Broken narratives : post-Cold War history and identity in Europe and East Asia / / edited by Susanne Weigelin-Schwiedrzik |
Pubbl/distr/stampa | Leiden, Netherlands : , : Brill, , 2014 |
Descrizione fisica | 1 online resource (271 p.) |
Disciplina | 940.55/9 |
Collana | Leiden Series in Comparative Historiography |
Soggetto topico |
Social change
Collective memory |
Soggetto genere / forma | Electronic books. |
ISBN | 90-04-27723-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Preliminary Material -- Introduction: Writing History into Broken Narratives / Susanne Weigelin-Schwiedrzik -- “Europe in the Mist”: The Imaginary of European History in Lars von Trier’s Europa and in Dancer in the Dark / Peter Verstraten -- Hiroshima as a Personal and National Allegory: Revisiting Hiroshima mon amour and H Story / Rotem Kowner -- The Individual and the War: Re-remembering the Sino-Japanese War in the TV series A Spring River Flows East / Susanne Weigelin-Schwiedrzik and Carsten Schäfer -- Chinese Cinema in the Post-Cold War Era and the Legacy of the Sino-Japanese War: Devils on the Doorstep and Purple Sunset / Martin Gieselmann -- Rewriting the History of Colonialism in South Korea / Yonson Ahn -- Colonialism and Modernity in Taiwan: Reflections on Contemporary Taiwanese Historiography / Lung-chih Chang -- Staging Local History between Empires: Shandong Boxer Resistance as Maoqiang Opera / Andrea Riemenschnitter -- The “Third Road” Concept in 1956 Hungary / Shingo Minamizuka -- Confessions of Japanese POWs after Re-education in China / Petra Buchholz -- Concluding Remarks: The Geopolitics of Memory / Tatiana Zhurzhenko -- Index / Susanne Weigelin-Schwiedrzik. |
Record Nr. | UNINA-9910464040203321 |
Leiden, Netherlands : , : Brill, , 2014 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Broken narratives : post-Cold War history and identity in Europe and East Asia / / edited by Susanne Weigelin-Schwiedrzik |
Pubbl/distr/stampa | Leiden, Netherlands : , : Brill, , 2014 |
Descrizione fisica | 1 online resource (271 p.) |
Disciplina | 940.55/9 |
Collana | Leiden Series in Comparative Historiography |
Soggetto topico |
Social change
Collective memory |
ISBN | 90-04-27723-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Preliminary Material -- Introduction: Writing History into Broken Narratives / Susanne Weigelin-Schwiedrzik -- “Europe in the Mist”: The Imaginary of European History in Lars von Trier’s Europa and in Dancer in the Dark / Peter Verstraten -- Hiroshima as a Personal and National Allegory: Revisiting Hiroshima mon amour and H Story / Rotem Kowner -- The Individual and the War: Re-remembering the Sino-Japanese War in the TV series A Spring River Flows East / Susanne Weigelin-Schwiedrzik and Carsten Schäfer -- Chinese Cinema in the Post-Cold War Era and the Legacy of the Sino-Japanese War: Devils on the Doorstep and Purple Sunset / Martin Gieselmann -- Rewriting the History of Colonialism in South Korea / Yonson Ahn -- Colonialism and Modernity in Taiwan: Reflections on Contemporary Taiwanese Historiography / Lung-chih Chang -- Staging Local History between Empires: Shandong Boxer Resistance as Maoqiang Opera / Andrea Riemenschnitter -- The “Third Road” Concept in 1956 Hungary / Shingo Minamizuka -- Confessions of Japanese POWs after Re-education in China / Petra Buchholz -- Concluding Remarks: The Geopolitics of Memory / Tatiana Zhurzhenko -- Index / Susanne Weigelin-Schwiedrzik. |
Record Nr. | UNINA-9910787980403321 |
Leiden, Netherlands : , : Brill, , 2014 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Broken narratives : post-Cold War history and identity in Europe and East Asia / / edited by Susanne Weigelin-Schwiedrzik |
Pubbl/distr/stampa | Leiden, Netherlands : , : Brill, , 2014 |
Descrizione fisica | 1 online resource (271 p.) |
Disciplina | 940.55/9 |
Collana | Leiden Series in Comparative Historiography |
Soggetto topico |
Social change
Collective memory |
