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"... Qual era tutto rotto" : l'enigma dell'Idolino di Pesaro : Indagini per un restauro / a cura di Mario Iozzo
| "... Qual era tutto rotto" : l'enigma dell'Idolino di Pesaro : Indagini per un restauro / a cura di Mario Iozzo |
| Edizione | [Firenze : Museo Archeologico Nazionale] |
| Pubbl/distr/stampa | 95 p., : ill. ; 24 cm |
| Descrizione fisica | In testa al front.: Ministero per i beni e le attivita' culturali, Soprintendenza archeologica della Toscana, Centro di restauro |
| Disciplina | 930.1028(Tecniche archeologiche) |
| Soggetto topico | IDOLINO DI PESARO - Restauro |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNIOR-UON00096660 |
| 95 p., : ill. ; 24 cm | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. L'Orientale | ||
| ||
The 2018 Archaeological Survey at Tawi Said, Sultanate of Oman
| The 2018 Archaeological Survey at Tawi Said, Sultanate of Oman |
| Autore | Döpper Stephanie |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Oxford : , : Archaeopress, , 2024 |
| Descrizione fisica | 1 online resource (132 pages) |
| Disciplina | 930.1028 |
| Altri autori (Persone) |
BiezeveldIrini
MaioranoMaria Pia |
| Collana | Arabia Orientalis: Studien Zur Archäologie Ostarabiens Series |
| Soggetto topico |
Excavations (Archaeology)
Archaeology |
| ISBN |
9781803276977
1803276975 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover -- Title Page -- Copyright page -- Contents Page -- List of figures -- List of tables -- 1 Introduction (Stephanie Döpper) -- 1.1 Location -- 1.2 Research history -- 1.3 The 2018 survey -- Fig. 1: Location of Tawi Said in Central Oman. -- Fig. 2: Grasses and scrub at Tawi Said. -- Fig. 3: Low sand dune at Tawi Said. -- Fig. 4: Tawi Said with Wadi Batha and the sand dunes of the Sharqiyah Sands in the background. -- Fig. 5: Aerial view of Tawi Said with Wadi Batha and the sand dunes of the Sharqiyah Sands on the right and the oasis of Al-Mintarib in the background. -- Fig. 6: DSM of Tawi Said. -- Fig. 7: Mud-brick walls from de Cardi’s excavations in 1978 (de Cardi – Bell – Starling 1979: pl. 36). -- Fig. 8: Patches of light-coloured soil. -- Fig. 9: De Cardi’s plan of the mud-brick structures (de Cardi – Bell – Starling 1979: 85 fig. 10). -- Fig. 10: Survey area in Tawi Said with distribution of finds. -- Fig. 11: Soil sample locations at Tawi Said. -- 2 The Pottery (Irini Biezeveld & Stephanie Döpper) -- 2.1 Type and scope of the studied material -- 2.2 The ware typology -- 2.2.1 The technological features of the ceramic wares -- 2.3 The pottery of Tawi Said -- 2.3.1 The number of ceramic wares -- 2.3.2 Decoration of the ceramic wares -- 2.3.3 Form typology -- 2.3.3.1 The vessel types and form groups |
| Record Nr. | UNINA-9910847700703321 |
Döpper Stephanie
|
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| Oxford : , : Archaeopress, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
3D delineation : a modernisation of drawing methodology for field archaeology / / Justin J. L. Kimball
| 3D delineation : a modernisation of drawing methodology for field archaeology / / Justin J. L. Kimball |
| Autore | Kimball Justin J. L. |
| Pubbl/distr/stampa | Oxford, England : , : Archaopress Publishing Limited, , [2016] |
| Descrizione fisica | 1 online resource (77 pages) |
| Disciplina | 930.1028 |
| Soggetto topico |
Three-dimensional imaging in archaeology
Archaeology - Computer simulation |
| ISBN | 1-78491-306-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover -- Copyright Information -- Contents -- Abstract -- Preface -- 1 - Introduction -- 2 - State of the Art -- FIGURE 1 - A drawing detailing the various line types as established by the Museum of London Archaeology for use in the single context method of archaeological drawing. (Redrawn by J.J.L. Kimball 2014, symbology established by Museum of London Archaeology -- FIGURE 2 - An example of early archaeological photography -- pictured is the apex of the excavation of the Oseberg Ship, Norway. (Photograph © Kulturhistorisk Museum, UiO 2014). -- FIGURE 3 - Another example of early archaeological photography -- pictured are the excavators and