Info
- Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.
Applied theatre : research : radical departures / / Peter O'Connor and Michael Anderson ; series editors, Michael Balfour and sheila Preston
| Applied theatre : research : radical departures / / Peter O'Connor and Michael Anderson ; series editors, Michael Balfour and sheila Preston |
| Autore | O'Connor Peter |
| Pubbl/distr/stampa | London, England : , : Bloomsbury Methuen Drama, , [2015] |
| Descrizione fisica | 1 online resource (307 p.) |
| Disciplina | 792.01 |
| Collana | Applied theatre |
| Soggetto topico | Theater - Research |
| ISBN |
1-4725-0961-7
1-4725-0951-X 1-4725-1385-1 |
| Classificazione | PER011020 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Title Page; Copyright Page; Contents; List of Figures; Notes on Contributors; Acknowledgements; Part 1 - Radical Departures; Chapter 1 - Research in a Post-Normal World; Research and the post-normal; Complexity and the post-normal; Chaos in the post-normal; Contradictions and the post-normal; The young and the global financial crisis; Research and hope; Research and democracy; Community-Based Participatory Research; Participatory Action Research: Seeds of democracy; Arts-based research; The body in research; Theatre, performance and research; Applied theatre as resistance
The aesthetic in applied theatreApplied theatre and democracy; Applied theatre and research; Decolonizing research methodologies through applied theatre; Creating new research languages; Evaluation and applied theatre; Advocacy and research; Methodological complexity; Understanding change over time; Effective evaluation in applied theatre; Applied Theatre as Research; The underlying principles of ATAR; Co-constructing research: Mapping the questions; Exploring applied theatre as research: Young Mob, Sydney, Australia; The research document; Designing the project Creating a symbiotic experienceBuilding a research team; Attending to rigour: Anticipating the challenge; Selecting a fictional frame . . . entering the story; The features of an effective fictional framework; Generating diverse data: Making theatre in multiple ways; Data analysis; Disseminating, communicating and presenting the data; Multiple ways ahead; ATAR in practice: Complexity, hope and engagement in applied theatre as research; Part 2 - Case Studies in Applied Theatre as Research; Chapter 2 - Applied Theatre as Research Working with Looked-After Children Forming the foundations: The mainplace pilot projectIndividual pieces; Expanding the research in related settings; Working within the institution; Housing associations; Closed penal institutions; Power paradigms; The review meeting, drama as a research tool; Applied theatre as emancipatory research; Radical creative spaces; Mini-me's; Leaving videos; Individual pieces; Conclusion; Chapter 3 - Finding Maximus in Fragments of Playful Intensity; Alternatives in education; Finding the alternative education tutor; Blurring boundaries between poetry and drama; Elements of the workshop Fragment one: 'It's the love that's missing'Fragment two: Seeing the self in other; Fragment three: The heart of Maximus; Fragment four: Leaving imprints; Maximus: A romantic critic; Chapter 4 - Pretending to Research: Young People at the Centre of Discovery; Introduction; Generating stories; Out West; Preparing to research; Ethical approaches to research; Research with the seniors; A meeting of minds and bodies; Artefacts; Understanding the aesthetic; The performance approach; Making choices/mediation; Ethnographic performance; Bill's book; The framing device In front of the audience at last |
| Record Nr. | UNINA-9910787911503321 |
O'Connor Peter
|
||
| London, England : , : Bloomsbury Methuen Drama, , [2015] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Applied theatre : research : radical departures / / Peter O'Connor and Michael Anderson ; series editors, Michael Balfour and sheila Preston
| Applied theatre : research : radical departures / / Peter O'Connor and Michael Anderson ; series editors, Michael Balfour and sheila Preston |
| Autore | O'Connor Peter |
| Pubbl/distr/stampa | London, England : , : Bloomsbury Methuen Drama, , [2015] |
| Descrizione fisica | 1 online resource (307 p.) |
| Disciplina | 792.01 |
| Collana | Applied theatre |
| Soggetto topico | Theater - Research |
| ISBN |
1-4725-0961-7
1-4725-0951-X 1-4725-1385-1 |
