"Music's Obedient Daughter" [[electronic resource] ] : The Opera Libretto from Source to Score |
Autore | Lichtenstein Sabine |
Pubbl/distr/stampa | Amsterdam, : Editions Rodopi, 2014 |
Descrizione fisica | 1 online resource (505 p.) |
Disciplina | 782.104 |
Soggetto topico |
Music industry
Opera -- History Opera |
Soggetto genere / forma | Electronic books. |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Tittle Page; Copyright Page; Table of Contents; Introduction; The Power of Music: Striggio and Monteverdi's L'Orfeo; Octavia Reincarnated:Busenello's and Monteverdi's L'incoronazione di Poppea; In the Operatic Workshop:The Case of Varesco's and Mozart's Idomeneo; The Librettist's Dilemma in London:Badini's and Haydn's Orfeo ed Euridice; "But There Is another Intrigue and a Comic Element PlacedAlongside":Hans Sachs - the Relation of Lortzing's Opera to Deinhardstein'sDrama; "Ce bal est original!":Classical Parody and Burlesque in Orphée aux enfers by Crémieux,Halévy and Offenbach
Burning the Heretics and Saving Don Carlos: Méry's, Du Locle's and Verdi's Don Carlos Tracing Wotan's Incendiary Past:The Evolution of Storms and Fire in Wagner's Der Ring des Nibelungen; Manon at the Opera:From Prévost's Manon Lescaut to Auber's Manon Lescaut andMassenet's Manon; "Closed, Efficient, Terrible!":Reflections on the Genesis and Dramaturgy of Illica's, Giacosa's and Puccini's Madama Butterfly; The End of a Line:Strauss' and Hofmannsthal's Elektra; "Something Uncommonly German":Hans Pfitzner's Palestrina, Eine Musikalische Legende The Musical Personality of Don Quixote:Manuel de Falla's El Retablo de Maese Pedro Transformations of the Killing of a Boy:Weill's and Brecht's Der Jasager; A Theological Midrash in Search of Operatic Action:Moses und Aron by Arnold Schoenberg; The Making of a Victim:From Crabbe's The Borough to Slater's and Britten'sPeter Grimes; Opera on Opera:Luciano Berio's Opera; Notes on Contributors; Index |
Record Nr. | UNINA-9910465630403321 |
Lichtenstein Sabine | ||
Amsterdam, : Editions Rodopi, 2014 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
"Music's Obedient Daughter" [[electronic resource] ] : The Opera Libretto from Source to Score |
Autore | Lichtenstein Sabine |
Pubbl/distr/stampa | Amsterdam, : Editions Rodopi, 2014 |
Descrizione fisica | 1 online resource (505 p.) |
Disciplina | 782.104 |
Altri autori (Persone) | LichtensteinSabine <1947-> (Sabine Klara) |
Soggetto topico |
Music industry
Opera -- History Opera |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Tittle Page; Copyright Page; Table of Contents; Introduction; The Power of Music: Striggio and Monteverdi's L'Orfeo; Octavia Reincarnated:Busenello's and Monteverdi's L'incoronazione di Poppea; In the Operatic Workshop:The Case of Varesco's and Mozart's Idomeneo; The Librettist's Dilemma in London:Badini's and Haydn's Orfeo ed Euridice; "But There Is another Intrigue and a Comic Element PlacedAlongside":Hans Sachs - the Relation of Lortzing's Opera to Deinhardstein'sDrama; "Ce bal est original!":Classical Parody and Burlesque in Orphée aux enfers by Crémieux,Halévy and Offenbach
