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"What may words say ...?" [[electronic resource]] : a reading of The merchant of Venice / / Inge Leimberg
| "What may words say ...?" [[electronic resource]] : a reading of The merchant of Venice / / Inge Leimberg |
| Autore | Leimberg Inge |
| Pubbl/distr/stampa | Madison, N.J., : Fairleigh Dickinson University Press |
| Descrizione fisica | 1 online resource (294 p.) |
| Disciplina | 822.3/3 |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-61147-001-3 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""WHAT MAY WORDS SAY...?""; Contents; Preface; Beginning to read; 1. ""What do you call the play?""; 2. ""Good sentences . . .""; Act 1: The Merchant and the Maxims; Scene 1. ""otherwise friendship would bee a meere merchandise . . .""; 1-7 Know thyself; 8-68 ""I know Antonio / Is sad . . .""; 69-112 ""A stage, where every man must play a part . . .""; 113-160 ""Then do but say to me what I should do . . .""; 161-185 ""To have it of my trust . . .""; Scene 2. ""choose you this day whom you will serve""; 1-9 Nothing too much; 10-97 A conversational chain of themes; ""to be seated in the mean""
""what were good to do""""O me the word 'choose'!""; 32-98 Interlude: ""these princely suitors""; 99-128 ""the will of a living daughter curb'd by the will of a dead father""; ""How to choose right . . .""; ""my father's will""; Scene 3. ""Be not thou one . . . of those who are sureties for debts""; ""Enter Bassanio with Shylock the Jew"" Harme is at hande; 1 ""three thousand ducats""; a. The number three; b. The number 3000; c. Ducat, the coin and the word; 1-9 ""Antonio shall become bound, well""; 11-34 ""he is sufficient""; 35-47 ""possessed with murd'rous hate"" 47-65 ""I do never use it""66-97 ""I make it breed as fast""; 59 ""the breach of custom is breach of all""; 98-138 The Golden Rule; 138-175 ""How feel you yourself my friend? . . .""; 176-177 ""And forgive us our debts . . .""; Act 2: Departure; Scene 1. ""what braggardism is this?""; Scene 2. ""Give him a livery""; 1-30 ""An enemy may chance to give good counsel""; 31-35 ""this is my true-begotten father""; 36-95 ""it is a wise father that knows his own child""; 95-148 ""I have brought him a present""; 149-160 ""Such beginning, such end""; 161-197 Epilogue: ""Something too liberal"" Scene 3. ""Farewell good Launcelot""Scene 3. (continued). ""We paint the devil foul . . .""; Scene 4. ""Will you prepare you for this masque to-night?""; Scene 5. ""Lock up my doors . . .""; Scene 6. ""No masque tonight . . .""; 1-21 ""Haste makes waste""; 22-25 ""Here dwells my father Jew""; 26-32 ""Who are you?""; 33-50 ""catch this casket""; 51-59 ""wise, fair, and true""; 60-68 ""the wind is come about""; Scene 7. ""I stand for sacrifice""; Scene 8. ""by some nuntius to recount the things""; Scene 9. ""Hanging and wiving goes by destiny"" 1-84 ""I will use them according to their desert""85-101 ""he bringeth sensible regreets""; Act 3: The Choice; Scene 1. ""if you wrong us shall we not revenge?""; 1-66 ""The villainy you teach me I will execute""; 67-120 ""thou torturest me Tubal""; Scene 2. ""If you do love me, you will find me out""; 1-24 ""I pray you tarry""; 24-38 ""Promise me life . . .""; 39-41 ""Suit the action to the word""; 42-53 ""Let music sound . . .""; 53-62 ""while he doth make his choice""; 63-72 ""Tell me where is fancy bred?""; 73 ""So may the outward shows be least themselves"" |
| Record Nr. | UNINA-9910452610603321 |
Leimberg Inge
|
||
| Madison, N.J., : Fairleigh Dickinson University Press | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
"What may words say ...?" [[electronic resource]] : a reading of The merchant of Venice / / Inge Leimberg
| "What may words say ...?" [[electronic resource]] : a reading of The merchant of Venice / / Inge Leimberg |
| Autore | Leimberg Inge |
| Pubbl/distr/stampa | Madison, N.J., : Fairleigh Dickinson University Press |
| Descrizione fisica | 1 online resource (294 p.) |
| Disciplina | 822.3/3 |
