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A companion to early cinema / / edited by André Gaudreault, Nicolas Dulac and Santiago Hidalgo ; assisted by Pierre Chemartin ; editorial board François Albera ... [et al.]
| A companion to early cinema / / edited by André Gaudreault, Nicolas Dulac and Santiago Hidalgo ; assisted by Pierre Chemartin ; editorial board François Albera ... [et al.] |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Malden, Mass., : Wiley-Blackwell, 2012 |
| Descrizione fisica | 1 online resource (647 p.) |
| Disciplina | 791.4309 |
| Altri autori (Persone) |
GaudreaultAndré
DulacNicolas HidalgoSantiago ChemartinPierre AlberaFrançois |
| Soggetto topico |
Motion pictures - History
Silent films - History and criticism Cinematografia Cinema mut Història |
| Soggetto genere / forma | Llibres electrònics |
| ISBN |
1-118-29387-8
1-118-27448-2 1-280-58656-7 9786613616395 1-118-27446-6 1-118-27445-8 1-118-27447-4 |
| Classificazione |
778.2
791.4309 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction / Nicolas Dulac, André Gaudreault, Santiago Hidalgo -- Early Cinema Cultures. The Culture Broth and the Froth of Cultures of So-called Early Cinema / André Gaudreault -- Toward A History Of Peep Practice / Erkki Huhtamo -- "We are Here and Not Here": Late Nineteenth Century Stage Magic and the Roots of Cinema in the Appearance (and Disappearance) of the Virtual Image / Tom Gunning -- The Féerie between Stage and Screen / Frank Kessler -- The Théâtrophone, an Anachronistic Hybrid Experiment or One of the First Immobile Traveler Devices? / Giusy Pisano -- The "Silent" Arts: Modern Pantomime and the Making of an Art Cinema in Belle Époque Paris: The Case of Georges Wague and Germaine Dulac / Tami Williams -- Early Cinema Discourses. First Discourses on Film and the Construction of a "Cinematic Episteme" / François Albera -- The Discourses of Art in Early Film, or, Why not Rancière? / Rob King -- Sensationalism and Early Cinema / Annemone Ligensa -- From Craft to Industry: Series and Serial Production Discourses and Practices in France / Laurent Le Forestier -- Awareness of Film, Language and Self in Early American Film Publications / Santiago Hidalgo -- Early Cinema and Film Theory / Roger Odin -- Early Cinema Forms. A Bunch of Violets / Ben Brewster -- Modernity Stops at Nothing: The American Chase Film and the Specter of Lynching / Jan Olsson -- "The Knowledge Which Comes in Pictures": Educational Films and Early Cinema Audiences / Jennifer Peterson -- Motion Picture Color and Pathé-Frères: The Aesthetic Consequences of Industrialization / Charles O'Brien -- Early Cinema Presentations. The European Fairground Cinema: (Re-)defining and (Re-)contextualizing the "Cinema of -- Attractions" / Joseph Garncarz -- Early Film Programs: an Overture, Five Acts, and an Interlude / Richard Abel -- "Half Real-Half Reel": Alternation Format Stage-and-Screen Hybrids / Gwendolyn Waltz -- Advance Newspaper Publicity for the Vitascope and the Mass Address of Cinema's Reading Public / Paul S. Moore -- Storefront Theater Advertising and the Evolution of the American Film Poster / Kathryn H. Fuller-Seeley -- Bound by Cinematic Chains: Film and Prisons during the Early Era / Alison Griffiths -- Early Cinema Identities. Anonymity: Uncredited and Unknown in Early Cinema / Jane M. Gaines -- The Invention of Cinematic Celebrity in Britain / -- Andrew shail -- the film lecturer / Germain Lacasse -- Richard Hoffman: A Collector's Archive / Richard Koszarski -- Early Cinema Recollections. Early Films in the Age of Content; or, "Cinema of Attractions" Pursued by Digital Means / Paolo Cherchi Usai -- Multiple Originals: The (Digital) Restoration and Exhibition of Early Films / Giovanna Fossati -- Pointing Forward, Looking Back: Reflexivity and Deixis in Early Cinema and Contemporary Installations / Nanna Verhoeff -- Is Nothing New? Turn of the Century Epistemes in Film History / Thomas Elsaesser. |
| Record Nr. | UNINA-9910141320403321 |
| Malden, Mass., : Wiley-Blackwell, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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A companion to film comedy / / edited by Andrew Horton and Joanna E. Rapf
| A companion to film comedy / / edited by Andrew Horton and Joanna E. Rapf |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Malden, MA, : Wiley-Blackwell, c2012 |
| Descrizione fisica | 1 online resource (585 p.) |
| Disciplina | 791.43/617 |
| Altri autori (Persone) |
HortonAndrew
RapfJoanna E |
| Soggetto topico |
Comedy films - History and criticism
Comic, The |
| ISBN |