Burning the Heretics and Saving Don Carlos: Méry's, Du Locle's and Verdi's Don Carlos Tracing Wotan's Incendiary Past:The Evolution of Storms and Fire in Wagner's Der Ring des Nibelungen; Manon at the Opera:From Prévost's Manon Lescaut to Auber's Manon Lescaut andMassenet's Manon; "Closed, Efficient, Terrible!":Reflections on the Genesis and Dramaturgy of Illica's, Giacosa's and Puccini's Madama Butterfly; The End of a Line:Strauss' and Hofmannsthal's Elektra; "Something Uncommonly German":Hans Pfitzner's Palestrina, Eine Musikalische Legende The Musical Personality of Don Quixote:Manuel de Falla's El Retablo de Maese Pedro Transformations of the Killing of a Boy:Weill's and Brecht's Der Jasager; A Theological Midrash in Search of Operatic Action:Moses und Aron by Arnold Schoenberg; The Making of a Victim:From Crabbe's The Borough to Slater's and Britten'sPeter Grimes; Opera on Opera:Luciano Berio's Opera; Notes on Contributors; Index |
Record Nr. | UNINA-9910792157603321 |
Lichtenstein Sabine | ||
Amsterdam, : Editions Rodopi, 2014 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
"Music's Obedient Daughter" [[electronic resource] ] : The Opera Libretto from Source to Score |
Autore | Lichtenstein Sabine |
Pubbl/distr/stampa | Amsterdam, : Editions Rodopi, 2014 |
Descrizione fisica | 1 online resource (505 p.) |
Disciplina | 782.104 |
Altri autori (Persone) | LichtensteinSabine <1947-> (Sabine Klara) |
Soggetto topico |
Music industry
Opera -- History Opera |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Tittle Page; Copyright Page; Table of Contents; Introduction; The Power of Music: Striggio and Monteverdi's L'Orfeo; Octavia Reincarnated:Busenello's and Monteverdi's L'incoronazione di Poppea; In the Operatic Workshop:The Case of Varesco's and Mozart's Idomeneo; The Librettist's Dilemma in London:Badini's and Haydn's Orfeo ed Euridice; "But There Is another Intrigue and a Comic Element PlacedAlongside":Hans Sachs - the Relation of Lortzing's Opera to Deinhardstein'sDrama; "Ce bal est original!":Classical Parody and Burlesque in Orphée aux enfers by Crémieux,Halévy and Offenbach
Burning the Heretics and Saving Don Carlos: Méry's, Du Locle's and Verdi's Don Carlos Tracing Wotan's Incendiary Past:The Evolution of Storms and Fire in Wagner's Der Ring des Nibelungen; Manon at the Opera:From Prévost's Manon Lescaut to Auber's Manon Lescaut andMassenet's Manon; "Closed, Efficient, Terrible!":Reflections on the Genesis and Dramaturgy of Illica's, Giacosa's and Puccini's Madama Butterfly; The End of a Line:Strauss' and Hofmannsthal's Elektra; "Something Uncommonly German":Hans Pfitzner's Palestrina, Eine Musikalische Legende The Musical Personality of Don Quixote:Manuel de Falla's El Retablo de Maese Pedro Transformations of the Killing of a Boy:Weill's and Brecht's Der Jasager; A Theological Midrash in Search of Operatic Action:Moses und Aron by Arnold Schoenberg; The Making of a Victim:From Crabbe's The Borough to Slater's and Britten'sPeter Grimes; Opera on Opera:Luciano Berio's Opera; Notes on Contributors; Index |