| ISBN | 1-61147-001-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""WHAT MAY WORDS SAY...?""; Contents; Preface; Beginning to read; 1. ""What do you call the play?""; 2. ""Good sentences . . .""; Act 1: The Merchant and the Maxims; Scene 1. ""otherwise friendship would bee a meere merchandise . . .""; 1-7 Know thyself; 8-68 ""I know Antonio / Is sad . . .""; 69-112 ""A stage, where every man must play a part . . .""; 113-160 ""Then do but say to me what I should do . . .""; 161-185 ""To have it of my trust . . .""; Scene 2. ""choose you this day whom you will serve""; 1-9 Nothing too much; 10-97 A conversational chain of themes; ""to be seated in the mean""
""what were good to do""""O me the word 'choose'!""; 32-98 Interlude: ""these princely suitors""; 99-128 ""the will of a living daughter curb'd by the will of a dead father""; ""How to choose right . . .""; ""my father's will""; Scene 3. ""Be not thou one . . . of those who are sureties for debts""; ""Enter Bassanio with Shylock the Jew"" Harme is at hande; 1 ""three thousand ducats""; a. The number three; b. The number 3000; c. Ducat, the coin and the word; 1-9 ""Antonio shall become bound, well""; 11-34 ""he is sufficient""; 35-47 ""possessed with murd'rous hate"" 47-65 ""I do never use it""66-97 ""I make it breed as fast""; 59 ""the breach of custom is breach of all""; 98-138 The Golden Rule; 138-175 ""How feel you yourself my friend? . . .""; 176-177 ""And forgive us our debts . . .""; Act 2: Departure; Scene 1. ""what braggardism is this?""; Scene 2. ""Give him a livery""; 1-30 ""An enemy may chance to give good counsel""; 31-35 ""this is my true-begotten father""; 36-95 ""it is a wise father that knows his own child""; 95-148 ""I have brought him a present""; 149-160 ""Such beginning, such end""; 161-197 Epilogue: ""Something too liberal"" Scene 3. ""Farewell good Launcelot""Scene 3. (continued). ""We paint the devil foul . . .""; Scene 4. ""Will you prepare you for this masque to-night?""; Scene 5. ""Lock up my doors . . .""; Scene 6. ""No masque tonight . . .""; 1-21 ""Haste makes waste""; 22-25 ""Here dwells my father Jew""; 26-32 ""Who are you?""; 33-50 ""catch this casket""; 51-59 ""wise, fair, and true""; 60-68 ""the wind is come about""; Scene 7. ""I stand for sacrifice""; Scene 8. ""by some nuntius to recount the things""; Scene 9. ""Hanging and wiving goes by destiny"" 1-84 ""I will use them according to their desert""85-101 ""he bringeth sensible regreets""; Act 3: The Choice; Scene 1. ""if you wrong us shall we not revenge?""; 1-66 ""The villainy you teach me I will execute""; 67-120 ""thou torturest me Tubal""; Scene 2. ""If you do love me, you will find me out""; 1-24 ""I pray you tarry""; 24-38 ""Promise me life . . .""; 39-41 ""Suit the action to the word""; 42-53 ""Let music sound . . .""; 53-62 ""while he doth make his choice""; 63-72 ""Tell me where is fancy bred?""; 73 ""So may the outward shows be least themselves"" |
| Record Nr. | UNINA-9910790592003321 |
|
Leimberg Inge
|
||
| Madison, N.J., : Fairleigh Dickinson University Press | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
"What may words say ...?" : a reading of The merchant of Venice / / Inge Leimberg
| "What may words say ...?" : a reading of The merchant of Venice / / Inge Leimberg |
| Autore | Leimberg Inge |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Madison, N.J., : Fairleigh Dickinson University Press |
| Descrizione fisica | 1 online resource (294 p.) |
| Disciplina | 822.3/3 |
| ISBN |
1-68393-914-X
1-61147-001-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""WHAT MAY WORDS SAY...?""; Contents; Preface; Beginning to read; 1. ""What do you call the play?""; 2. ""Good sentences . . .""; Act 1: The Merchant and the Maxims; Scene 1. ""otherwise friendship would bee a meere merchandise . . .""; 1-7 Know thyself; 8-68 ""I know Antonio / Is sad . . .""; 69-112 ""A stage, where every man must play a part . . .""; 113-160 ""Then do but say to me what I should do . . .""; 161-185 ""To have it of my trust . . .""; Scene 2. ""choose you this day whom you will serve""; 1-9 Nothing too much; 10-97 A conversational chain of themes; ""to be seated in the mean""
