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Crisis en catastrofe : de Nederlandse omgang met rampen in de lange negentiende eeuw / / onder redactie van Lotte Jensen
| Crisis en catastrofe : de Nederlandse omgang met rampen in de lange negentiende eeuw / / onder redactie van Lotte Jensen |
| Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , [2021] |
| Descrizione fisica | 1 online resource (282 pages) : illustrations |
| Disciplina | 949.20072 |
| Soggetto topico |
Disasters - Netherlands - History - 19th century
Natural disasters - Netherlands - History - 19th century |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | dut |
| Nota di contenuto | De opmars van Disaster Studies -- De opkomst van de 'nationale ramp'Een begripsgeschiedenis -- Noodhulpbeleid bij stads- en dorpsrampen in de Republiek. Bovenregionale solidariteit in de achttiende eeuw -- Huiselijke relieken: De Leidse buskruitramp (1807) in openbare en particuliere collecties -- Ten voordeele van ... Liefdadigheidsuitgaven in de negentiende eeuw -- Onweer: Een ramp, een straf of een subliem schouwspel? -- Zingen over branden, scheepsrampen en grote buitenlandse catastrofes, 1755-1918: Lokale, nationale en internationale saamhorigheid -- Vorst in het vizier: Nationalisme en de verbeelding van de Oranjes na rampen in de negentiende eeuw -- Empathie of sensatiezucht?: De scheepsramp van de 'Berlin' in 1907 en de nasleep ervan -- Bezet door het ijs: De literaire verwerking van onfortuinlijke reizen ter walvisvangst in het rampjaar 1777/1778 -- De koloniale ruimte herbezien: de politiek-culturele beleving van Indonesische natuurrampen in de 19e en vroege 20e eeuw -- 'Behoed ons arme volk voor de vulkaan-poëten': De literaire verwerking van de Krakatau-ramp van 1883 in Nederland en Indonesië'. |
| Altri titoli varianti | Crisis en catastrofe |
| Record Nr. | UNINA-9910476891903321 |
| Amsterdam : , : Amsterdam University Press, , [2021] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Myth in history, history in myth [[electronic resource] /] / edited by Laura Cruz, Willem Frijhoff
| Myth in history, history in myth [[electronic resource] /] / edited by Laura Cruz, Willem Frijhoff |
| Pubbl/distr/stampa | Leiden ; ; Boston, : Brill, 2009 |
| Descrizione fisica | 1 online resource (276 p.) |
| Disciplina | 949.20072 |
| Altri autori (Persone) |
CruzLaura <1969->
FrijhoffWillem |
| Collana | Brill's studies in intellectual history |
| Soggetto topico |
Myth - Political aspects - Netherlands
Myth - Social aspects - Netherlands Myth - Political aspects - Benelux countries Myth - Social aspects - Benelux countries |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-60616-6
9786612606168 90-474-4069-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: Myth in history, history in myth / Laura Cruz and Willem Frijhoff -- "How great the enterprise, how glorious the deed" : seventeenth-century Dutch circumnavigations as useful myths / Donald J. Harreld -- The Orangist myth, 1650-1672 / Jill Stern -- Myth, history, and image in the Low Countries in the sixteenth century / Jac Geurts -- The wise man has two tongues : images of the Satyr and peasant by Jordaens and Steen / Kimberlee Cloutier-Blazzard -- Emblematic myths : Anneke's fortune, Bogardus's farewell, and Kieft's son / Willem Frijhoff -- International law and national existence : the myth of strict neutrality (1918-?) / Hubert P. van Tuyll -- The epic story of the little republic that could : the role of patriotic myths in the Dutch Golden Age / Laura Cruz -- History and myth of Dutch popular protest in the Napoleonic period (1806-1813) / Johan Joor -- 'Neerlands Israel' : political theology, Christian Hebraism, Biblical antiquarianism, and historical myth / Theodor Dunkelgrün -- Rembrandt and the historical construction of his Conspiration of Claudius Civilis / Jan Blanc. |
| Record Nr. | UNINA-9910458970103321 |
| Leiden ; ; Boston, : Brill, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Myth in history, history in myth / / editors, Laura Cruz, Willem Frijhoff
| Myth in history, history in myth / / editors, Laura Cruz, Willem Frijhoff |
| Pubbl/distr/stampa | Leiden ; ; Boston : , : Brill, , 2009 |
| Descrizione fisica | 1 online resource (viii, 263 pages) : illustrations, map |
| Disciplina | 949.20072 |
| Altri autori (Persone) |