archaeologists, in the background the Oseberg Ship, Norway. (Photograph © Kulturhistorisk Museum, UiO 2014). -- 3 - Theory -- 4 - Methodology -- 4.1 - Review of Established Methodologies and Associated Technologies -- 4.2 - Introduction to Utilised Technologies -- 4.2.1 - Camera Systems -- 4.2.2 - Adobe Photoshop Lightroom 5.4 -- 4.2.3 - Agisoft's Photoscan 1.0.4 -- 4.2.4 - EDM Total Station -- 4.2.5 - ArcGIS 10.2.1 -- 4.3 - Limitations -- FIGURE 4 - A visual depiction of the pipeline of technologies used in this work's experiment. Included in the above list are the following: (A) the physical archaeological object -- (B) digital SLR camera -- (C) control points for geospatial recording -- (D) RA -- FIGURE 5 - (Screen-captures of a 3D model) Steps in MSR production with Photoscan -- (top) estimation of internal camera parameters and camera projections -- (left) dense-point cloud -- (right) mesh. (Image by J.J.L. Kimball 2014 -- 3D model by J.J.L. Kimball 201 -- FIGURE 6 - (Screen-capture of a 3D Model) The final stage of MSR-a photorealistic 3D model of the runestone DR 330 "Gårdstångastenen 2" located in Lund, Sweden. (Image by J.J.L. Kimball 2014 -- 3D model by J.J.L. Kimball 2014).
5 - Experiment: 3D Delineation -- 5.1 - General Background of Uppåkra -- 5.2 - Documentation Methodology at Uppåkra since 2011 -- 5.3 - State of the Art: 3D Modelling at Uppåkra -- 5.4 - Experiment Overview -- 5.5 - Experiment Methodology -- 5.6 - Results Concerning 3D Archaeological Drawings -- (Photograph © J.J.L. Kimball 2013). -- FIGURE 7 - A photograph looking southward over top of several of the 2013 excavation trenches. -- FIGURE 8 - A photograph from one of the acquisition campaigns around Trench 5 -- note the markers along the edges of the trench. (Photograph © J.J.L. Kimball 2013). -- FIGURE 9 - (Screen-capture) The 3D models located within their proper geospatial locations within ArcScene. (Image by J.J.L. Kimball 2014 -- 3D models and GIS implementation by N. Dell'Unto and the Department of Archaeology and Ancient History, Lund Univers -- (Image by J.J.L. Kimball 2014). -- FIGURE 10 - A short example of some of the database fields and values during the input stage. -- (Photograph © J.J.L. Kimball 2013). -- FIGURE 11 - A photograph displaying some of the complexities faced in Trench 5. -- FIGURE 12 - (Screen-capture of a 3D Model/3D drawing) this example show the general range of complexities to be drawn -- the green polyline denotes a small and relatively non-complex layer whereas the blue polyline denotes a large and complex layer. (Image -- FIGURE 13 - (Screen-capture of 3D models/3D drawing) Here the same model and drawings as are displayed in the above figure are shown in their geospatial relation to other 3D models within the GIS. (Image by J.J.L. Kimball 2014 -- 3D drawings by J.J.L. Kimba. FIGURE 14 - (Composite screen-capture image of a 3D Model/3D drawing) An example showing the development of the drawing process overtop of the stone-packing layer. Notice the increase of orange polylines between the top and bottom images. (Image by J.J.L. -- (Images by J.J.L. Kimball 2014 -- 3D models/3D drawings by J.J.L. Kimball 2014). -- FIGURE 15 - (Composite screen-capture image of a 3D model showing/3D drawing) (i) stone-packing with no drawing -- (ii) stone-packing delineated by polylines -- and (iii) stone-packing visualised only as polygons. -- FIGURE 16 - This image shows a comparison between traditional methods and digital methods. The top image is a 3D representation of the stone-packing layer -- to the left is a hand-drawn plan -- and to the right is a 3D drawing in plan perspective. (Image by J -- (Image by J.J.L. Kimball 2014 -- 3D models/3D drawings by J.J.L. Kimball 2014). -- FIGURE 17 - (Screen-capture of 3D model/3D drawing) a composite image showing the relationship between a 3D model and its 3D drawing. Starting in the bottom left corner is an oval shape of the 3d model without any drawings -- the next oval shape outward is -- (Image by J.J.L. Kimball 2014 -- 3D model/3D drawings by J.J.L. Kimball 2014). -- FIGURE 18 - (Screen-capture of a 3D model/3D drawing -- section perspective) This image was captured during