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The Routledge companion to Commedia dell'Arte / / edited by Judith Chaffee and Olly Crick
| The Routledge companion to Commedia dell'Arte / / edited by Judith Chaffee and Olly Crick |
| Pubbl/distr/stampa | Abingdon, Oxon ; ; New York, N.Y. : , : Routledge, , 2015 |
| Descrizione fisica | 1 online resource (541 p.) |
| Disciplina | 852/.052309 |
| Altri autori (Persone) |
ChaffeeJudith
CrickOlly <1960-> |
| Soggetto topico | Commedia dell'arte - History and criticism |
| ISBN |
1-317-61336-8
1-138-22499-5 1-315-75084-8 1-317-61337-6 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title Page; Copyright Page; Dedication; Table of Contents; Acknowledgements; Foreword; Notes on contributors; Introduction; PART I The defining features: Actors, scenarios, troupes, stock characters, masks, language and lazzi; Actors; 1 The pre-eminence of the actor in renaissance context: Subverting the social order; Scenarios; 2 Form and Freedom: Between scenario and stage; 3 Parallel Processing: Two playwrights: Scala and Shakespeare; Troupes; 4 The Commedia dell'Arte acting companies; Stock characters; 5 You must have heard of Harlequin...
6 Pantalone and il Dottore: The old men of Commedia7 The Young Lovers; 8 Reading and interpreting the Capitano's multiple mask-shapes; 9 Le Servette in Commedia dell'Arte; 10 Carnival, comedy and the Commedia: A case study of the mask of Scaramouche; 11 Official recognition of Pulcinella: The one who saved the Commedia from extinction by securing its continuity to the present day; 12 The many faces of Brighella: The knave we love to hate; Masks; 13 A mask maker's journey; 14 Mask performance for a contemporary Commedia dell'Arte; 15 New roles for the mask in twentieth century theatre Language16 Grommelot; Lazzi; 17 Lazzi; 18 Principles of comedy for Commedia dell'Arte; 19 Slapstick and comic violence in Commedia dell'Arte; PART II Historical context: What we know from whom, about what, and why it matters; 20 Aristocratic archeology: Greco-Roman roots; 21 The rise of Commedia dell'Arte in Italy: A historical perspective; 22 The Great Ruzante; 23 The coming together; 24 Staging and staging practices in early Commedia dell'Arte; 25 Commedia dell'Arte and the Spanish Golden Age Theatre; 26 Celestial sirens of the Commedia dell'Arte Stage 27 Incidental music in Commedia dell'Arte performances28 Meetings on Naxos: Opera and Commedia dell'Arte; 29 Classical Ballet and Commedia dell'Arte: Influences; 30 Images of the Commedia dell'Arte; 31 The old man's spectacles: Commedia and Shakespeare; 32 Shakespeare's clown connection: Hybridizing Commedia's Zanni; 33. Writing for the Elite: Molière, Marivaux, and Beaumarchais; 34 Goldoni and Gozzi: Reformers with separate agendas; 35 Commedia dell'Arte as grotesque dance: Decline or evolution?; 36 The myth of Pierrot 37 Speechless spectacles: Commedia pantomime in France, England, and the Americas during the eighteenth and nineteenth centuries38 From Meyerhold to Eisenstein: Commedia dell'Arte in Russia; 39 Giorgio Strehler's Arte: A Commedia master directs Shakespeare; 40 Giovanni Poli: The missing link; 41 Arlecchino Appleseed: Or how Carlo Mazzone-Clementi brought Commedia to the New World; PART III Alive and well and living in...; 42 Despite everything, Commedia dell'Arte is alive in Italy. Long live Commedia!; 43 Dario Fo and the Commedia Dell'Arte; 44 Carlo Boso: Fear and laughter in popular theatre 45 Antonio Fava |
| Altri titoli varianti | Companion to Commedia dell'Arte |
| Record Nr. | UNINA-9910787927603321 |
| Abingdon, Oxon ; ; New York, N.Y. : , : Routledge, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Routledge companion to Commedia dell'Arte / / edited by Judith Chaffee and Olly Crick