| Classificazione | PER011020 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Title Page; Copyright Page; Contents; List of Figures; Notes on Contributors; Acknowledgements; Part 1 - Radical Departures; Chapter 1 - Research in a Post-Normal World; Research and the post-normal; Complexity and the post-normal; Chaos in the post-normal; Contradictions and the post-normal; The young and the global financial crisis; Research and hope; Research and democracy; Community-Based Participatory Research; Participatory Action Research: Seeds of democracy; Arts-based research; The body in research; Theatre, performance and research; Applied theatre as resistance
The aesthetic in applied theatreApplied theatre and democracy; Applied theatre and research; Decolonizing research methodologies through applied theatre; Creating new research languages; Evaluation and applied theatre; Advocacy and research; Methodological complexity; Understanding change over time; Effective evaluation in applied theatre; Applied Theatre as Research; The underlying principles of ATAR; Co-constructing research: Mapping the questions; Exploring applied theatre as research: Young Mob, Sydney, Australia; The research document; Designing the project Creating a symbiotic experienceBuilding a research team; Attending to rigour: Anticipating the challenge; Selecting a fictional frame . . . entering the story; The features of an effective fictional framework; Generating diverse data: Making theatre in multiple ways; Data analysis; Disseminating, communicating and presenting the data; Multiple ways ahead; ATAR in practice: Complexity, hope and engagement in applied theatre as research; Part 2 - Case Studies in Applied Theatre as Research; Chapter 2 - Applied Theatre as Research Working with Looked-After Children Forming the foundations: The mainplace pilot projectIndividual pieces; Expanding the research in related settings; Working within the institution; Housing associations; Closed penal institutions; Power paradigms; The review meeting, drama as a research tool; Applied theatre as emancipatory research; Radical creative spaces; Mini-me's; Leaving videos; Individual pieces; Conclusion; Chapter 3 - Finding Maximus in Fragments of Playful Intensity; Alternatives in education; Finding the alternative education tutor; Blurring boundaries between poetry and drama; Elements of the workshop Fragment one: 'It's the love that's missing'Fragment two: Seeing the self in other; Fragment three: The heart of Maximus; Fragment four: Leaving imprints; Maximus: A romantic critic; Chapter 4 - Pretending to Research: Young People at the Centre of Discovery; Introduction; Generating stories; Out West; Preparing to research; Ethical approaches to research; Research with the seniors; A meeting of minds and bodies; Artefacts; Understanding the aesthetic; The performance approach; Making choices/mediation; Ethnographic performance; Bill's book; The framing device In front of the audience at last |
| Record Nr. | UNINA-9910824261003321 |
|
O'Connor Peter
|
||
| London, England : , : Bloomsbury Methuen Drama, , [2015] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Applied theatre : development / / Tim Prentki
| Applied theatre : development / / Tim Prentki |
| Autore | Prentki Tim |
| Pubbl/distr/stampa | London, England : , : Bloomsbury Methuen Drama, , 2020 |
| Descrizione fisica | 1 online resource (305 p.) |
| Disciplina | 792.02/2 |
| Collana | Applied theatre |
| Soggetto topico |
Theater and society
Community theater Theatre studies |
| ISBN |
1-4725-0828-9
1-4725-0518-2 |
| Classificazione | PER011020 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | One. A Conceptual Framework for Theatre for Development: 1. History and Origins of Theatre for Development ; 2. Fool's Play or Juggling with Neoliberalism -- Two. Case Studies: 3. Capacity Building Theatre (and Vice Versa) ; 4. Isolation in Community Theatre ; 5. The Game of Identities: Intercultural Theatre in the Peruvian Amazon ; 6. Imizamo Yethu - 'our efforts' to Engage Through Theatre ; 7. Theatre in Crisis: Moments of Beauty in Applied Theatre ; 8. Exploring Theatre as a Pedagogy for 'Developing Citizens' in an English Primary School ; 9. The Ludic Box: Playful Alternatives from Guatemala for the World ; Afterword: What Next for Theatre for Development?. |
| Altri titoli varianti | Development |
| Record Nr. | UNINA-9910788199203321 |
|
Prentki Tim
|
||
| London, England : , : Bloomsbury Methuen Drama, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Applied theatre : development / / Tim Prentki
