The Beatles on film : analysis of movies, documentaries, spoofs and cartoons / / Roland Reiter |
Autore | Reiter Roland |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2008 |
Descrizione fisica | 1 online resource (214) |
Disciplina | 782.42166092/2 |
Collana | Film |
Soggetto topico | Rock groups - England - History and criticism |
Soggetto non controllato |
Beatles
Film Movies Popular Culture Pop Music Cultural Studies |
ISBN | 3-8394-0885-7 |
Classificazione | AP 50300 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter 1 Contents 5 Introduction 7 Beatles History - Part One: 1956-1964 11 The Beatles on Film - Part One: 1964-1965 39 Beatles History - Part Two: 1964-1966. A Contextual Interpretation of The Beatles' Image Change in 1966 87 The Beatles on Film - Part Two: 1965-1970 93 Beatles History - Part Three: 1970-2008 137 Screening the Past: Film and History 145 Movies about The Beatles 151 Documentaries about The Beatles 181 Spoofs 191 Conclusion: Image, Myth, History, and The Beatles 195 Works Cited 203 The Author/Acknowledgments 211 |
Record Nr. | UNISA-996308822703316 |
Reiter Roland
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Bielefeld, : transcript Verlag, 2008 | ||
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Lo trovi qui: Univ. di Salerno | ||
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The Beatles on film : analysis of movies, documentaries, spoofs and cartoons / / Roland Reiter |
Autore | Reiter Roland |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2008 |
Descrizione fisica | 1 online resource (214) |
Disciplina | 782.42166092/2 |
Collana | Film |
Soggetto topico | Rock groups - England - History and criticism |
Soggetto non controllato |
Beatles
Film Movies Popular Culture Pop Music Cultural Studies |
ISBN | 3-8394-0885-7 |
Classificazione | AP 50300 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter 1 Contents 5 Introduction 7 Beatles History - Part One: 1956-1964 11 The Beatles on Film - Part One: 1964-1965 39 Beatles History - Part Two: 1964-1966. A Contextual Interpretation of The Beatles' Image Change in 1966 87 The Beatles on Film - Part Two: 1965-1970 93 Beatles History - Part Three: 1970-2008 137 Screening the Past: Film and History 145 Movies about The Beatles 151 Documentaries about The Beatles 181 Spoofs 191 Conclusion: Image, Myth, History, and The Beatles 195 Works Cited 203 The Author/Acknowledgments 211 |
Record Nr. | UNINA-9910372794203321 |
Reiter Roland
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Bielefeld, : transcript Verlag, 2008 | ||
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Lo trovi qui: Univ. Federico II | ||
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Feasting Our Eyes : Food Films and Cultural Identity in the United States / / Laura Lindenfeld and Fabio Parasecoli |
Autore | Lindenfeld Laura |
Pubbl/distr/stampa | La Vergne, New York : , : Columbia University Press, , 2017 |
Descrizione fisica | 1 online resource (278 pages) : illustrations, photographs |
Disciplina | 791.436564 |
Soggetto topico |
Food in motion pictures
Motion pictures - United States - History Food - Social aspects - United States |
ISBN | 0-231-54297-6 |
Classificazione | AP 50300 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction -- 1. Food Films and Consumption: Selling Big Night -- 2. Autonomy in the Kitchen? Food Films and Post feminism -- 3. Magical Food, Luscious Bodies -- 4. Culinary Comfort: Th e Satiating Construction of Masculinity -- 5. When Weirdos Stir the Pot: Cooking Identity in Animated Movies -- 6. Consuming the Other: Food Films as Culinary Tourism -- Conclusion -- Notes -- Bibliography -- Index |
Record Nr. | UNINA-9910798891203321 |
Lindenfeld Laura
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La Vergne, New York : , : Columbia University Press, , 2017 | ||
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Lo trovi qui: Univ. Federico II | ||
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Feasting Our Eyes : Food Films and Cultural Identity in the United States / / Laura Lindenfeld and Fabio Parasecoli |
Autore | Lindenfeld Laura |
Pubbl/distr/stampa | La Vergne, New York : , : Columbia University Press, , 2017 |
Descrizione fisica | 1 online resource (278 pages) : illustrations, photographs |
Disciplina | 791.436564 |
Soggetto topico |
Food in motion pictures
Motion pictures - United States - History Food - Social aspects - United States |
ISBN | 0-231-54297-6 |
Classificazione | AP 50300 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction -- 1. Food Films and Consumption: Selling Big Night -- 2. Autonomy in the Kitchen? Food Films and Post feminism -- 3. Magical Food, Luscious Bodies -- 4. Culinary Comfort: Th e Satiating Construction of Masculinity -- 5. When Weirdos Stir the Pot: Cooking Identity in Animated Movies -- 6. Consuming the Other: Food Films as Culinary Tourism -- Conclusion -- Notes -- Bibliography -- Index |
