Teaching creative writing [[electronic resource] ] : practical approaches / / edited by Elaine Walker |
Pubbl/distr/stampa | Ely [England], : Professional and Higher Partnership Ltd., 2012 |
Descrizione fisica | 1 online resource (244 p.) |
Disciplina | 808.0420711 |
Altri autori (Persone) | WalkerElaine |
Collana | Creative writing series |
Soggetto topico | Creative writing (Higher education) |
Soggetto genere / forma | Electronic books. |
ISBN |
1-281-99999-7
9786613795106 1-907076-15-8 1-907076-48-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Title page; Disclaimer; Series information; Contents; Thematic index; Foreword; 1 - 'Who I am' icebreaker: establishing a group dynamic; 2 - Writing animals; 3 - Editing fiction: a process for creative critique; 4 - On warming up, close reading and sentences; 5 - Travel writing - from classroom to Khartoum; 6 - The flexibility of free indirect style; 7 - The blue chip exercise: defying a single aspect of 'reality' in short fiction; 8 - Teaching aspects of minimalism: flash and micro fiction; 9 - Out of solitude: collaborative fiction writing
10 - Being (in)famous: getting into character 11 - Make your own manifesto: a playful approach to purposeful writing; 12 - Yoga on the page: moving into writing; 13 - Suasoria: arguing for and against a proposition; 14 - The (bridal) shop of ideas: shortcuts to inspiration; 15 - Using place in prose; 16 - Formal verse for the faint-hearted; 17 - Stylistic modelling: creative engagement with word classes and syntax; 18 - Working with desire to build plot; 19 - Poetry out loud: a performance poetry workshop; 20 - Using Web 2.0 in the creative writing workshop: blogs and wikis 21 - Food writing: mobilising the five senses and personal memories 22 - 'Digital lyre': conducting an audio workshop; 23 - To You or not to You? Using second person in prose; 24 - The paperless workshop: save trees, increase interaction, reduce preciousness; 25 - Put it on a postcard: capturing the poetic moment in prose; 26 - Finding a suitable narrative voice when writing for children; 27 - Writing with Shakespeare and Montaigne: past practices for future writers; 28 - Earth, Air, Fire and Water: a writing and performance workshop; 29 - Gift wraps: a collaborative poetry game 30 - Write what you know: fictionalising every day experience 31 - Structuring the perfect short story: how to create a strong plot arc; 32 - Hands-on activities for experimental drama: crafting and directing spectacles; 33 - Exploring multiple viewpoints to create compelling narratives; 34 - Teaching the critical reflective essay; 35 - How to write a bad poem; 36 - Considering connotation: the impact and implications of language in poetry; 37 - Whatever!: exploring the 'authentic voice' in young-adult fiction; 38 - 'Give and take': getting a stage play on its feet 39 - Start where you are: read what you know 40 - Writing suspense(fully); 41 - Other talents: 'doing creative (writing)'; 42 - Fascinating rhythm: teaching songwriting - a multi-modal experience; 43 - Leaving the comfort zone: against practicality and rationality; 44 - Flights of fancy: writing from myth; 45 - Found poetry workshop; 46 - 30/30 projects: developing a daily writing habit; 47 - Using guided walks in creative writing: wandering, observing, describing; 48 - Researching for the fiction writer; 49 - Writing with the masters: finding creativity in copying 50 - Describing with feeling: evoking style, tone and emotion in script scene directions |
Record Nr. | UNINA-9910462419003321 |
Ely [England], : Professional and Higher Partnership Ltd., 2012 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Teaching creative writing [[electronic resource] ] : practical approaches / / edited by Elaine Walker |
Pubbl/distr/stampa | Ely [England], : Professional and Higher Partnership Ltd., 2012 |
Descrizione fisica | 1 online resource (244 p.) |
Disciplina | 808.0420711 |
Altri autori (Persone) | WalkerElaine |
Collana | Creative writing series |
Soggetto topico | Creative writing (Higher education) |
ISBN |
1-281-99999-7
9786613795106 1-907076-15-8 1-907076-48-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Title page; Disclaimer; Series information; Contents; Thematic index; Foreword; 1 - 'Who I am' icebreaker: establishing a group dynamic; 2 - Writing animals; 3 - Editing fiction: a process for creative critique; 4 - On warming up, close reading and sentences; 5 - Travel writing - from classroom to Khartoum; 6 - The flexibility of free indirect style; 7 - The blue chip exercise: defying a single aspect of 'reality' in short fiction; 8 - Teaching aspects of minimalism: flash and micro fiction; 9 - Out of solitude: collaborative fiction writing