""what were good to do""""O me the word 'choose'!""; 32-98 Interlude: ""these princely suitors""; 99-128 ""the will of a living daughter curb'd by the will of a dead father""; ""How to choose right . . .""; ""my father's will""; Scene 3. ""Be not thou one . . . of those who are sureties for debts""; ""Enter Bassanio with Shylock the Jew"" Harme is at hande; 1 ""three thousand ducats""; a. The number three; b. The number 3000; c. Ducat, the coin and the word; 1-9 ""Antonio shall become bound, well""; 11-34 ""he is sufficient""; 35-47 ""possessed with murd'rous hate"" 47-65 ""I do never use it""66-97 ""I make it breed as fast""; 59 ""the breach of custom is breach of all""; 98-138 The Golden Rule; 138-175 ""How feel you yourself my friend? . . .""; 176-177 ""And forgive us our debts . . .""; Act 2: Departure; Scene 1. ""what braggardism is this?""; Scene 2. ""Give him a livery""; 1-30 ""An enemy may chance to give good counsel""; 31-35 ""this is my true-begotten father""; 36-95 ""it is a wise father that knows his own child""; 95-148 ""I have brought him a present""; 149-160 ""Such beginning, such end""; 161-197 Epilogue: ""Something too liberal"" Scene 3. ""Farewell good Launcelot""Scene 3. (continued). ""We paint the devil foul . . .""; Scene 4. ""Will you prepare you for this masque to-night?""; Scene 5. ""Lock up my doors . . .""; Scene 6. ""No masque tonight . . .""; 1-21 ""Haste makes waste""; 22-25 ""Here dwells my father Jew""; 26-32 ""Who are you?""; 33-50 ""catch this casket""; 51-59 ""wise, fair, and true""; 60-68 ""the wind is come about""; Scene 7. ""I stand for sacrifice""; Scene 8. ""by some nuntius to recount the things""; Scene 9. ""Hanging and wiving goes by destiny"" 1-84 ""I will use them according to their desert""85-101 ""he bringeth sensible regreets""; Act 3: The Choice; Scene 1. ""if you wrong us shall we not revenge?""; 1-66 ""The villainy you teach me I will execute""; 67-120 ""thou torturest me Tubal""; Scene 2. ""If you do love me, you will find me out""; 1-24 ""I pray you tarry""; 24-38 ""Promise me life . . .""; 39-41 ""Suit the action to the word""; 42-53 ""Let music sound . . .""; 53-62 ""while he doth make his choice""; 63-72 ""Tell me where is fancy bred?""; 73 ""So may the outward shows be least themselves"" |
| Record Nr. | UNINA-9910971138403321 |
|
Leimberg Inge
|
||
| Madison, N.J., : Fairleigh Dickinson University Press | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
'A midsummer night's dream in context : magic, madness and mayhem / / Keith Linley
| 'A midsummer night's dream in context : magic, madness and mayhem / / Keith Linley |
| Autore | Linley Keith |
| Pubbl/distr/stampa | London : , : Anthem Press, , 2016 |
| Descrizione fisica | 1 online resource (vi, 295 pages) : digital, PDF file(s) |
| Disciplina | 822.3/3 |
| Collana | Anthem perspectives in literature |
| Soggetto topico |
Literature and society - England - History - 16th century
Ethics in literature Social classes in literature Social role in literature Man-woman relationships in literature Love in literature Social values in literature |
| ISBN | 1-78308-556-8 |
| Classificazione | LIT000000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Machine generated contents note: Introduction; About this book -- What is a context?; Part I. The Inherited Past; Prologue: The setting; i. The Historical Context; ii. The Elizabethan World Order: From Divinity To Dust; iii. Sin, Death and the Prince of Darkness; iv. The Seven Cardinal Virtues; v. Kingship; vi. Patriarchy, Family Authority and Gender relationships; vii. Man in His Place; viii. Images of Disorder: The Religious Context Unsettling Questions; Part II. The Elizabethan Present; ix. The Context of Comedy; x. Theseus and the Setting; xi. Puck's Permutations: The Context of Love; xii. 'Sweet Moon': The Context of Magic; xiii. Literary Context; xiv. Playing Parts; xv. Transgressions and Translations. |
| Record Nr. | UNINA-9910136071103321 |
|
Linley Keith
|
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| London : , : Anthem Press, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
30 great myths about Shakespeare
| 30 great myths about Shakespeare |
| Autore | Maguire Laurie E |