| Applied theatre : development / / Tim Prentki |
| Autore | Prentki Tim |
| Pubbl/distr/stampa | London, England : , : Bloomsbury Methuen Drama, , 2020 |
| Descrizione fisica | 1 online resource (305 p.) |
| Disciplina | 792.02/2 |
| Collana | Applied theatre |
| Soggetto topico |
Theater and society
Community theater Theatre studies |
| ISBN |
1-4725-0828-9
1-4725-0518-2 |
| Classificazione | PER011020 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | One. A Conceptual Framework for Theatre for Development: 1. History and Origins of Theatre for Development ; 2. Fool's Play or Juggling with Neoliberalism -- Two. Case Studies: 3. Capacity Building Theatre (and Vice Versa) ; 4. Isolation in Community Theatre ; 5. The Game of Identities: Intercultural Theatre in the Peruvian Amazon ; 6. Imizamo Yethu - 'our efforts' to Engage Through Theatre ; 7. Theatre in Crisis: Moments of Beauty in Applied Theatre ; 8. Exploring Theatre as a Pedagogy for 'Developing Citizens' in an English Primary School ; 9. The Ludic Box: Playful Alternatives from Guatemala for the World ; Afterword: What Next for Theatre for Development?. |
| Altri titoli varianti | Development |
| Record Nr. | UNINA-9910810451103321 |
|
Prentki Tim
|
||
| London, England : , : Bloomsbury Methuen Drama, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Applied theatre : aesthetics / / Gareth White
| Applied theatre : aesthetics / / Gareth White |
| Autore | White Gareth <1968-> |
| Pubbl/distr/stampa | London, England : , : Bloomsbury Methuen Drama, , [2015] |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 792.01 |
| Altri autori (Persone) |
BalfourMichael
PrestonSheila |
| Collana | Applied Theatre |
| Soggetto topico | Theater - Aesthetics |
| ISBN |
1-4725-0759-2
1-4725-1177-8 |
| Classificazione | PER011020 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Title Page; Copyright Page; Contents; List of Figures; Notes on Contributors; Introduction; Applied theatre, aesthetics and the aesthetic; Terminological drift and clarity; Beauty and engagement; An applied theatre aesthetic?; The chapters; Part 1; Chapter 1 Aesthetics and the Aesthetic; What do we mean when we talk about 'Aesthetics'?; Philosophical aesthetics; Immanuel Kant and the emergence of aesthetics; The critique of aesthetics and progressive alternatives; Dewey's pragmatist aesthetics; The aesthetics of participation; Interlude: Eye Queue Hear
Chapter 2 Aesthetic Autonomy and Heteronomous AestheticsAesthetic autonomy; Genius, participation and The Radical Aesthetic; Dependent beauty; Heteronomous aesthetics; Berleant and The Aesthetic Field; Shusterman: Updating pragmatism; Johnson and aesthetic understanding; Conclusion; Part 2; Chapter 3 Dancing With Difference: Moving Towards a New Aesthetics; Beauty reflected, recollected and reconceived; Moving beyond moving: StevensonThompson; Fevered Sleep and 'Social Works': On Ageing and Men and Girls Dance; Conclusion Chapter 4 Revolutionary Beauty out of Homophobic Hate: A Reflection on the Performance I Stand Corrected Applied politricks; Applied lackaesthetics; Beauty and the senses ; Beauty and the sacred; Beautiful women, ugly feelings; Thinking beauty; Beautifully black; Beautiful moves; Looking forward; Chapter 5 Competing International Players and their Aesthetic Imperatives: The Future of Internationalized Applied Theatre Practice?; Introduction; Aesthetics; Ethnoscape - a way of looking; Refugees; International interveners; European artists; Tourists; Conclusion Chapter 6 Aesthetic Play: Between Performance and JusticeIntroduction; Gacaca as a performative; Performing justice and reconciliation - Art's sublimation (2005); Gacaca as ikinimicu (2010); Conclusion; Chapter 7 The Political Imagination and Contemporary Theatre for Youth; Introduction; Political aesthetics; Rough Theatre today; Responding to young people's lives; Imagination, popular culture, Rough Theatre; Acquiescence: The Rock Eisteddfod Challenge; Popular culture as cultural pedagogy; Chapter 8 The Aesthetics of Becoming; Applied Theatre and the Quest for Cultural Certitude IntroductionAesthetic decisions in applied theatre settings; 'Baby Bird' drama: An example of genre shifts; Quadripartite thinking/quadripartite response; Aesthetic variables within the art form of drama; Conclusion; Epilogue; Notes; Introduction; Chapter 1; Interlude; Chapter 2; Chapter 3; Chapter 4; Chapter 5; Chapter 6; Chapter 7; Chapter 8; Epilogue; References; Introduction; Chapter 1; Chapter 2; Chapter 3; Chapter 4; Chapter 5; Chapter 6; Chapter 7; Chapter 8; Epilogue; Index |