Record Nr. | UNINA-9910809346103321 |
Lichtenstein Sabine | ||
Amsterdam, : Editions Rodopi, 2014 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
After "Rwanda" [[electronic resource] ] : In Search of a New Ethics |
Autore | Martinon Jean-Paul |
Pubbl/distr/stampa | Amsterdam, : Editions Rodopi, 2013 |
Descrizione fisica | 1 online resource (302 p.) |
Disciplina | 128 |
Collana | Studies in intercultural philosophy After "Rwanda" |
Soggetto topico |
Genocide -- Rwanda
Humanity Political ethics Rwanda -- History -- Civil War, 1994 -- Atrocities Humanity - Rwanda Genocide Philosophy History & Archaeology Philosophy & Religion Regions & Countries - Africa Ethics |
Soggetto genere / forma | Electronic books. |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Title Page; Copyright Page; TABLE OF CONTENTS; ACKNOWLEDGMENTS; CHAPTER 1: MATERNITY - UBUNTU; 1. Here I am; 2. Without God; 3. Maternity; 4. Ubuntu; 5. Filiality; 6. A Logical Absurdity; CHAPTER 2: MATRIX - AKANTU; 1. Murders; 2. Vanquished; 3. The Matrix; 4. Elect-Risk; 5. The Blow Does Not Come; 6. Neither Justice Nor Law; CHAPTER 3: MATERIAL - AHANTU; 1. Eyes; 2. Face; 3. Body; 4. Scene; 5. Horizon; 6. Palaver; CHAPTER 4: MATURITY - AHANTU; 1. God; 2. Embodiment; 3. Otherwise; 4. Present; 5. Sacyega & Ngoma; 6. History; CHAPTER 5: MATRIMONY - UBUMUNTU; 1. Side-by-side; 2. To-let-be
3. Face-to-face4. Side-by-Side-Face-to-Face; 5. Matrimony; 6. Kubana; CHAPTER 6: MATTER - UKUNTU; 1. Writing, Reading; 2. What Comes? Here I am; 3. What is? Thou Shall Not Kill; 4. Kirazira; 5. A Hermeneutic Effort; 6. Necessity; CHAPTER 7: MATERIEL - IKINTU; 1. Stop; 2. By the Crater; 3. With-Out Distance; 4. Vigilance; 5. Work Procreation; 6. At War, in Love; CONCLUSION; BIBLIOGRAPHY; INDEX |
Record Nr. | UNINA-9910464599903321 |
Martinon Jean-Paul | ||
Amsterdam, : Editions Rodopi, 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
After "Rwanda" [[electronic resource] ] : In Search of a New Ethics |
Autore | Martinon Jean-Paul |
Pubbl/distr/stampa | Amsterdam, : Editions Rodopi, 2013 |
Descrizione fisica | 1 online resource (302 p.) |
Disciplina | 128 |
Collana | Studies in intercultural philosophy After "Rwanda" |
Soggetto topico |
Genocide -- Rwanda
Humanity Political ethics Rwanda -- History -- Civil War, 1994 -- Atrocities Humanity - Rwanda Genocide Philosophy History & Archaeology Philosophy & Religion Regions & Countries - Africa Ethics |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Title Page; Copyright Page; TABLE OF CONTENTS; ACKNOWLEDGMENTS; CHAPTER 1: MATERNITY - UBUNTU; 1. Here I am; 2. Without God; 3. Maternity; 4. Ubuntu; 5. Filiality; 6. A Logical Absurdity; CHAPTER 2: MATRIX - AKANTU; 1. Murders; 2. Vanquished; 3. The Matrix; 4. Elect-Risk; 5. The Blow Does Not Come; 6. Neither Justice Nor Law; CHAPTER 3: MATERIAL - AHANTU; 1. Eyes; 2. Face; 3. Body; 4. Scene; 5. Horizon; 6. Palaver; CHAPTER 4: MATURITY - AHANTU; 1. God; 2. Embodiment; 3. Otherwise; 4. Present; 5. Sacyega & Ngoma; 6. History; CHAPTER 5: MATRIMONY - UBUMUNTU; 1. Side-by-side; 2. To-let-be
