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Klang - Struktur - Konzept : Die Bedeutung der Neuen Musik für Free Jazz und Improvisationsmusik / Kai Lothwesen
| Klang - Struktur - Konzept : Die Bedeutung der Neuen Musik für Free Jazz und Improvisationsmusik / Kai Lothwesen |
| Autore | Lothwesen Kai |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2015 |
| Descrizione fisica | 1 online resource (264) |
| Collana | Studien zur Popularmusik |
| Soggetto topico | Free Jazz; Improvisationsmusik; Neue Musik; Jazzforschung; Musik; Musikwissenschaft; Popmusik; Music; Musicology; Pop Music |
| Soggetto non controllato |
Musicology
Pop Music |
| ISBN | 3-8394-0930-6 |
| Classificazione | LP 19507 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter 1 Inhalt 5 Einleitung 9 I. Aspekte Europäischer Improvisationsmusik 17 II. Positionsbestimmungen 33 III. Die Theoretische Diskussion 51 IV. Die Musikalische Praxis 99 V. Parallelen zu Neuer Musik 197 Zusammenfassung und Ausblick 225 1. Literaturverzeichnis 229 2. Musikalienverzeichnis 241 3. Tonträgerverzeichnis 241 Anhang 245 Backmatter 262 |
| Record Nr. | UNISA-996308845103316 |
Lothwesen Kai
|
||
| Bielefeld, : transcript Verlag, 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Klang - Struktur - Konzept : Die Bedeutung der Neuen Musik für Free Jazz und Improvisationsmusik / Kai Lothwesen
| Klang - Struktur - Konzept : Die Bedeutung der Neuen Musik für Free Jazz und Improvisationsmusik / Kai Lothwesen |
| Autore | Lothwesen Kai |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2015 |
| Descrizione fisica | 1 online resource (264) |
| Collana | Studien zur Popularmusik |
| Soggetto topico | Free Jazz; Improvisationsmusik; Neue Musik; Jazzforschung; Musik; Musikwissenschaft; Popmusik; Music; Musicology; Pop Music |
| Soggetto non controllato |
Musicology
Pop Music |
| ISBN | 3-8394-0930-6 |
| Classificazione | LP 19507 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter 1 Inhalt 5 Einleitung 9 I. Aspekte Europäischer Improvisationsmusik 17 II. Positionsbestimmungen 33 III. Die Theoretische Diskussion 51 IV. Die Musikalische Praxis 99 V. Parallelen zu Neuer Musik 197 Zusammenfassung und Ausblick 225 1. Literaturverzeichnis 229 2. Musikalienverzeichnis 241 3. Tonträgerverzeichnis 241 Anhang 245 Backmatter 262 |
| Record Nr. | UNINA-9910372793203321 |
|
Lothwesen Kai
|
||
| Bielefeld, : transcript Verlag, 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Musical Composition in the Context of Globalization : New Perspectives on Music History in the 20th and 21st Century / Christian Utz, Laurence Sinclair Willis
| Musical Composition in the Context of Globalization : New Perspectives on Music History in the 20th and 21st Century / Christian Utz, Laurence Sinclair Willis |
| Autore | Utz Christian (Kunstuniversität Graz, Österreich) |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2021 |
| Descrizione fisica | 1 online resource (528 p.) |
| Disciplina | 780.904 |
| Collana | Musik und Klangkultur |
| Soggetto topico | Contemporary Music; 20th Century; Globalization; Transnationalism; Entangled Histories; Asia; China; Japan; Korea; Music; Musicology; Interculturalism; Cultural Studies; Cultural History |
| Soggetto non controllato |
20th Century
Asia China Cultural History Cultural Studies Entangled Histories Globalization Interculturalism Japan Korea Music Musicology Transnationalism |
| ISBN | 3-8394-5095-0 |
| Classificazione | LP 19507 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Table of Contents -- Preface -- Preface to the Revised and Expanded English Edition -- Acknowledgements -- List of Examples, Figures, and Tables -- I. Introduction: Art Music, Identity, and Reflexive Globalization -- 1. Art Music in a Global Context -- 2. Identity Criticism and Reflexive Globalization -- 3. Discourses of Intercultural Composition -- II. Toward an Entangled History of Twentieth-Century Music in a Global Context -- 1. Preliminaries of an Intercultural Music Historiography -- 2. Internationalism and Universalism: Repercussions of Political and Cultural History -- 3. The Ambivalence of the Local in Twentieth-Century Music -- 4. Modernist Reception of Japanese and Indian Traditional Music between 1910 and 1945: Delage, Cowell, Mitsukuri, and Hayasaka -- 5. Re-Reading the Impact of the "Cultural Cold War" on Music History: Cowell, Mayuzumi, Berio -- 6. Categories of Intercultural Reception in Western Composition -- III. Studies on the History and Analysis of New East Asian Music -- 1. The Reception of Western Modernism in the Music of China and Japan Since the Late Nineteenth Century -- 2. Triggering Musical Modernism in China: The Work of Wolfgang Fraenkel in Shanghai Exile -- 3. The Travels of a Jasmine Flower: A Chinese Folk Song, Its Prehistory, and Tan Dun's Symphony 1997 -- 4. Probing the Compositional Relevance of Cultural Difference: Key Tendencies of East Asian New Music Since the 1950s -- 5. Intercultural Narrativity in East Asian Art Music since the 1990s -- 6. The Impact of Traditional Music on Composition in Taiwan since