| Pubbl/distr/stampa | [Place of publication not identified], : Wiley Blackwell, 2013 |
| Disciplina | 822.3/3 |
| Soggetto topico |
English
Languages & Literatures English Literature |
| ISBN | 1-118-32677-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910133734603321 |
|
Maguire Laurie E
|
||
| [Place of publication not identified], : Wiley Blackwell, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
30 great myths about Shakespeare
| 30 great myths about Shakespeare |
| Autore | Maguire Laurie E |
| Pubbl/distr/stampa | Chichester, U.K. ; ; Hoboken : , : Wiley-Blackwell, , 2013 |
| Descrizione fisica | 1 online resource (vi, 216 pages) : illustrations |
| Disciplina |
822.3/3
822.33 |
| Altri autori (Persone) | SmithEmma (Emma Josephine) |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-299-15789-0
1-118-32486-2 1-118-32487-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Myth 1 Shakespeare was the most popular writer of his time -- Myth 2 Shakespeare was not well educated -- Myth 3 Shakespeare's plays should be performed in Elizabethan dress -- Myth 4 Shakespeare was not interested in having his plays printed -- Myth 5 Shakespeare never traveled -- Myth 6 Shakespeare's plays are politically incorrect -- Myth 7 Shakespeare was a Catholic -- Myth 8 Shakespeare's plays had no scenery -- Myth 9 Shakespeare's tragedies are more serious than his comedies -- Myth 10 Shakespeare hated his wife -- Myth 11 Shakespeare wrote in the rhythms of everyday speech -- Myth 12 Hamlet was named after Shakespeare's son -- Myth 13 The coarse bits of Shakespeare are for the groundlings, the philosophy is for the upper classes -- Myth 14 Shakespeare was a Stratford playwright -- Myth 15 Shakespeare was a plagiarist -- Myth 16 We don't know much about Shakespeare's life -- Myth 17 Shakespeare wrote alone -- Myth 18 Shakespeare's sonnets are autobiographical -- Myth 19 If Shakespeare were writing now, he'd be writing for Hollywood -- Myth 20 The Tempest was Shakespeare's farewell to the stage -- Myth 21 Shakespeare had a huge vocabulary -- Myth 22 Shakespeare's plays are timeless -- Myth 23 Macbeth is jinxed in the theater -- Myth 24 Shakespeare did not revise his plays -- Myth 25 Boy actors played women's roles -- Myth 26 Shakespeare's plays don't work as movies -- Myth 27 Yorick's skull was real -- Myth 28 Queen Elizabeth loved Shakespeare's plays -- Myth 29 Shakespeare's characters are like real people -- Myth 30 Shakespeare didn't write Shakespeare. |
| Record Nr. | UNINA-9910463142403321 |
|
Maguire Laurie E
|
||
| Chichester, U.K. ; ; Hoboken : , : Wiley-Blackwell, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
30 great myths about Shakespeare / / Laurie Maguire, Emma Smith
| 30 great myths about Shakespeare / / Laurie Maguire, Emma Smith |
| Autore | Maguire Laurie E |
| Pubbl/distr/stampa | Chichester, U.K. ; ; Hoboken : , : Wiley-Blackwell, , 2013 |
| Descrizione fisica | 1 online resource (vi, 216 pages) : illustrations |
| Disciplina |
822.3/3
822.33 |
| Altri autori (Persone) | SmithEmma (Emma Josephine) |
| ISBN |
1-299-15789-0
1-118-32486-2 1-118-32487-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Myth 1 Shakespeare was the most popular writer of his time -- Myth 2 Shakespeare was not well educated -- Myth 3 Shakespeare's plays should be performed in Elizabethan dress -- Myth 4 Shakespeare was not interested in having his plays printed -- Myth 5 Shakespeare never traveled -- Myth 6 Shakespeare's plays are politically incorrect -- Myth 7 Shakespeare was a Catholic -- Myth 8 Shakespeare's plays had no scenery -- Myth 9 Shakespeare's tragedies are more serious than his comedies -- Myth 10 Shakespeare hated his wife -- Myth 11 Shakespeare wrote in the rhythms of everyday speech -- Myth 12 Hamlet was named after Shakespeare's son -- Myth 13 The coarse bits of Shakespeare are for the groundlings, the philosophy is for the upper classes -- Myth 14 Shakespeare was a Stratford playwright -- Myth 15 Shakespeare was a plagiarist -- Myth 16 We don't know much about Shakespeare's life -- Myth 17 Shakespeare wrote alone -- Myth 18 Shakespeare's sonnets are autobiographical -- Myth 19 If Shakespeare were writing now, he'd be writing for Hollywood -- Myth 20 The Tempest was Shakespeare's farewell to the stage -- Myth 21 Shakespeare had a huge vocabulary -- Myth 22 Shakespeare's plays are timeless -- Myth 23 Macbeth is jinxed in the theater -- Myth 24 Shakespeare did not revise his plays -- Myth 25 Boy actors played women's roles -- Myth 26 Shakespeare's plays don't work as movies -- Myth 27 Yorick's skull was real -- Myth 28 Queen Elizabeth loved Shakespeare's plays -- Myth 29 Shakespeare's characters are like real people -- Myth 30 Shakespeare didn't write Shakespeare. |