3. Face-to-face4. Side-by-Side-Face-to-Face; 5. Matrimony; 6. Kubana; CHAPTER 6: MATTER - UKUNTU; 1. Writing, Reading; 2. What Comes? Here I am; 3. What is? Thou Shall Not Kill; 4. Kirazira; 5. A Hermeneutic Effort; 6. Necessity; CHAPTER 7: MATERIEL - IKINTU; 1. Stop; 2. By the Crater; 3. With-Out Distance; 4. Vigilance; 5. Work Procreation; 6. At War, in Love; CONCLUSION; BIBLIOGRAPHY; INDEX |
Record Nr. | UNINA-9910789174303321 |
Martinon Jean-Paul | ||
Amsterdam, : Editions Rodopi, 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
After "Rwanda" [[electronic resource] ] : In Search of a New Ethics |
Autore | Martinon Jean-Paul |
Pubbl/distr/stampa | Amsterdam, : Editions Rodopi, 2013 |
Descrizione fisica | 1 online resource (302 p.) |
Disciplina | 128 |
Collana | Studies in intercultural philosophy After "Rwanda" |
Soggetto topico |
Genocide -- Rwanda
Humanity Political ethics Rwanda -- History -- Civil War, 1994 -- Atrocities Humanity - Rwanda Genocide Philosophy History & Archaeology Philosophy & Religion Regions & Countries - Africa Ethics |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Title Page; Copyright Page; TABLE OF CONTENTS; ACKNOWLEDGMENTS; CHAPTER 1: MATERNITY - UBUNTU; 1. Here I am; 2. Without God; 3. Maternity; 4. Ubuntu; 5. Filiality; 6. A Logical Absurdity; CHAPTER 2: MATRIX - AKANTU; 1. Murders; 2. Vanquished; 3. The Matrix; 4. Elect-Risk; 5. The Blow Does Not Come; 6. Neither Justice Nor Law; CHAPTER 3: MATERIAL - AHANTU; 1. Eyes; 2. Face; 3. Body; 4. Scene; 5. Horizon; 6. Palaver; CHAPTER 4: MATURITY - AHANTU; 1. God; 2. Embodiment; 3. Otherwise; 4. Present; 5. Sacyega & Ngoma; 6. History; CHAPTER 5: MATRIMONY - UBUMUNTU; 1. Side-by-side; 2. To-let-be
3. Face-to-face4. Side-by-Side-Face-to-Face; 5. Matrimony; 6. Kubana; CHAPTER 6: MATTER - UKUNTU; 1. Writing, Reading; 2. What Comes? Here I am; 3. What is? Thou Shall Not Kill; 4. Kirazira; 5. A Hermeneutic Effort; 6. Necessity; CHAPTER 7: MATERIEL - IKINTU; 1. Stop; 2. By the Crater; 3. With-Out Distance; 4. Vigilance; 5. Work Procreation; 6. At War, in Love; CONCLUSION; BIBLIOGRAPHY; INDEX |
Record Nr. | UNINA-9910806162803321 |
Martinon Jean-Paul | ||
Amsterdam, : Editions Rodopi, 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Beckett in the cultural field / / edited by Jürgen Siess, Matthijs Engelberts, Angela Moorjani |
Pubbl/distr/stampa | Amsterdam, New York : , : Editions Rodopi, , 2013 |
Descrizione fisica | 1 online resource (271 p.) |
Disciplina | 848.91409 |
Altri autori (Persone) |
SiessJürgen
EngelbertsMatthijs MoorjaniAngela |
Collana | Samuel Beckett today/aujourd'hui |
Soggetto genere / forma | Electronic books. |
ISBN | 94-012-1025-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | mul |
Nota di contenuto |
Cover; Title Page; Copyright Page; TABLE OF CONTENTS / TABLE DES MATIÈRES; INTRODUCTION; PART I: CONFRONTING THE ARTS, INVESTIGATING RECEPTION / CONFRONTER LES ARTS, ÉTUDIER LA RECEPTION; 1. NOTHING DOING: Reflections on Samuel Beckett and American Conceptual Art; 2.THE FIGURE IN THE LANDSCAPE IN JACK YEATS AND IN SAMUEL BECKETT; 3.POROSITIES: Aesthetic Correlations between Gertrude Stein and Samuel Beckett; 4.THE 'FREEDOM' OF SARTRE AND BECKETT: The Flies versus Eleutheria; 5.ZONES OF INDETERMINATION: Beckett, Bergson, and the Monad of Murphy's Mind