CruzLaura <1969->
FrijhoffWillem |
| Collana | Brill's studies in intellectual history |
| Soggetto topico |
Myth - Political aspects - Netherlands
Myth - Social aspects - Netherlands Myth - Political aspects - Benelux countries Myth - Social aspects - Benelux countries |
| ISBN |
1-282-60616-6
9786612606168 90-474-4069-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: Myth in history, history in myth / Laura Cruz and Willem Frijhoff -- "How great the enterprise, how glorious the deed" : seventeenth-century Dutch circumnavigations as useful myths / Donald J. Harreld -- The Orangist myth, 1650-1672 / Jill Stern -- Myth, history, and image in the Low Countries in the sixteenth century / Jac Geurts -- The wise man has two tongues : images of the Satyr and peasant by Jordaens and Steen / Kimberlee Cloutier-Blazzard -- Emblematic myths : Anneke's fortune, Bogardus's farewell, and Kieft's son / Willem Frijhoff -- International law and national existence : the myth of strict neutrality (1918-?) / Hubert P. van Tuyll -- The epic story of the little republic that could : the role of patriotic myths in the Dutch Golden Age / Laura Cruz -- History and myth of Dutch popular protest in the Napoleonic period (1806-1813) / Johan Joor -- 'Neerlands Israel' : political theology, Christian Hebraism, Biblical antiquarianism, and historical myth / Theodor Dunkelgrün -- Rembrandt and the historical construction of his Conspiration of Claudius Civilis / Jan Blanc. |
| Record Nr. | UNINA-9910792368403321 |
| Leiden ; ; Boston : , : Brill, , 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Myth in history, history in myth / / edited by Laura Cruz, Willem Frijhoff
| Myth in history, history in myth / / edited by Laura Cruz, Willem Frijhoff |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Leiden ; ; Boston, : Brill, 2009 |
| Descrizione fisica | 1 online resource (viii, 263 pages) : illustrations, map |
| Disciplina | 949.20072 |
| Altri autori (Persone) |
CruzLaura <1969->
FrijhoffWillem |
| Collana | Brill's studies in intellectual history |
| Soggetto topico |
Myth - Political aspects - Netherlands
Myth - Social aspects - Netherlands Myth - Political aspects - Benelux countries Myth - Social aspects - Benelux countries |
| ISBN |
1-282-60616-6
9786612606168 90-474-4069-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: Myth in history, history in myth / Laura Cruz and Willem Frijhoff -- "How great the enterprise, how glorious the deed" : seventeenth-century Dutch circumnavigations as useful myths / Donald J. Harreld -- The Orangist myth, 1650-1672 / Jill Stern -- Myth, history, and image in the Low Countries in the sixteenth century / Jac Geurts -- The wise man has two tongues : images of the Satyr and peasant by Jordaens and Steen / Kimberlee Cloutier-Blazzard -- Emblematic myths : Anneke's fortune, Bogardus's farewell, and Kieft's son / Willem Frijhoff -- International law and national existence : the myth of strict neutrality (1918-?) / Hubert P. van Tuyll -- The epic story of the little republic that could : the role of patriotic myths in the Dutch Golden Age / Laura Cruz -- History and myth of Dutch popular protest in the Napoleonic period (1806-1813) / Johan Joor -- 'Neerlands Israel' : political theology, Christian Hebraism, Biblical antiquarianism, and historical myth / Theodor Dunkelgrun -- Rembrandt and the historical construction of his Conspiration of Claudius Civilis / Jan Blanc. |
| Record Nr. | UNINA-9910810180803321 |
| Leiden ; ; Boston, : Brill, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Works and Times of Johan Huizinga (1872-1945) : Writing History in the Age of Collapse
| The Works and Times of Johan Huizinga (1872-1945) : Writing History in the Age of Collapse |
| Autore | Rydin Thor |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , 2023 |
| Descrizione fisica | 1 online resource (299 pages) |
| Disciplina | 949.20072 |
| Collana | Studies in the History of Knowledge Series |
| Soggetto topico | HISTORY / Europe / Western |
| Soggetto non controllato | Johan Huizinga, cultural history, interbellum, historical experiences, historical virtues |
