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La légende de Venise : Barrès et la tentation de l’écriture / / Emmanuel Godo
| La légende de Venise : Barrès et la tentation de l’écriture / / Emmanuel Godo |
| Autore | Godo Emmanuel |
| Pubbl/distr/stampa | Villeneuve d'Ascq, : Presses universitaires du Septentrion, 2020 |
| Descrizione fisica | 1 online resource (304 p.) |
| Disciplina | 843/.912 |
| Collana | Objet |
| Soggetto topico |
Political Science
Literature (General) extrême-droite légende fascination |
| Soggetto non controllato |
extrême-droite
légende fascination |
| ISBN | 2-7574-2642-7 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | fre |
| Record Nr. | UNINA-9910495704003321 |
Godo Emmanuel
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| Villeneuve d'Ascq, : Presses universitaires du Septentrion, 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The merchant of Venice [[electronic resource] /] / edited by William Baker and Brian Vickers
| The merchant of Venice [[electronic resource] /] / edited by William Baker and Brian Vickers |
| Pubbl/distr/stampa | New York, : Thoemmes Continuum, 2005 |
| Descrizione fisica | 1 online resource (480 p.) |
| Disciplina | 822.3/3 |
| Altri autori (Persone) |
BakerWilliam <1944->
VickersBrian |
| Collana | Shakespeare, the critical tradition |
| Soggetto topico |
Shylock (Fictitious character)
Jews in literature Comedy |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-281-29436-5
9786611294366 1-84714-187-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
CONTENTS; ACKNOWLEDGEMENTS; GENERAL EDITOR'S PREFACE; INTRODUCTION; 1 On Macklin's Shylock, 1775; 2 An 'apology' for Shylock, 1796; 3 'One of Shakespeare's most perfect works', 1815; 4 Kean's debut as Shylock, 1816; 5 Sympathy for Shylock, but not for Portia, 1817; 6 The major sources, 1824; 7 In defence of Shylock, 1833; 8 Portia, 1833; 9 Shylock 'ill-used', 1838; 10 Shakespeare justifies'an unfortunate race', 1838; 11 Summa jus summa injuria, 1839; 12 Lessons of charity, 1849; 13 Shylock's humanity, 1850; 14 Shakespeare's evenhandedness, 1851; 15 Human rights and religious belief, 1856
16 Sympathetic liberality versus murderous avarice, 185617 In praise of Portia, 1859; 18 'A just estimate of things', 1862; 19 Shakespeare's love of justice, 1863; 20 'The relation of man to property', 1863; 21 Shylock 'the corrupted merchant', 1873; 22 Portia the central character, 1875; 23 Shylock 'the hero of the piece', 1877; 24 A Hegelian reading, 1877; 25 A plea for toleration, 1879; 26 Shylock: an actor's view, 1879; 27 Not a doctrinal play, 1879; 28 'Not about Jewish grievances', 1879; 29 Shylock's 'nobility and distinction', 1879; 30 Shylock 'a product of history', 1879 31 A sonnet to Portia, 187932 'The Lopez case' and Shakespeare's Jew, 1880; 33 A critique of Irving and Terry, 1881; 34 Shylock from a Jewish point of view, 1882; 35 An interview with Henry Irving, 1884; 36 Shakespeare's interweaving of plots, 1885; 37 On acting Portia, 1885; 38 Portia's womanliness, 1885; 39 Privileged Christian, proscribed Jew, 1885; 40 Staging the play, 1887; 41 Shylock's 'revengeful selfishness', 1888; 42 'The first of his [Shakespeare's] great comedies', 1888; 43 Shylock's character determined by the plot, 1894; 44 Shakespeare's concession to bigotry, 1896 45 Shylock 'a monster of passionate hatred, not avarice', 189846 Shylock and modern criticism, 1898; 47 'Two communities which meet but never mingle', 1900; 48 'Some faint sympathy' for Shylock, 1905; 49 Shylock 'a man of one idea', 1905; 50 Shylock's language, 1905; 51 Shylock more sinned against than sinning, 1907; 52 'Untrammelled' as against 'plot-ridden' characters, 1907; 53 The opposing principles of Love and Hate, 1908; 54 Shylock less sinned against than sinning, 1909; 55 Shakespeare's Jew and Marlowe's Christians, 1909; 56 Shylock a comic villain, 1911 57 Shylock and his interpreters, 191158 'Man is what man had made him', 1916; 59 Shakespeare's 'stage-cleverness' and the story's 'monstrous absurdity', 1916; 60 Shylock's anal-erotic tendencies, 1921; 61 Shylock not an authentic Jew, 1921; 62 Shylock's self-revelation in soliloquy, 1922; 63 Shakespeare's intentions and the dynamics of comedy, 1927; 64 The 'alien' question, 1929; 65 Shakespeare's attention to character and story, 1930; 66 Shylock the Venetian, 1933; 67 Antonio a depressive homosexual, 1934; 68 Shylock a London usurer, 1935; 69 The distribution of imagery within the play, 1935 70 The idea of riches, true and false, 1936 |
