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Audio post production for television and film : an introduction to technology and techniques
| Audio post production for television and film : an introduction to technology and techniques |
| Autore | Wyatt Hilary |
| Edizione | [3rd ed. /] |
| Pubbl/distr/stampa | Oxford, : Focal, 2005 |
| Descrizione fisica | 1 online resource (303 p.) |
| Disciplina | 778.52344 |
| Altri autori (Persone) | AmyesTim |
| Soggetto topico |
Motion pictures - Sound effects
Sound motion pictures Sound - Recording and reproducing Video tapes - Editing |
| ISBN |
1-136-12005-X
1-136-12006-8 1-280-96156-2 9786610961566 0-08-047045-9 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Acknowledgements; About the authors; Introduction to the third edition; Part 1 Audio Basics; 1 The evolution of audio post production; An overview; A little history: the development of technology and techniques; Where we are now: post production today; 2 Digital recording and processing; The digital audio process; Sampling rate and pulse code modulation; Quantizing level; Storing digital audio data; Compression; Buffers; Interconnecting between digital audio systems; 3 Synchronizing and controlling audio post production equipment; SMPTE/EBU timecode; Timecode and speed
Identification and labellingLongitudinal timecode (LTC); Vertical interval timecode (VITC); Burnt-in timecode; MIDI timecode (MTC); Controlling equipment through synchronization; Synchronization modes; The control of tape/film transports; 4 Audio transfers and file formats; Compression; Linear transfers; File transfers; File conversion software; Network systems; 5 Video, film and pictures; Film; Telecine; Video; Video compression; Film recording; Audio on video recorders; Viewing pictures in audio post production; Viewing images; Comparing film and video; 6 Film in audio post production Film releaseConforming film; Film timecode; Sound on sprocketed film; Photographic film recording; Recording analogue optical soundtracks; Digital optical soundtracks; Part 2 The Post Production Process; 7 Post production workflows; 8 Recording audio for post production; Aims; Types of microphone; Mono and stereo recording; Microphone position; Using multiple microphones; Production mixing; Studio and field recorders; Identing and logging takes; Studio-based recording; Field/location recording; 9 Editing picture and sound; An overview; Non-linear editing; System configuration Video resolutionThe editing process; Logging the rushes; Digitizing sound and picture; Syncing sound and picture; Editing audio in the timeline; Audio tools; Outputting the audio edit; Spotting the soundtrack; Handing over to the sound editors; 10 The digital audio workstation; An overview; Digital audio editing; System configuration; Hard drives; Drive configurations; Working with picture; System requirements and interconnectivity; Audio editing tools; Mixing tools; Backing up; Setting up a tracklaying workspace; Choosing the right workstation for the job 11 Preparing for the mix: editing production soundAims; The conform; Checking sync; Starting the dialogue edit; Boom or personal mic?; Handling twin/multiple-track material; Handling M/S recordings; Techniques for improving audio edits; Dialogue editing software; ADR spotting; ADR cue sheets; ADR spotting software; Attending the ADR session; Editing ADR; ADR fitting software; Splitting the dialogues for the mix; Crowd spotting; Attending the crowd session; Editing the crowd; 12 Preparing for the mix: sound effects editing; Aims; Types of sound effect; Planning the tracklay Sourcing sound effects |
| Record Nr. | UNINA-9910812442803321 |
Wyatt Hilary
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| Oxford, : Focal, 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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If it's purple, someone's gonna die : the power of color in visual storytelling / / Patti Bellantoni
| If it's purple, someone's gonna die : the power of color in visual storytelling / / Patti Bellantoni |
| Autore | Bellantoni Patti |
| Edizione | [1st American pbk. ed.] |
| Pubbl/distr/stampa | Oxford, : Focal, 2005 |
| Descrizione fisica | 1 online resource (263 p.) |
| Disciplina | 791.4301 |
| Soggetto topico |
Colors in motion pictures
Motion pictures |
| ISBN |
1-136-06845-7