ISBN | 90-04-27723-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Preliminary Material -- Introduction: Writing History into Broken Narratives / Susanne Weigelin-Schwiedrzik -- “Europe in the Mist”: The Imaginary of European History in Lars von Trier’s Europa and in Dancer in the Dark / Peter Verstraten -- Hiroshima as a Personal and National Allegory: Revisiting Hiroshima mon amour and H Story / Rotem Kowner -- The Individual and the War: Re-remembering the Sino-Japanese War in the TV series A Spring River Flows East / Susanne Weigelin-Schwiedrzik and Carsten Schäfer -- Chinese Cinema in the Post-Cold War Era and the Legacy of the Sino-Japanese War: Devils on the Doorstep and Purple Sunset / Martin Gieselmann -- Rewriting the History of Colonialism in South Korea / Yonson Ahn -- Colonialism and Modernity in Taiwan: Reflections on Contemporary Taiwanese Historiography / Lung-chih Chang -- Staging Local History between Empires: Shandong Boxer Resistance as Maoqiang Opera / Andrea Riemenschnitter -- The “Third Road” Concept in 1956 Hungary / Shingo Minamizuka -- Confessions of Japanese POWs after Re-education in China / Petra Buchholz -- Concluding Remarks: The Geopolitics of Memory / Tatiana Zhurzhenko -- Index / Susanne Weigelin-Schwiedrzik. |
Record Nr. | UNINA-9910825861703321 |
Leiden, Netherlands : , : Brill, , 2014 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
European film theory [[electronic resource] /] / edited by Temenuga Trifonova |
Pubbl/distr/stampa | London : New York, : Routledge, 2008 |
Descrizione fisica | 1 online resource (383 p.) |
Disciplina | 791.4301 |
Altri autori (Persone) | TrifonovaTemenuga |
Collana | AFI film readers |
Soggetto topico |
Motion pictures - Europe
Film criticism - Europe |
Soggetto genere / forma | Electronic books. |
ISBN |
1-135-90253-4
1-282-25650-5 9786612256509 0-203-89370-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
book cover; title; copyright; contents; illustrations; acknowledgments; introduction: that perpetually obscure object of theory; part one: european film theory; one: european film theory: from crypto-nationalism to trans-nationalism; two: the aesthetics of race in european film theory; three: the disunity of film theory and the disunity of aesthetics; four: real location, fantasy space, performative place: double occupancy and mutual interference in european cinema; part two: film and philosophy; five: film as philosophy: a mission impossible?
six: platonic reconstruction and residual kantianism in film theoryseven: epstein, bergson, and vision; eight: heidegger and cinema; nine: listening and touching, looking and thinking: the dialogue in philosophy and film between jean-luc nancy and claire denis; part three: politics, history, ideology, and fi lm theory; ten: fabulation and contradiction: jacques rancière on cinema; eleven: the gaze of biocinema; twelve: from cinema to history: kracauer's shifting philosophical historiography; thirteen: disposition: from film theory to human action; part four: aesthetics and film theory fourteen: between the ornament and the corpse: adolf loos and classical film theoryfifteen: baroque dialectics or dialectical baroque: sergei eisenstein in/on mexico; sixteen: a screen for projection: ricciotto canudo's exponential aesthetics and the parisian avant-gardes; seventeen: synaesthesia in fi lm theory; part five: realism revisited; eighteen: innocence and ontology: the truthfulness of andré bazin; nineteen: from distraction to indeterminacy to distraction: kracauer and contemporary film realist discourse; twenty: national identity and realism in postwar italian film and film theory twenty - one: neorealism at a distanceappendix: teaching aid; contributors; index |
Record Nr. | UNINA-9910455156503321 |
London : New York, : Routledge, 2008 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
European film theory [[electronic resource] /] / edited by Temenuga Trifonova |
Pubbl/distr/stampa | London : New York, : Routledge, 2008 |
Descrizione fisica | 1 online resource (383 p.) |
Disciplina | 791.4301 |
Altri autori (Persone) | TrifonovaTemenuga |
Collana | AFI film readers |
Soggetto topico |
Motion pictures - Europe
Film criticism - Europe |
ISBN |
1-135-90253-4
1-282-25650-5 9786612256509 0-203-89370-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
book cover; title; copyright; contents; illustrations; acknowledgments; introduction: that perpetually obscure object of theory; part one: european film theory; one: european film theory: from crypto-nationalism to trans-nationalism; two: the aesthetics of race in european film theory; three: the disunity of film theory and the disunity of aesthetics; four: real location, fantasy space, performative place: double occupancy and mutual interference in european cinema; part two: film and philosophy; five: film as philosophy: a mission impossible?