the Postwar Period -- IV. The shō Context -- 1. Transformation and Myth Criticism in Works for the Japanese Mouth Organ -- 2. The shō as a Medium of Alterity and Self-Referentiality in Helmut Lachenmann's Music -- V. New Music and Beyond: Music-Historical and Cultural Entanglements -- 1. The Rediscovery of Presence: Intercultural Passages Through Vocal Spaces Between Speech and Song -- 2. Space-Time Movements in György Ligeti's Piano Concerto: Polymeter and Conflicting Meter in Historical and Intercultural Perspective -- 3. Intercultural Tension in Music by Chaya Czernowin and Isabel Mundry: Variations on Identity and Musical Meaning -- VI. Reflections on My Own Composing as a Search for Traces in the In-Between -- 1. Layered Fabric, Intertextuality, and Cultural Context: From Striated to Open Space -- 2. Stratification and Analysis -- 3. Intercultural and Multilingual Trajectories of the Human Voice -- 4. Composition as Polyphony: Creating, Performing, and Perceiving Music Non-Hierarchically -- Bibliography -- Appendix -- Index |
| Record Nr. | UNISA-996418939403316 |
|
Utz Christian (Kunstuniversität Graz, Österreich)
|
||
| Bielefeld, : transcript Verlag, 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Musical Composition in the Context of Globalization : New Perspectives on Music History in the 20th and 21st Century / Christian Utz, Laurence Sinclair Willis
| Musical Composition in the Context of Globalization : New Perspectives on Music History in the 20th and 21st Century / Christian Utz, Laurence Sinclair Willis |
| Autore | Utz Christian (Kunstuniversität Graz, Österreich) |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2021 |
| Descrizione fisica | 1 online resource (528 p.) |
| Disciplina | 780.904 |
| Collana | Musik und Klangkultur |
| Soggetto topico | Contemporary Music; 20th Century; Globalization; Transnationalism; Entangled Histories; Asia; China; Japan; Korea; Music; Musicology; Interculturalism; Cultural Studies; Cultural History |
| Soggetto non controllato |
20th Century
Asia China Cultural History Cultural Studies Entangled Histories Globalization Interculturalism Japan Korea Music Musicology Transnationalism |
| ISBN | 3-8394-5095-0 |
| Classificazione | LP 19507 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Table of Contents -- Preface -- Preface to the Revised and Expanded English Edition -- Acknowledgements -- List of Examples, Figures, and Tables -- I. Introduction: Art Music, Identity, and Reflexive Globalization -- 1. Art Music in a Global Context -- 2. Identity Criticism and Reflexive Globalization -- 3. Discourses of Intercultural Composition -- II. Toward an Entangled History of Twentieth-Century Music in a Global Context -- 1. Preliminaries of an Intercultural Music Historiography -- 2. Internationalism and Universalism: Repercussions of Political and Cultural History -- 3. The Ambivalence of the Local in Twentieth-Century Music -- 4. Modernist Reception of Japanese and Indian Traditional Music between 1910 and 1945: Delage, Cowell, Mitsukuri, and Hayasaka -- 5. Re-Reading the Impact of the "Cultural Cold War" on Music History: Cowell, Mayuzumi, Berio -- 6. Categories of Intercultural Reception in Western Composition -- III. Studies on the History and Analysis of New East Asian Music -- 1. The Reception of Western Modernism in the Music of China and Japan Since the Late Nineteenth Century -- 2. Triggering Musical Modernism in China: The Work of Wolfgang Fraenkel in Shanghai Exile -- 3. The Travels of a Jasmine Flower: A Chinese Folk Song, Its Prehistory, and Tan Dun's Symphony 1997 -- 4. Probing the Compositional Relevance of Cultural Difference: Key Tendencies of East Asian New Music Since the 1950s -- 5. Intercultural Narrativity in East Asian Art Music since the 1990s -- 6. The Impact of Traditional Music on Composition in Taiwan since the Postwar Period -- IV. The shō Context -- 1. Transformation and Myth Criticism in Works for the Japanese Mouth Organ -- 2. The shō as a Medium of Alterity and Self-Referentiality in Helmut Lachenmann's Music -- V. New Music and Beyond: Music-Historical and Cultural Entanglements -- 1. The Rediscovery of Presence: Intercultural Passages Through Vocal Spaces Between Speech and Song -- 2. Space-Time Movements in György Ligeti's Piano Concerto: Polymeter and Conflicting Meter in Historical and Intercultural Perspective -- 3. Intercultural Tension in Music by Chaya Czernowin and Isabel Mundry: Variations on Identity and Musical Meaning -- VI. Reflections on My Own Composing as a Search for Traces in the In-Between -- 1. Layered Fabric, Intertextuality, and Cultural Context: From Striated to Open Space -- 2. Stratification and Analysis -- 3. Intercultural and Multilingual Trajectories of the Human Voice -- 4. Composition as Polyphony: Creating, Performing, and Perceiving Music Non-Hierarchically -- Bibliography -- Appendix -- Index |
| Record Nr. | UNINA-9910476917603321 |
|
Utz Christian (Kunstuniversität Graz, Österreich)
|
||
| Bielefeld, : transcript Verlag, 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||