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American ethnographic film and personal documentary [[electronic resource] ] : the Cambridge turn / / Scott MacDonald
| American ethnographic film and personal documentary [[electronic resource] ] : the Cambridge turn / / Scott MacDonald |
| Autore | MacDonald Scott <1942-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2013 |
| Descrizione fisica | 1 online resource (425 p.) |
| Disciplina | 070.1/8 |
| Soggetto topico |
Documentary films - United States - History and criticism
Ethnographic films - United States - History and criticism |
| Soggetto non controllato |
accomplished filmmakers
boston cambridge carpenter center cosmopolitan approach documentary movies ed pincus ethnography film and television film study center groundbreaking films history of film history influential filmmakers john marshall michel negroponte miriam weinstein mit film section nina davenport performing arts personal documentary professional relationships robb moss robert gardner timothy asch visual and environmental studies department at harvard |
| ISBN | 0-520-95493-9 |
| Classificazione | PER004000 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Introduction -- 1. Lorna and John Marshall -- 2. Robert Gardner -- 3. Timothy Asch -- 4. Ed Pincus and the Emergence of Personal Documentary -- 5. Alfred Guzzetti and Personal Cinema -- 6. Ross McElwee -- 7. Robb Moss -- 8. Panorama: Other Approaches to Personal Documentary -- 9. Lucien Castaing-Taylor and Sensory Ethnography -- Epilogue -- Appendix: Sources for Films -- Notes -- Index |
| Record Nr. | UNINA-9910792022803321 |
MacDonald Scott <1942->
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| Berkeley, : University of California Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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American ethnographic film and personal documentary : the Cambridge turn / / Scott MacDonald
| American ethnographic film and personal documentary : the Cambridge turn / / Scott MacDonald |
| Autore | MacDonald Scott <1942-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2013 |
| Descrizione fisica | 1 online resource (425 p.) |
| Disciplina | 070.1/8 |
| Soggetto topico |
Documentary films - United States - History and criticism
Ethnographic films - United States - History and criticism |
| ISBN | 0-520-95493-9 |
| Classificazione | PER004000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Introduction -- 1. Lorna and John Marshall -- 2. Robert Gardner -- 3. Timothy Asch -- 4. Ed Pincus and the Emergence of Personal Documentary -- 5. Alfred Guzzetti and Personal Cinema -- 6. Ross McElwee -- 7. Robb Moss -- 8. Panorama: Other Approaches to Personal Documentary -- 9. Lucien Castaing-Taylor and Sensory Ethnography -- Epilogue -- Appendix: Sources for Films -- Notes -- Index |
| Record Nr. | UNINA-9910814002103321 |
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MacDonald Scott <1942->
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| Berkeley, : University of California Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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How to manage your agent : a writer's guide to Hollywood representation / / Chad Gervich
| How to manage your agent : a writer's guide to Hollywood representation / / Chad Gervich |
| Autore | Gervich Chad |
| Edizione | [1st edition] |
| Pubbl/distr/stampa | Burlington, Mass. : , : Focal Press, , 2014 |
| Descrizione fisica | 1 online resource (847 p.) |
| Disciplina | 791.4502/32 |
| Soggetto topico |
Motion picture authorship
Television authorship |
| ISBN |
1-138-13480-5
0-240-82404-0 1-136-07093-1 1-136-07094-X |
| Classificazione | PER004000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | part I. Represent! -- part II. Television agents -- part III. Feature agents -- part IV. Digital media -- part V. You and your agent -- part VI. Appendices. |
| Record Nr. | UNINA-9910790751903321 |
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Gervich Chad
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| Burlington, Mass. : , : Focal Press, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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How to manage your agent : a writer's guide to Hollywood representation / / Chad Gervich
| How to manage your agent : a writer's guide to Hollywood representation / / Chad Gervich |
| Autore | Gervich Chad |