1-136-06846-5 1-281-00879-6 9786611008796 1-4237-2256-6 0-08-047841-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; If it's purple, someone's gonna die; Copyright Page; Contents; Brief Filmographies; Foreword; Acknowledgments; Backstory; 1 Red: The Caffeinated Color; Chapter 1-Powerful, Lusty, and Defiant Reds; Powerful Reds; The Wizard of Oz; Working Girl; Dick Tracy; Lusty Reds; The Thomas Crown Affair (Original); Crouching Tiger, Hidden Dragon; Shakespeare in Love; Sea of Love; Defiant Reds; Rebel Without a Cause; Chocolat; Malcolm X; Chapter 2-Anxious, Angry, and Romantic Reds; Anxious Reds; The Sixth Sense; Run Lola Run; Angry Reds; Philadelphia; Schindler's List; American Beauty
Romeo + JulietRomantic Reds; The Age of Innocence; An American in Paris; Witness; Racing with the Moon; The Cider House Rules; 2 Yellow: The Contrary Color; Chapter 3-Exuberant, Obsessive, and Daring Yellows; Exuberant Yellows; American Graffiti; Billy Elliot; The Wizard of Oz; Obsessive Yellows; Taxi Driver; Romeo + Juliet; The English Patient; Daring Yellows; The Thomas Crown Affair; Dick Tracy; Chapter 4-Innocent, Cautionary, and Idyllic Yellows; Innocent Yellows; Chinatown; Rosemary's Baby; Cautionary Yellows; The Age of Innocence; The Caveman's Valentine; Idyllic Yellows Much Ado About NothingThe Talented Mr. Ripley; Malcolm X; Gladiator; 3 Blue: The Detached Color; Chapter 5-Powerless, Cerebral, and Warm Blues; Powerless Blues; Tootsie; The Wizard of Oz; Sense and Sensibility; The Shawshank Redemption; Rosemary's Baby; Cerebral Blues; Crouching Tiger, Hidden Dragon; Malcolm X; Blow-Up; Warm Blues; Working Girl; Billy Elliot; Chocolat; Chapter 6-Melancholy, Cold, and Passive Blues; Melancholy Blues; The Shipping News; About Schmidt; Cold Blues; The Sixth Sense; Snow Falling on Cedars; Romeo + Juliet; Passive Blues; American Beauty; The Cider House Rules 4 Orange: The Sweet and Sour ColorChapter 7-Warm, Naïve, and Romantic Oranges; Warm Oranges; The Godfather; My Family/Mi Familia; The Big Easy; Naïve Oranges; Elizabeth; Thelma & Louise; American Graffiti; Romantic Oranges; Bull Durham; Far from Heaven; Chapter 8-Exotic, Toxic, and Natural Earth Oranges; Exotic Oranges; A Little Princess; Monsoon Wedding; Toxic Oranges; Blade Runner; Apocalypse Now Redux; Gattaca; Natural Earth Oranges; Unforgiven; Thelma & Louise; 5 Green: The Split Personality Color; Chapter 9-Healthy, Ambivalent, and Vital Greens; Healthy Greens; Witness Gorillas in the MistAmbivalent Greens; The Mosquito Coast; Crouching Tiger, Hidden Dragon; Vital Greens; Saving Private Ryan; The Thin Red Line; Chapter 10-Poisonous, Ominous, and Corrupt Greens; Poisonous Greens; Snow White and the Seven Dwarfs; The Wizard of Oz; Ominous Greens; The Caveman's Valentine; Gattaca; A Little Princess; Corrupt Greens; The Virgin Suicides; Cabaret; Great Expectations; 6 Purple: The Beyond-the-Body Color; Chapter 11-Asexual, Illusory, and Fantastic Purples; Asexual Purples; Eyes Wide Shut; Blow-Up; Illusory Purples; Rushmore; Tootsie; Dick Tracy; Far from Heaven Fantastic Purples |
| Record Nr. | UNINA-9910828650003321 |
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Bellantoni Patti
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| Oxford, : Focal, 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Langford's starting photography [[electronic resource] ] : the guide to creating great images
| Langford's starting photography [[electronic resource] ] : the guide to creating great images |
| Autore | Langford Michael John <1933-> |
| Edizione | [6th ed. /] |
| Pubbl/distr/stampa | Amsterdam ; ; London, : Focal, c2009 |
| Descrizione fisica | 1 online resource (361 p.) |
| Disciplina | 771 |
| Altri autori (Persone) | AndrewsPhilip <1964-> |
| Soggetto topico | Photography |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-58685-1
1-282-12096-4 1-136-09390-7 9786612120961 9786613899309 0-08-092697-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Langford's Starting Photography Theguide to creating great images; Copyright; Contents; Introduction; About the authors; Part 1 Picture Making; Seeing and photographing; Using the viewfinder - framing up; Creating a point of emphasis; Picking lighting conditions; Pattern, texture and shape; Using color; Projects Developing a personal approach; Part 2 Camera, Sensors and Film; Camera principles; The camera; Sensors; Films; Scanners; Part 3 Creative Use of Camera Controls; Shutter speeds and movement; Focus and aperture; Choice of exposure; Changing focal length; Set for digital success
