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The Cambridge companion to theatre history / / edited by David Wiles and Christine Dymkowski [[electronic resource]]
| The Cambridge companion to theatre history / / edited by David Wiles and Christine Dymkowski [[electronic resource]] |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
| Descrizione fisica | 1 online resource (xv, 318 pages:) : digital, PDF file(s) |
| Disciplina | 792.09 |
| Collana | Cambridge companions to literature |
| Soggetto topico | Theater - History |
| ISBN |
1-107-48536-3
1-139-01965-1 |
| Classificazione | DRA000000 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Machine generated contents note: Introduction: why?; 1. Why theatre history? David Wiles; Part I. When?: Indicative Timeline: 2. Modernist theatre Stefan Hulfeld; 3. Baroque to romantic theatre Christopher Baugh; 4. Medieval, renaissance and early modern theatre David Wiles; 5. Classical theatre Erika Fischer-Lichte; Part II. Where?: 6. Liverpool Ros Merkin; 7. Finland S. E. Wilmer; 8. Egypt Hazem Azmy; 9. Traditional theatre: the case of Japanese Noh Diego Pellecchia; 10. Reflections on a global theatre history Marvin Carlson; Part III. What?: 11. The audience Willmar Sauter; 12. The art of acting Josette Fe;ral; 13. Music theatre and musical theatre Zachary Dunbar; 14. Circus Marius Kwint; Part IV. How?: 15. The nature of historical evidence: a case study Thomas Postlewait; 16. The visual record: the case of Hamlet Barbara Hodgdon; 17. Museums, archives and collecting Fiona Macintosh; 18. Re:enactment Gilli Bush-Bailey; 19. The internet: history 2.0? Jacky Bratton and Grant Tyler Peterson. |
| Record Nr. | UNISA-996204517203316 |
| Cambridge : , : Cambridge University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
The Cambridge introduction to theatre directing / / Christopher Innes, Maria Shevtsova [[electronic resource]]
| The Cambridge introduction to theatre directing / / Christopher Innes, Maria Shevtsova [[electronic resource]] |
| Autore | Innes Christopher <1941-> |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
| Descrizione fisica | 1 online resource (xi, 283 pages) : digital, PDF file(s) |
| Disciplina | 792.02/33 |
| Collana | Cambridge introductions to literature |
| Soggetto topico |
Theater - Production and direction
Theater - Production and direction - History - 20th century Theatrical producers and directors |
| ISBN |
1-107-35710-1
1-107-23348-8 1-107-34373-9 1-107-34748-3 1-107-25526-0 1-107-34498-0 1-107-34123-X 1-139-01639-3 |
| Classificazione | DRA000000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Illustrations; Acknowledgements; Introduction; Chapter 1 Traditional staging and the evolution of the director; Classical Greek theatre: director as choreographer; From Greece to Classical Rome; Medieval European staging; Playwright-managers: Renaissance and early seventeenth-century theatre; The seventeenth and eighteenth centuries: Enlightenment and the actor-manager; Introducing scenery: Philip Jacques de Loutherbourg; Henry Irving: the nineteenth-century actor-manager; The transition from traditional staging; The German stage and the function of the Intendant
The critic as director: Gotthold Lessing at the Hamburg NationaltheaterFurther reading; Chapter 2 The rise of the modern director; The Meiningen Players and the conditions for naturalism; The Meiningen influence; The theory of naturalism: Emile Zola; The naturalistic director: André Antoine and the Théâtre Libre; Symbolist theatre: a call for directorial vision; Richard Wagner: total theatre; Adolphe Appia: lighting and space; Gordon Craig, Adolphe Appia and the theory of directing; Stanislavsky and psychological realism; The Seagull; Acting 'with the body'; Further reading Chapter 3 Directors of theatricalityVsevolod Meyerhold: commedia dell'arte to biomechanics; Theatricality, stylization and the grotesque; The director as engineer: constructivism and biomechanics; Aleksandr Tairov: aestheticized theatricalization; Yevgeny Vakhtangov: 'festivity' and spectacle; Revisiting Meyerhold: Valery Fokin; The politics of theatricality: Ariane Mnouchkine; 'Masters'; Theatricality, metaphor and the 'East'; Directing in a collectivity of equals; Frank Castorf and Thomas Ostermeier: theatricality and violence; Eastern European directors: theatricality as resistance Further readingChapter 4 Epic theatre directors; Erwin Piscator's political theatre; Political staging: Piscator's Rasputin; Film and stage; Political directing: the Piscator approach; The Rasputin production: a model for epic theatre; Documentary theatre; Bertolt Brecht's epic theatre; Epic theatre and cabaret; Developing an epic style of staging and directing; Directing epic theatre: Mother Courage; The influence of epic theatre; Heiner Müller and post-Brechtian epic theatre; Postmodern epic directing: Roberto Ciulli; Further reading; Chapter 5 Total theatre: the director as auteur Gordon Craig and the Artist of the TheatreMax Reinhardt: the 'Director's Book'; Combining directorial methods: Norman Bel Geddes; Peter Brook: collective creation versus directorial vision; Robert Wilson: the 'Visual Book'; Robert Lepage: cinematic self-directing; Total theatre and directing opera: Robert Wilson, Robert Lepage, Peter Sellars; Visual stylization as musical context: Robert Wilson; Cinematic and mechanistic deconstructions of opera: Robert Lepage; Conceptual politics: Peter Sellars; Sound and space: Christoph Marthaler; Further reading; Chapter 6 Directors of ensemble theatre Giorgio Strehler, Peter Stein, Peter Brook |