| Record Nr. | UNINA-9910450961603321 |
| New York, : Thoemmes Continuum, 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The merchant of Venice [[electronic resource] /] / edited by William Baker and Brian Vickers
| The merchant of Venice [[electronic resource] /] / edited by William Baker and Brian Vickers |
| Pubbl/distr/stampa | New York, : Thoemmes Continuum, 2005 |
| Descrizione fisica | 1 online resource (480 p.) |
| Disciplina | 822.3/3 |
| Altri autori (Persone) |
BakerWilliam <1944->
VickersBrian |
| Collana | Shakespeare, the critical tradition |
| Soggetto topico |
Shylock (Fictitious character)
Jews in literature Comedy |
| ISBN |
1-281-29436-5
9786611294366 1-84714-187-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
CONTENTS; ACKNOWLEDGEMENTS; GENERAL EDITOR'S PREFACE; INTRODUCTION; 1 On Macklin's Shylock, 1775; 2 An 'apology' for Shylock, 1796; 3 'One of Shakespeare's most perfect works', 1815; 4 Kean's debut as Shylock, 1816; 5 Sympathy for Shylock, but not for Portia, 1817; 6 The major sources, 1824; 7 In defence of Shylock, 1833; 8 Portia, 1833; 9 Shylock 'ill-used', 1838; 10 Shakespeare justifies'an unfortunate race', 1838; 11 Summa jus summa injuria, 1839; 12 Lessons of charity, 1849; 13 Shylock's humanity, 1850; 14 Shakespeare's evenhandedness, 1851; 15 Human rights and religious belief, 1856
16 Sympathetic liberality versus murderous avarice, 185617 In praise of Portia, 1859; 18 'A just estimate of things', 1862; 19 Shakespeare's love of justice, 1863; 20 'The relation of man to property', 1863; 21 Shylock 'the corrupted merchant', 1873; 22 Portia the central character, 1875; 23 Shylock 'the hero of the piece', 1877; 24 A Hegelian reading, 1877; 25 A plea for toleration, 1879; 26 Shylock: an actor's view, 1879; 27 Not a doctrinal play, 1879; 28 'Not about Jewish grievances', 1879; 29 Shylock's 'nobility and distinction', 1879; 30 Shylock 'a product of history', 1879 31 A sonnet to Portia, 187932 'The Lopez case' and Shakespeare's Jew, 1880; 33 A critique of Irving and Terry, 1881; 34 Shylock from a Jewish point of view, 1882; 35 An interview with Henry Irving, 1884; 36 Shakespeare's interweaving of plots, 1885; 37 On acting Portia, 1885; 38 Portia's womanliness, 1885; 39 Privileged Christian, proscribed Jew, 1885; 40 Staging the play, 1887; 41 Shylock's 'revengeful selfishness', 1888; 42 'The first of his [Shakespeare's] great comedies', 1888; 43 Shylock's character determined by the plot, 1894; 44 Shakespeare's concession to bigotry, 1896 45 Shylock 'a monster of passionate hatred, not avarice', 189846 Shylock and modern criticism, 1898; 47 'Two communities which meet but never mingle', 1900; 48 'Some faint sympathy' for Shylock, 1905; 49 Shylock 'a man of one idea', 1905; 50 Shylock's language, 1905; 51 Shylock more sinned against than sinning, 1907; 52 'Untrammelled' as against 'plot-ridden' characters, 1907; 53 The opposing principles of Love and Hate, 1908; 54 Shylock less sinned against than sinning, 1909; 55 Shakespeare's Jew and Marlowe's Christians, 1909; 56 Shylock a comic villain, 1911 57 Shylock and his interpreters, 191158 'Man is what man had made him', 1916; 59 Shakespeare's 'stage-cleverness' and the story's 'monstrous absurdity', 1916; 60 Shylock's anal-erotic tendencies, 1921; 61 Shylock not an authentic Jew, 1921; 62 Shylock's self-revelation in soliloquy, 1922; 63 Shakespeare's intentions and the dynamics of comedy, 1927; 64 The 'alien' question, 1929; 65 Shakespeare's attention to character and story, 1930; 66 Shylock the Venetian, 1933; 67 Antonio a depressive homosexual, 1934; 68 Shylock a London usurer, 1935; 69 The distribution of imagery within the play, 1935 70 The idea of riches, true and false, 1936 |