six: platonic reconstruction and residual kantianism in film theoryseven: epstein, bergson, and vision; eight: heidegger and cinema; nine: listening and touching, looking and thinking: the dialogue in philosophy and film between jean-luc nancy and claire denis; part three: politics, history, ideology, and fi lm theory; ten: fabulation and contradiction: jacques rancière on cinema; eleven: the gaze of biocinema; twelve: from cinema to history: kracauer's shifting philosophical historiography; thirteen: disposition: from film theory to human action; part four: aesthetics and film theory fourteen: between the ornament and the corpse: adolf loos and classical film theoryfifteen: baroque dialectics or dialectical baroque: sergei eisenstein in/on mexico; sixteen: a screen for projection: ricciotto canudo's exponential aesthetics and the parisian avant-gardes; seventeen: synaesthesia in fi lm theory; part five: realism revisited; eighteen: innocence and ontology: the truthfulness of andré bazin; nineteen: from distraction to indeterminacy to distraction: kracauer and contemporary film realist discourse; twenty: national identity and realism in postwar italian film and film theory twenty - one: neorealism at a distanceappendix: teaching aid; contributors; index |
Record Nr. | UNINA-9910778051303321 |
London : New York, : Routledge, 2008 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
European film theory / / edited by Temenuga Trifonova |
Edizione | [1st ed.] |
Pubbl/distr/stampa | London : New York, : Routledge, 2008 |
Descrizione fisica | 1 online resource (383 p.) |
Disciplina | 791.4301 |
Altri autori (Persone) | TrifonovaTemenuga |
Collana | AFI film readers |
Soggetto topico |
Motion pictures - Europe
Film criticism - Europe |
ISBN |
1-135-90253-4
1-282-25650-5 9786612256509 0-203-89370-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
book cover; title; copyright; contents; illustrations; acknowledgments; introduction: that perpetually obscure object of theory; part one: european film theory; one: european film theory: from crypto-nationalism to trans-nationalism; two: the aesthetics of race in european film theory; three: the disunity of film theory and the disunity of aesthetics; four: real location, fantasy space, performative place: double occupancy and mutual interference in european cinema; part two: film and philosophy; five: film as philosophy: a mission impossible?
six: platonic reconstruction and residual kantianism in film theoryseven: epstein, bergson, and vision; eight: heidegger and cinema; nine: listening and touching, looking and thinking: the dialogue in philosophy and film between jean-luc nancy and claire denis; part three: politics, history, ideology, and fi lm theory; ten: fabulation and contradiction: jacques rancière on cinema; eleven: the gaze of biocinema; twelve: from cinema to history: kracauer's shifting philosophical historiography; thirteen: disposition: from film theory to human action; part four: aesthetics and film theory fourteen: between the ornament and the corpse: adolf loos and classical film theoryfifteen: baroque dialectics or dialectical baroque: sergei eisenstein in/on mexico; sixteen: a screen for projection: ricciotto canudo's exponential aesthetics and the parisian avant-gardes; seventeen: synaesthesia in fi lm theory; part five: realism revisited; eighteen: innocence and ontology: the truthfulness of andré bazin; nineteen: from distraction to indeterminacy to distraction: kracauer and contemporary film realist discourse; twenty: national identity and realism in postwar italian film and film theory twenty - one: neorealism at a distanceappendix: teaching aid; contributors; index |
Record Nr. | UNINA-9910815286103321 |
London : New York, : Routledge, 2008 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Screening European Heritage : Creating and Consuming History on Film / / edited by Paul Cooke, Rob Stone |
Edizione | [1st ed. 2016.] |
Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 |
Descrizione fisica | 1 online resource (XXXIV, 290 p. 29 illus.) |
Disciplina | 302.23 |
Collana | Palgrave European Film and Media Studies |
Soggetto topico |
Communication
History Motion pictures—European influences Media Studies History, general European Cinema and TV |
Soggetto genere / forma | History |
ISBN | 1-137-52280-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Contents -- List of illustrations -- Introduction: Screening European Heritage by Axel Bangert, Paul Cooke & Rob Stone -- Section One: Contexts of Production -- 1.The Politics and Sociology of Screening the Past: A National and Transnational Perspective … Ib Bondebjerg -- 2.British Flanders: Co-Produced Television Drama and the Limits of a European Heritage … Jaap Verheul -- 3. Towards World Heritage Cinema (Starting from the Negative) … Alan O’Leary -- Section Two: Limits of Representation -- 4. Rewriting History from the Margins: Diasporic Memory, Shabby Chic and Archival Footage … Daniela Bergahn -- 5. Facing Dark Heritage: The Legacy of Nazi Perpetrators in German-language Film … Axel Bangert -- 6. Spectral Spanish Heritage: The Hauntology of La noche de los girasoles … Paul Mitchell -- 7. Adapting Balzac in Jacques Rivette’s Ne Touchez pas la hache (Don’t Touch the Axe, 2007): Violence and the Post-Heritage Aesthetic … Andrew Watts -- 8. The Ironic Gaze: Roots Tourism and Irish Heritage Cinema … Ruth Barton -- 9. Whose Heritage?: Noi credevamo and the National, Regional and Transnational Dynamics of the Risorgimento Film … Alex Marlow-Mann -- Section Three: Modes of Consumption -- 10. Historical Films in Europe: The Transnational Production, Circulation and Reception of ‘National’ Heritage Drama … Andrew Higson -- 11. From ‘English’ Heritage to Transnational Audiences: Fan Perspectives and Practices and Why They Matter … Claire Monk -- 12. From ‘Auschwitz-land’ to Banglatown: Heritage Conflicts, Film and the Politics of Place … Paul Cooke -- 13. Cinematic Pilgrimages: Postmodern Heritage Cinema … Rob Stone -- Index. |
Record Nr. | UNINA-9910255242903321 |
London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|