the drawing process. At first glance, one might believe that these nodes have been accurately placed upon the surface of the model, allowing for the -- FIGURE 19 - (Screen-capture of a 3D model/3D drawing -- Slightly oblique plan perspective) This image was captured after the drawing process had been completed. On closer inspection, some nodes have 'lifted' off of the surface, creating a very tedious task -- FIGURE 20 - (Screen-capture of a 3D drawing. section perspective) This image was captured after the drawing process had been completed. A major drawback of drawing in 3D with polygons is that the polygon is projected as individually segregated pieces-note -- FIGURE 21 - (Screen-capture of a 3D model/3D drawing) the only examples where polygons were used successfully to distinguish between layers. The model itself has been made more transparent to help the reader see the complete extents of the section drawing -- FIGURE 22 - (Screen-capture of 3D Drawings). This image shows a variety of contexts and sections projected in the same environment and in relation to one another. (image and 3D drawing by J.J.L. Kimball 2014. Reference 3D model by N. Dell'Unto 2013). -- FIGURE 23 - (Screen-capture) Here are two examples of the current drawing methodology at Uppåkra. [left] a plan drawing of contexts acquired via total station -- [right] a digitised section drawing. By design these drawings must be viewed out of context fro -- FIGURE 24 - (Screen-capture of a 3D Model/3D Drawing) An example of chronological layering: a model of a younger phase of the excavation is reduced in transparency and superimposed over top of a drawing of rock-packing (an older phase). (Image and 3D draw -- FIGURE 25 - (Screen-capture of 3D models) Another example of chronological layering: this time the overlaying 3D model is significantly reduced in transparency so that the base model can be seen. To help delineate the location of the overlay model's featu -- FIGURE 26 - (Screen-capture of 3D model/3D Drawing) Here the 3D drawing has been slightly transparent and overlayed on top of the first 3D model of trench 5. (Image and 3D drawing by J.J.L. Kimball 2014 -- 3D model by N. Dell'Unto). FIGURE 27 - (Screen-capture of 3D model/3D drawing) The top image shows completed 3D drawing for the second 3D model of Trench 5. The bottom image shows a transparent overlay of the 3D drawing overtop of 3D model. (Images by J.J.L. Kimball 2014 -- 3D models -- FIGURE 28 - (Screen-capture of 3D models) 3D drawings of the latest stage of excavations in Trench 5 displayed in their geospatial relation to other 3D models within the GIS. (Image and 3D drawing by J.J.L. Kimball 2014 -- Base 3D model for Trench 5 by J.J. -- 6 - Discussion -- 6.1 - Statement of Perceived Impact -- 6.1.1 - Guidelines and Symbologies for 3D Archaeological Drawing -- 6.2 - Cautions and Limitations -- 6.3 - Concerns Regarding the Photographic Process -- FIGURE 29 - (Screen-capture of a 3D drawing) One of the measure tool features in Arcscene: here the tool has been used to measure diagonally across the stone-packing layer which provides a result of 1.959 meters across. (Image by J.J.L. Kimball 2014 -- Refe -- FIGURE 30 - (Composite screen-capture of 3D models) Shown here is how ArcScene projects lines. the top image is a simple line that is easily projected -- bottom is a complex line which ArcScene cannot project. For both images, the corresponding line symbolo -- FIGURE 31 - A proposed standard symbology for 3D drawing: (A) limit of excavation -- (B) extent of context -- (C) edge of context truncated by latter intrusion -- and (D) extent uncertain. (Image by J.J.L. Kimball 2014). -- FIGURE 32 - (Screen-capture of 3D drawing) Despite placing the nodes in a logical sequence, the resulting polygon is not correctly projected. Instead of a single polygon, ArcScene breaks it into nine different pieces or 'parts'-each with its own specific. FIGURE 33 - (Photograph) Buckets, strings, finds markers, range poles-all of these must be cleared from the site to ensure as clean a model as possible. (Photograph © J.J.L. Kimball 2013). |
| Record Nr. | UNINA-9910794644703321 |
|
Kimball Justin J. L.
