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New Francophone African and Caribbean theatres [[electronic resource] /] / John Conteh-Morgan with Dominic Thomas
| New Francophone African and Caribbean theatres [[electronic resource] /] / John Conteh-Morgan with Dominic Thomas |
| Autore | Conteh-Morgan John |
| Pubbl/distr/stampa | Bloomington, : Indiana University Press, 2010 |
| Descrizione fisica | 1 online resource (230 p.) |
| Disciplina | 842/.9140996 |
| Altri autori (Persone) | ThomasDominic |
| Collana | African expressive cultures |
| Soggetto topico |
African drama (French) - History and criticism
Theater - Africa, French-speaking Equatorial Theater - Africa, French-speaking West Caribbean drama (French) - History and criticism Theater - Caribbean, French-speaking |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-81835-X
9786612818356 1-4416-6975-2 0-253-00458-6 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction : instrumentalizing performance and the Francophone postcolonial performative -- Cultural trauma and ritual re-membering : Werewere Liking's Les mains veulent dire -- The dramatist as epic performer : Eugene Dervain's Saran, ou la reine scelerate -- The power and the pleasures of dramatized narrative : Bernard Zadi Zaourou's La guerre des femmes -- Theatre as writing and voice : Patrick Chamoiseau's Manman dlo contre la fee carabosse -- Tradition instrumentalized : Elie Stephenson's O mayouri -- Militariat grotesqueries and tragic lament : Tchicaya u Tam'si's Le destin glorieux du marechal nnikon nniku, prince qu'on sort and le bal de ndinga -- From the grotesque to the fantastic : Sony Labou Tansi's Qui a mange Madame d'Avoine Bergotha? -- Exile and the failure of the nation; or, diasporic subjectivity from below : Simone Schwarz-Bart's Ton beau capitaine -- Conclusion : Francophone theatres in the age of globalization. |
| Record Nr. | UNINA-9910459913203321 |
Conteh-Morgan John
|
||
| Bloomington, : Indiana University Press, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
New Francophone African and Caribbean theatres [[electronic resource] /] / John Conteh-Morgan with Dominic Thomas
| New Francophone African and Caribbean theatres [[electronic resource] /] / John Conteh-Morgan with Dominic Thomas |
| Autore | Conteh-Morgan John |
| Pubbl/distr/stampa | Bloomington, : Indiana University Press, 2010 |
| Descrizione fisica | 1 online resource (230 p.) |
| Disciplina | 842/.9140996 |
| Altri autori (Persone) | ThomasDominic |
| Collana | African expressive cultures |
| Soggetto topico |
African drama (French) - History and criticism
Theater - Africa, French-speaking Equatorial Theater - Africa, French-speaking West Caribbean drama (French) - History and criticism Theater - Caribbean, French-speaking |
| ISBN |
1-282-81835-X
9786612818356 1-4416-6975-2 0-253-00458-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction : instrumentalizing performance and the Francophone postcolonial performative -- Cultural trauma and ritual re-membering : Werewere Liking's Les mains veulent dire -- The dramatist as epic performer : Eugene Dervain's Saran, ou la reine scelerate -- The power and the pleasures of dramatized narrative : Bernard Zadi Zaourou's La guerre des femmes -- Theatre as writing and voice : Patrick Chamoiseau's Manman dlo contre la fee carabosse -- Tradition instrumentalized : Elie Stephenson's O mayouri -- Militariat grotesqueries and tragic lament : Tchicaya u Tam'si's Le destin glorieux du marechal nnikon nniku, prince qu'on sort and le bal de ndinga -- From the grotesque to the fantastic : Sony Labou Tansi's Qui a mange Madame d'Avoine Bergotha? -- Exile and the failure of the nation; or, diasporic subjectivity from below : Simone Schwarz-Bart's Ton beau capitaine -- Conclusion : Francophone theatres in the age of globalization. |
| Record Nr. | UNINA-9910785004303321 |
|
Conteh-Morgan John
|
||
| Bloomington, : Indiana University Press, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
New Francophone African and Caribbean theatres / / John Conteh-Morgan with Dominic Thomas
| New Francophone African and Caribbean theatres / / John Conteh-Morgan with Dominic Thomas |
| Autore | Conteh-Morgan John |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bloomington, : Indiana University Press, 2010 |
| Descrizione fisica | 1 online resource (230 p.) |
| Disciplina | 842/.9140996 |
| Altri autori (Persone) | ThomasDominic |
| Collana | African expressive cultures |
| Soggetto topico |
African drama (French) - History and criticism
Theater - Africa, French-speaking Equatorial Theater - Africa, French-speaking West Caribbean drama (French) - History and criticism Theater - Caribbean, French-speaking |
| ISBN |
1-282-81835-X
9786612818356 1-4416-6975-2 0-253-00458-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction : instrumentalizing performance and the Francophone postcolonial performative -- Cultural trauma and ritual re-membering : Werewere Liking's Les mains veulent dire -- The dramatist as epic performer : Eugene Dervain's Saran, ou la reine scelerate -- The power and the pleasures of dramatized narrative : Bernard Zadi Zaourou's La guerre des femmes -- Theatre as writing and voice : Patrick Chamoiseau's Manman dlo contre la fee carabosse -- Tradition instrumentalized : Elie Stephenson's O mayouri -- Militariat grotesqueries and tragic lament : Tchicaya u Tam'si's Le destin glorieux du marechal nnikon nniku, prince qu'on sort and le bal de ndinga -- From the grotesque to the fantastic : Sony Labou Tansi's Qui a mange Madame d'Avoine Bergotha? -- Exile and the failure of the nation; or, diasporic subjectivity from below : Simone Schwarz-Bart's Ton beau capitaine -- Conclusion : Francophone theatres in the age of globalization. |
| Record Nr. | UNINA-9910822609203321 |
|
Conteh-Morgan John
|
||
| Bloomington, : Indiana University Press, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||