PART II: ENTERING THE FIELD / ENTRER DANS LE CHAMP6.BECKETTS MOLLOY IN THE FRENCH CONTEXT; 7.BECKETT AND THE BBC THIRD PROGRAMME; 8.RECONFIGURATION DU CHAMP DES ÉTUDES BECKETTIENNES: Le règne du 'Beckett irlandais'; FREE SPACE; 9.""SPLITTING THE ROCKS"": Derek Mahon's Beckett; 10. BECKETT'S FILM: A Polycentric Parodic Pictorial Parable for Perennial Paradoxes; 11.MAPPING THE FUTURE: Endgame, Premediation, and the War on Terror; 12.NO WAY OUT: The Effect of Surveillance in The Lost Ones; 13.BECKETT'S HAPPY DAYS AND DANTE'S INFERNO, CANTO 10 14.BETWEEN BEYONDS: Play's Urns and Their Exhabitants15.LE CHAOS: COMMENT C'EST; 16.VOIX ET ILLIMITÉ DANS L'INNOMMABLE; 17. ""I OPEN"": Narration in Samuel Beckett's Cascando; 18.BECKETT'S BOOTS: The Crux of Meaning; CONTRIBUTORS / AUTEURS |
Altri titoli varianti | Beckett dans le champ culturel |
Record Nr. | UNINA-9910464680903321 |
Amsterdam, New York : , : Editions Rodopi, , 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Beckett in the cultural field / / edited by Jürgen Siess, Matthijs Engelberts, Angela Moorjani |
Pubbl/distr/stampa | Amsterdam, New York : , : Editions Rodopi, , 2013 |
Descrizione fisica | 1 online resource (271 p.) |
Disciplina | 848.91409 |
Altri autori (Persone) |
SiessJürgen
EngelbertsMatthijs MoorjaniAngela |
Collana | Samuel Beckett today/aujourd'hui |
ISBN | 94-012-1025-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | mul |
Nota di contenuto |
Cover; Title Page; Copyright Page; TABLE OF CONTENTS / TABLE DES MATIÈRES; INTRODUCTION; PART I: CONFRONTING THE ARTS, INVESTIGATING RECEPTION / CONFRONTER LES ARTS, ÉTUDIER LA RECEPTION; 1. NOTHING DOING: Reflections on Samuel Beckett and American Conceptual Art; 2.THE FIGURE IN THE LANDSCAPE IN JACK YEATS AND IN SAMUEL BECKETT; 3.POROSITIES: Aesthetic Correlations between Gertrude Stein and Samuel Beckett; 4.THE 'FREEDOM' OF SARTRE AND BECKETT: The Flies versus Eleutheria; 5.ZONES OF INDETERMINATION: Beckett, Bergson, and the Monad of Murphy's Mind
PART II: ENTERING THE FIELD / ENTRER DANS LE CHAMP6.BECKETTS MOLLOY IN THE FRENCH CONTEXT; 7.BECKETT AND THE BBC THIRD PROGRAMME; 8.RECONFIGURATION DU CHAMP DES ÉTUDES BECKETTIENNES: Le règne du 'Beckett irlandais'; FREE SPACE; 9.""SPLITTING THE ROCKS"": Derek Mahon's Beckett; 10. BECKETT'S FILM: A Polycentric Parodic Pictorial Parable for Perennial Paradoxes; 11.MAPPING THE FUTURE: Endgame, Premediation, and the War on Terror; 12.NO WAY OUT: The Effect of Surveillance in The Lost Ones; 13.BECKETT'S HAPPY DAYS AND DANTE'S INFERNO, CANTO 10 14.BETWEEN BEYONDS: Play's Urns and Their Exhabitants15.LE CHAOS: COMMENT C'EST; 16.VOIX ET ILLIMITÉ DANS L'INNOMMABLE; 17. ""I OPEN"": Narration in Samuel Beckett's Cascando; 18.BECKETT'S BOOTS: The Crux of Meaning; CONTRIBUTORS / AUTEURS |
Altri titoli varianti | Beckett dans le champ culturel |
Record Nr. | UNINA-9910789291503321 |