Record Nr. | UNINA-9910820294703321 |
Lindenfeld Laura
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La Vergne, New York : , : Columbia University Press, , 2017 | ||
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Lo trovi qui: Univ. Federico II | ||
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Kino der Lüge / Kerstin Kratochwill, Almut Steinlein |
Autore | Kratochwill Kerstin |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2015 |
Descrizione fisica | 1 online resource (196) |
Collana | Film |
Soggetto topico | Kino; Film; Lüge; Medienwissenschaft; Filmwissenschaft; Kulturwissenschaft; Media Studies; Cultural Studies |
Soggetto non controllato |
Cultural Studies
Media Studies |
ISBN | 3-8394-0180-1 |
Classificazione | AP 50300 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ger |
Nota di contenuto | Frontmatter 1 Inhalt 5 Vorwort 7 Kleine Apologie des Kinos der Lüge: Zur Einführung 9 Fotografische Wirklichkeit und subjektive Imagination: Zur Problematik der Wahrnehmung in Antonionis Blow Up 27 Der Clou - Lüge und Fassade 39 »Die Menschen lügen nun mal. Aber niemand gibt es zu. Sie wissen nicht mal, dass sie lügen.«: Zur Relativität von Wirklichkeit und Wahrheit in Rashomon 49 Den richtigen Blick für das falsche Spiel: Peter Greenaways The Draughtsman's Contract 71 Das Leben, ein Pfeifen auf Ideologie und Lüge, ein Lied auf die (künstlerische) Freiheit 87 Emir Kusturicas Schwarze Katze - Weißer Kater als Allegorie der multikulturellen jugoslavischen Identität 105 »Sagt mir Die Wahrheit! Sind wir immer noch im Spiel?« Zur Anthropologie, Ökonomie und Ontologie in David Cronenbergs eXistenZ 135 »If she's told you her name is Alice, she's lying« Als Geisterfahrer unterwegs auf dem Lost Highway. David Lynchs Tunnelblick als Reflektor von Selbstlüge und Identitätssuche 153 Autorenverzeichnis 193 Backmatter 195 |
Record Nr. | UNINA-9910372811603321 |
Kratochwill Kerstin
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Bielefeld, : transcript Verlag, 2015 | ||
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Lo trovi qui: Univ. Federico II | ||
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Kino der Lüge / Kerstin Kratochwill, Almut Steinlein |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2015 |
Descrizione fisica | 1 online resource (196) |
Collana | Film |
Soggetto topico | Kino; Film; Lüge; Medienwissenschaft; Filmwissenschaft; Kulturwissenschaft; Media Studies; Cultural Studies |
Soggetto non controllato |
Cultural Studies
Media Studies |
ISBN | 3-8394-0180-1 |
Classificazione | AP 50300 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ger |
Nota di contenuto | Frontmatter 1 Inhalt 5 Vorwort 7 Kleine Apologie des Kinos der Lüge: Zur Einführung 9 Fotografische Wirklichkeit und subjektive Imagination: Zur Problematik der Wahrnehmung in Antonionis Blow Up 27 Der Clou - Lüge und Fassade 39 »Die Menschen lügen nun mal. Aber niemand gibt es zu. Sie wissen nicht mal, dass sie lügen.«: Zur Relativität von Wirklichkeit und Wahrheit in Rashomon 49 Den richtigen Blick für das falsche Spiel: Peter Greenaways The Draughtsman's Contract 71 Das Leben, ein Pfeifen auf Ideologie und Lüge, ein Lied auf die (künstlerische) Freiheit 87 Emir Kusturicas Schwarze Katze - Weißer Kater als Allegorie der multikulturellen jugoslavischen Identität 105 »Sagt mir Die Wahrheit! Sind wir immer noch im Spiel?« Zur Anthropologie, Ökonomie und Ontologie in David Cronenbergs eXistenZ 135 »If she's told you her name is Alice, she's lying« Als Geisterfahrer unterwegs auf dem Lost Highway. David Lynchs Tunnelblick als Reflektor von Selbstlüge und Identitätssuche 153 Autorenverzeichnis 193 Backmatter 195 |
Record Nr. | UNISA-996308801803316 |
Bielefeld, : transcript Verlag, 2015 | ||
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Lo trovi qui: Univ. di Salerno | ||
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Like a natural woman : spectacular female performance in classical hollywood / / Kirsten Pullen |
Autore | Pullen Kirsten |
Pubbl/distr/stampa | New Brunswick, New Jersey : , : Rutgers University Press, , 2014 |
Descrizione fisica | 1 online resource |
Disciplina | 791.4302/809252 |
Soggetto topico |
Women in motion pictures
Motion picture actors and actresses - California - Los Angeles |
Soggetto genere / forma | Electronic books. |
ISBN | 0-8135-6266-X |
Classificazione | AP 50300 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- CONTENTS -- PREFACE -- Introduction: Playing Herself: The Naturalist Paradigm and the Spectacle of Female Sexuality -- 1. Engineered for Stardom: Publicity, Performance, and Jane Russell -- 2. More than a Mermaid: Esther Williams, Performance, and the Body -- 3. Light Egyptian: Lena Horne and the Representation of Black Femininity -- 4. Carnival!: Carmen Miranda and the Spectacle of Authenticity -- 5. Famous for Being Famous: Persona, Performance, and the Case for Zsa Zsa Gabor -- NOTES -- INDEX -- ABOUT THE AUTHOR |