| Record Nr. | UNINA-9910786047903321 |
|
Maguire Laurie E
|
||
| Chichester, U.K. ; ; Hoboken : , : Wiley-Blackwell, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
30 great myths about Shakespeare
| 30 great myths about Shakespeare |
| Autore | Maguire Laurie E |
| Pubbl/distr/stampa | [Place of publication not identified], : Wiley Blackwell, 2013 |
| Disciplina | 822.3/3 |
| Soggetto topico |
English
Languages & Literatures English Literature |
| ISBN | 1-118-32677-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910830764103321 |
|
Maguire Laurie E
|
||
| [Place of publication not identified], : Wiley Blackwell, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
30 great myths about Shakespeare / / Laurie Maguire, Emma Smith
| 30 great myths about Shakespeare / / Laurie Maguire, Emma Smith |
| Autore | Maguire Laurie E |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Chichester, U.K. ; ; Hoboken : , : Wiley-Blackwell, , 2013 |
| Descrizione fisica | 1 online resource (vi, 216 pages) : illustrations |
| Disciplina |
822.3/3
822.33 |
| Altri autori (Persone) | SmithEmma (Emma Josephine) |
| ISBN |
9781299157897
1299157890 9781118324868 1118324862 9781118324875 1118324870 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Myth 1 Shakespeare was the most popular writer of his time -- Myth 2 Shakespeare was not well educated -- Myth 3 Shakespeare's plays should be performed in Elizabethan dress -- Myth 4 Shakespeare was not interested in having his plays printed -- Myth 5 Shakespeare never traveled -- Myth 6 Shakespeare's plays are politically incorrect -- Myth 7 Shakespeare was a Catholic -- Myth 8 Shakespeare's plays had no scenery -- Myth 9 Shakespeare's tragedies are more serious than his comedies -- Myth 10 Shakespeare hated his wife -- Myth 11 Shakespeare wrote in the rhythms of everyday speech -- Myth 12 Hamlet was named after Shakespeare's son -- Myth 13 The coarse bits of Shakespeare are for the groundlings, the philosophy is for the upper classes -- Myth 14 Shakespeare was a Stratford playwright -- Myth 15 Shakespeare was a plagiarist -- Myth 16 We don't know much about Shakespeare's life -- Myth 17 Shakespeare wrote alone -- Myth 18 Shakespeare's sonnets are autobiographical -- Myth 19 If Shakespeare were writing now, he'd be writing for Hollywood -- Myth 20 The Tempest was Shakespeare's farewell to the stage -- Myth 21 Shakespeare had a huge vocabulary -- Myth 22 Shakespeare's plays are timeless -- Myth 23 Macbeth is jinxed in the theater -- Myth 24 Shakespeare did not revise his plays -- Myth 25 Boy actors played women's roles -- Myth 26 Shakespeare's plays don't work as movies -- Myth 27 Yorick's skull was real -- Myth 28 Queen Elizabeth loved Shakespeare's plays -- Myth 29 Shakespeare's characters are like real people -- Myth 30 Shakespeare didn't write Shakespeare. |
| Record Nr. | UNINA-9910955895603321 |
|
Maguire Laurie E
|
||
| Chichester, U.K. ; ; Hoboken : , : Wiley-Blackwell, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
30 great myths about Shakespeare
| 30 great myths about Shakespeare |
| Autore | Maguire Laurie E |
| Pubbl/distr/stampa | [Place of publication not identified], : Wiley Blackwell, 2013 |
| Disciplina | 822.3/3 |
| Soggetto topico |
English
Languages & Literatures English Literature |
| ISBN | 1-118-32677-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9911020037403321 |
|
Maguire Laurie E
|
||
| [Place of publication not identified], : Wiley Blackwell, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
