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The Edinburgh companion to Samuel Beckett and the arts / / edited by S. E. Gontarski
| The Edinburgh companion to Samuel Beckett and the arts / / edited by S. E. Gontarski |
| Pubbl/distr/stampa | Edinburgh, Scotland : , : Edinburgh University Press, , 2014 |
| Descrizione fisica | 1 online resource (521 p.) |
| Disciplina | 828.91209 |
| Soggetto topico | Arts, Modern - 20th century |
| ISBN |
1-78402-538-0
0-7486-7570-1 |
| Classificazione | IH 15721 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Introduction: Towards a Minoritarian Criticism - The Questions We Ask; Part 1: Art and Aesthetics; 1: 'Deux Besoins': Samuel Beckett and the Aesthetic Dilemma; Plate Section; 2: 'Siege Laid Again': Arikha's Gaze, Beckett's Painted Stage; 3: Convulsive Aesthetics: Beckett, Chaplin and Charcot; 4: Pain Degree Zero; Part 2: Fictions; 5: Sexual Indifference in the Three Novels; 6: A Neuropolitics of Subjectivity in Samuel Beckett's Three Novels; 7: Evening, Night and Other Shades of Dark: Beckett's Short Prose; Part 3: A European Context
8: French Beckett and French Literary Politics 1945-529: Beckett/Sade: texts for nothing; 10: Beckett's Masson: From Abstraction to Non-relation; 11: Beckett, Duthuit and Ongoing Dialogue; 12: Gloria SMH and Beckett's Linguistic Encryptions; 13: 'I am Writing a Manifesto Because I have nothing to say' (Soupault): Samuel Beckett and the Interwar Avant-Garde; 14: Beckett and Contemporary French Literature; Part 4: An Irish Context; 15: The 'Irish' Translation of Samuel Beckett's En Attendant Godot; 16: Odds, Ends, Beginnings: Samuel Beckett and Theatre Cultures in 1930s Dublin 17: 'Bid us sigh on from day to day': Beckett and the Irish Big HousePart 5: Film, Radio and Television; 18: A Womb with a View: FIlm as Regression Fantasy; 19: 'The Sound is Enough': Beckett's Radio Plays; Part 6: Language/Writing; 20: 'Was that a point?': Beckett's Punctuation; 21: Beckett's Unpublished Canon; 22: Textual Scars: Beckett, Genetic Criticism and Textual Scholarship; 23: Beckett's Ill Seen Ill Said: Reading the Subject, Subject to Reading; Part 7: Philosophies; 24: Beckett and Philosophy; 25: 'Ruse a by': Watt, the Rupture of the Everyday and Transcendental Empiricism 26: Beckett, Modernism and ChristianityPart 8: Theatre and Performance; 27: 'Oh Lovely Art': Beckett and Music; 28: Victimised Actors and Despotic Directors: Clichés of Theatre at Stake in Beckett's Catastrophe; 29: Staging the Modernist Monologue as Capable Negativity: Beckett's 'A Piece of Monologue' Between and Beyond Eliot and Joyce; 30: Designing Beckett: Jocelyn Herbert's Contribution to Samuel Beckett's Theatrical Aesthetics; 31: Dianoetic Laughter in Tragedy: Accepting Finitude - Beckett's Endgame; 32: Performing the Formless; Part 9: Global Beckett 33: 'Facing Other WIndows': Beckett in Brazil34: Beckett in Belgrade; 35: 'Struggling with a Dead Language': Language of Others in All That Fall and the Japanese Avant-Garde Theatre in the 1960s; List of Contributors; Index |
| Record Nr. | UNINA-9910787995403321 |
| Edinburgh, Scotland : , : Edinburgh University Press, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Edinburgh companion to Samuel Beckett and the arts / / edited by S. E. Gontarski
| The Edinburgh companion to Samuel Beckett and the arts / / edited by S. E. Gontarski |
| Pubbl/distr/stampa | Edinburgh, Scotland : , : Edinburgh University Press, , 2014 |
| Descrizione fisica | 1 online resource (521 p.) |
| Disciplina | 828.91209 |
| Soggetto topico | Arts, Modern - 20th century |
| ISBN |
1-78402-538-0
0-7486-7570-1 |
| Classificazione | IH 15721 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Introduction: Towards a Minoritarian Criticism - The Questions We Ask; Part 1: Art and Aesthetics; 1: 'Deux Besoins': Samuel Beckett and the Aesthetic Dilemma; Plate Section; 2: 'Siege Laid Again': Arikha's Gaze, Beckett's Painted Stage; 3: Convulsive Aesthetics: Beckett, Chaplin and Charcot; 4: Pain Degree Zero; Part 2: Fictions; 5: Sexual Indifference in the Three Novels; 6: A Neuropolitics of Subjectivity in Samuel Beckett's Three Novels; 7: Evening, Night and Other Shades of Dark: Beckett's Short Prose; Part 3: A European Context
