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American film history : selected readings, origins to 1960 / / edited by Cynthia Lucia, Roy Grundmann and Art Simon
| American film history : selected readings, origins to 1960 / / edited by Cynthia Lucia, Roy Grundmann and Art Simon |
| Pubbl/distr/stampa | Chichester, [England] : , : Wiley Blackwell, , 2016 |
| Descrizione fisica | 1 online resource (1847 p.) |
| Disciplina | 791.430973 |
| Soggetto topico | Motion pictures - United States - History - 20th century |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-118-47516-X
1-118-47517-8 |
| Classificazione | PER004030 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | v. 1. Origins to 1960 -- |
| Record Nr. | UNINA-9910460735703321 |
| Chichester, [England] : , : Wiley Blackwell, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Blossoms and blood : postmodern media culture and the films of Paul Thomas Anderson / / Jason Sperb
| Blossoms and blood : postmodern media culture and the films of Paul Thomas Anderson / / Jason Sperb |
| Autore | Sperb Jason <1978-> |
| Pubbl/distr/stampa | Austin : , : University of Texas Press, , [2013] |
| Descrizione fisica | 1 online resource (297 p.) |
| Disciplina | 791.4302/33092 |
| Soggetto topico | Motion picture producers and directors |
| ISBN |
0-292-75290-3
0-292-75291-1 |
| Classificazione | PER004030 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Machine generated contents note: Acknowledgments -- Introduction. White-Noise Media Culture and the Films of Paul Thomas Anderson -- Chapter 1. I Remembered Your Face: Indie Cinema, Neo-noir, and -- Narrative Ambiguity in Hard Eight (1996) -- Chapter 2. I Dreamed I Was in a Hollywood Movie: Stars, Hyperreal Sounds of the 1970s, and Cinephiliac Pastiche in Boogie Nights (1997) -- Chapter 3. If That Was in a Movie, I Wouldn't Believe It: Melodramatic Ambivalence, Hypermasculinity, and the Autobiographical Impulse in Magnolia (1999) -- Chapter 4. The Art-House Adam Sandler Movie: Commodity Culture and the Ethereal Ephemerality of Punch-Drunk Love (2002) -- Chapter 5. I Have a Competition in Me: Political Allegory, Artistic Collaboration, and Narratives of Perfection in There Will Be Blood (2007) -- Afterword. On The Master -- Notes -- Select Bibliography -- Index. |
| Record Nr. | UNINA-9910788314703321 |
Sperb Jason <1978->
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| Austin : , : University of Texas Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Blossoms and blood : postmodern media culture and the films of Paul Thomas Anderson / / Jason Sperb
| Blossoms and blood : postmodern media culture and the films of Paul Thomas Anderson / / Jason Sperb |
| Autore | Sperb Jason <1978-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Austin : , : University of Texas Press, , [2013] |
| Descrizione fisica | 1 online resource (297 p.) |
| Disciplina | 791.4302/33092 |
| Soggetto topico | Motion picture producers and directors |
| ISBN |
0-292-75290-3
0-292-75291-1 |
| Classificazione | PER004030 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Machine generated contents note: Acknowledgments -- Introduction. White-Noise Media Culture and the Films of Paul Thomas Anderson -- Chapter 1. I Remembered Your Face: Indie Cinema, Neo-noir, and -- Narrative Ambiguity in Hard Eight (1996) -- Chapter 2. I Dreamed I Was in a Hollywood Movie: Stars, Hyperreal Sounds of the 1970s, and Cinephiliac Pastiche in Boogie Nights (1997) -- Chapter 3. If That Was in a Movie, I Wouldn't Believe It: Melodramatic Ambivalence, Hypermasculinity, and the Autobiographical Impulse in Magnolia (1999) -- Chapter 4. The Art-House Adam Sandler Movie: Commodity Culture and the Ethereal Ephemerality of Punch-Drunk Love (2002) -- Chapter 5. I Have a Competition in Me: Political Allegory, Artistic Collaboration, and Narratives of Perfection in There Will Be Blood (2007) -- Afterword. On The Master -- Notes -- Select Bibliography -- Index. |
| Record Nr. | UNINA-9910828515803321 |
|
Sperb Jason <1978->
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| Austin : , : University of Texas Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Chinese Film : Realism and Convention from the Silent Era to the Digital Age