| The Routledge companion to Commedia dell'Arte / / edited by Judith Chaffee and Olly Crick |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Abingdon, Oxon ; ; New York, N.Y. : , : Routledge, , 2015 |
| Descrizione fisica | 1 online resource (541 p.) |
| Disciplina |
852/.052309
852.052309 |
| Altri autori (Persone) |
ChaffeeJudith
CrickOlly <1960-> |
| Soggetto topico | Commedia dell'arte - History and criticism |
| ISBN |
1-317-61336-8
1-138-22499-5 1-315-75084-8 1-317-61337-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title Page; Copyright Page; Dedication; Table of Contents; Acknowledgements; Foreword; Notes on contributors; Introduction; PART I The defining features: Actors, scenarios, troupes, stock characters, masks, language and lazzi; Actors; 1 The pre-eminence of the actor in renaissance context: Subverting the social order; Scenarios; 2 Form and Freedom: Between scenario and stage; 3 Parallel Processing: Two playwrights: Scala and Shakespeare; Troupes; 4 The Commedia dell'Arte acting companies; Stock characters; 5 You must have heard of Harlequin...
6 Pantalone and il Dottore: The old men of Commedia7 The Young Lovers; 8 Reading and interpreting the Capitano's multiple mask-shapes; 9 Le Servette in Commedia dell'Arte; 10 Carnival, comedy and the Commedia: A case study of the mask of Scaramouche; 11 Official recognition of Pulcinella: The one who saved the Commedia from extinction by securing its continuity to the present day; 12 The many faces of Brighella: The knave we love to hate; Masks; 13 A mask maker's journey; 14 Mask performance for a contemporary Commedia dell'Arte; 15 New roles for the mask in twentieth century theatre Language16 Grommelot; Lazzi; 17 Lazzi; 18 Principles of comedy for Commedia dell'Arte; 19 Slapstick and comic violence in Commedia dell'Arte; PART II Historical context: What we know from whom, about what, and why it matters; 20 Aristocratic archeology: Greco-Roman roots; 21 The rise of Commedia dell'Arte in Italy: A historical perspective; 22 The Great Ruzante; 23 The coming together; 24 Staging and staging practices in early Commedia dell'Arte; 25 Commedia dell'Arte and the Spanish Golden Age Theatre; 26 Celestial sirens of the Commedia dell'Arte Stage 27 Incidental music in Commedia dell'Arte performances28 Meetings on Naxos: Opera and Commedia dell'Arte; 29 Classical Ballet and Commedia dell'Arte: Influences; 30 Images of the Commedia dell'Arte; 31 The old man's spectacles: Commedia and Shakespeare; 32 Shakespeare's clown connection: Hybridizing Commedia's Zanni; 33. Writing for the Elite: Molière, Marivaux, and Beaumarchais; 34 Goldoni and Gozzi: Reformers with separate agendas; 35 Commedia dell'Arte as grotesque dance: Decline or evolution?; 36 The myth of Pierrot 37 Speechless spectacles: Commedia pantomime in France, England, and the Americas during the eighteenth and nineteenth centuries38 From Meyerhold to Eisenstein: Commedia dell'Arte in Russia; 39 Giorgio Strehler's Arte: A Commedia master directs Shakespeare; 40 Giovanni Poli: The missing link; 41 Arlecchino Appleseed: Or how Carlo Mazzone-Clementi brought Commedia to the New World; PART III Alive and well and living in...; 42 Despite everything, Commedia dell'Arte is alive in Italy. Long live Commedia!; 43 Dario Fo and the Commedia Dell'Arte; 44 Carlo Boso: Fear and laughter in popular theatre 45 Antonio Fava |
| Altri titoli varianti | Companion to Commedia dell'Arte |
| Record Nr. | UNINA-9910969287803321 |
| Abingdon, Oxon ; ; New York, N.Y. : , : Routledge, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||