8: French Beckett and French Literary Politics 1945-529: Beckett/Sade: texts for nothing; 10: Beckett's Masson: From Abstraction to Non-relation; 11: Beckett, Duthuit and Ongoing Dialogue; 12: Gloria SMH and Beckett's Linguistic Encryptions; 13: 'I am Writing a Manifesto Because I have nothing to say' (Soupault): Samuel Beckett and the Interwar Avant-Garde; 14: Beckett and Contemporary French Literature; Part 4: An Irish Context; 15: The 'Irish' Translation of Samuel Beckett's En Attendant Godot; 16: Odds, Ends, Beginnings: Samuel Beckett and Theatre Cultures in 1930s Dublin 17: 'Bid us sigh on from day to day': Beckett and the Irish Big HousePart 5: Film, Radio and Television; 18: A Womb with a View: FIlm as Regression Fantasy; 19: 'The Sound is Enough': Beckett's Radio Plays; Part 6: Language/Writing; 20: 'Was that a point?': Beckett's Punctuation; 21: Beckett's Unpublished Canon; 22: Textual Scars: Beckett, Genetic Criticism and Textual Scholarship; 23: Beckett's Ill Seen Ill Said: Reading the Subject, Subject to Reading; Part 7: Philosophies; 24: Beckett and Philosophy; 25: 'Ruse a by': Watt, the Rupture of the Everyday and Transcendental Empiricism 26: Beckett, Modernism and ChristianityPart 8: Theatre and Performance; 27: 'Oh Lovely Art': Beckett and Music; 28: Victimised Actors and Despotic Directors: Clichés of Theatre at Stake in Beckett's Catastrophe; 29: Staging the Modernist Monologue as Capable Negativity: Beckett's 'A Piece of Monologue' Between and Beyond Eliot and Joyce; 30: Designing Beckett: Jocelyn Herbert's Contribution to Samuel Beckett's Theatrical Aesthetics; 31: Dianoetic Laughter in Tragedy: Accepting Finitude - Beckett's Endgame; 32: Performing the Formless; Part 9: Global Beckett 33: 'Facing Other WIndows': Beckett in Brazil34: Beckett in Belgrade; 35: 'Struggling with a Dead Language': Language of Others in All That Fall and the Japanese Avant-Garde Theatre in the 1960s; List of Contributors; Index |
| Record Nr. | UNINA-9910825140103321 |
| Edinburgh, Scotland : , : Edinburgh University Press, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Samuel Beckett [[electronic resource] /] / Andrew Gibson
| Samuel Beckett [[electronic resource] /] / Andrew Gibson |
| Autore | Gibson Andrew <1949-> |
| Pubbl/distr/stampa | London, : Reaktion Books, 2010 |
| Descrizione fisica | 1 online resource (207 p.) |
| Disciplina | 822.912 |
| Collana | Critical lives |
| Soggetto topico | Dramatists, Irish - 20th century |
| ISBN |
1-282-79601-1
9786612796012 1-86189-713-8 |
| Classificazione | IH 15721 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Abbreviations; Introduction: Fuck Life; 1. Arriving at an End: Ireland, 1906-28; 2. Not Worth Tuppence: Paris and the Ecole Normale Superieure, 1928-30; 3. The Ruthless Cunning of the Sane: London, 1933-5; 4. Melancholia im dritten Reich: Germany, 1936-7; 5. ""Elimination des dechets"": The War, Resistance, Vichy France, 1939-44; 6. ""Indignities"": Liberation, the Purge, de Gaulle, 1994-9; 7. Make Sense Who May: A World at Cold War, 1950-85; 8. Where He Happened To Be: Capital ""Triumphans"", 1985-9; Afterword: To Begin Yet Again; References; Select Bibliography; Acknowledgements
Photo Acknowledgements |
| Record Nr. | UNINA-9910784928003321 |
Gibson Andrew <1949->
|
||
| London, : Reaktion Books, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Samuel Beckett / / Andrew Gibson
| Samuel Beckett / / Andrew Gibson |
| Autore | Gibson Andrew <1949-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | London, : Reaktion Books, 2010 |
| Descrizione fisica | 1 online resource (207 p.) |
| Disciplina | 822.912 |
| Collana | Critical lives |
| Soggetto topico | Dramatists, Irish - 20th century |
| ISBN |
1-282-79601-1
9786612796012 1-86189-713-8 |
| Classificazione | IH 15721 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Abbreviations; Introduction: Fuck Life; 1. Arriving at an End: Ireland, 1906-28; 2. Not Worth Tuppence: Paris and the Ecole Normale Superieure, 1928-30; 3. The Ruthless Cunning of the Sane: London, 1933-5; 4. Melancholia im dritten Reich: Germany, 1936-7; 5. ""Elimination des dechets"": The War, Resistance, Vichy France, 1939-44; 6. ""Indignities"": Liberation, the Purge, de Gaulle, 1994-9; 7. Make Sense Who May: A World at Cold War, 1950-85; 8. Where He Happened To Be: Capital ""Triumphans"", 1985-9; Afterword: To Begin Yet Again; References; Select Bibliography; Acknowledgements
Photo Acknowledgements |
| Record Nr. | UNINA-9910819843803321 |
|
Gibson Andrew <1949->
|
||
| London, : Reaktion Books, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||