| Edizione | [1st edition] |
| Pubbl/distr/stampa | Burlington, Mass. : , : Focal Press, , 2014 |
| Descrizione fisica | 1 online resource (847 p.) |
| Disciplina | 791.4502/32 |
| Soggetto topico |
Motion picture authorship
Television authorship |
| ISBN |
1-138-13480-5
0-240-82404-0 1-136-07093-1 1-136-07094-X |
| Classificazione | PER004000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | part I. Represent! -- part II. Television agents -- part III. Feature agents -- part IV. Digital media -- part V. You and your agent -- part VI. Appendices. |
| Record Nr. | UNINA-9910825005303321 |
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Gervich Chad
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| Burlington, Mass. : , : Focal Press, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Making sense of cinema : empirical studies into film spectators and spectatorship / / edited by CarrieLynn D. Reinhard, Christopher J. Olson
| Making sense of cinema : empirical studies into film spectators and spectatorship / / edited by CarrieLynn D. Reinhard, Christopher J. Olson |
| Pubbl/distr/stampa | New York : , : Bloomsbury Academic, , 2016 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 302.23/43 |
| Soggetto topico | Motion picture audiences - Research - Methodology |
| ISBN |
1-5013-0296-5
1-5013-0297-3 1-5013-0295-7 |
| Classificazione | PER004000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Machine generated contents note: -- Chapter 1: Introduction: Empirical Approaches to Film Spectators and Spectatorship -- CarrieLynn D. Reinhard (Dominican University, USA) and Christopher J. Olson (University of Illinois, Urbana-Champaign, USA)Chapter 2: Spectatorship in Public Space: The Moving Image in Public Art -- Annie Dell'Aria (Graduate Center CUNY, USA)Chapter 3: The Festival Collective: Cult Audiences and Asian Extreme Cinema -- Jessica Hughes (University of Queensland, Australia)Chapter 4: Transnational Preoccupations: Representations of Aging in Spanish and French Queer -- Cinemas and their Reception -- Darren Waldron (The University of Manchester, UK)Chapter 5: Preferred Readings, Subject Positions and Dissociative Appropriations: Group Discussions -- Following and Challenging the Tradition of Cultural Studies -- Alexander Geimer (University of Hamburg, Germany)Chapter 6: "Legolas - He's Cool ... and He's Hot!": The Meanings and Implications of Audience -- Attachments to Fictional Characters -- Martin Barker (Aberystwyth University, UK)Chapter 7: In Search of the Urban Child Spectator in the Late Silent Era -- Amanda Fleming (Indiana University, USA)Chapter 8: Seeing, Sensing Sound: Eye Tracking Soundscapes in Saving Private Ryan and Monsters -- Inc. -- Sean Redmond (Deakin University, Australia), Sarah Pink (RMIT University, Australia), Jane Stadler (RMIT University, Australia), Jenny Robinson (RMIT University, Australia), Andrea Rassell (RMIT University, Australia) and Darrin Verhagen (RMIT University, Australia)Chapter 9: Seeing Animated Worlds: Eye Tracking and the Spectator's Experience of Narrative -- Craig Batty (RMIT University, Australia), Jodi Sita (Australian Catholic University, Australia), Adrian Dyer (RMIT University, Australia), and Claire Perkins (Monash University, Australia) Chapter 10: The Effect of Focalization and Attachment on Film Viewers' Responses to Film -- Characters: Mixing Experimental Design with Qualitative Data Collection -- Katalin Bálint (University of Utrecht, The Netherlands) & András Bálint Kovács (University of ELTE, Hungary)Chapter 11: Making Sense of the American Superhero Film: Critical Engagement and Cinematic -- Entanglement -- CarrieLynn D. Reinhard (Dominican University, USA)Chapter 12: Applying a Model for Comprehension of Texts in the Comprehension of an Art Film -- Sermin Ildirar (Istanbul University, Turkey)Chapter 13: Guiding Imagination by Narrative Contextualization: Exploring Cinematic Moving Images via Eye Tracking Experiments -- Thorsten Kluss (Bremen University, Germany), Heinz-Peter Preusser (Bremen University, Germany), John Bateman (Bremen University, Germany), and Kerstin Schill (Bremen University, Germany)Chapter 14: Conclusion: Considerations for Future Directions -- Christopher Olson (University of Illinois, Urbana-Champaign, USA)Index. |
| Record Nr. | UNINA-9910797709803321 |