10 - Being (in)famous: getting into character 11 - Make your own manifesto: a playful approach to purposeful writing; 12 - Yoga on the page: moving into writing; 13 - Suasoria: arguing for and against a proposition; 14 - The (bridal) shop of ideas: shortcuts to inspiration; 15 - Using place in prose; 16 - Formal verse for the faint-hearted; 17 - Stylistic modelling: creative engagement with word classes and syntax; 18 - Working with desire to build plot; 19 - Poetry out loud: a performance poetry workshop; 20 - Using Web 2.0 in the creative writing workshop: blogs and wikis 21 - Food writing: mobilising the five senses and personal memories 22 - 'Digital lyre': conducting an audio workshop; 23 - To You or not to You? Using second person in prose; 24 - The paperless workshop: save trees, increase interaction, reduce preciousness; 25 - Put it on a postcard: capturing the poetic moment in prose; 26 - Finding a suitable narrative voice when writing for children; 27 - Writing with Shakespeare and Montaigne: past practices for future writers; 28 - Earth, Air, Fire and Water: a writing and performance workshop; 29 - Gift wraps: a collaborative poetry game 30 - Write what you know: fictionalising every day experience 31 - Structuring the perfect short story: how to create a strong plot arc; 32 - Hands-on activities for experimental drama: crafting and directing spectacles; 33 - Exploring multiple viewpoints to create compelling narratives; 34 - Teaching the critical reflective essay; 35 - How to write a bad poem; 36 - Considering connotation: the impact and implications of language in poetry; 37 - Whatever!: exploring the 'authentic voice' in young-adult fiction; 38 - 'Give and take': getting a stage play on its feet 39 - Start where you are: read what you know 40 - Writing suspense(fully); 41 - Other talents: 'doing creative (writing)'; 42 - Fascinating rhythm: teaching songwriting - a multi-modal experience; 43 - Leaving the comfort zone: against practicality and rationality; 44 - Flights of fancy: writing from myth; 45 - Found poetry workshop; 46 - 30/30 projects: developing a daily writing habit; 47 - Using guided walks in creative writing: wandering, observing, describing; 48 - Researching for the fiction writer; 49 - Writing with the masters: finding creativity in copying 50 - Describing with feeling: evoking style, tone and emotion in script scene directions |
Record Nr. | UNINA-9910790497803321 |
Ely [England], : Professional and Higher Partnership Ltd., 2012 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Teaching creative writing [[electronic resource] ] : practical approaches / / edited by Elaine Walker |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Ely [England], : Professional and Higher Partnership Ltd., 2012 |
Descrizione fisica | 1 online resource (244 p.) |
Disciplina | 808.0420711 |
Altri autori (Persone) | WalkerElaine |
Collana | Creative writing series |
Soggetto topico | Creative writing (Higher education) |
ISBN |
1-281-99999-7
9786613795106 1-907076-15-8 1-907076-48-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Title page; Disclaimer; Series information; Contents; Thematic index; Foreword; 1 - 'Who I am' icebreaker: establishing a group dynamic; 2 - Writing animals; 3 - Editing fiction: a process for creative critique; 4 - On warming up, close reading and sentences; 5 - Travel writing - from classroom to Khartoum; 6 - The flexibility of free indirect style; 7 - The blue chip exercise: defying a single aspect of 'reality' in short fiction; 8 - Teaching aspects of minimalism: flash and micro fiction; 9 - Out of solitude: collaborative fiction writing
10 - Being (in)famous: getting into character 11 - Make your own manifesto: a playful approach to purposeful writing; 12 - Yoga on the page: moving into writing; 13 - Suasoria: arguing for and against a proposition; 14 - The (bridal) shop of ideas: shortcuts to inspiration; 15 - Using place in prose; 16 - Formal verse for the faint-hearted; 17 - Stylistic modelling: creative engagement with word classes and syntax; 18 - Working with desire to build plot; 19 - Poetry out loud: a performance poetry workshop; 20 - Using Web 2.0 in the creative writing workshop: blogs and wikis 21 - Food writing: mobilising the five senses and personal memories 22 - 'Digital lyre': conducting an audio workshop; 23 - To You or not to You? Using second person in prose; 24 - The paperless workshop: save trees, increase interaction, reduce preciousness; 25 - Put it on a postcard: capturing the poetic moment in prose; 26 - Finding a suitable narrative voice when writing for children; 27 - Writing with Shakespeare and Montaigne: past practices for future writers; 28 - Earth, Air, Fire and Water: a writing and performance workshop; 29 - Gift wraps: a collaborative poetry game 30 - Write what you know: fictionalising every day experience 31 - Structuring the perfect short story: how to create a strong plot arc; 32 - Hands-on activities for experimental drama: crafting and directing spectacles; 33 - Exploring multiple viewpoints to create compelling narratives; 34 - Teaching the critical reflective essay; 35 - How to write a bad poem; 36 - Considering connotation: the impact and implications of language in poetry; 37 - Whatever!: exploring the 'authentic voice' in young-adult fiction; 38 - 'Give and take': getting a stage play on its feet 39 - Start where you are: read what you know 40 - Writing suspense(fully); 41 - Other talents: 'doing creative (writing)'; 42 - Fascinating rhythm: teaching songwriting - a multi-modal experience; 43 - Leaving the comfort zone: against practicality and rationality; 44 - Flights of fancy: writing from myth; 45 - Found poetry workshop; 46 - 30/30 projects: developing a daily writing habit; 47 - Using guided walks in creative writing: wandering, observing, describing; 48 - Researching for the fiction writer; 49 - Writing with the masters: finding creativity in copying 50 - Describing with feeling: evoking style, tone and emotion in script scene directions |
Record Nr. | UNINA-9910818154103321 |
Ely [England], : Professional and Higher Partnership Ltd., 2012 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|