1-118-32784-5
1-118-32783-7 1-118-32782-9 1-283-64440-1 1-118-32785-3 |
| Classificazione |
778.2
791.43617 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
A Companion to Film Comedy; Contents; Notes on Editors and Contributors; Comic Introduction: ``Make 'em Laugh, make 'em Laugh!''; Part I Comedy Before Sound, and the Slapstick Tradition; Chapter 1 The Mark of the Ridiculous and Silent Celluloid: Some Trends in American and European Film Comedy from 1894 to 1929; Fred Ott's Infectious Sneeze (1894); A Plot Underfoot: The Lumi`ere Brothers' L'Arroseur arros ́e (1895); Documentary of a Slap Shoe Hero: Little Tich et ses ''Big Boots'' (1900); Georges M ́eli`es, ''Fantasist Film maker'' (1896-1902); Fantasist Film making in Britain (1900-1901)
Cut to the Chase (1907-1909)Silent Super Star: Max Linder (1905-1912); Ethnic Comedy and the American Character (1900-1916); Mack Sennett's Commedia dell'Arte (1912-1917); American Comedy Gets Some Manners: Flora Finch, John Bunny, Mr. & Mrs. Sidney Drew (1908-1917); The ''Mark of the Ridiculous'' of Charlie Chaplin's ''Pierrot'' (1914-1918); The Mark of the Ridiculous and American Middle Class Silent Comedy of Manners (1915-1929); Conclusion: The Loss of Silents; Notes; References; Further Reading; Chapter 2 Pie Queens and Virtuous Vamps: The Funny Women of the Silent Screen Pioneers of the Pie: Early Silent ComediennesThe ''Rough Gals'' of Slapstick; Flappers, Flirts, and ''Polite'' Comedy; Conclusion; References; Further Reading; Chapter 3 ``Sound Came Along and Out Went the Pies'': The American Slapstick Short and the Coming of Sound; ''To put it unkindly'': Sound and the Historiography of Film Comedy; ''The artistry of the Actor in Delivering the Spoken Lines'': Playlets and the Uses of Dialogue; ''The Funniest Sound Effect Yet Recorded'': Slapstick and the Uses of Noise; ''They Love it in the Small Towns'': Early Sound Slapstick and the Short-Subject Market ''You Don't have to Speak Funny Words to Make Things Funny'': Charlie Chaplin versus the Three Stooges Notes; References; Further Reading; Part II Comic Performers in the Sound Era; Chapter 4 Mutinies Wednesdays and Saturdays: Carnivalesque Comedy and the Marx Brothers; Unaccustomed Laughter; Plurality Humor; Rabelais on Celluloid; Delirious Abandon; Notes; References; Further Reading; Chapter 5 Jacques Tati and Comedic Performance; Notes; References; Further Reading; Chapter 6 Woody Allen: Charlie Chaplin of New Hollywood; The Nebbish; The Artist; Notes; References; Further Reading Chapter 7 Mel Brooks, Vulgar Modernism, and Comic Remediation The Last Gas(p) of Vulgar Modernism; Be a Clown!; Chicken Fat and Blackouts; Bodily Eruptions and Generic Transformations; Sound Gags and Silent Movies; ''Hey, It Worked in Blazing Saddles''; References; Further Reading; Part III New Perspectives on Romantic Comedy and Masculinity; Chapter 8 Humor and Erotic Utopia: The Intimate Scenarios of Romantic Comedy; References; Further Reading; Chapter 9 Taking Romantic Comedy Seriously in Eternal Sunshine of the Spotless Mind (2004) and Before Sunset (2004); References; Further Reading Chapter 10 The View from the Man Cave: Comedy in the Contemporary ``Homme-com'' Cycle |
| Record Nr. | UNINA-9910828301503321 |
| Malden, MA, : Wiley-Blackwell, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Irony in Film / / by James MacDowell
| Irony in Film / / by James MacDowell |
| Autore | MacDowell James |
| Edizione | [1st ed. 2016.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 |
| Descrizione fisica | 1 online resource (XII, 220 p. 25 illus., 14 illus. in color.) |
| Disciplina | 791.4 |
| Collana | Palgrave Close Readings in Film and Television |
| Soggetto topico |
Motion pictures and television
United States—Study and teaching Aesthetics Screen Studies American Culture |
| ISBN | 1-137-32993-9 |
| Classificazione | 778.2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910150193303321 |
MacDowell James
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| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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サスペンス映画史 / / 三浦哲哉 [著]
| サスペンス映画史 / / 三浦哲哉 [著] |
| Pubbl/distr/stampa | 東京, : みすず書房, 2012.6 |
| Descrizione fisica | オンライン資料1件 |
| Soggetto topico | 映画 -- 歴史 |
| ISBN | 4-622-09433-9 |
| Classificazione | 778.2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | jpn |
| Altri titoli varianti | History of the suspense film |
| Record Nr. | UNINA-9910149243203321 |
| 東京, : みすず書房, 2012.6 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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