| Record Nr. | UNINA-9910788199603321 |
|
White Gareth <1968->
|
||
| London, England : , : Bloomsbury Methuen Drama, , [2015] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Applied theatre : aesthetics / / Gareth White
| Applied theatre : aesthetics / / Gareth White |
| Autore | White Gareth <1968-> |
| Pubbl/distr/stampa | London, England : , : Bloomsbury Methuen Drama, , [2015] |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 792.01 |
| Altri autori (Persone) |
BalfourMichael
PrestonSheila |
| Collana | Applied Theatre |
| Soggetto topico | Theater - Aesthetics |
| ISBN |
1-4725-0759-2
1-4725-1177-8 |
| Classificazione | PER011020 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Title Page; Copyright Page; Contents; List of Figures; Notes on Contributors; Introduction; Applied theatre, aesthetics and the aesthetic; Terminological drift and clarity; Beauty and engagement; An applied theatre aesthetic?; The chapters; Part 1; Chapter 1 Aesthetics and the Aesthetic; What do we mean when we talk about 'Aesthetics'?; Philosophical aesthetics; Immanuel Kant and the emergence of aesthetics; The critique of aesthetics and progressive alternatives; Dewey's pragmatist aesthetics; The aesthetics of participation; Interlude: Eye Queue Hear
Chapter 2 Aesthetic Autonomy and Heteronomous AestheticsAesthetic autonomy; Genius, participation and The Radical Aesthetic; Dependent beauty; Heteronomous aesthetics; Berleant and The Aesthetic Field; Shusterman: Updating pragmatism; Johnson and aesthetic understanding; Conclusion; Part 2; Chapter 3 Dancing With Difference: Moving Towards a New Aesthetics; Beauty reflected, recollected and reconceived; Moving beyond moving: StevensonThompson; Fevered Sleep and 'Social Works': On Ageing and Men and Girls Dance; Conclusion Chapter 4 Revolutionary Beauty out of Homophobic Hate: A Reflection on the Performance I Stand Corrected Applied politricks; Applied lackaesthetics; Beauty and the senses ; Beauty and the sacred; Beautiful women, ugly feelings; Thinking beauty; Beautifully black; Beautiful moves; Looking forward; Chapter 5 Competing International Players and their Aesthetic Imperatives: The Future of Internationalized Applied Theatre Practice?; Introduction; Aesthetics; Ethnoscape - a way of looking; Refugees; International interveners; European artists; Tourists; Conclusion Chapter 6 Aesthetic Play: Between Performance and JusticeIntroduction; Gacaca as a performative; Performing justice and reconciliation - Art's sublimation (2005); Gacaca as ikinimicu (2010); Conclusion; Chapter 7 The Political Imagination and Contemporary Theatre for Youth; Introduction; Political aesthetics; Rough Theatre today; Responding to young people's lives; Imagination, popular culture, Rough Theatre; Acquiescence: The Rock Eisteddfod Challenge; Popular culture as cultural pedagogy; Chapter 8 The Aesthetics of Becoming; Applied Theatre and the Quest for Cultural Certitude IntroductionAesthetic decisions in applied theatre settings; 'Baby Bird' drama: An example of genre shifts; Quadripartite thinking/quadripartite response; Aesthetic variables within the art form of drama; Conclusion; Epilogue; Notes; Introduction; Chapter 1; Interlude; Chapter 2; Chapter 3; Chapter 4; Chapter 5; Chapter 6; Chapter 7; Chapter 8; Epilogue; References; Introduction; Chapter 1; Chapter 2; Chapter 3; Chapter 4; Chapter 5; Chapter 6; Chapter 7; Chapter 8; Epilogue; Index |
| Record Nr. | UNINA-9910815414403321 |
|
White Gareth <1968->
|
||
| London, England : , : Bloomsbury Methuen Drama, , [2015] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Childhood and nineteenth-century American theatre : the work of the Marsh Troupe of Juvenile Actors / / Shauna Vey
| Childhood and nineteenth-century American theatre : the work of the Marsh Troupe of Juvenile Actors / / Shauna Vey |
| Autore | Vey Shauna A. |
| Pubbl/distr/stampa | Carbondale : , : Southern Illinois University Press, , [2015] |
| Descrizione fisica | 1 online resource (241 p.) |
| Disciplina | 792.09748/11 |
| Collana | Theater in the Americas |
| Soggetto topico |
Child actors - United States - History - 19th century
Theater - United States - History - 19th century |
| ISBN | 0-8093-3439-9 |
| Classificazione | PER011020 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910797613703321 |
|
Vey Shauna A.