| Chinese Film : Realism and Convention from the Silent Era to the Digital Age |
| Autore | McGrath Jason |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | University of Minnesota Press, 2022 |
| Descrizione fisica | 1 online resource (416 pages) |
| Disciplina | 791.430951 |
| Soggetto topico |
PERFORMING ARTS / Film / History & Criticism
Realism in motion pictures Motion pictures - China - History |
| Soggetto non controllato | Film history, theory & criticism |
| ISBN |
1-4529-6858-6
1-4529-6859-4 |
| Classificazione | PER004030 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910632880203321 |
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McGrath Jason
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| University of Minnesota Press, 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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A companion to Alfred Hitchcock / / edited by Thomas Leitch and Leland Poague
| A companion to Alfred Hitchcock / / edited by Thomas Leitch and Leland Poague |
| Pubbl/distr/stampa | Chichester, [England] : , : Wiley-Blackwell, , 2011 |
| Descrizione fisica | 1 online resource (599 p.) |
| Disciplina | 791.43/0233/092 |
| Collana | Wiley Blackwell Companions to Film Directors |
| ISBN |
1-78268-317-8
1-4443-3198-1 1-283-40862-7 1-4443-9732-X 1-4443-9730-3 9786613408624 1-4443-9731-1 |
| Classificazione | PER004030 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. I. Background -- pt. II Genre -- pt. III. Collaboration -- pt. IV. Style -- pt. V. Development -- pt. VI. Auteurism -- pt. VII. Ideology -- pt. VIII. Ethics -- pt. IX. Beyond Hitchcock. |
| Record Nr. | UNINA-9910208838703321 |
| Chichester, [England] : , : Wiley-Blackwell, , 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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A companion to Alfred Hitchcock / / edited by Thomas Leitch and Leland Poague
| A companion to Alfred Hitchcock / / edited by Thomas Leitch and Leland Poague |
| Pubbl/distr/stampa | Chichester, [England] : , : Wiley-Blackwell, , 2011 |
| Descrizione fisica | 1 online resource (599 p.) |
| Disciplina | 791.43/0233/092 |
| Collana | Wiley Blackwell Companions to Film Directors |
| ISBN |
1-78268-317-8
1-4443-3198-1 1-283-40862-7 1-4443-9732-X 1-4443-9730-3 9786613408624 1-4443-9731-1 |
| Classificazione | PER004030 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. I. Background -- pt. II Genre -- pt. III. Collaboration -- pt. IV. Style -- pt. V. Development -- pt. VI. Auteurism -- pt. VII. Ideology -- pt. VIII. Ethics -- pt. IX. Beyond Hitchcock. |
| Record Nr. | UNINA-9910812507303321 |
| Chichester, [England] : , : Wiley-Blackwell, , 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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A companion to film noir [[electronic resource] /] / edited by Andrew Spicer and Helen Hanson
| A companion to film noir [[electronic resource] /] / edited by Andrew Spicer and Helen Hanson |
| Pubbl/distr/stampa | Chichester ; ; Malden, Mass., : Wiley-Blackwell, 2013 |
| Descrizione fisica | 1 online resource (547 p.) |
| Disciplina | 791.43/655 |
| Altri autori (Persone) |
SpicerAndrew <1953->
HansonHelen |
| Soggetto topico | Film noir - History and criticism |
| ISBN |
1-299-71254-1
1-118-52373-3 1-118-52375-X 1-118-52372-5 1-118-52371-7 |
| Classificazione | PER004030 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. 1. Conceptualizing film noir -- pt. 2. Hidden, hybrid, and transmedia histories and influences -- pt. 3. Social, industrial, and commercial contexts -- pt. 4. The fabric of film noir : style and performance -- pt. 5. Identities and film noir -- pt. 6. Noir in other forms -- pt. 7. New geographies of film noir. |
| Record Nr. | UNINA-9910208835503321 |
| Chichester ; ; Malden, Mass., : Wiley-Blackwell, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A companion to film noir / / edited by Andrew Spicer and Helen Hanson
| A companion to film noir / / edited by Andrew Spicer and Helen Hanson |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Chichester ; ; Malden, Mass., : Wiley-Blackwell, 2013 |
