The fact of resonance : modernist acoustics and narrative form / / Julie Beth Napolin |
Autore | Napolin Julie Beth |
Edizione | [First edition.] |
Pubbl/distr/stampa | New York : , : Fordham University Press, , [2020] |
Descrizione fisica | 1 online resource (363 pages) |
Disciplina | 809.3 |
Collana | Idiom: inventing writing theory |
Soggetto topico |
Fiction - History and criticism
Literature - History and criticism Oral interpretation |
Soggetto non controllato |
Colonialism
Film and Media Joseph Conrad Literary Theory Modernism Narratology Race Sound W.E.B. Du Bois William Faulkner |
ISBN | 0-8232-8819-6 |
Classificazione | LR 57650 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Note on Abbreviations -- Overture: The Sound of a Novel -- 1. Voice at the Threshold of the Audible: Free Indirect Discourse and the Colonial Space of Reading -- Coda: Chantal Akerman and Lip Sync as Postcolonial Strategy -- 2. The Echo of the Object: On the Pain of Self-Hearing in The Nigger of the “Narcissus” and “The Fact of Blackness” -- Coda: Literary History as Miscegenating Sound: The Sound and the Fury -- Intersonority: Unclaimed Voices Circum-1900, or Sound and Sourcelessness in The Souls of Black Folk -- 3. A Sinister Resonance: On the Extraction of Sound and Language in Heart of Darkness -- Reprise: Reverberation, Circumambience, and Form-Seeking Sound (Absalom, Absalom!) -- Acknowledgments -- Notes -- Bibliography -- Index |
Record Nr. | UNINA-9910794051603321 |
Napolin Julie Beth | ||
New York : , : Fordham University Press, , [2020] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The fact of resonance : modernist acoustics and narrative form / / Julie Beth Napolin |
Autore | Napolin Julie Beth |
Edizione | [First edition.] |
Pubbl/distr/stampa | New York : , : Fordham University Press, , [2020] |
Descrizione fisica | 1 online resource (363 pages) |
Disciplina | 809.3 |
Collana | Idiom: inventing writing theory |
Soggetto topico |
Fiction - History and criticism
Literature - History and criticism Oral interpretation |
Soggetto non controllato |
Colonialism
Film and Media Joseph Conrad Literary Theory Modernism Narratology Race Sound W.E.B. Du Bois William Faulkner |
ISBN | 0-8232-8819-6 |
Classificazione | LR 57650 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Note on Abbreviations -- Overture: The Sound of a Novel -- 1. Voice at the Threshold of the Audible: Free Indirect Discourse and the Colonial Space of Reading -- Coda: Chantal Akerman and Lip Sync as Postcolonial Strategy -- 2. The Echo of the Object: On the Pain of Self-Hearing in The Nigger of the “Narcissus” and “The Fact of Blackness” -- Coda: Literary History as Miscegenating Sound: The Sound and the Fury -- Intersonority: Unclaimed Voices Circum-1900, or Sound and Sourcelessness in The Souls of Black Folk -- 3. A Sinister Resonance: On the Extraction of Sound and Language in Heart of Darkness -- Reprise: Reverberation, Circumambience, and Form-Seeking Sound (Absalom, Absalom!) -- Acknowledgments -- Notes -- Bibliography -- Index |
Record Nr. | UNINA-9910809906903321 |
Napolin Julie Beth | ||
New York : , : Fordham University Press, , [2020] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|