|
||
| Carbondale : , : Southern Illinois University Press, , [2015] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Childhood and nineteenth-century American theatre : the work of the Marsh Troupe of Juvenile Actors / / Shauna Vey
| Childhood and nineteenth-century American theatre : the work of the Marsh Troupe of Juvenile Actors / / Shauna Vey |
| Autore | Vey Shauna A. |
| Pubbl/distr/stampa | Carbondale : , : Southern Illinois University Press, , [2015] |
| Descrizione fisica | 1 online resource (241 p.) |
| Disciplina | 792.09748/11 |
| Collana | Theater in the Americas |
| Soggetto topico |
Child actors - United States - History - 19th century
Theater - United States - History - 19th century |
| ISBN | 0-8093-3439-9 |
| Classificazione | PER011020 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910814786003321 |
|
Vey Shauna A.
|
||
| Carbondale : , : Southern Illinois University Press, , [2015] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Contemporary Japanese Women's Theatre and Visual Arts : Performing Girls' Aesthetics / / by Nobuko Anan
| Contemporary Japanese Women's Theatre and Visual Arts : Performing Girls' Aesthetics / / by Nobuko Anan |
| Autore | Anan Nobuko |
| Edizione | [1st ed. 2016.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 |
| Descrizione fisica | 1 online resource (240 p.) |
| Disciplina | 792.0952 |
| Collana | Contemporary Performance InterActions |
| Soggetto topico |
Theater - History
Performing arts Theater Arts Aesthetics Theatre History Theatre and Performance Arts |
| ISBN |
9781137372987
1137372982 |
| Classificazione | PER011020 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Machine generated contents note: -- Introduction: Girls' Aesthetics 1.Girls' Time, Girls' Space 2.Girlie Sexuality: When Flat Girls Become Three-Dimensional 3.Citizen Girls 4.'Little Girls' Go West? Afterword: Girls' Aesthetics as Feminist Practices Notes Bibliography Index. |
| Record Nr. | UNINA-9910255247103321 |
|
Anan Nobuko
|
||
| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Howard Barker's theatre : wrestling with catastrophe / / edited by James Reynolds, Andrew Smith
| Howard Barker's theatre : wrestling with catastrophe / / edited by James Reynolds, Andrew Smith |
| Pubbl/distr/stampa | London, England : , : Bloomsbury, , [2015] |
| Descrizione fisica | 1 online resource (297 p.) |
| Disciplina | 822.914 |
| Collana | Methuen drama engage |
| ISBN |
1-4081-8425-7
1-4081-8599-7 |
| Classificazione | PER011020 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half Title; Series; Title; Copyright; Dedication; Contents; List of Photographic Plates; Notes on Contributors; Acknowledgements; Introduction to Howard Barker's Theatre: Wrestling with Catastrophe; Part One Howard Barker and The Wrestling School; 1 A Company and Its Origins; 2 From the Actor, to the Actor; Nicholas Le Prevost; Philip Franks; James Clyde; Sean O'Callaghan; Jules Melvin; Victoria Wicks; Suzy Cooper; 3 Directing Slowly; 4 Amplifying Catastrophe; Considerations of form; Pakhuis 17 - A new aesthetic emerges; Bespoke subversion; Lighting techniques for enhanced presence
Production rehearsal with The Wrestling SchoolThe exordium; 5 On Discipline; Part Two Readings/Inversions; 6 'To experience a thing as beautiful': The Photographic Practice of Howard Barker; Bodies; Objects; The mysterious Eduardo Houth; 7 Vintage Barker: New Writing in Old Bottles; Waves and brands; The dramaturgy of New Writing; Legacy; 8 Howard Barker and the Return of Religion; Barker and Genesis: Return to the beginning; Christianity and Islam in The Castle; Apocalypse and rebirth in The Europeans; Meister Eckhart; The One; Conclusion; 9 Going Underground; 'Stage space' 'Presentational space''Fictional place'; Going underground . . .; Part Three Other Barkers; 10 Acting Barker; 11 Staging Barker in America; 12 Barker from a Viewpoint: Staging Ursula: Fear of the Estuary; A physical tension; Setting the tone; Gesture; Source work; What is the hat?; Future considerations; 13 Staging Barker at Scotland's Conservatoire; 14 'A Gallery of Images': From the Aberystwyth Students; Welcome stranger; The 1980s; The 1990s and 2000s; Pot of Thieves, 2011-12; The Forty (Few Words): 'In mid-wickedness'; Inconclusion: 'I will say it and go'; Notes; Index; Plates |
| Record Nr. | UNINA-9910162940703321 |
| London, England : , : Bloomsbury, , [2015] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