Amsterdam, New York : , : Editions Rodopi, , 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Beckett in the cultural field / / edited by Jürgen Siess, Matthijs Engelberts, Angela Moorjani |
Pubbl/distr/stampa | Amsterdam, New York : , : Editions Rodopi, , 2013 |
Descrizione fisica | 1 online resource (271 p.) |
Disciplina | 848.91409 |
Altri autori (Persone) |
SiessJürgen
EngelbertsMatthijs MoorjaniAngela |
Collana | Samuel Beckett today/aujourd'hui |
ISBN | 94-012-1025-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | mul |
Nota di contenuto |
Cover; Title Page; Copyright Page; TABLE OF CONTENTS / TABLE DES MATIÈRES; INTRODUCTION; PART I: CONFRONTING THE ARTS, INVESTIGATING RECEPTION / CONFRONTER LES ARTS, ÉTUDIER LA RECEPTION; 1. NOTHING DOING: Reflections on Samuel Beckett and American Conceptual Art; 2.THE FIGURE IN THE LANDSCAPE IN JACK YEATS AND IN SAMUEL BECKETT; 3.POROSITIES: Aesthetic Correlations between Gertrude Stein and Samuel Beckett; 4.THE 'FREEDOM' OF SARTRE AND BECKETT: The Flies versus Eleutheria; 5.ZONES OF INDETERMINATION: Beckett, Bergson, and the Monad of Murphy's Mind
PART II: ENTERING THE FIELD / ENTRER DANS LE CHAMP6.BECKETTS MOLLOY IN THE FRENCH CONTEXT; 7.BECKETT AND THE BBC THIRD PROGRAMME; 8.RECONFIGURATION DU CHAMP DES ÉTUDES BECKETTIENNES: Le règne du 'Beckett irlandais'; FREE SPACE; 9.""SPLITTING THE ROCKS"": Derek Mahon's Beckett; 10. BECKETT'S FILM: A Polycentric Parodic Pictorial Parable for Perennial Paradoxes; 11.MAPPING THE FUTURE: Endgame, Premediation, and the War on Terror; 12.NO WAY OUT: The Effect of Surveillance in The Lost Ones; 13.BECKETT'S HAPPY DAYS AND DANTE'S INFERNO, CANTO 10 14.BETWEEN BEYONDS: Play's Urns and Their Exhabitants15.LE CHAOS: COMMENT C'EST; 16.VOIX ET ILLIMITÉ DANS L'INNOMMABLE; 17. ""I OPEN"": Narration in Samuel Beckett's Cascando; 18.BECKETT'S BOOTS: The Crux of Meaning; CONTRIBUTORS / AUTEURS |
Altri titoli varianti | Beckett dans le champ culturel |
Record Nr. | UNINA-9910821420403321 |
Amsterdam, New York : , : Editions Rodopi, , 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
British literature and the Balkans [[electronic resource] ] : themes and contexts / / Andrew Hammond |
Autore | Hammond Andrew |
Pubbl/distr/stampa | Amsterdam, : Editions Rodopi, 2010 |
Descrizione fisica | 1 online resource (320 p.) |
Disciplina | 820.9 |
Collana | Studia imagologica : Amsterdam studies on cultural identity |
Soggetto topico | British literature - Balkan Peninsula - History and criticism |
Soggetto genere / forma | Electronic books. |
ISBN |
1-282-72703-6
9786612727030 90-420-2988-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Preliminary Material -- Acknowledgements -- Introduction -- Frontier Myths -- Typologies of the East -- Through Savage Europe -- Balkanism in Political Context -- An Inflexible Exile -- Women and War -- An Escape from Decadence -- Romantic Fiction -- The Red Threat -- Humanitarian Intervention -- Bibliography -- Index. |
Record Nr. | UNINA-9910459020903321 |
Hammond Andrew | ||
Amsterdam, : Editions Rodopi, 2010 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|