| ISBN | 90-485-5758-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover -- Table of Contents -- List of Illustrations -- Figure 0.1. Johan Huizinga and his daughter Laura in the summer of 1944. -- Figure 1.1. Huizinga's study at his home on Van Slingelandtlaan 4, Leiden. -- Figure 1.2. (A) One of the innumerable colouring pages Huizinga drew for his daughter Laura. (B) An ex-libris for his wife Mary by Huizinga. (C) A cartoon of the academic world by Huizinga. -- Figure 1.3. A drawing by Huizinga of his son Dirk on his deathbed (1920). -- Figure 1.4. (A) Huizinga's notes. In this document he describes his first car trip. (B) Huizinga on holiday with his children Leonhard, Jakob and Retha, year unknown. (C) Huizinga in costume for a seventeenth-century-themed student masquerade in Groninge -- Figure 1.5. Modernity brought new shapes to the Netherlands. Most Dutch cities, including Amsterdam, had been constructed according to a medieval urban anatomy: layers of circular streets lay around a city's central square. These circular structures did, -- Figure 1.6. De Tachtigers mediated the industrial transformation of Dutch society through an impressionist style. This style was meant to capture the fleeting nature of time amidst accelerated change. (A) Richard N. Roland Holst's Construction Site in Am -- Figure 1.7. De Negentigers launched their criticism against liberal individualism, amoralism and industrialization by rejecting impressionism and turning either to symbolism or socialist realism. The symbolist attempt to 'slow down' a history supposedly -- Figure 1.8. Huizinga commonly wrote his notes on strips of paper, usually on the back of paper that had already been written on, either by him or someone else. Next, he grouped and organized these strips in envelopes with particular designations. Sometim.
Figure 2.1. The canal along the Nieuwezijds Voorburgwal in Amsterdam had been dug in the fifteenth century and was drained in 1884 to accommodate traffic and the transportation of goods. As a consequence, the figure of Atlas, located on the roof of the r -- Figure 2.2. (A) The draining of canals opened up the possibility of implementing new technologies underneath the city's skin. Here a sewage system was installed on the Nieuwezijds Voorburgwal in 1884. (B) Berlage and his peers introduced modern, straight -- Figure 2.3. The modern world of commerce and technology was steeped in a Renaissance aesthetic. Berlage had been commissioned to build a new stock exchange in the 1885. The construction work started in 1898, and the building was revealed to the public in -- Figure 2.4. (A) Jan van Eyck's The Arnolfini Wedding (1434) is shown. On the right, two images show geometrical features of primary importance to the painting's art historical status. (B) A non-aligned, three-dimensional spatial orientation of the chande -- Figure 3.1. (A) An undated photograph of Ypres's Cloth Hall from before the war. (B) It is not known which photographs of Ypres Hoste added to the questionnaire he sent to Huizinga. Most likely, they looked something similar to the bottom image, which wa -- Figure 3.2. (A) A group of professors from the University of Leiden receive military training in the summer of 1915. Johan Huizinga is the fourth person from the left, just left of the standing lieutenant. (B) An undated photograph taken during the Great -- Figure 3.3. (A) A drawing of the Thomaskirche from 1749, by Joachim Ernst Scheffler. (B) A postcard image of the Thomaskirche displayed from the other side from 1918. The church's outer construction underwent a number of modifications during the nineteen. Figure 4.1. In the 1910s and '20s, cinematographic culture was booming in the Netherlands as it was all over Europe. (A) Cinema Rembrandt in Amsterdam on Rembrandtplein (1927). (B) Interior of Cinema Tuschinski in Amsterdam (1921). (C) A film poster by E -- Figure 4.2. A new kind of public sports such as cycling, gymnastics and football entered the public arena around 1900 in the Netherlands. (A) Bike race in Amsterdam around 1900. (B) Public display by the General Gymnastics Association in Amsterdam in 190 -- Figure 4.3. (A) Employees in an Amsterdam sweatshop around 1900. (B) Employees in the Philips lightbulb factory in Eindhoven 1910-25. -- Figure 4.4. Two murals by Jan Toorop from 1902. (A) The Past. (B) The Future. The former shows submission by workers and women to an unjust system -- the latter reveals the just equality supposedly brought by industry and mechanical labour. A third mural, -- Figure 