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A companion to early cinema / / edited by André Gaudreault, Nicolas Dulac and Santiago Hidalgo ; assisted by Pierre Chemartin ; editorial board François Albera ... [et al.]
| A companion to early cinema / / edited by André Gaudreault, Nicolas Dulac and Santiago Hidalgo ; assisted by Pierre Chemartin ; editorial board François Albera ... [et al.] |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Malden, Mass., : Wiley-Blackwell, 2012 |
| Descrizione fisica | 1 online resource (647 p.) |
| Disciplina | 791.4309 |
| Altri autori (Persone) |
GaudreaultAndré
DulacNicolas HidalgoSantiago ChemartinPierre AlberaFrançois |
| Soggetto topico |
Motion pictures - History
Silent films - History and criticism Cinematografia Cinema mut Història |
| Soggetto genere / forma | Llibres electrònics |
| ISBN |
1-118-29387-8
1-118-27448-2 1-280-58656-7 9786613616395 1-118-27446-6 1-118-27445-8 1-118-27447-4 |
| Classificazione |
778.2
791.4309 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction / Nicolas Dulac, André Gaudreault, Santiago Hidalgo -- Early Cinema Cultures. The Culture Broth and the Froth of Cultures of So-called Early Cinema / André Gaudreault -- Toward A History Of Peep Practice / Erkki Huhtamo -- "We are Here and Not Here": Late Nineteenth Century Stage Magic and the Roots of Cinema in the Appearance (and Disappearance) of the Virtual Image / Tom Gunning -- The Féerie between Stage and Screen / Frank Kessler -- The Théâtrophone, an Anachronistic Hybrid Experiment or One of the First Immobile Traveler Devices? / Giusy Pisano -- The "Silent" Arts: Modern Pantomime and the Making of an Art Cinema in Belle Époque Paris: The Case of Georges Wague and Germaine Dulac / Tami Williams -- Early Cinema Discourses. First Discourses on Film and the Construction of a "Cinematic Episteme" / François Albera -- The Discourses of Art in Early Film, or, Why not Rancière? / Rob King -- Sensationalism and Early Cinema / Annemone Ligensa -- From Craft to Industry: Series and Serial Production Discourses and Practices in France / Laurent Le Forestier -- Awareness of Film, Language and Self in Early American Film Publications / Santiago Hidalgo -- Early Cinema and Film Theory / Roger Odin -- Early Cinema Forms. A Bunch of Violets / Ben Brewster -- Modernity Stops at Nothing: The American Chase Film and the Specter of Lynching / Jan Olsson -- "The Knowledge Which Comes in Pictures": Educational Films and Early Cinema Audiences / Jennifer Peterson -- Motion Picture Color and Pathé-Frères: The Aesthetic Consequences of Industrialization / Charles O'Brien -- Early Cinema Presentations. The European Fairground Cinema: (Re-)defining and (Re-)contextualizing the "Cinema of -- Attractions" / Joseph Garncarz -- Early Film Programs: an Overture, Five Acts, and an Interlude / Richard Abel -- "Half Real-Half Reel": Alternation Format Stage-and-Screen Hybrids / Gwendolyn Waltz -- Advance Newspaper Publicity for the Vitascope and the Mass Address of Cinema's Reading Public / Paul S. Moore -- Storefront Theater Advertising and the Evolution of the American Film Poster / Kathryn H. Fuller-Seeley -- Bound by Cinematic Chains: Film and Prisons during the Early Era / Alison Griffiths -- Early Cinema Identities. Anonymity: Uncredited and Unknown in Early Cinema / Jane M. Gaines -- The Invention of Cinematic Celebrity in Britain / -- Andrew shail -- the film lecturer / Germain Lacasse -- Richard Hoffman: A Collector's Archive / Richard Koszarski -- Early Cinema Recollections. Early Films in the Age of Content; or, "Cinema of Attractions" Pursued by Digital Means / Paolo Cherchi Usai -- Multiple Originals: The (Digital) Restoration and Exhibition of Early Films / Giovanna Fossati -- Pointing Forward, Looking Back: Reflexivity and Deixis in Early Cinema and Contemporary Installations / Nanna Verhoeff -- Is Nothing New? Turn of the Century Epistemes in Film History / Thomas Elsaesser. |
