Choreographie als kritische Praxis : Arbeitsweisen bei Xavier Le Roy und Thomas Lehmen / Pirkko Husemann |
Autore | Husemann Pirkko |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2015 |
Descrizione fisica | 1 online resource (280) |
Collana | TanzScripte |
Soggetto topico | Tanz; Choreografie; Theater; Kritik; Improvisation; Thomas Lehmen; Xavier Le Roy; Theaterwissenschaft; Kunsttheorie; Kulturwissenschaft; Dance; Theatre; Theatre Studies; Theory of Art; Cultural Studies |
Soggetto non controllato |
Cultural Studies
Theatre Studies Theatre Theory of Art |
ISBN | 3-8394-0973-X |
Classificazione | AP 84000 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ger |
Nota di contenuto | Frontmatter 1 Inhalt 7 Vorwort 9 Einleitung 13 1. Zum Kritikbegriff in Theorie und Praxis 39 2. Die Tanzszene als kulturelles Feld 89 3. Prozesse, Methoden, Zusammenarbeit und Formate 127 4. Relevanz für Ästhetik, Rezeption, Bildung und Diskurs 219 5. Schluss und Ausblick 243 6. Produktions- und Aufführungsverzeichnis 249 7. Quellen- und Literaturverzeichnis 261 8. Abbildungsverzeichnis 277 Backmatter 278 |
Record Nr. | UNISA-996308847303316 |
Husemann Pirkko
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Bielefeld, : transcript Verlag, 2015 | ||
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Lo trovi qui: Univ. di Salerno | ||
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Choreographie als kritische Praxis : Arbeitsweisen bei Xavier Le Roy und Thomas Lehmen / Pirkko Husemann |
Autore | Husemann Pirkko |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2015 |
Descrizione fisica | 1 online resource (280) |
Collana | TanzScripte |
Soggetto topico | Tanz; Choreografie; Theater; Kritik; Improvisation; Thomas Lehmen; Xavier Le Roy; Theaterwissenschaft; Kunsttheorie; Kulturwissenschaft; Dance; Theatre; Theatre Studies; Theory of Art; Cultural Studies |
Soggetto non controllato |
Cultural Studies
Theatre Studies Theatre Theory of Art |
ISBN | 3-8394-0973-X |
Classificazione | AP 84000 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ger |
Nota di contenuto | Frontmatter 1 Inhalt 7 Vorwort 9 Einleitung 13 1. Zum Kritikbegriff in Theorie und Praxis 39 2. Die Tanzszene als kulturelles Feld 89 3. Prozesse, Methoden, Zusammenarbeit und Formate 127 4. Relevanz für Ästhetik, Rezeption, Bildung und Diskurs 219 5. Schluss und Ausblick 243 6. Produktions- und Aufführungsverzeichnis 249 7. Quellen- und Literaturverzeichnis 261 8. Abbildungsverzeichnis 277 Backmatter 278 |
Record Nr. | UNINA-9910372792003321 |
Husemann Pirkko
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||
Bielefeld, : transcript Verlag, 2015 | ||
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Lo trovi qui: Univ. Federico II | ||
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Dance [and] Theory / Gabriele Brandstetter, Gabriele Klein |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2014 |
Descrizione fisica | 1 online resource (325 p.) |
Disciplina | 306.4/84 |
Collana | TanzScripte |
Soggetto topico | Dance; Dance Studies; Performance Studies; Choreography; Art Theory; Artistic Research; Politics of Movement; Aesthetics; Visuality; Archive; Future of Dance; Theatre Studies; Theory of Art; Body |
Soggetto non controllato |
Aesthetics
Archive Art Theory Artistic Research Body Choreography Dance Studies Future of Dance Performance Studies Politics of Movement Theatre Studies Theory of Art Visuality |
ISBN | 3-8394-2151-9 |
Classificazione | AP 84000 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1 Contents 5 Dance [and] Theory. Introduction 11 Dancing and Theorizing and Theorizing Dancing 19 Artistic Research: Between Experiment and Presentation 35 A Few Remarks about Research in Dance and Performance or - The Production of Problems 45 Knowledge and Collective Praxis 51 It does not matter or The Artist Out (of the Picture) 63 Artistic Research between Dance and Theory - A Response in Six Questions 69 References 75 Aesthetic Experience 81 The Question of the Aesthetic 89 The Resistance to Dance Theory. Being-With, the Aesthetic Event 97 Beautiful Affects in Choreography 103 Intertwinings: The Dis/Positions of Dance Aesthetics 107 Unexpected Horizons of Meaning 115 Parallel Universes and Aesthetic Dis/Balance: Theory Interrupted, Dance Distracted 119 References 129 Dance Theory as a Practice of Critique 137 Dance and Politics 153 Pitfalls of 'the Political.' Politization as an Alternative Tool for Dance Analysis? 159 The Politics of Time 167 Contemporary Dance and the Critical Ontology of Actuality 173 Geo-Politics, Dissensus, and Dance Citizenship: The Case of South Asian Dance in Britain 177 Resilient Bodies, Stirred. Political Anecdotes from the Field of Contemporary Choreography 183 Remarks Concerning the Ontology of Dance 187 References 191 Dis/Balances. Dance and Theory 197 Steps and Gaps: Curatorial Perspectives on Dance and Archives 213 Body, Archive 219 The Constructive Compromise 223 Dance/Archive/Exhibition? Moving between Worlds 227 The Archive in Motion 231 "Mal d'Archive" - in a Different Sense than Jacques Derrida's 235 Leaving and Pursuing Traces 'Archive' and 'Archiving' in a Dance Context 241 References 247 Thoughts on the Now in the Future 253 A Relational Perspective on Dance and Theory - Implications for the Teaching of Dance Studies 265 dé-position. Or How to Move in(to) the Future? 271 Embryology as Choreography 277 Hypothesis Number Nine: The Image Is an Organ 283 What's 'next'? 287 In the Making. On the Generation of Movement between Dance and Theory 291 An Institution Is only as Good as the People who Work there Can be. No? 297 References 309 Notes on Contributors 313 |
Record Nr. | UNINA-9910800031703321 |
Bielefeld, : transcript Verlag, 2014 | ||
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Lo trovi qui: Univ. Federico II | ||
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