| Descrizione fisica | 1 online resource (547 p.) |
| Disciplina | 791.43/655 |
| Altri autori (Persone) |
SpicerAndrew <1953->
HansonHelen |
| Soggetto topico | Film noir - History and criticism |
| ISBN |
1-299-71254-1
1-118-52373-3 1-118-52375-X 1-118-52372-5 1-118-52371-7 |
| Classificazione | PER004030 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. 1. Conceptualizing film noir -- pt. 2. Hidden, hybrid, and transmedia histories and influences -- pt. 3. Social, industrial, and commercial contexts -- pt. 4. The fabric of film noir : style and performance -- pt. 5. Identities and film noir -- pt. 6. Noir in other forms -- pt. 7. New geographies of film noir. |
| Record Nr. | UNINA-9910828250603321 |
| Chichester ; ; Malden, Mass., : Wiley-Blackwell, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A companion to Spanish cinema [[electronic resource] /] / edited by Jo Labanyi and Tatjana Pavlovic
| A companion to Spanish cinema [[electronic resource] /] / edited by Jo Labanyi and Tatjana Pavlovic |
| Pubbl/distr/stampa | Malden, MA, : Wiley-Blackwell, 2012 |
| Descrizione fisica | 1 online resource (666 p.) |
| Disciplina | 791.430946 |
| Altri autori (Persone) |
LabanyiJo
PavlovicTatjana |
| Collana | Wiley-Blackwell companions to national cinemas |
| Soggetto topico |
Motion pictures - Spain
Performing arts - Spain |
| ISBN |
1-118-32277-0
1-78268-972-9 1-118-32276-2 1-283-60414-0 9786613916594 1-118-32279-7 1-118-32280-0 |
| Classificazione | PER004030 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
A Companion to Spanish Cinema; Copyright; Contents; Acknowledgments; List of Figures; List of Contributors; 1 Introduction; Part I Reframing the National; 2 Transnational Frameworks; Introduction (Marvin D'Lugo and Gerard Dapena); Transnational Beginnings (Gerard Dapena); Breaking the Sound Barrier (Gerard Dapena); War, Isolation, and New Transnational Openings (Gerard Dapena); The Golden Age of Popular Coproductions (Gerard Dapena); The Politics of the Transnational Auteur (Marvin D'Lugo); The Producer-Author as Transnational Entrepreneur (Marvin D'Lugo)
The Latin American Connection (Alberto Elena) Cinematic Relations with the Arab World (Alberto Elena); Spanish Cinema by Immigrant Directors (Alberto Elena); References; Further Reading; 3 Echoes and Traces: Catalan Cinema, or Cinema in Catalonia; Other Voices, Other Scripts: Language, Imagery, and Censorship; Spectacular (Dis)locations: Art, Business, and Morality; Troubled Transitions: The "Talkies," the Republic, the Civil War, the Dictatorship, and Beyond; Notes; References; Further Reading; 4 Negotiating the Local and the Global: Andalusia, the Basque Country, and Galicia Introduction: Fragmentation, Invisibility, and Political Devolution (José Colmeiro)On the Global Formation of Andalusian and Basque Cinemas (Joseba Gabilondo); Galician Cinema: Making the Invisible Visible (José Colmeiro); References; Further Reading; Part II The Construction of the Auteur; 5 Auteurism and the Construction of the Canon; Auteurism and Spain (Marvin D'Lugo); Luis Buñuel (Marvin D'Lugo); Carlos Saura (Marvin D'Lugo); Pedro Almodóvar (Paul Julian Smith); Víctor Erice (Paul Julian Smith); Julio Medem (Paul Julian Smith); Alejandro Amenábar (Paul Julian Smith); References Further Reading6 Strategic Auteurism; Introduction (Susan Martin-Márquez); Neville, Berlanga, and de la Iglesia: A Strategically Disruptive Auteurism (Steven Marsh); Authorizing Screenwriting: Rafael Azcona and Pedro Beltrán (Santos Zunzunegui); Jesús Franco: From Pulp Auteur to Cult Auteur (Antonio Lázaro-Reboll); Pere Portabella: The Politics and Aesthetics of Auteurism (Santos Zunzunegui); Editing in the Woman Auteur (Susan Martin-Márquez); Notes; References; Further Reading; Part III Genre; 7 Comedy and Musicals; Comedy in Spanish Cinema: An Overview (Steven Marsh) Queridos cómicos: Actors and Entertainment (Santos Zunzunegui) The Heyday of the Musical Film (Eva Woods Peiró); Contemporary Musical Comedy, Sex, and Gender (Chris Perriam); Conclusion (Chris Perriam); Notes; References; Further Reading; 8 Melodrama and Historical Film; Melodrama: Modernity's Rebellious Genre (Annabel Martín); The Historical Film: Genre and Legibility (Vicente Rodríguez Ortega); The Ambivalent Attractions of the Past: Historical Film of the Early Franco Period (Jo Labanyi) Between the National and the Global: The Historical Film from the 1960's to the Present (Vicente Rodríguez Ortega) |
