Autore	Goldman Ellen
Pubbl/distr/stampa	New York : , : Brunner-Routledge, , 2003
Descrizione fisica	1 online resource (234 p.)
Disciplina	153.69
Soggetto topico	Body language Nonverbal communication
ISBN	3-631-46677-3 1-135-93283-2 1-138-14019-8 1-135-93284-0 1-280-05126-4 0-203-49055-X
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	Book Cover ; Title ; Contents ; One - Perceiving Movement ; Two - Looking At Movement ; Three - Integrated Movement Four - Experiencing Integrated Movement Five - Friendship ; Six - Relationships ; Seven - Family ; Eight - Getting To Work Nine - The Body Ten - The Art Of Life ; Eleven - Reflections ; Notes ; Photo Credits Biographical Sketches Of Leading Movement Theorists Whose Innovative Work Forms The Basis Of This Book: Bibliography Further Readings In Non-verbal Communication Index
Record Nr.	UNINA-9910783464903321

Autore	Clemen Wolfgang
Pubbl/distr/stampa	Oxon [England] : , : Routledge, , 2005
Descrizione fisica	1 online resource (270 p.)
Disciplina	270
Collana	Routledge library editions. Shakespeare : critical studies Routledge library editions.
Soggetto topico	Kings and rulers in literature
Soggetto genere / forma	Electronic books.
ISBN	0-415-85287-0 1-315-01832-2 1-136-55929-9
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	Cover; A COMMENTARY ON SHAKESPEARE'S RICHARD III; Original Title Page; Original Copyright Page; Title Page; Copyright Page; Table of Contents; PREFATORY NOTE; INTRODUCTION; Act I; SCENE ONE; General Structure; The Opening Soliloquy; The Pre-Shakespearian Opening Soliloquy; Dialogue-Technique in the Episodes with Clarence and Hastings; Forms of Irony in I, i; The Language of the Dialogue; Richard's Soliloquies; Exposition within the Scene; SCENE TWO; Anne's Soliloquy; The Address as a Means of Irony; Anne's Speech of Imprecation; The Technique of the Dialogue; Richard's Tactics The 'Conversion-Speech'Psychological Development; Richard's Concluding Soliloquy; Conversion-Scenes and Wooing-Scenes in Pre-Shakespearian Drama; SCENE THREE; Structure; The Opening Episodes; Richard's Entry and Behaviour; Richard's Use of Language; Margaret; Margaret and the Stage Action; Simultaneous Staging in Pre-Shakespearian Drama; Linguistic Structure; Richard as the Instrument of Nemesis; Past and Future Dramatically Portrayed; The Curses; Curses in Pre-Shakespearian Drama; Warnings and Prophecies; Margaret's Final Curse; Richard's Soliloquy; The Interlude with the Murderers Incitement to Murder in Pre-Shakespearian DramaSCENE FOUR; The 'Self-Contained' Scene in Shakespeare's Plays; The Place of the Scene in the Dramatic Structure; The Composition of the Scene; Clarence's Dream; The Journey to the Underworld; Comparison with Richard's Dream in V, iii; Dramatization of the Dream-Narrative; The Dream: Language and Versification; Dreams in Pre-Shakespearian Drama; Brakenbury's Monologue; The Murder-Scene; The Conversation on Conscience; The Dialogue with Clarence; Murder-Scenes in Pre-Shakespearian Drama; Act II; SCENE ONE; The Reconciliation-Scene Technique of RepetitionIrony and Ambiguity; Richard's Entry; The Derby-Episode as a 'Mirror-Scene'; The King's Final Speech; SCENE TWO; The Opening: The Children; Children in Elizabethan Drama; The Lament; Richard's Entry; Buckingham's Speech; SCENE THREE; The Time-Element in Richard III; II, iii as a Choric Scene; II, iii as a Mirror-Scene; Structure and Themes; Anticipation and Foreboding; The Use of Proverbs; Recurrent Key-Words; SCENE FOUR; Portrayal of Richard; References to Time and Place; Dialogue-Technique; The Messenger; Language and Style of the Passionate Rhetorical Speech; Act III SCENE ONEStructure of the Scene; The Arrival in London; The Discussion of Sanctuary; The Discussion about Caesar; Richard and the Figure of Vice; The Talk with York; Forms of Irony; Versification; Final Section; SCENE TWO; The Messenger's Entry; Stanley's Dream; The Catesby-Episode: Ironic Contrast; The Tower as a Scene of Action; SCENE THREE; Treatment of a Minor Episode; The Spectacle and the Text; Turning-Point in the Action; SCENE FOUR; Hastings' Rôle and Dramatic Irony; Richard's Entry; The Reversal of the Situation; Hastings' Epilogue; Scene-Endings in Richard III; SCENE FIVE Contrast as a Structural Element
Record Nr.	UNINA-9910453718803321

