hunter)
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| Burlington, Mass. : , : Focal Press, an imprint of Elsevier, , 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