ProjectsPart 4 Tackling Different Photographic Subjects; People; Places; Animal portraits; Landscapes; Creating black and white images; Close-up subjects; Action and sports photographs; Going with the flow; Projects Tackling self-set themes; Part 5 Controlling Light; The basics of great lighting; Lighting for people photographs; Lighting objects; Outside shooting; Flash and its control; Layout and lighting in the studio; Projects; Part 6 Photographic Workflow; Demystifying the photographic process; Part 7 Digital Processing and Printing; Introducing the digital photography tools Transferring pictures from the camera to computerProcessing the picture file; First steps in enhancing; Editing techniques; Printing your digital files; Part 8 Experimental and Constructed Images; Letting the image move; Exploring reflections; Using lens attachments; Combining pictures; Creative digital; Print manipulation; Projects; Part 9 Presenting and Assessing Your Work; Finishing off; Presenting pictures in sets; Digital presentation; Evaluating your results; Part 10 Troubleshooting; Film users: assessing the results; General shooting faults Digital users: checking images on the desktopAppendices; Appendix A Computer connection types; Appendix B Camera memory cards; Appendix C Digital camera sensor sizes and resolution (megapixels); Appendix D Suggested starting speeds/apertures for difficult night scenes; Appendix E Scanner connections; Appendix F What resolution shouldI pick?; Appendix G ISO settings and their uses; Appendix H Minimum shutter speeds to stop camera shake; Appendix I Settings to control depth of field; Appendix J Suggested starting speeds to freeze the action of different events Appendix K Flash guide numbers, apertures and distanceAppendix L Using a hand-held meter; Appendix M Batteries; Appendix N Health and safety in photography; Appendix O Black and white film processing and printing; Appendix P Chemically treating black and white prints; Glossary; Index |
| Record Nr. | UNINA-9910458306803321 |
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Langford Michael John <1933->
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| Amsterdam ; ; London, : Focal, c2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Presenting on TV and radio : an insider's guide / / Janet Trewin
| Presenting on TV and radio : an insider's guide / / Janet Trewin |
| Autore | Trewin Janet |
| Edizione | [1st edition] |
| Pubbl/distr/stampa | Oxford, : Focal, 2003 |
| Descrizione fisica | 1 online resource (262 p.) |
| Disciplina | 791.45 |
| Soggetto topico |
Television announcing
Radio announcing |
| ISBN |
1-136-02409-3
1-136-02410-7 1-280-96731-5 9786610967315 0-08-047394-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Title Page; Copyright Page; Table of Contents; Acknowledgements; I What it is and how to do it; 1 Being a presenter; 2 Your voice and how to use it; 3 How to look and how to act; 4 Interviewing; 5 Television essentials; 6 Presenting on television; 7 Presenting on radio; II Types of presentation; 8 News and current affairs; 9 Sport; 10 Lifestyle and features; 11 Music; 12 Children's programmes; 13 International business programmes; 14 Travel news; III Starting out; 15 How to get in and get on; 16 Sexism, ageism, racism and disability; 17 Top tips; Glossary; Index |
| Record Nr. | UNINA-9910819063703321 |
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Trewin Janet
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| Oxford, : Focal, 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Federal Communications Commission : a Primer / Robert L. Hilliard
| The Federal Communications Commission : a Primer / Robert L. Hilliard |
| Autore | Hilliard, Robert L. |
| Pubbl/distr/stampa | Boston - London : Focal, 1991 |
| Descrizione fisica | IX, 115 p. ; 23 cm |
| Disciplina | 353.0087454 |
| Collana | Electronic Media Guides |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNINA-990007137660403321 |
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Hilliard, Robert L.
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| Boston - London : Focal, 1991 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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