Pubbl/distr/stampa	London ; ; New York : , : Routledge, , 2015
Descrizione fisica	1 online resource (406 pages)
Disciplina	822.3/3
Altri autori (Persone)	ShirleyFrances A
Collana	Shakespearean Criticism
Soggetto topico	Historical drama, English - History and criticism Kings and rulers in literature
Soggetto genere / forma	Electronic books.
ISBN	1-138-85072-1 1-317-53132-9 1-315-72456-1
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	pt. 1. King John -- pt. 2. Henry VIII.
Record Nr.	UNINA-9910463416503321

Edizione	[1st ed.]
Pubbl/distr/stampa	London ; ; New York : , : Routledge, , 2015
Descrizione fisica	1 online resource (406 pages)
Disciplina	822.3/3 822.33
Altri autori (Persone)	ShirleyFrances A
Collana	Shakespearean Criticism
Soggetto topico	Historical drama, English - History and criticism Kings and rulers in literature
ISBN	1-138-85072-1 1-317-53132-9 1-315-72456-1
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	pt. 1. King John -- pt. 2. Henry VIII.
Record Nr.	UNINA-9910822974803321

Pubbl/distr/stampa	London ; ; Atlantic Highlands, N.J., : Athlone Press, 1998
Descrizione fisica	1 online resource (612 p.)
Disciplina	822.3/3
Altri autori (Persone)	ForkerCharles R
Collana	Shakespeare, the critical tradition
Soggetto topico	Kings and rulers in literature Middle Ages in literature
Soggetto genere / forma	Electronic books.
ISBN	1-282-45270-3 1-4411-3913-3 9786612452703 1-281-29181-1 9786611291815 1-84714-074-2
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	CONTENTS; GENERAL EDITOR'S PREFACE; PREFACE; INTRODUCTION; 1 EDWARD CAPELL, various notes on Richard II, 1780; 2 EDMOND MALONE and others, supplementary remarks on Richard II, 1780; 3 THOMAS DAVIES, on the deposition scene in Richard II, 1784; 4 EDMOND MALONE, edition of Shakespeare, 1790; 5 JOSEPH RITSON, Shakespeare's part-authorship of Richard II and other notes, 1793; 6 GEORGE STEEVENS, notes on Richard II, 1793; 7 GEORGE CHALMERS, on the date and political significance of Richard II, 1799; 8 CHARLES DIBDIN, Richard II inferior to Richard III, 1800 9 FRANCIS DOUCE, Richard II and the memento mori tradition, 180710 CHARLES LAMB, Marlowe's Edward II compared to Richard II, 1808; 11 SAMUEL TAYLOR COLERIDGE, on Richard II and the history play, 1813; 12 WILLIAM HAZLITT, a critique of Edmund Kean as Richard II, 1815; 13 RICHARD WROUGHTON, advertisement of an adaptation of Richard II, 1815; 14 A.W. VON SCHLEGEL, Richard II and the unity of Shakespeare's history plays, 1815; 15 NATHAN DRAKE, a sympathetic view of Richard II, 1817; 16 WILLIAM HAZLITT, characterization in Richard II, 1817 17 JOHN HAMILTON REYNOLDS, the poetry of Richard II and the other histories, 181718 AUGUSTINE SKOTTOWE, Richard II and the truth of history, 1824; 19 GEORGE DANIEL, prefatory remarks on Richard II, 1831; 20 HENRY NELSON COLERIDGE, another version of Coleridge on Richard II, 1836; 21 HENRY HALLAM, on the scene of Aumerle's pardon in Richard II, 1837-9; 22 THOMAS CAMPBELL, general comments on Richard II, 1838; 23 THOMAS PEREGRINE COURTENAY, Richard II and history, 1838; 24 CHARLES KNIGHT, the pictorial edition of Richard II, 1838 25 JOHN PAYNE COLLIER, on the existence of two plays on Richard II's reign, 184226 HERMANN ULRICI, kingship and the morality of Richard II, 1846; 27 GULIAN C. VERPLANCK, critical remarks on Richard II, 1847; 28 HARTLEY COLERIDGE, a comment on Richard II, 1851; 29 FRANÇOIS P.G. GUIZOT, history, character, and divine right in Richard II, 1852; 30 HENRY N. HUDSON, historical truth and characterization in Richard II, 1852; 31 HENRY REED, history as tragedy in Richard II, 1855; 32 WILLIAM WATKISS LLOYD, the political morality of Richard II, 1856 33 RICHARD GRANT WHITE, Richard II, Daniel's Civil Wars, and the play's date, 185934 G.G. GERVINUS, the characterization and artistry of Richard II, 1863; 35 JOHN A. HERAUD, the play's divided authorship and Shakespeare's attitude to divine right, 1865; 36 HENRY N. HUDSON, further observations on Richard II, 1872; 37 RICHARD SIMPSON, Richard II and Elizabethan politics, 1874; 38 EDWARD DOWDEN, the immaturity of Richard II and the realism of Bolingbroke, 1875; 39 A.C. SWINBURNE, an unsympathetic view of Richard II, 1875 40 F.J. FURNIVALL, the topicality of Richard II and the character of its protagonist, 1877
Record Nr.	UNINA-9910451064103321