| New York : , : Bloomsbury Academic, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Making sense of cinema : empirical studies into film spectators and spectatorship / / edited by CarrieLynn D. Reinhard, Christopher J. Olson
| Making sense of cinema : empirical studies into film spectators and spectatorship / / edited by CarrieLynn D. Reinhard, Christopher J. Olson |
| Pubbl/distr/stampa | New York : , : Bloomsbury Academic, , 2016 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 302.23/43 |
| Soggetto topico | Motion picture audiences - Research - Methodology |
| ISBN |
1-5013-0296-5
1-5013-0297-3 1-5013-0295-7 |
| Classificazione | PER004000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Machine generated contents note: -- Chapter 1: Introduction: Empirical Approaches to Film Spectators and Spectatorship -- CarrieLynn D. Reinhard (Dominican University, USA) and Christopher J. Olson (University of Illinois, Urbana-Champaign, USA)Chapter 2: Spectatorship in Public Space: The Moving Image in Public Art -- Annie Dell'Aria (Graduate Center CUNY, USA)Chapter 3: The Festival Collective: Cult Audiences and Asian Extreme Cinema -- Jessica Hughes (University of Queensland, Australia)Chapter 4: Transnational Preoccupations: Representations of Aging in Spanish and French Queer -- Cinemas and their Reception -- Darren Waldron (The University of Manchester, UK)Chapter 5: Preferred Readings, Subject Positions and Dissociative Appropriations: Group Discussions -- Following and Challenging the Tradition of Cultural Studies -- Alexander Geimer (University of Hamburg, Germany)Chapter 6: "Legolas - He's Cool ... and He's Hot!": The Meanings and Implications of Audience -- Attachments to Fictional Characters -- Martin Barker (Aberystwyth University, UK)Chapter 7: In Search of the Urban Child Spectator in the Late Silent Era -- Amanda Fleming (Indiana University, USA)Chapter 8: Seeing, Sensing Sound: Eye Tracking Soundscapes in Saving Private Ryan and Monsters -- Inc. -- Sean Redmond (Deakin University, Australia), Sarah Pink (RMIT University, Australia), Jane Stadler (RMIT University, Australia), Jenny Robinson (RMIT University, Australia), Andrea Rassell (RMIT University, Australia) and Darrin Verhagen (RMIT University, Australia)Chapter 9: Seeing Animated Worlds: Eye Tracking and the Spectator's Experience of Narrative -- Craig Batty (RMIT University, Australia), Jodi Sita (Australian Catholic University, Australia), Adrian Dyer (RMIT University, Australia), and Claire Perkins (Monash University, Australia) Chapter 10: The Effect of Focalization and Attachment on Film Viewers' Responses to Film -- Characters: Mixing Experimental Design with Qualitative Data Collection -- Katalin Bálint (University of Utrecht, The Netherlands) & András Bálint Kovács (University of ELTE, Hungary)Chapter 11: Making Sense of the American Superhero Film: Critical Engagement and Cinematic -- Entanglement -- CarrieLynn D. Reinhard (Dominican University, USA)Chapter 12: Applying a Model for Comprehension of Texts in the Comprehension of an Art Film -- Sermin Ildirar (Istanbul University, Turkey)Chapter 13: Guiding Imagination by Narrative Contextualization: Exploring Cinematic Moving Images via Eye Tracking Experiments -- Thorsten Kluss (Bremen University, Germany), Heinz-Peter Preusser (Bremen University, Germany), John Bateman (Bremen University, Germany), and Kerstin Schill (Bremen University, Germany)Chapter 14: Conclusion: Considerations for Future Directions -- Christopher Olson (University of Illinois, Urbana-Champaign, USA)Index. |
| Record Nr. | UNINA-9910823069303321 |
| New York : , : Bloomsbury Academic, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Portuguese film, 1930-1960 : the staging of the new state regime / / Patricia Vieira; translated by Ashley Caja
| Portuguese film, 1930-1960 : the staging of the new state regime / / Patricia Vieira; translated by Ashley Caja |
| Autore | Vieira Patricia I. <1977-> |
| Pubbl/distr/stampa | New York, NY : , : Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, , 2013 |
| Descrizione fisica | 1 online resource (467 p.) |
| Disciplina | 791.4309469 |
| Soggetto topico |
Fascism and motion pictures - Portugal - History
Motion pictures in propaganda - Portugal - History Motion pictures - Portugal - History - 20th century |
| ISBN |
1-62892-887-5
1-62356-899-4 1-62356-735-1 |