|
||
| Oxford, England : , : Archaopress Publishing Limited, , [2016] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
3D delineation : a modernisation of drawing methodology for field archaeology / / Justin J. L. Kimball
| 3D delineation : a modernisation of drawing methodology for field archaeology / / Justin J. L. Kimball |
| Autore | Kimball Justin J. L. |
| Pubbl/distr/stampa | Oxford, England : , : Archaopress Publishing Limited, , [2016] |
| Descrizione fisica | 1 online resource (77 pages) |
| Disciplina | 930.1028 |
| Soggetto topico |
Three-dimensional imaging in archaeology
Archaeology - Computer simulation |
| ISBN | 1-78491-306-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover -- Copyright Information -- Contents -- Abstract -- Preface -- 1 - Introduction -- 2 - State of the Art -- FIGURE 1 - A drawing detailing the various line types as established by the Museum of London Archaeology for use in the single context method of archaeological drawing. (Redrawn by J.J.L. Kimball 2014, symbology established by Museum of London Archaeology -- FIGURE 2 - An example of early archaeological photography -- pictured is the apex of the excavation of the Oseberg Ship, Norway. (Photograph © Kulturhistorisk Museum, UiO 2014). -- FIGURE 3 - Another example of early archaeological photography -- pictured are the excavators and archaeologists, in the background the Oseberg Ship, Norway. (Photograph © Kulturhistorisk Museum, UiO 2014). -- 3 - Theory -- 4 - Methodology -- 4.1 - Review of Established Methodologies and Associated Technologies -- 4.2 - Introduction to Utilised Technologies -- 4.2.1 - Camera Systems -- 4.2.2 - Adobe Photoshop Lightroom 5.4 -- 4.2.3 - Agisoft's Photoscan 1.0.4 -- 4.2.4 - EDM Total Station -- 4.2.5 - ArcGIS 10.2.1 -- 4.3 - Limitations -- FIGURE 4 - A visual depiction of the pipeline of technologies used in this work's experiment. Included in the above list are the following: (A) the physical archaeological object -- (B) digital SLR camera -- (C) control points for geospatial recording -- (D) RA -- FIGURE 5 - (Screen-captures of a 3D model) Steps in MSR production with Photoscan -- (top) estimation of internal camera parameters and camera projections -- (left) dense-point cloud -- (right) mesh. (Image by J.J.L. Kimball 2014 -- 3D model by J.J.L. Kimball 201 -- FIGURE 6 - (Screen-capture of a 3D Model) The final stage of MSR-a photorealistic 3D model of the runestone DR 330 "Gårdstångastenen 2" located in Lund, Sweden. (Image by J.J.L. Kimball 2014 -- 3D model by J.J.L. Kimball 2014).