4.5. Huizinga's image of American culture and its cultural degeneration is for several reasons typical of the male perspective of his times. The Dutch women's suffrage movement typically cultivated a much brighter image of American culture. (A) A -- Figure 4.6. (A) The barbed wire's 'revenge' at the Dutch-Belgian border as depicted by the Dutch cartoonist Albert Hahn (1877-1918) in 'Deathwire' in De Notenkraker, 24 July 1915. (B) The mural The Homestead and the Building of Barbed Wire Fences, by Joh -- Figure 5.1. Drawings from Berlage's manifesto The Pantheon of Humanity (1919). -- Figure 5.2. Another example of Dutch internationalist culture at the beginning of the twentieth century: several board games celebrating peace and cooperation were brought onto the market in the 1900s and 1910s, both by commercial and public institutions. Figure 5.3. A committee headed by the Dutch Catholic architect Pierre Cuypers (1827-1921) was installed to judge the proposals for the Peace Palace. Above, submissions by (A) F. Wendt, (B) Greenley and Olin, (C) L. Cordonnier and (D) F. Schwechten have b -- Figure 5.4. Rembrandt's Syndics of the Drapers' Guild (De Staalmeesters), painted in 1662. -- Figure 6.1. (A) An NSB poster from 1935 stating: 'Do not let your boy grow up [queuing] at the welfare office.' (B) Men queuing on 2 August 1933 to collect a free tax exemption for bike ownership, for which they were eligible due to economic hardship. (C -- Figure 6.2. (A) Cartoon in Het Volk (03-02-1935) after the existence of the German concentration camp Oranienburg became known. The text reads: 'A rip in the national socialist curtain'. (B) A cartoon in De Groene Amsterdammer (06-03-1936). Hitler is por -- Figure 6.3. Calm Water (Kalm Water), painted 1640-50 by Simon de Vlieger (1601-1653) and currently part of the Boijmans Van Beuningen collection in Rotterdam. The location of the site painted is unknown, but it is known that De Vlieger spent most of his -- Foreword -- Referring to Huizinga -- 1. Writing History in Times of Loss: A New Johan Huizinga -- Repetitions called Huizinga -- Huizinga's moral sympathies -- Huizinga's academic training and intellectual perspective -- Method and material -- Method -- Material -- Structure -- 2 'The Tyranny of the Present' -- A modern city and its ruins -- Burckhardt's uomo singolare -- Huizinga's medieval homo ludens -- Autumntide of the Middle Ages (1919) -- Interlude: Van Eyck's mirror -- The Problem of the Renaissance (1920) -- Conclusion -- 3 An Irretrievably Lost Past -- Ypres and the 'irreparable' disappearance of the past -- Lamprecht's laws -- Two perspectives on a church -- Huizinga's opposition to Lamprecht's Methode after 1919 -- Conclusion. 4 The Future, a Machine -- A past turned silent -- Anton Pannekoek and Huizinga's historical materialism in 1917-18 -- Frederik van Eeden and Huizinga's experience of generations -- Tocqueville's America: a social phenomenon -- Huizinga's America: a mechanical phenomenon -- Man's land and no man's land -- Conclusion -- 5 The Delay of the 'Grotian Hour' -- Huizinga and the 'Peace Palace generation' -- Huizinga and the Peace Palace -- Spengler's critique of Kosmopolitismus -- Huizinga's hope -- Huizinga's critique of Spengler in 1921 -- Huizinga's critique of Spengler after 1935 -- Spengler's Rembrandt versus Huizinga's Rembrandt -- Conclusion -- 6 The Looming Loss of a Democratic Order -- The autumntide of democracy: Huizinga's experience of the political in the 1930s -- Schmitt's Ernstfall: an agonistic term? -- Homo homini lupus versus homo ludens -- Land and sea: two perspectives on a river delta -- Conclusion -- Conclusion: In the Image of Loss -- Experiences of loss -- Writing in the image of loss: a way of life -- Bibliography -- Index of Names. |
| Record Nr. | UNINA-9910800030403321 |
Rydin Thor
|
||
| Amsterdam : , : Amsterdam University Press, , 2023 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Works and Times of Johan Huizinga (1872-1945) : Writing History in the Age of Collapse
| The Works and Times of Johan Huizinga (1872-1945) : Writing History in the Age of Collapse |
| Autore | Rydin Thor |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , 2023 |
| Descrizione fisica | 1 online resource (299 pages) |
| Disciplina | 949.20072 |
| Collana | Studies in the History of Knowledge Series |