| Record Nr. | UNINA-9910141394003321 |
| Malden, MA, : Wiley-Blackwell, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A companion to Spanish cinema / / edited by Jo Labanyi and Tatjana Pavlovic
| A companion to Spanish cinema / / edited by Jo Labanyi and Tatjana Pavlovic |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Malden, MA, : Wiley-Blackwell, 2012 |
| Descrizione fisica | 1 online resource (666 p.) |
| Disciplina | 791.430946 |
| Altri autori (Persone) |
LabanyiJo
PavlovicTatjana |
| Collana | Wiley-Blackwell companions to national cinemas |
| Soggetto topico |
Motion pictures - Spain
Performing arts - Spain |
| ISBN |
1-118-32277-0
1-78268-972-9 1-118-32276-2 1-283-60414-0 9786613916594 1-118-32279-7 1-118-32280-0 |
| Classificazione | PER004030 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
A Companion to Spanish Cinema; Copyright; Contents; Acknowledgments; List of Figures; List of Contributors; 1 Introduction; Part I Reframing the National; 2 Transnational Frameworks; Introduction (Marvin D'Lugo and Gerard Dapena); Transnational Beginnings (Gerard Dapena); Breaking the Sound Barrier (Gerard Dapena); War, Isolation, and New Transnational Openings (Gerard Dapena); The Golden Age of Popular Coproductions (Gerard Dapena); The Politics of the Transnational Auteur (Marvin D'Lugo); The Producer-Author as Transnational Entrepreneur (Marvin D'Lugo)
The Latin American Connection (Alberto Elena) Cinematic Relations with the Arab World (Alberto Elena); Spanish Cinema by Immigrant Directors (Alberto Elena); References; Further Reading; 3 Echoes and Traces: Catalan Cinema, or Cinema in Catalonia; Other Voices, Other Scripts: Language, Imagery, and Censorship; Spectacular (Dis)locations: Art, Business, and Morality; Troubled Transitions: The "Talkies," the Republic, the Civil War, the Dictatorship, and Beyond; Notes; References; Further Reading; 4 Negotiating the Local and the Global: Andalusia, the Basque Country, and Galicia Introduction: Fragmentation, Invisibility, and Political Devolution (José Colmeiro)On the Global Formation of Andalusian and Basque Cinemas (Joseba Gabilondo); Galician Cinema: Making the Invisible Visible (José Colmeiro); References; Further Reading; Part II The Construction of the Auteur; 5 Auteurism and the Construction of the Canon; Auteurism and Spain (Marvin D'Lugo); Luis Buñuel (Marvin D'Lugo); Carlos Saura (Marvin D'Lugo); Pedro Almodóvar (Paul Julian Smith); Víctor Erice (Paul Julian Smith); Julio Medem (Paul Julian Smith); Alejandro Amenábar (Paul Julian Smith); References Further Reading6 Strategic Auteurism; Introduction (Susan Martin-Márquez); Neville, Berlanga, and de la Iglesia: A Strategically Disruptive Auteurism (Steven Marsh); Authorizing Screenwriting: Rafael Azcona and Pedro Beltrán (Santos Zunzunegui); Jesús Franco: From Pulp Auteur to Cult Auteur (Antonio Lázaro-Reboll); Pere Portabella: The Politics and Aesthetics of Auteurism (Santos Zunzunegui); Editing in the Woman Auteur (Susan Martin-Márquez); Notes; References; Further Reading; Part III Genre; 7 Comedy and Musicals; Comedy in Spanish Cinema: An Overview (Steven Marsh) Queridos cómicos: Actors and Entertainment (Santos Zunzunegui) The Heyday of the Musical Film (Eva Woods Peiró); Contemporary Musical Comedy, Sex, and Gender (Chris Perriam); Conclusion (Chris Perriam); Notes; References; Further Reading; 8 Melodrama and Historical Film; Melodrama: Modernity's Rebellious Genre (Annabel Martín); The Historical Film: Genre and Legibility (Vicente Rodríguez Ortega); The Ambivalent Attractions of the Past: Historical Film of the Early Franco Period (Jo Labanyi) Between the National and the Global: The Historical Film from the 1960's to the Present (Vicente Rodríguez Ortega) |
| Record Nr. | UNINA-9910813219503321 |
| Malden, MA, : Wiley-Blackwell, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