5 - Experiment: 3D Delineation -- 5.1 - General Background of Uppåkra -- 5.2 - Documentation Methodology at Uppåkra since 2011 -- 5.3 - State of the Art: 3D Modelling at Uppåkra -- 5.4 - Experiment Overview -- 5.5 - Experiment Methodology -- 5.6 - Results Concerning 3D Archaeological Drawings -- (Photograph © J.J.L. Kimball 2013). -- FIGURE 7 - A photograph looking southward over top of several of the 2013 excavation trenches. -- FIGURE 8 - A photograph from one of the acquisition campaigns around Trench 5 -- note the markers along the edges of the trench. (Photograph © J.J.L. Kimball 2013). -- FIGURE 9 - (Screen-capture) The 3D models located within their proper geospatial locations within ArcScene. (Image by J.J.L. Kimball 2014 -- 3D models and GIS implementation by N. Dell'Unto and the Department of Archaeology and Ancient History, Lund Univers -- (Image by J.J.L. Kimball 2014). -- FIGURE 10 - A short example of some of the database fields and values during the input stage. -- (Photograph © J.J.L. Kimball 2013). -- FIGURE 11 - A photograph displaying some of the complexities faced in Trench 5. -- FIGURE 12 - (Screen-capture of a 3D Model/3D drawing) this example show the general range of complexities to be drawn -- the green polyline denotes a small and relatively non-complex layer whereas the blue polyline denotes a large and complex layer. (Image -- FIGURE 13 - (Screen-capture of 3D models/3D drawing) Here the same model and drawings as are displayed in the above figure are shown in their geospatial relation to other 3D models within the GIS. (Image by J.J.L. Kimball 2014 -- 3D drawings by J.J.L. Kimba. FIGURE 14 - (Composite screen-capture image of a 3D Model/3D drawing) An example showing the development of the drawing process overtop of the stone-packing layer. Notice the increase of orange polylines between the top and bottom images. (Image by J.J.L. -- (Images by J.J.L. Kimball 2014 -- 3D models/3D drawings by J.J.L. Kimball 2014). -- FIGURE 15 - (Composite screen-capture image of a 3D model showing/3D drawing) (i) stone-packing with no drawing -- (ii) stone-packing delineated by polylines -- and (iii) stone-packing visualised only as polygons. -- FIGURE 16 - This image shows a comparison between traditional methods and digital methods. The top image is a 3D representation of the stone-packing layer -- to the left is a hand-drawn plan -- and to the right is a 3D drawing in plan perspective. (Image by J -- (Image by J.J.L. Kimball 2014 -- 3D models/3D drawings by J.J.L. Kimball 2014). -- FIGURE 17 - (Screen-capture of 3D model/3D drawing) a composite image showing the relationship between a 3D model and its 3D drawing. Starting in the bottom left corner is an oval shape of the 3d model without any drawings -- the next oval shape outward is -- (Image by J.J.L. Kimball 2014 -- 3D model/3D drawings by J.J.L. Kimball 2014). -- FIGURE 18 - (Screen-capture of a 3D model/3D drawing -- section perspective) This image was captured during the drawing process. At first glance, one might believe that these nodes have been accurately placed upon the surface of the model, allowing for the -- FIGURE 19 - (Screen-capture of a 3D model/3D drawing -- Slightly oblique plan perspective) This image was captured after the drawing process had been completed. On closer inspection, some nodes have 'lifted' off of the surface, creating a very tedious task -- FIGURE 20 - (Screen-capture of a 3D drawing. section perspective) This image was captured after the drawing process had been completed. A major drawback of drawing in 3D with polygons is that the polygon is projected as individually segregated pieces-note -- FIGURE 21 - (Screen-capture of a 3D model/3D drawing) the only examples where polygons were used successfully to distinguish between layers. The model itself has been made more transparent to help the reader see the complete extents of the section drawing -- FIGURE 22 - (Screen-capture of 3D Drawings). This image shows a variety of contexts and sections projected in the same environment and in relation to one another. (image and 3D drawing by J.J.L. Kimball 2014. Reference 3D model by N. Dell'Unto 2013). -- FIGURE 23 - (Screen-capture) Here are two examples of the current drawing methodology at Uppåkra. [left] a plan drawing of contexts acquired via total station -- [right] a digitised section drawing. By design these drawings must be viewed out of context fro -- FIGURE 24 - (Screen-capture of a 3D Model/3D Drawing) An example of chronological