| Record Nr. | UNINA-9910141320403321 |
| Malden, Mass., : Wiley-Blackwell, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A companion to Jean Renoir / / edited by Alastair Phillips and Ginette Vincendeau
| A companion to Jean Renoir / / edited by Alastair Phillips and Ginette Vincendeau |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Hoboken, N.J., : Wiley-Blackwell, 2013 |
| Descrizione fisica | 1 online resource (636 p.) |
| Disciplina | 791.4309 |
| Altri autori (Persone) |
PhillipsAlastair <1963->
VincendeauGinette <1948-> |
| Collana | Wiley-Blackwell companions to film directors |
| Soggetto topico | Literary criticism |
| ISBN |
1-118-32532-X
1-118-32531-1 1-78402-062-1 1-118-32533-8 1-299-47626-0 1-118-32534-6 |
| Classificazione |
778.235
791.4309 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
A Companion to Jean Renoir; Copyright; Contents; Notes on Contributors; Acknowledgments; Notes on the Text; Introduction: Renoir In and Out of His Time; Close-Up on Renoir's Aesthetics; Renoir's Film making and the Arts; Shifting Places in the Critical Canon; French Renoir; International Renoir; Notes; References; PART I: Renoir in Close-Up; Section 1: Reassessing Renoir's Aesthetics; 1 Shooting in Deep Time: The Mise en Scène of History in Renoir's Films of the 1930's; Opening Shots: Approaching Renoir's Style; The Mise en Scène of History and the Need to See in Depth; From Bazin to Deleuze
Embedded Framings, Shifting Frames Historicity as Uncertainty; The Loss of Solidity; Conclusion; Note; References; 2 The Exception and the Norm: Relocating Renoir's Sound and Music; Renoir's Career: An Overview; Sound as a Function of Studio Conditions; An Actor-Centered Technique; Renoir's Music; Renoir's Awareness of Himself as a Sound Innovator; References; 3 The Invention of French Talking Cinema: Language in Renoir's Early Sound Films; A Manifesto for Sound Cinema: La Chienne; Sound as Substance; Voice and Speech: Social Classes and Oddball Characters Renoir's Experimental Phase from La Nuit du carrefour to Toni Partie de campagne and Les Bas-fonds; Renoir the Actor: Père Poulain, Cabuche, Octave; Conclusion: Renoir - A Cinema of Discrepancy; Note; References; 4 Renoir and His Actors: The Freedom of Puppets; An "Aesthetic of Discrepancy"; Renoir: Naturalist Filmmaker and Anthropologist; Capturing a Performance; From the Puppet-Master to the Documentary Filmmaker; Renoir, a Forerunner of Modernity; The Faked and the Spontaneous; Renoir: A "Hitchcocko-Langian"?; Renoir's Little Zoo; Notes; References 5 Design at Work: Renoir's Costume Dramas of the 1950's Introduction: Worshiping the Artificial - Eye-Catching Decor; Le Carrosse d' or; French Cancan; Éléna et les hommes; Conclusion: Decor as Enlightenment; Notes; References; Section 2: Critical Focus on Selected Films; 6 Sur un air de Charleston, Nana, La Petite Marchande d'allumettes, Tire au flanc: Renoir and the Ethics of Play; Nana; Sur un air de Charleston; La Petite Marchande d' allumettes; Tire au flanc; Notes; References; 7 La Grande Illusion: Sound, Silence, and the Displacement of Emotion; Sounds and Silence; A Multilingual Film The Bonding Third Language Note; References; 8 La Bête humaine: Double Murder at the Station at Le Havre; Coup de Théâtre; Beginning the Investigation: Script Archives, First Clues; Hypothesis 1; Investigation (Continued): Mixed Messages; Hypothesis 2; Investigation (Provisional Conclusion): Two or Three Murders at the Station at Le Havre; The Story Goes On; Notes; References; 9 La Règle du jeu: Lies, Truth, and Irresolution (A Critical Round Table); Notes; 10 The River: Beneath the Surface with André Bazin; Introduction: "Nothing but Reality"?; Bazin's Unanswered Questions A Double Perspective |
| Record Nr. | UNINA-9910138860603321 |
| Hoboken, N.J., : Wiley-Blackwell, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||