| Soggetto topico | HISTORY / Europe / Western |
| Soggetto non controllato | Johan Huizinga, cultural history, interbellum, historical experiences, historical virtues |
| ISBN | 90-485-5758-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover -- Table of Contents -- List of Illustrations -- Figure 0.1. Johan Huizinga and his daughter Laura in the summer of 1944. -- Figure 1.1. Huizinga's study at his home on Van Slingelandtlaan 4, Leiden. -- Figure 1.2. (A) One of the innumerable colouring pages Huizinga drew for his daughter Laura. (B) An ex-libris for his wife Mary by Huizinga. (C) A cartoon of the academic world by Huizinga. -- Figure 1.3. A drawing by Huizinga of his son Dirk on his deathbed (1920). -- Figure 1.4. (A) Huizinga's notes. In this document he describes his first car trip. (B) Huizinga on holiday with his children Leonhard, Jakob and Retha, year unknown. (C) Huizinga in costume for a seventeenth-century-themed student masquerade in Groninge -- Figure 1.5. Modernity brought new shapes to the Netherlands. Most Dutch cities, including Amsterdam, had been constructed according to a medieval urban anatomy: layers of circular streets lay around a city's central square. These circular structures did, -- Figure 1.6. De Tachtigers mediated the industrial transformation of Dutch society through an impressionist style. This style was meant to capture the fleeting nature of time amidst accelerated change. (A) Richard N. Roland Holst's Construction Site in Am -- Figure 1.7. De Negentigers launched their criticism against liberal individualism, amoralism and industrialization by rejecting impressionism and turning either to symbolism or socialist realism. The symbolist attempt to 'slow down' a history supposedly -- Figure 1.8. Huizinga commonly wrote his notes on strips of paper, usually on the back of paper that had already been written on, either by him or someone else. Next, he grouped and organized these strips in envelopes with particular designations. Sometim.
Figure 2.1. The canal along the Nieuwezijds Voorburgwal in Amsterdam had been dug in the fifteenth century and was drained in 1884 to accommodate traffic and the transportation of goods. As a consequence, the figure of Atlas, located on the roof of the r -- Figure 2.2. (A) The draining of canals opened up the possibility of implementing new technologies underneath the city's skin. Here a sewage system was installed on the Nieuwezijds Voorburgwal in 1884. (B) Berlage and his peers introduced modern, straight -- Figure 2.3. The modern world of commerce and technology was steeped in a Renaissance aesthetic. Berlage had been commissioned to build a new stock exchange in the 1885. The construction work started in 1898, and the building was revealed to the public in -- Figure 2.4. (A) Jan van Eyck's The Arnolfini Wedding (1434) is shown. On the right, two images show geometrical features of primary importance to the painting's art historical status. (B) A non-aligned, three-dimensional spatial orientation of the chande -- Figure 3.1. (A) An undated photograph of Ypres's Cloth Hall from before the war. (B) It is not known which photographs of Ypres Hoste added to the questionnaire he sent to Huizinga. Most likely, they looked something similar to the bottom image, which wa -- Figure 3.2. (A) A group of professors from the University of Leiden receive military training in the summer of 1915. Johan Huizinga is the fourth person from the left, just left of the standing lieutenant. (B) An undated photograph taken during the Great -- Figure 3.3. (A) A drawing of the Thomaskirche from 1749, by Joachim Ernst Scheffler. (B) A postcard image of the Thomaskirche displayed from the other side from 1918. The church's outer construction underwent a number of modifications during the nineteen. Figure 4.1. In the 1910s and '20s, cinematographic culture was booming in the Netherlands as it was all over Europe. (A) Cinema Rembrandt in Amsterdam on Rembrandtplein (1927). (B) Interior of Cinema Tuschinski in Amsterdam (1921). (C) A film poster by E -- Figure 4.2. A new kind of public sports such as cycling, gymnastics and football entered the public arena around 1900 in the Netherlands. (A) Bike race in Amsterdam around 1900. (B) Public display by the General Gymnastics Association in Amsterdam in 190 -- Figure 