layering: a model of a younger phase of the excavation is reduced in transparency and superimposed over top of a drawing of rock-packing (an older phase). (Image and 3D draw -- FIGURE 25 - (Screen-capture of 3D models) Another example of chronological layering: this time the overlaying 3D model is significantly reduced in transparency so that the base model can be seen. To help delineate the location of the overlay model's featu -- FIGURE 26 - (Screen-capture of 3D model/3D Drawing) Here the 3D drawing has been slightly transparent and overlayed on top of the first 3D model of trench 5. (Image and 3D drawing by J.J.L. Kimball 2014 -- 3D model by N. Dell'Unto). FIGURE 27 - (Screen-capture of 3D model/3D drawing) The top image shows completed 3D drawing for the second 3D model of Trench 5. The bottom image shows a transparent overlay of the 3D drawing overtop of 3D model. (Images by J.J.L. Kimball 2014 -- 3D models -- FIGURE 28 - (Screen-capture of 3D models) 3D drawings of the latest stage of excavations in Trench 5 displayed in their geospatial relation to other 3D models within the GIS. (Image and 3D drawing by J.J.L. Kimball 2014 -- Base 3D model for Trench 5 by J.J. -- 6 - Discussion -- 6.1 - Statement of Perceived Impact -- 6.1.1 - Guidelines and Symbologies for 3D Archaeological Drawing -- 6.2 - Cautions and Limitations -- 6.3 - Concerns Regarding the Photographic Process -- FIGURE 29 - (Screen-capture of a 3D drawing) One of the measure tool features in Arcscene: here the tool has been used to measure diagonally across the stone-packing layer which provides a result of 1.959 meters across. (Image by J.J.L. Kimball 2014 -- Refe -- FIGURE 30 - (Composite screen-capture of 3D models) Shown here is how ArcScene projects lines. the top image is a simple line that is easily projected -- bottom is a complex line which ArcScene cannot project. For both images, the corresponding line symbolo -- FIGURE 31 - A proposed standard symbology for 3D drawing: (A) limit of excavation -- (B) extent of context -- (C) edge of context truncated by latter intrusion -- and (D) extent uncertain. (Image by J.J.L. Kimball 2014). -- FIGURE 32 - (Screen-capture of 3D drawing) Despite placing the nodes in a logical sequence, the resulting polygon is not correctly projected. Instead of a single polygon, ArcScene breaks it into nine different pieces or 'parts'-each with its own specific. FIGURE 33 - (Photograph) Buckets, strings, finds markers, range poles-all of these must be cleared from the site to ensure as clean a model as possible. (Photograph © J.J.L. Kimball 2013). |
| Record Nr. | UNINA-9910823381403321 |
|
Kimball Justin J. L.
|
||
| Oxford, England : , : Archaopress Publishing Limited, , [2016] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
3D recording and modelling in archaelogy and cultural heritage : theory and best practices / edited by Fabio Remondino, Stefano Campana
| 3D recording and modelling in archaelogy and cultural heritage : theory and best practices / edited by Fabio Remondino, Stefano Campana |
| Pubbl/distr/stampa | Oxford : Archaeopress, 2014 |
| Descrizione fisica | III, 171 p. : ill. ; 30 cm + 1 cd-rom |
| Disciplina | 930.1028 |
| Collana | BAR International series |
| Soggetto topico | Archeologia - Impiego [delle] Tecniche digitali |
| ISBN | 978-1-4073-1230-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISA-990006005590203316 |
| Oxford : Archaeopress, 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
3D Research Challenges in Cultural Heritage [[electronic resource] ] : A Roadmap in Digital Heritage Preservation / / edited by Marinos Ioannides, Ewald Quak
| 3D Research Challenges in Cultural Heritage [[electronic resource] ] : A Roadmap in Digital Heritage Preservation / / edited by Marinos Ioannides, Ewald Quak |
| Edizione | [1st ed. 2014.] |
| Pubbl/distr/stampa | Berlin, Heidelberg : , : Springer Berlin Heidelberg : , : Imprint : Springer, , 2014 |
| Descrizione fisica | 1 online resource (X, 143 p. 61 illus.) |
| Disciplina | 930.1028 |
| Collana | Information Systems and Applications, incl. Internet/Web, and HCI |
| Soggetto topico |
Multimedia information systems
Information storage and retrieval Computer communication systems Application software Optical data processing Computer graphics Multimedia Information Systems Information Storage and Retrieval Computer Communication Networks Information Systems Applications (incl. Internet) Image Processing and Computer Vision Computer Graphics |