| Classificazione | PER004000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Acknowledgements -- Introduction: Cinema in the New State -- 1. Propaganda in the New State: The May Revolution (A Revolução de Maio) -- 1.1. Propaganda in Portuguese Cinema -- 1.2. Salazar's Truth as Ideology -- 1.3. The Primacy of Art: António Ferro's Politics of the Spirit -- 1.4. The Staging of the Leader -- 2. Poets on the Silver Screen: Bocage, Camões, and the Heroes of the Regime -- 2.1. Literature and Film in the Politics of the Spirit -- 2.2. The Heroes of the New State -- 2.3. Against Political Inconstancy: The Hero as a Serious Man -- 3. Rural Life in Cinema: In Defense of a Natural Society -- 2.1. Regional and Folkloric Films -- 2.2. A Natural Cinema -- 2.3. The Countryside and the City -- 2.4. Capitalism, Communism, Corporatism -- 4. The Miracle of Salazarism: Fátima, Land of Faith (Fátima, Terra de Fé) -- 4.1. Fátima in the New State -- 4.2. Reason, Faith and Politics in Film -- 4.3. Balancing Reason and Religion -- 4.4. Beyond Reason and Faith: The Danger of Nihilism -- 5. Gender Stereotypes in New State Cinema -- 5.1. Women in New State Films -- 5.2. Singing as a Transgression -- 5.3. Fado, Fatalism and the Portuguese Femme Fatale -- 6. The Empire as Fetish: Spell of the Empire (Feitiço do Império) -- 6.1. Portugal and its Colonies -- 6.2. The Magic of Africa -- 6.3. The Empire as a Fetish -- 6.4. Spell of the Empire and Colonial Propaganda -- 7. The Spirit of the Empire in Chaimite -- 7.1. Spirituality and Materiality in Salazarism -- 7.2. The Spirit of Portuguese Colonization -- 7.3. The Politics of the Spirit in Chaimite -- Epilogue: New State Cinema Today -- Bibliography -- Index |
| Record Nr. | UNINA-9910787686703321 |
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Vieira Patricia I. <1977->
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| New York, NY : , : Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Portuguese film, 1930-1960 : the staging of the new state regime / / Patricia Vieira; translated by Ashley Caja
| Portuguese film, 1930-1960 : the staging of the new state regime / / Patricia Vieira; translated by Ashley Caja |
| Autore | Vieira Patricia I. <1977-> |
| Pubbl/distr/stampa | New York, NY : , : Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, , 2013 |
| Descrizione fisica | 1 online resource (467 p.) |
| Disciplina | 791.4309469 |
| Soggetto topico |
Fascism and motion pictures - Portugal - History
Motion pictures in propaganda - Portugal - History Motion pictures - Portugal - History - 20th century |
| ISBN |
1-62892-887-5
1-62356-899-4 1-62356-735-1 |
| Classificazione | PER004000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Acknowledgements -- Introduction: Cinema in the New State -- 1. Propaganda in the New State: The May Revolution (A Revolução de Maio) -- 1.1. Propaganda in Portuguese Cinema -- 1.2. Salazar's Truth as Ideology -- 1.3. The Primacy of Art: António Ferro's Politics of the Spirit -- 1.4. The Staging of the Leader -- 2. Poets on the Silver Screen: Bocage, Camões, and the Heroes of the Regime -- 2.1. Literature and Film in the Politics of the Spirit -- 2.2. The Heroes of the New State -- 2.3. Against Political Inconstancy: The Hero as a Serious Man -- 3. Rural Life in Cinema: In Defense of a Natural Society -- 2.1. Regional and Folkloric Films -- 2.2. A Natural Cinema -- 2.3. The Countryside and the City -- 2.4. Capitalism, Communism, Corporatism -- 4. The Miracle of Salazarism: Fátima, Land of Faith (Fátima, Terra de Fé) -- 4.1. Fátima in the New State -- 4.2. Reason, Faith and Politics in Film -- 4.3. Balancing Reason and Religion -- 4.4. Beyond Reason and Faith: The Danger of Nihilism -- 5. Gender Stereotypes in New State Cinema -- 5.1. Women in New State Films -- 5.2. Singing as a Transgression -- 5.3. Fado, Fatalism and the Portuguese Femme Fatale -- 6. The Empire as Fetish: Spell of the Empire (Feitiço do Império) -- 6.1. Portugal and its Colonies -- 6.2. The Magic of Africa -- 6.3. The Empire as a Fetish -- 6.4. Spell of the Empire and Colonial Propaganda -- 7. The Spirit of the Empire in Chaimite -- 7.1. Spirituality and Materiality in Salazarism -- 7.2. The Spirit of Portuguese Colonization -- 7.3. The Politics of the Spirit in Chaimite -- Epilogue: New State Cinema Today -- Bibliography -- Index |
| Record Nr. | UNINA-9910810515603321 |
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Vieira Patricia I. <1977->
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| New York, NY : , : Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||