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A companion to François Truffaut / / edited by Dudley Andrew and Anne Gillain
| A companion to François Truffaut / / edited by Dudley Andrew and Anne Gillain |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Malden, Mass., : Wiley Blackwell, 2013 |
| Descrizione fisica | 1 online resource (641 p.) |
| Disciplina | 791.4302/33092 |
| Altri autori (Persone) |
AndrewDudley <1945->
GillainAnne |
| Collana | Wiley-Blackwell companions to film directors |
| ISBN |
1-78539-402-9
1-118-32153-7 1-118-32159-6 1-118-32130-8 1-299-15940-0 |
| Classificazione |
778.235
791.4302/33092 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. I. La Planète Truffaut -- pt. II. Style and sensibility -- pt. III. The making of a filmmaker -- pt. IV. Truffaut and his time -- pt. V. Films. |
| Record Nr. | UNINA-9910822624203321 |
| Malden, Mass., : Wiley Blackwell, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A companion to Jean Renoir / / edited by Alastair Phillips and Ginette Vincendeau
| A companion to Jean Renoir / / edited by Alastair Phillips and Ginette Vincendeau |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Hoboken, N.J., : Wiley-Blackwell, 2013 |
| Descrizione fisica | 1 online resource (636 p.) |
| Disciplina | 791.4309 |
| Altri autori (Persone) |
PhillipsAlastair <1963->
VincendeauGinette <1948-> |
| Collana | Wiley-Blackwell companions to film directors |
| Soggetto topico | Literary criticism |
| ISBN |
1-118-32532-X
1-118-32531-1 1-78402-062-1 1-118-32533-8 1-299-47626-0 1-118-32534-6 |
| Classificazione |
778.235
791.4309 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
A Companion to Jean Renoir; Copyright; Contents; Notes on Contributors; Acknowledgments; Notes on the Text; Introduction: Renoir In and Out of His Time; Close-Up on Renoir's Aesthetics; Renoir's Film making and the Arts; Shifting Places in the Critical Canon; French Renoir; International Renoir; Notes; References; PART I: Renoir in Close-Up; Section 1: Reassessing Renoir's Aesthetics; 1 Shooting in Deep Time: The Mise en Scène of History in Renoir's Films of the 1930's; Opening Shots: Approaching Renoir's Style; The Mise en Scène of History and the Need to See in Depth; From Bazin to Deleuze
Embedded Framings, Shifting Frames Historicity as Uncertainty; The Loss of Solidity; Conclusion; Note; References; 2 The Exception and the Norm: Relocating Renoir's Sound and Music; Renoir's Career: An Overview; Sound as a Function of Studio Conditions; An Actor-Centered Technique; Renoir's Music; Renoir's Awareness of Himself as a Sound Innovator; References; 3 The Invention of French Talking Cinema: Language in Renoir's Early Sound Films; A Manifesto for Sound Cinema: La Chienne; Sound as Substance; Voice and Speech: Social Classes and Oddball Characters Renoir's Experimental Phase from La Nuit du carrefour to Toni Partie de campagne and Les Bas-fonds; Renoir the Actor: Père Poulain, Cabuche, Octave; Conclusion: Renoir - A Cinema of Discrepancy; Note; References; 4 Renoir and His Actors: The Freedom of Puppets; An "Aesthetic of Discrepancy"; Renoir: Naturalist Filmmaker and Anthropologist; Capturing a Performance; From the Puppet-Master to the Documentary Filmmaker; Renoir, a Forerunner of Modernity; The Faked and the Spontaneous; Renoir: A "Hitchcocko-Langian"?; Renoir's Little Zoo; Notes; References 5 Design at Work: Renoir's Costume Dramas of the 1950's Introduction: Worshiping the Artificial - Eye-Catching Decor; Le Carrosse d' or; French Cancan; Éléna et les hommes; Conclusion: Decor as Enlightenment; Notes; References; Section 2: Critical Focus on Selected Films; 6 Sur un air de Charleston, Nana, La Petite Marchande d'allumettes, Tire au flanc: Renoir and the Ethics of Play; Nana; Sur un air de Charleston; La Petite Marchande d' allumettes; Tire au flanc; Notes; References; 7 La Grande Illusion: Sound, Silence, and the Displacement of Emotion; Sounds and Silence; A Multilingual Film The Bonding Third Language Note; References; 8 La Bête humaine: Double Murder at the Station at Le Havre; Coup de Théâtre; Beginning the Investigation: Script Archives, First Clues; Hypothesis 1; Investigation (Continued): Mixed Messages; Hypothesis 2; Investigation (Provisional Conclusion): Two or Three Murders at the Station at Le Havre; The Story Goes On; Notes; References; 9 La Règle du jeu: Lies, Truth, and Irresolution (A Critical Round Table); Notes; 10 The River: Beneath the Surface with André Bazin; Introduction: "Nothing but Reality"?; Bazin's Unanswered Questions A Double Perspective |
| Record Nr. | UNINA-9910138860603321 |
| Hoboken, N.J., : Wiley-Blackwell, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||