| ISBN | 3-662-44630-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Intersection of digital heritage -- Engineering -- Computer science -- Mathematics -- Material science -- Architecture -- Civil engineering and archaeology. |
| Record Nr. | UNISA-996199680603316 |
| Berlin, Heidelberg : , : Springer Berlin Heidelberg : , : Imprint : Springer, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
3D Research Challenges in Cultural Heritage : A Roadmap in Digital Heritage Preservation / / edited by Marinos Ioannides, Ewald Quak
| 3D Research Challenges in Cultural Heritage : A Roadmap in Digital Heritage Preservation / / edited by Marinos Ioannides, Ewald Quak |
| Edizione | [1st ed. 2014.] |
| Pubbl/distr/stampa | Berlin, Heidelberg : , : Springer Berlin Heidelberg : , : Imprint : Springer, , 2014 |
| Descrizione fisica | 1 online resource (X, 143 p. 61 illus.) |
| Disciplina | 930.1028 |
| Collana | Information Systems and Applications, incl. Internet/Web, and HCI |
| Soggetto topico |
Multimedia information systems
Information storage and retrieval Computer communication systems Application software Optical data processing Computer graphics Multimedia Information Systems Information Storage and Retrieval Computer Communication Networks Information Systems Applications (incl. Internet) Image Processing and Computer Vision Computer Graphics |
| ISBN | 3-662-44630-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Intersection of digital heritage -- Engineering -- Computer science -- Mathematics -- Material science -- Architecture -- Civil engineering and archaeology. |
| Record Nr. | UNINA-9910484772903321 |
| Berlin, Heidelberg : , : Springer Berlin Heidelberg : , : Imprint : Springer, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A composite view to the past : a methodological integration of zooarchaeology and archaeological geophysics at the Magdalenian site of Verberie le Buisson-Campin / Jason Thompson
| A composite view to the past : a methodological integration of zooarchaeology and archaeological geophysics at the Magdalenian site of Verberie le Buisson-Campin / Jason Thompson |
| Autore | THOMPSON, Jason |
| Pubbl/distr/stampa | Oxford : Archaeopress, 2014 |
| Descrizione fisica | VI, 102 p. : ill. ; 30 cm |
| Disciplina | 930.1028 |
| Collana | BAR International series |
| Soggetto topico | Archeologia - Metodologia - Casi [:] Scavi archeologici - Francia |
| ISBN | 978-1-4073-1258-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISA-990006144000203316 |
|
THOMPSON, Jason
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| Oxford : Archaeopress, 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Across space and time : papers from the 41st Conference on Computer Applications and Quantitative Methods in Archaeology, Perth, 25-28 March 2013 / / edited by Arianna Traviglia
| Across space and time : papers from the 41st Conference on Computer Applications and Quantitative Methods in Archaeology, Perth, 25-28 March 2013 / / edited by Arianna Traviglia |
| Autore | Traviglia Arianna |
| Pubbl/distr/stampa | Amsterdam University Press, 2017 |
| Descrizione fisica | 1 online resource (515 pages) : illustrations, maps; digital, PDF file(s) |
| Disciplina | 930.1028 |
| Soggetto topico |
Archaeology - Methodology
Archaeology - Data processing |
| Soggetto non controllato |
digital archaeology
informatics cultural heritage management |
| ISBN |
9789048524433
9789089647153 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910166053703321 |
|
Traviglia Arianna
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| Amsterdam University Press, 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Alluvial archaeology in Europe : proceedings of the Alluvial Archaeology of North-West Europe and Mediteranian [sic], 18-19 December 2000, Leeds, UK / / edited by Andy J. Howard, Mark G. Macklin, David G. Passmore
| Alluvial archaeology in Europe : proceedings of the Alluvial Archaeology of North-West Europe and Mediteranian [sic], 18-19 December 2000, Leeds, UK / / edited by Andy J. Howard, Mark G. Macklin, David G. Passmore |
| Pubbl/distr/stampa | Lisse ; ; Exton, Pa., : A.A. Balkema, c2003 |
| Descrizione fisica | XI, 313 p. : ill., maps ; 25 cm |
| Disciplina | 930.1028 |
| Altri autori (Persone) |
Howard, Andrew J.
Macklin, Mark G. Passmore, David G. |
| ISBN | 9058095614 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910553501403321 |
| Lisse ; ; Exton, Pa., : A.A. Balkema, c2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
