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Choreographie als kritische Praxis : Arbeitsweisen bei Xavier Le Roy und Thomas Lehmen / Pirkko Husemann
Choreographie als kritische Praxis : Arbeitsweisen bei Xavier Le Roy und Thomas Lehmen / Pirkko Husemann
Autore Husemann Pirkko
Edizione [1st ed.]
Pubbl/distr/stampa Bielefeld, : transcript Verlag, 2015
Descrizione fisica 1 online resource (280)
Collana TanzScripte
Soggetto topico Tanz; Choreografie; Theater; Kritik; Improvisation; Thomas Lehmen; Xavier Le Roy; Theaterwissenschaft; Kunsttheorie; Kulturwissenschaft; Dance; Theatre; Theatre Studies; Theory of Art; Cultural Studies
Soggetto non controllato Cultural Studies
Theatre Studies
Theatre
Theory of Art
ISBN 3-8394-0973-X
Classificazione AP 84000
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione ger
Nota di contenuto Frontmatter 1 Inhalt 7 Vorwort 9 Einleitung 13 1. Zum Kritikbegriff in Theorie und Praxis 39 2. Die Tanzszene als kulturelles Feld 89 3. Prozesse, Methoden, Zusammenarbeit und Formate 127 4. Relevanz für Ästhetik, Rezeption, Bildung und Diskurs 219 5. Schluss und Ausblick 243 6. Produktions- und Aufführungsverzeichnis 249 7. Quellen- und Literaturverzeichnis 261 8. Abbildungsverzeichnis 277 Backmatter 278
Record Nr. UNISA-996308847303316
Husemann Pirkko  
Bielefeld, : transcript Verlag, 2015
Materiale a stampa
Lo trovi qui: Univ. di Salerno
Opac: Controlla la disponibilità qui
Choreographie als kritische Praxis : Arbeitsweisen bei Xavier Le Roy und Thomas Lehmen / Pirkko Husemann
Choreographie als kritische Praxis : Arbeitsweisen bei Xavier Le Roy und Thomas Lehmen / Pirkko Husemann
Autore Husemann Pirkko
Edizione [1st ed.]
Pubbl/distr/stampa Bielefeld, : transcript Verlag, 2015
Descrizione fisica 1 online resource (280)
Collana TanzScripte
Soggetto topico Tanz; Choreografie; Theater; Kritik; Improvisation; Thomas Lehmen; Xavier Le Roy; Theaterwissenschaft; Kunsttheorie; Kulturwissenschaft; Dance; Theatre; Theatre Studies; Theory of Art; Cultural Studies
Soggetto non controllato Cultural Studies
Theatre Studies
Theatre
Theory of Art
ISBN 3-8394-0973-X
Classificazione AP 84000
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione ger
Nota di contenuto Frontmatter 1 Inhalt 7 Vorwort 9 Einleitung 13 1. Zum Kritikbegriff in Theorie und Praxis 39 2. Die Tanzszene als kulturelles Feld 89 3. Prozesse, Methoden, Zusammenarbeit und Formate 127 4. Relevanz für Ästhetik, Rezeption, Bildung und Diskurs 219 5. Schluss und Ausblick 243 6. Produktions- und Aufführungsverzeichnis 249 7. Quellen- und Literaturverzeichnis 261 8. Abbildungsverzeichnis 277 Backmatter 278
Record Nr. UNINA-9910372792003321
Husemann Pirkko  
Bielefeld, : transcript Verlag, 2015
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Dance [and] Theory / Gabriele Brandstetter, Gabriele Klein
Dance [and] Theory / Gabriele Brandstetter, Gabriele Klein
Edizione [1st ed.]
Pubbl/distr/stampa Bielefeld, : transcript Verlag, 2014
Descrizione fisica 1 online resource (325 p.)
Disciplina 306.4/84
Collana TanzScripte
Soggetto topico Dance; Dance Studies; Performance Studies; Choreography; Art Theory; Artistic Research; Politics of Movement; Aesthetics; Visuality; Archive; Future of Dance; Theatre Studies; Theory of Art; Body
Soggetto non controllato Aesthetics
Archive
Art Theory
Artistic Research
Body
Choreography
Dance Studies
Future of Dance
Performance Studies
Politics of Movement
Theatre Studies
Theory of Art
Visuality
ISBN 3-8394-2151-9
Classificazione AP 84000
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto 1 Contents 5 Dance [and] Theory. Introduction 11 Dancing and Theorizing and Theorizing Dancing 19 Artistic Research: Between Experiment and Presentation 35 A Few Remarks about Research in Dance and Performance or - The Production of Problems 45 Knowledge and Collective Praxis 51 It does not matter or The Artist Out (of the Picture) 63 Artistic Research between Dance and Theory - A Response in Six Questions 69 References 75 Aesthetic Experience 81 The Question of the Aesthetic 89 The Resistance to Dance Theory. Being-With, the Aesthetic Event 97 Beautiful Affects in Choreography 103 Intertwinings: The Dis/Positions of Dance Aesthetics 107 Unexpected Horizons of Meaning 115 Parallel Universes and Aesthetic Dis/Balance: Theory Interrupted, Dance Distracted 119 References 129 Dance Theory as a Practice of Critique 137 Dance and Politics 153 Pitfalls of 'the Political.' Politization as an Alternative Tool for Dance Analysis? 159 The Politics of Time 167 Contemporary Dance and the Critical Ontology of Actuality 173 Geo-Politics, Dissensus, and Dance Citizenship: The Case of South Asian Dance in Britain 177 Resilient Bodies, Stirred. Political Anecdotes from the Field of Contemporary Choreography 183 Remarks Concerning the Ontology of Dance 187 References 191 Dis/Balances. Dance and Theory 197 Steps and Gaps: Curatorial Perspectives on Dance and Archives 213 Body, Archive 219 The Constructive Compromise 223 Dance/Archive/Exhibition? Moving between Worlds 227 The Archive in Motion 231 "Mal d'Archive" - in a Different Sense than Jacques Derrida's 235 Leaving and Pursuing Traces 'Archive' and 'Archiving' in a Dance Context 241 References 247 Thoughts on the Now in the Future 253 A Relational Perspective on Dance and Theory - Implications for the Teaching of Dance Studies 265 dé-position. Or How to Move in(to) the Future? 271 Embryology as Choreography 277 Hypothesis Number Nine: The Image Is an Organ 283 What's 'next'? 287 In the Making. On the Generation of Movement between Dance and Theory 291 An Institution Is only as Good as the People who Work there Can be. No? 297 References 309 Notes on Contributors 313
Record Nr. UNINA-9910800031703321
Bielefeld, : transcript Verlag, 2014
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui