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Collecting the new : museums and contemporary art / / edited by Bruce Altshuler
| Collecting the new : museums and contemporary art / / edited by Bruce Altshuler |
| Edizione | [Course Book] |
| Pubbl/distr/stampa | Princeton, New Jersey : , : Princeton University Press, , [2005] |
| Descrizione fisica | 1 online resource (202 p.) |
| Disciplina | 708.13/09/051 |
| Altri autori (Persone) | AltshulerBruce |
| Soggetto topico |
Art, Modern - 20th century - Collectors and collecting - United States
Art, Modern - 21st century - Collectors and collecting - United States Art museums - Collection management - United States |
| ISBN |
0-691-11940-6
1-4008-4935-7 |
| Classificazione | 20.12 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Collecting the New: A Historical Introduction / Altshuler, Bruce -- The Right to Be Wrong / Fox, Howard N. -- To Have and to Hold / Storr, Robert -- 9 Minutes 45 Seconds / Weiss, Jeffrey -- Breaking Down Categories: Print Rooms, Drawing Departments, and the Museum / Cherix, Christophe -- Keeping Time: On Collecting Film and Video Art in the Museum / Iles, Chrissie / Huldisch, Henriette -- Collecting New-Media Art: Just Like Anything Else, Only Different / Dietz, Steve -- Beyond the "Authentic-Exotic": Collecting Contemporary Asian Art in the Twenty-first Century / Desai, Vishakha N. -- The Unconscious Museum: Collecting Contemporary African Art without Knowing It / McClusky, Pamela -- The Accidental Tourist: American Collections of Latin American Art / Pérez-Barreiro, Gabriel -- Collecting the Art of African-Americans at the Studio Museum in Harlem: Positioning the "New" from the Perspective of the Past / Stokes Sims, Lowery -- The Challenges of Conserving Contemporary Art / Wharton, Glenn -- Acknowledgments -- Index -- Photography Credits |
| Record Nr. | UNINA-9910790520503321 |
| Princeton, New Jersey : , : Princeton University Press, , [2005] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Collecting the new : museums and contemporary art / / edited by Bruce Altshuler
| Collecting the new : museums and contemporary art / / edited by Bruce Altshuler |
| Edizione | [Course Book] |
| Pubbl/distr/stampa | Princeton, New Jersey : , : Princeton University Press, , [2005] |
| Descrizione fisica | 1 online resource (202 p.) |
| Disciplina | 708.13/09/051 |
| Altri autori (Persone) | AltshulerBruce |
| Soggetto topico |
Art, Modern - 20th century - Collectors and collecting - United States
Art, Modern - 21st century - Collectors and collecting - United States Art museums - Collection management - United States |
| ISBN |
0-691-11940-6
1-4008-4935-7 |
| Classificazione | 20.12 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Collecting the New: A Historical Introduction / Altshuler, Bruce -- The Right to Be Wrong / Fox, Howard N. -- To Have and to Hold / Storr, Robert -- 9 Minutes 45 Seconds / Weiss, Jeffrey -- Breaking Down Categories: Print Rooms, Drawing Departments, and the Museum / Cherix, Christophe -- Keeping Time: On Collecting Film and Video Art in the Museum / Iles, Chrissie / Huldisch, Henriette -- Collecting New-Media Art: Just Like Anything Else, Only Different / Dietz, Steve -- Beyond the "Authentic-Exotic": Collecting Contemporary Asian Art in the Twenty-first Century / Desai, Vishakha N. -- The Unconscious Museum: Collecting Contemporary African Art without Knowing It / McClusky, Pamela -- The Accidental Tourist: American Collections of Latin American Art / Pérez-Barreiro, Gabriel -- Collecting the Art of African-Americans at the Studio Museum in Harlem: Positioning the "New" from the Perspective of the Past / Stokes Sims, Lowery -- The Challenges of Conserving Contemporary Art / Wharton, Glenn -- Acknowledgments -- Index -- Photography Credits |
| Record Nr. | UNINA-9910825664803321 |
| Princeton, New Jersey : , : Princeton University Press, , [2005] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Museums in a digital culture : how art and heritage become meaningful / / edited by Chiel van den Akker and Susan Legene
| Museums in a digital culture : how art and heritage become meaningful / / edited by Chiel van den Akker and Susan Legene |
| Pubbl/distr/stampa | Amsterdam, [Netherlands] : , : Amsterdam University Press, , [2016] |
| Descrizione fisica | 1 online resource (142 pages) : illustrations, photographs |
| Disciplina | 069.0285 |
| Soggetto topico | Museums - Information technology |
| ISBN | 90-485-2480-6 |
| Classificazione | 20.12 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover -- Contents -- Introduction: Museums in a Digital Culture: How Art and Heritage Become Meaningful / Chiel van den Akker and Susan Legêne -- 1. Touched from a Distance: The Practice of Affective Browsing / Martijn Stevens -- 2. Visual Touch: Ekphrasis and Interactive Art Installations / Cecilia Lindhé -- 3. Breathing Art: Art as an Encompassing and Participatory Experience / Christina Grammatikopoulou -- 4. Curiosity and the Fate of Chronicles and Narratives / Chiel van den Akker -- 5. Networked Knowledge and Epistemic Authority in the Development of Virtual Museums / Anne Beaulieu and Sarah de Rijcke -- 6. Between History and Commemoration: The Digital Monument to the Jewish Community in the Netherlands / Serge ter Braake -- 7. From the Smithsonian's MacFarlane Collection to Inuvialuit Living History / Kate Hennessy -- Conclusion / Chiel van den Akker -- Notes on Contributors -- Index -- List of Figures -- Figure 1 -- Philip James De Loutherbourg. The Vision of the White Horse 1798 -- Figure 2 -- Char Davies. Breathing and balance interface used in the performance of immersive virtual reality environments Osmose (1995) and Ephémère (1998) -- Figure 3 -- Char Davies. Forest Grid, Osmose (1995). Digital still captured in real-time through HMD (head-mounted display) during live performance of the immersive virtual environment Osmose -- Figure 4 -- George Khut. Cardiomorphologies v.2 (2005). Interactive installation -- Figure 5 -- Christa Sommerer and Laurent Mignonneau. Mobile Feelings II (2003). Interface devices -- Figure 6 -- Anton Raphael Mengs (1772/73). The Triumph of History over Time: Allegory of the Museum Clementinum. Ceiling fresco in the Camera dei Papiri, Vatican Library -- Figure 7 -- Screenshot from the Digital Monument to the Jewish Community. |
| Record Nr. | UNISA-996379039203316 |
| Amsterdam, [Netherlands] : , : Amsterdam University Press, , [2016] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Museums in a digital culture : how art and heritage become meaningful / / edited by Chiel van den Akker and Susan Legene
| Museums in a digital culture : how art and heritage become meaningful / / edited by Chiel van den Akker and Susan Legene |
| Pubbl/distr/stampa | Amsterdam, [Netherlands] : , : Amsterdam University Press, , [2016] |
| Descrizione fisica | 1 online resource (142 pages) : illustrations, photographs |
| Disciplina | 069.0285 |
| Soggetto topico | Museums - Information technology |
| ISBN | 90-485-2480-6 |
| Classificazione | 20.12 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover -- Contents -- Introduction: Museums in a Digital Culture: How Art and Heritage Become Meaningful / Chiel van den Akker and Susan Legêne -- 1. Touched from a Distance: The Practice of Affective Browsing / Martijn Stevens -- 2. Visual Touch: Ekphrasis and Interactive Art Installations / Cecilia Lindhé -- 3. Breathing Art: Art as an Encompassing and Participatory Experience / Christina Grammatikopoulou -- 4. Curiosity and the Fate of Chronicles and Narratives / Chiel van den Akker -- 5. Networked Knowledge and Epistemic Authority in the Development of Virtual Museums / Anne Beaulieu and Sarah de Rijcke -- 6. Between History and Commemoration: The Digital Monument to the Jewish Community in the Netherlands / Serge ter Braake -- 7. From the Smithsonian's MacFarlane Collection to Inuvialuit Living History / Kate Hennessy -- Conclusion / Chiel van den Akker -- Notes on Contributors -- Index -- List of Figures -- Figure 1 -- Philip James De Loutherbourg. The Vision of the White Horse 1798 -- Figure 2 -- Char Davies. Breathing and balance interface used in the performance of immersive virtual reality environments Osmose (1995) and Ephémère (1998) -- Figure 3 -- Char Davies. Forest Grid, Osmose (1995). Digital still captured in real-time through HMD (head-mounted display) during live performance of the immersive virtual environment Osmose -- Figure 4 -- George Khut. Cardiomorphologies v.2 (2005). Interactive installation -- Figure 5 -- Christa Sommerer and Laurent Mignonneau. Mobile Feelings II (2003). Interface devices -- Figure 6 -- Anton Raphael Mengs (1772/73). The Triumph of History over Time: Allegory of the Museum Clementinum. Ceiling fresco in the Camera dei Papiri, Vatican Library -- Figure 7 -- Screenshot from the Digital Monument to the Jewish Community. |
| Record Nr. | UNINA-9910320754203321 |
| Amsterdam, [Netherlands] : , : Amsterdam University Press, , [2016] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||