4.3. (A) Employees in an Amsterdam sweatshop around 1900. (B) Employees in the Philips lightbulb factory in Eindhoven 1910-25. -- Figure 4.4. Two murals by Jan Toorop from 1902. (A) The Past. (B) The Future. The former shows submission by workers and women to an unjust system -- the latter reveals the just equality supposedly brought by industry and mechanical labour. A third mural, -- Figure 4.5. Huizinga's image of American culture and its cultural degeneration is for several reasons typical of the male perspective of his times. The Dutch women's suffrage movement typically cultivated a much brighter image of American culture. (A) A -- Figure 4.6. (A) The barbed wire's 'revenge' at the Dutch-Belgian border as depicted by the Dutch cartoonist Albert Hahn (1877-1918) in 'Deathwire' in De Notenkraker, 24 July 1915. (B) The mural The Homestead and the Building of Barbed Wire Fences, by Joh -- Figure 5.1. Drawings from Berlage's manifesto The Pantheon of Humanity (1919). -- Figure 5.2. Another example of Dutch internationalist culture at the beginning of the twentieth century: several board games celebrating peace and cooperation were brought onto the market in the 1900s and 1910s, both by commercial and public institutions. Figure 5.3. A committee headed by the Dutch Catholic architect Pierre Cuypers (1827-1921) was installed to judge the proposals for the Peace Palace. Above, submissions by (A) F. Wendt, (B) Greenley and Olin, (C) L. Cordonnier and (D) F. Schwechten have b -- Figure 5.4. Rembrandt's Syndics of the Drapers' Guild (De Staalmeesters), painted in 1662. -- Figure 6.1. (A) An NSB poster from 1935 stating: 'Do not let your boy grow up [queuing] at the welfare office.' (B) Men queuing on 2 August 1933 to collect a free tax exemption for bike ownership, for which they were eligible due to economic hardship. (C -- Figure 6.2. (A) Cartoon in Het Volk (03-02-1935) after the existence of the German concentration camp Oranienburg became known. The text reads: 'A rip in the national socialist curtain'. (B) A cartoon in De Groene Amsterdammer (06-03-1936). Hitler is por -- Figure 6.3. Calm Water (Kalm Water), painted 1640-50 by Simon de Vlieger (1601-1653) and currently part of the Boijmans Van Beuningen collection in Rotterdam. The location of the site painted is unknown, but it is known that De Vlieger spent most of his -- Foreword -- Referring to Huizinga -- 1. Writing History in Times of Loss: A New Johan Huizinga -- Repetitions called Huizinga -- Huizinga's moral sympathies -- Huizinga's academic training and intellectual perspective -- Method and material -- Method -- Material -- Structure -- 2 'The Tyranny of the Present' -- A modern city and its ruins -- Burckhardt's uomo singolare -- Huizinga's medieval homo ludens -- Autumntide of the Middle Ages (1919) -- Interlude: Van Eyck's mirror -- The Problem of the Renaissance (1920) -- Conclusion -- 3 An Irretrievably Lost Past -- Ypres and the 'irreparable' disappearance of the past -- Lamprecht's laws -- Two perspectives on a church -- Huizinga's opposition to Lamprecht's Methode after 1919 -- Conclusion. 4 The Future, a Machine -- A past turned silent -- Anton Pannekoek and Huizinga's historical materialism in 1917-18 -- Frederik van Eeden and Huizinga's experience of generations -- Tocqueville's America: a social phenomenon -- Huizinga's America: a mechanical phenomenon -- Man's land and no man's land -- Conclusion -- 5 The Delay of the 'Grotian Hour' -- Huizinga and the 'Peace Palace generation' -- Huizinga and the Peace Palace -- Spengler's critique of Kosmopolitismus -- Huizinga's hope -- Huizinga's critique of Spengler in 1921 -- Huizinga's critique of Spengler after 1935 -- Spengler's Rembrandt versus Huizinga's Rembrandt -- Conclusion -- 6 The Looming Loss of a Democratic Order -- The autumntide of democracy: Huizinga's experience of the political in the 1930s -- Schmitt's Ernstfall: an agonistic term? -- Homo homini lupus versus homo ludens -- Land and sea: two perspectives on a river delta -- Conclusion -- Conclusion: In the Image of Loss -- Experiences of loss -- Writing in the image of loss: a way of life -- Bibliography -- Index of Names. |
| Record Nr. | UNISA-996580166503316 |
|
Rydin Thor
|
||
| Amsterdam : , : Amsterdam University Press, , 2023 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||