| Record Nr. | UNINA-9910786110303321 |
Innes Christopher <1941->
|
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| Cambridge : , : Cambridge University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Cambridge introduction to theatre directing / / Christopher Innes, Maria Shevtsova [[electronic resource]]
| The Cambridge introduction to theatre directing / / Christopher Innes, Maria Shevtsova [[electronic resource]] |
| Autore | Innes Christopher <1941-> |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
| Descrizione fisica | 1 online resource (xi, 283 pages) : digital, PDF file(s) |
| Disciplina | 792.02/33 |
| Collana | Cambridge introductions to literature |
| Soggetto topico |
Theater - Production and direction
Theater - Production and direction - History - 20th century Theatrical producers and directors |
| ISBN |
1-107-35710-1
1-107-23348-8 1-107-34373-9 1-107-34748-3 1-107-25526-0 1-107-34498-0 1-107-34123-X 1-139-01639-3 |
| Classificazione | DRA000000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Illustrations; Acknowledgements; Introduction; Chapter 1 Traditional staging and the evolution of the director; Classical Greek theatre: director as choreographer; From Greece to Classical Rome; Medieval European staging; Playwright-managers: Renaissance and early seventeenth-century theatre; The seventeenth and eighteenth centuries: Enlightenment and the actor-manager; Introducing scenery: Philip Jacques de Loutherbourg; Henry Irving: the nineteenth-century actor-manager; The transition from traditional staging; The German stage and the function of the Intendant
The critic as director: Gotthold Lessing at the Hamburg NationaltheaterFurther reading; Chapter 2 The rise of the modern director; The Meiningen Players and the conditions for naturalism; The Meiningen influence; The theory of naturalism: Emile Zola; The naturalistic director: André Antoine and the Théâtre Libre; Symbolist theatre: a call for directorial vision; Richard Wagner: total theatre; Adolphe Appia: lighting and space; Gordon Craig, Adolphe Appia and the theory of directing; Stanislavsky and psychological realism; The Seagull; Acting 'with the body'; Further reading Chapter 3 Directors of theatricalityVsevolod Meyerhold: commedia dell'arte to biomechanics; Theatricality, stylization and the grotesque; The director as engineer: constructivism and biomechanics; Aleksandr Tairov: aestheticized theatricalization; Yevgeny Vakhtangov: 'festivity' and spectacle; Revisiting Meyerhold: Valery Fokin; The politics of theatricality: Ariane Mnouchkine; 'Masters'; Theatricality, metaphor and the 'East'; Directing in a collectivity of equals; Frank Castorf and Thomas Ostermeier: theatricality and violence; Eastern European directors: theatricality as resistance Further readingChapter 4 Epic theatre directors; Erwin Piscator's political theatre; Political staging: Piscator's Rasputin; Film and stage; Political directing: the Piscator approach; The Rasputin production: a model for epic theatre; Documentary theatre; Bertolt Brecht's epic theatre; Epic theatre and cabaret; Developing an epic style of staging and directing; Directing epic theatre: Mother Courage; The influence of epic theatre; Heiner Müller and post-Brechtian epic theatre; Postmodern epic directing: Roberto Ciulli; Further reading; Chapter 5 Total theatre: the director as auteur Gordon Craig and the Artist of the TheatreMax Reinhardt: the 'Director's Book'; Combining directorial methods: Norman Bel Geddes; Peter Brook: collective creation versus directorial vision; Robert Wilson: the 'Visual Book'; Robert Lepage: cinematic self-directing; Total theatre and directing opera: Robert Wilson, Robert Lepage, Peter Sellars; Visual stylization as musical context: Robert Wilson; Cinematic and mechanistic deconstructions of opera: Robert Lepage; Conceptual politics: Peter Sellars; Sound and space: Christoph Marthaler; Further reading; Chapter 6 Directors of ensemble theatre Giorgio Strehler, Peter Stein, Peter Brook |
| Record Nr. | UNINA-9910822782503321 |
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Innes Christopher <1941->
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||
