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Class and the making of American literature : created unequal / / edited by Andrew Lawson
| Class and the making of American literature : created unequal / / edited by Andrew Lawson |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | New York : , : Routledge, , 2014 |
| Descrizione fisica | 1 online resource (306 p.) |
| Disciplina | 810.9/3552 |
| Altri autori (Persone) | LawsonAndrew <1959 July 4-> |
| Collana | Routledge Interdisciplinary Perspectives on Literature |
| Soggetto topico |
American literature - History and criticism
Social classes in literature Group identity in literature Working class authors - United States Working class writings, American - History and criticism Literature and society - United States - History |
| ISBN |
1-136-77431-9
1-138-54745-X 0-203-55602-X 1-136-77424-6 |
| Classificazione | LIT004020SOC050000LIT000000 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half Title; Title Page; Copyright Page; Table of Contents; List of Figures; Introduction; Part I Class in Early American Literature; 1 The Shays Rebellion in Literary History; 2 The Secret Witness: Thinking, and Not Thinking, about Servants in the Early American Novel; Part II Class in the Antebellum Period; 3 Cheap Reading and the Rise of Proletarian Print Culture; 4 The City Sketch: Writing Middle-Class Identity on the Streets of Antebellum New York; 5 Materializing Identification: Theorizing Class Identification in Nineteenth-Century Literary Texts
Part III Class in the Gilded Age and the Progressive Period6 Cultures of Class in the Gilded Age Labor Problem Novel; 7 "A Question of Meum and Tuum": The Civilization of the Commodity and the Maintenance of Inequality in Charles Chesnutt's The Conjure Woman and The Marrow of Tradition; 8 Edith Wharton, Insider Information, and the "Inherited Obligations" of Class; Part IV Class in the Early to Mid-Twentieth Century; 9 From Class Imaginary to Cultural Revolution in Willa Cather; 10 Class Passing in the Fiction of the Great Depression: Breaking Boundaries through Fashion 11 Broken Frames: The World War II Novel and the Legibility of Class in the U.S. Historical ImaginationPart V Class in Contemporary American Literature; 12 The Future as Form: Undoing the Categorical Separation of Class and Gender in Ana Castillo's Sapogonia; 13 A Killing Greed: Capitalism, Casinos, and Violence in Contemporary Native American Literature; 14 "Not/One": The Poetics of the Multitude in Great Recession-Era America; Part VI Teaching Class; 15 Teaching U.S. Working Class Literature; or, Firing the Canon; Contributors; Index |
| Record Nr. | UNINA-9910791307903321 |
| New York : , : Routledge, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Class and the making of American literature : created unequal / / edited by Andrew Lawson
| Class and the making of American literature : created unequal / / edited by Andrew Lawson |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | New York : , : Routledge, , 2014 |
| Descrizione fisica | 1 online resource (306 p.) |
| Disciplina | 810.9/3552 |
| Altri autori (Persone) | LawsonAndrew <1959 July 4-> |
| Collana | Routledge Interdisciplinary Perspectives on Literature |
| Soggetto topico |
American literature - History and criticism
Social classes in literature Group identity in literature Working class authors - United States Working class writings, American - History and criticism Literature and society - United States - History |
| ISBN |
1-136-77431-9
1-138-54745-X 0-203-55602-X 1-136-77424-6 |
| Classificazione | LIT004020SOC050000LIT000000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half Title; Title Page; Copyright Page; Table of Contents; List of Figures; Introduction; Part I Class in Early American Literature; 1 The Shays Rebellion in Literary History; 2 The Secret Witness: Thinking, and Not Thinking, about Servants in the Early American Novel; Part II Class in the Antebellum Period; 3 Cheap Reading and the Rise of Proletarian Print Culture; 4 The City Sketch: Writing Middle-Class Identity on the Streets of Antebellum New York; 5 Materializing Identification: Theorizing Class Identification in Nineteenth-Century Literary Texts
Part III Class in the Gilded Age and the Progressive Period6 Cultures of Class in the Gilded Age Labor Problem Novel; 7 "A Question of Meum and Tuum": The Civilization of the Commodity and the Maintenance of Inequality in Charles Chesnutt's The Conjure Woman and The Marrow of Tradition; 8 Edith Wharton, Insider Information, and the "Inherited Obligations" of Class; Part IV Class in the Early to Mid-Twentieth Century; 9 From Class Imaginary to Cultural Revolution in Willa Cather; 10 Class Passing in the Fiction of the Great Depression: Breaking Boundaries through Fashion 11 Broken Frames: The World War II Novel and the Legibility of Class in the U.S. Historical ImaginationPart V Class in Contemporary American Literature; 12 The Future as Form: Undoing the Categorical Separation of Class and Gender in Ana Castillo's Sapogonia; 13 A Killing Greed: Capitalism, Casinos, and Violence in Contemporary Native American Literature; 14 "Not/One": The Poetics of the Multitude in Great Recession-Era America; Part VI Teaching Class; 15 Teaching U.S. Working Class Literature; or, Firing the Canon; Contributors; Index |
| Record Nr. | UNINA-9910956191603321 |
| New York : , : Routledge, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||