Record Nr. | UNINA-9910460289103321 |
Pullen Kirsten
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New Brunswick, New Jersey : , : Rutgers University Press, , 2014 | ||
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Lo trovi qui: Univ. Federico II | ||
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Like a natural woman : spectacular female performance in classical hollywood / / Kirsten Pullen |
Autore | Pullen Kirsten |
Pubbl/distr/stampa | New Brunswick, New Jersey : , : Rutgers University Press, , 2014 |
Descrizione fisica | 1 online resource |
Disciplina | 791.4302/809252 |
Soggetto topico |
Women in motion pictures
Motion picture actors and actresses - California - Los Angeles |
Soggetto non controllato | Esther Williams, Jane Russell, Carmen Miranda, Lena Horne, Zsa Zsa Gabor |
ISBN | 0-8135-6266-X |
Classificazione | AP 50300 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- CONTENTS -- PREFACE -- Introduction: Playing Herself: The Naturalist Paradigm and the Spectacle of Female Sexuality -- 1. Engineered for Stardom: Publicity, Performance, and Jane Russell -- 2. More than a Mermaid: Esther Williams, Performance, and the Body -- 3. Light Egyptian: Lena Horne and the Representation of Black Femininity -- 4. Carnival!: Carmen Miranda and the Spectacle of Authenticity -- 5. Famous for Being Famous: Persona, Performance, and the Case for Zsa Zsa Gabor -- NOTES -- INDEX -- ABOUT THE AUTHOR |
Record Nr. | UNINA-9910787169003321 |
Pullen Kirsten
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New Brunswick, New Jersey : , : Rutgers University Press, , 2014 | ||
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Lo trovi qui: Univ. Federico II | ||
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Like a natural woman : spectacular female performance in classical hollywood / / Kirsten Pullen |
Autore | Pullen Kirsten |
Pubbl/distr/stampa | New Brunswick, New Jersey : , : Rutgers University Press, , 2014 |
Descrizione fisica | 1 online resource |
Disciplina | 791.4302/809252 |
Soggetto topico |
Women in motion pictures
Motion picture actors and actresses - California - Los Angeles |
Soggetto non controllato | Esther Williams, Jane Russell, Carmen Miranda, Lena Horne, Zsa Zsa Gabor |
ISBN | 0-8135-6266-X |
Classificazione | AP 50300 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- CONTENTS -- PREFACE -- Introduction: Playing Herself: The Naturalist Paradigm and the Spectacle of Female Sexuality -- 1. Engineered for Stardom: Publicity, Performance, and Jane Russell -- 2. More than a Mermaid: Esther Williams, Performance, and the Body -- 3. Light Egyptian: Lena Horne and the Representation of Black Femininity -- 4. Carnival!: Carmen Miranda and the Spectacle of Authenticity -- 5. Famous for Being Famous: Persona, Performance, and the Case for Zsa Zsa Gabor -- NOTES -- INDEX -- ABOUT THE AUTHOR |
Record Nr. | UNINA-9910824396403321 |
Pullen Kirsten
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New Brunswick, New Jersey : , : Rutgers University Press, , 2014 | ||
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Lo trovi qui: Univ. Federico II | ||
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Medieval Saints and Modern Screens / Alicia Spencer-Hall |
Autore | Spencer-Hall Alicia |
Pubbl/distr/stampa | Amsterdam, : Amsterdam University Press, 2017 |
Descrizione fisica | 1 online resource (305 pages) : illustrations, tables |
Disciplina | 791.43/682 |
Collana | Knowledge communities |
Soggetto topico |
Film
Visuelle Wahrnehmung Mystik Vision Heiligenbild Motion pictures - History - 21st century Motion pictures - History - 20th century Hagiography Middle Ages in motion pictures Saints in motion pictures |
Soggetto non controllato | Hagiography, divine visions, film, Liège, holy women |
ISBN |
90-485-5129-3
90-485-3217-5 |
Classificazione | AP 50300 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Table Of Contents -- Acknowledgments -- Introduction: Ecstatic Cinema, Cinematic Ecstasy -- 1.Play / Pause / Rewind: Temporalities In Flux -- 2.The Caress Of The Divine -- 3.The Xtian Factor, Or How To Manufacture A Medieval Saint -- 4.My Avatar, My Soul: When Mystics Log On -- Conclusion: The Living Veronicas Of Liège -- Abbreviations -- Bibliography -- Index |
Record Nr. | UNISA-996433046003316 |
Spencer-Hall Alicia
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Amsterdam, : Amsterdam University Press, 2017 | ||
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Lo trovi qui: Univ. di Salerno | ||
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