| Cambridge : , : Cambridge University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Irony and the modern theatre / / William Storm [[electronic resource]]
| Irony and the modern theatre / / William Storm [[electronic resource]] |
| Autore | Storm William <1949-> |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2011 |
| Descrizione fisica | 1 online resource (x, 256 pages) : digital, PDF file(s) |
| Disciplina | 809.2/918 |
| Collana | Cambridge studies in modern theatre |
| Soggetto topico |
Irony in literature
Drama - History and criticism Drama - Psychological aspects |
| ISBN |
1-139-06406-1
1-107-22183-8 1-283-11285-X 9786613112859 1-139-07654-X 1-139-08336-8 1-139-08109-8 1-139-07882-8 0-511-97483-3 1-139-07082-7 |
| Classificazione | DRA000000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- 1. Irony personified: Ibsen and The Master Builder -- 2. The character of irony in Chekhov -- 3. Irony and dialectic: Shaw's Candida -- 4. Pirandello's 'father' -- and Brecht's 'mother' -- 5. Absurdist irony: Ionesco's 'anti-play' -- 6. 'Ironist first-class': Stoppard's Arcadia -- 7. American ironies: Wasserstein and Kushner -- 8. Irony's theatre. |
| Altri titoli varianti | Irony & the Modern Theatre |
| Record Nr. | UNINA-9910790082703321 |
|
Storm William <1949->
|
||
| Cambridge : , : Cambridge University Press, , 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Irony and the modern theatre / / William Storm [[electronic resource]]
| Irony and the modern theatre / / William Storm [[electronic resource]] |
| Autore | Storm William <1949-> |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2011 |
| Descrizione fisica | 1 online resource (x, 256 pages) : digital, PDF file(s) |
| Disciplina | 809.2/918 |
| Collana | Cambridge studies in modern theatre |
| Soggetto topico |
Irony in literature
Drama - History and criticism Drama - Psychological aspects |
| ISBN |
1-139-06406-1
1-107-22183-8 1-283-11285-X 9786613112859 1-139-07654-X 1-139-08336-8 1-139-08109-8 1-139-07882-8 0-511-97483-3 1-139-07082-7 |
| Classificazione | DRA000000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- 1. Irony personified: Ibsen and The Master Builder -- 2. The character of irony in Chekhov -- 3. Irony and dialectic: Shaw's Candida -- 4. Pirandello's 'father' -- and Brecht's 'mother' -- 5. Absurdist irony: Ionesco's 'anti-play' -- 6. 'Ironist first-class': Stoppard's Arcadia -- 7. American ironies: Wasserstein and Kushner -- 8. Irony's theatre. |
| Altri titoli varianti | Irony & the Modern Theatre |
| Record Nr. | UNINA-9910808476303321 |
|
Storm William <1949->
|
||
| Cambridge : , : Cambridge University Press, , 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Mapping Irish theatre : theories of space and place / / Chris Morash and Shaun Richards [[electronic resource]]
| Mapping Irish theatre : theories of space and place / / Chris Morash and Shaun Richards [[electronic resource]] |
| Autore | Morash Chris <1963-> |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
| Descrizione fisica | 1 online resource (xi, 216 pages) : digital, PDF file(s) |
| Disciplina | 792.09417/0904 |
| Soggetto topico | Theater - Ireland - History |
| ISBN |
1-107-72084-2
1-139-89296-7 1-107-72793-6 1-107-73029-5 1-107-73204-2 1-107-72853-3 1-107-72392-2 1-139-60030-3 |
| Classificazione | DRA000000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- 1. Making space -- 2. Staging place -- 3. Spaces of modernity and modernism -- 4. The calamity of yesterday -- 5. The fluorescence of place -- 6. Theatre of the world -- 7. Theatre of the street -- Conclusion: spectral spaces. |
| Record Nr. | UNINA-9910787613903321 |
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Morash Chris <1963->
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||
| Cambridge : , : Cambridge University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Mapping Irish theatre : theories of space and place / / Chris Morash and Shaun Richards [[electronic resource]]
| Mapping Irish theatre : theories of space and place / / Chris Morash and Shaun Richards [[electronic resource]] |
| Autore | Morash Chris <1963-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
| Descrizione fisica | 1 online resource (xi, 216 pages) : digital, PDF file(s) |
| Disciplina | 792.09417/0904 |
| Soggetto topico | Theater - Ireland - History |
| ISBN |
1-107-72084-2
1-139-89296-7 1-107-72793-6 1-107-73029-5 1-107-73204-2 1-107-72853-3 1-107-72392-2 1-139-60030-3 |
| Classificazione | DRA000000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- 1. Making space -- 2. Staging place -- 3. Spaces of modernity and modernism -- 4. The calamity of yesterday -- 5. The fluorescence of place -- 6. Theatre of the world -- 7. Theatre of the street -- Conclusion: spectral spaces. |
| Record Nr. | UNINA-9910825270003321 |
|
Morash Chris <1963->
|
||
| Cambridge : , : Cambridge University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||