| Record Nr. | UNINA-9910784721403321 |
| New York, : Thoemmes Continuum, 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The merchant of Venice [[electronic resource] /] / edited by William Baker and Brian Vickers
| The merchant of Venice [[electronic resource] /] / edited by William Baker and Brian Vickers |
| Pubbl/distr/stampa | New York, : Thoemmes Continuum, 2005 |
| Descrizione fisica | 1 online resource (480 p.) |
| Disciplina | 822.3/3 |
| Altri autori (Persone) |
BakerWilliam <1944->
VickersBrian |
| Collana | Shakespeare, the critical tradition |
| Soggetto topico |
Shylock (Fictitious character)
Jews in literature Comedy |
| ISBN |
1-281-29436-5
9786611294366 1-84714-187-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
CONTENTS; ACKNOWLEDGEMENTS; GENERAL EDITOR'S PREFACE; INTRODUCTION; 1 On Macklin's Shylock, 1775; 2 An 'apology' for Shylock, 1796; 3 'One of Shakespeare's most perfect works', 1815; 4 Kean's debut as Shylock, 1816; 5 Sympathy for Shylock, but not for Portia, 1817; 6 The major sources, 1824; 7 In defence of Shylock, 1833; 8 Portia, 1833; 9 Shylock 'ill-used', 1838; 10 Shakespeare justifies'an unfortunate race', 1838; 11 Summa jus summa injuria, 1839; 12 Lessons of charity, 1849; 13 Shylock's humanity, 1850; 14 Shakespeare's evenhandedness, 1851; 15 Human rights and religious belief, 1856
16 Sympathetic liberality versus murderous avarice, 185617 In praise of Portia, 1859; 18 'A just estimate of things', 1862; 19 Shakespeare's love of justice, 1863; 20 'The relation of man to property', 1863; 21 Shylock 'the corrupted merchant', 1873; 22 Portia the central character, 1875; 23 Shylock 'the hero of the piece', 1877; 24 A Hegelian reading, 1877; 25 A plea for toleration, 1879; 26 Shylock: an actor's view, 1879; 27 Not a doctrinal play, 1879; 28 'Not about Jewish grievances', 1879; 29 Shylock's 'nobility and distinction', 1879; 30 Shylock 'a product of history', 1879 31 A sonnet to Portia, 187932 'The Lopez case' and Shakespeare's Jew, 1880; 33 A critique of Irving and Terry, 1881; 34 Shylock from a Jewish point of view, 1882; 35 An interview with Henry Irving, 1884; 36 Shakespeare's interweaving of plots, 1885; 37 On acting Portia, 1885; 38 Portia's womanliness, 1885; 39 Privileged Christian, proscribed Jew, 1885; 40 Staging the play, 1887; 41 Shylock's 'revengeful selfishness', 1888; 42 'The first of his [Shakespeare's] great comedies', 1888; 43 Shylock's character determined by the plot, 1894; 44 Shakespeare's concession to bigotry, 1896 45 Shylock 'a monster of passionate hatred, not avarice', 189846 Shylock and modern criticism, 1898; 47 'Two communities which meet but never mingle', 1900; 48 'Some faint sympathy' for Shylock, 1905; 49 Shylock 'a man of one idea', 1905; 50 Shylock's language, 1905; 51 Shylock more sinned against than sinning, 1907; 52 'Untrammelled' as against 'plot-ridden' characters, 1907; 53 The opposing principles of Love and Hate, 1908; 54 Shylock less sinned against than sinning, 1909; 55 Shakespeare's Jew and Marlowe's Christians, 1909; 56 Shylock a comic villain, 1911 57 Shylock and his interpreters, 191158 'Man is what man had made him', 1916; 59 Shakespeare's 'stage-cleverness' and the story's 'monstrous absurdity', 1916; 60 Shylock's anal-erotic tendencies, 1921; 61 Shylock not an authentic Jew, 1921; 62 Shylock's self-revelation in soliloquy, 1922; 63 Shakespeare's intentions and the dynamics of comedy, 1927; 64 The 'alien' question, 1929; 65 Shakespeare's attention to character and story, 1930; 66 Shylock the Venetian, 1933; 67 Antonio a depressive homosexual, 1934; 68 Shylock a London usurer, 1935; 69 The distribution of imagery within the play, 1935 70 The idea of riches, true and false, 1936 |
| Record Nr. | UNINA-9910812723503321 |
| New York, : Thoemmes Continuum, 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
