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Post-soul satire : black identity after Civil Rights / / edited by Derek C. Maus and James J. Donahue
| Post-soul satire : black identity after Civil Rights / / edited by Derek C. Maus and James J. Donahue |
| Pubbl/distr/stampa | Jackson : , : University Press of Mississippi, , [2014] |
| Descrizione fisica | 1 online resource (341 p.) |
| Disciplina | 302.23089/96073 |
| Soggetto topico |
African Americans in mass media
African Americans - Race identity Satire, American - History and criticism African Americans in literature African Americans in motion pictures African Americans in popular culture African Americans - Intellectual life |
| ISBN | 1-62674-028-3 |
| Classificazione | SOC001000SOC022000LIT004040 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Acknowledgments; "Mommy, What's a Post-Soul Satirist?": An Introduction; Post-Black Art and the Resurrection of African American Satire; Blackness We Can Believe In: Authentic Blackness and the Evolution of Aaron McGruder's The Boondocks; The Lower Frequencies: Hip-Hop Satire in the New Millennium; Knock, Knock the Hustle: Resisting Commercialism in the African American Family Film; Dirty Pretty Things: The Racial Grotesque and Contemporary Art; Percival Everett's Erasure: That Drat Aporia When Black Satire Meets "The Pleasure of the Text"
Who's Afraid of Post-Soul Satire?: Touré's "Black Widow" Trilogy in The Portable Promised LandTouré, Ecstatic Consumption, and Soul City: Satire and the Problem of Monoculture; "I Felt Like I Was Part of the Troop": Satire, Feminist Narratology, and Community; Pilgrims in an Unholy Land: Satire and the Challenge of African American Leadership in The Boondocks and The White Boy Shuffle; Dissimulating Blackness: The Degenerative Satires of Paul Beatty and Percival Everett; "It's a Black Thang Maybe": Satirical Blackness in Percival Everett's Erasure and Adam Mansbach's Angry Black White Boy Coal, Charcoal, and Chocolate Comedy: The Satire of John Killens and Mat JohnsonHow a Mama on the Couch Evolves into a Black Man with Watermelon: George C. Wolfe, Suzan-Lori Parks, and the Theatre of "Colored Contradictions"; "Slaves? With Lines?": Trickster Aesthetic and Satirical Strategies in Two Plays by Lynn Nottage; Satirizing Satire: Symbolic Violence and Subversion in Spike Lee's Bamboozled; Charlie Murphy: American Storyteller; Embodied and Disembodied Black Satire: From Chappelle and Crockett to Key & Peele Television Satire in the Black Americas: Transnational Border Crossings in Chappelle's Show and The Ity and Fancy Cat ShowAfterword: From Pilloried to Post-Soul: The Future of African American Satire; Composite Bibliography; Contributors; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; V; W; Y |
| Record Nr. | UNINA-9910797652103321 |
| Jackson : , : University Press of Mississippi, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Post-soul satire : black identity after Civil Rights / / edited by Derek C. Maus and James J. Donahue
| Post-soul satire : black identity after Civil Rights / / edited by Derek C. Maus and James J. Donahue |
| Pubbl/distr/stampa | Jackson : , : University Press of Mississippi, , [2014] |
| Descrizione fisica | 1 online resource (341 p.) |
| Disciplina | 302.23089/96073 |
| Soggetto topico |
African Americans in mass media
African Americans - Race identity Satire, American - History and criticism African Americans in literature African Americans in motion pictures African Americans in popular culture African Americans - Intellectual life |
| ISBN | 1-62674-028-3 |
| Classificazione | SOC001000SOC022000LIT004040 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Acknowledgments; "Mommy, What's a Post-Soul Satirist?": An Introduction; Post-Black Art and the Resurrection of African American Satire; Blackness We Can Believe In: Authentic Blackness and the Evolution of Aaron McGruder's The Boondocks; The Lower Frequencies: Hip-Hop Satire in the New Millennium; Knock, Knock the Hustle: Resisting Commercialism in the African American Family Film; Dirty Pretty Things: The Racial Grotesque and Contemporary Art; Percival Everett's Erasure: That Drat Aporia When Black Satire Meets "The Pleasure of the Text"
Who's Afraid of Post-Soul Satire?: Touré's "Black Widow" Trilogy in The Portable Promised LandTouré, Ecstatic Consumption, and Soul City: Satire and the Problem of Monoculture; "I Felt Like I Was Part of the Troop": Satire, Feminist Narratology, and Community; Pilgrims in an Unholy Land: Satire and the Challenge of African American Leadership in The Boondocks and The White Boy Shuffle; Dissimulating Blackness: The Degenerative Satires of Paul Beatty and Percival Everett; "It's a Black Thang Maybe": Satirical Blackness in Percival Everett's Erasure and Adam Mansbach's Angry Black White Boy Coal, Charcoal, and Chocolate Comedy: The Satire of John Killens and Mat JohnsonHow a Mama on the Couch Evolves into a Black Man with Watermelon: George C. Wolfe, Suzan-Lori Parks, and the Theatre of "Colored Contradictions"; "Slaves? With Lines?": Trickster Aesthetic and Satirical Strategies in Two Plays by Lynn Nottage; Satirizing Satire: Symbolic Violence and Subversion in Spike Lee's Bamboozled; Charlie Murphy: American Storyteller; Embodied and Disembodied Black Satire: From Chappelle and Crockett to Key & Peele Television Satire in the Black Americas: Transnational Border Crossings in Chappelle's Show and The Ity and Fancy Cat ShowAfterword: From Pilloried to Post-Soul: The Future of African American Satire; Composite Bibliography; Contributors; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; V; W; Y |
| Record Nr. | UNINA-9910822418603321 |
| Jackson : , : University Press of Mississippi, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||