The art of crime : the plays and films of Harold Pinter and David Mamet / / edited by Leslie Kane |
Pubbl/distr/stampa | New York : , : Routledge, , 2004 |
Descrizione fisica | 1 online resource (174 p.) |
Disciplina | 822/.914093556 |
Altri autori (Persone) | KaneLeslie <1945-> |
Collana | Studies in modern drama |
Soggetto topico |
Criminals in literature
Crime in literature |
Soggetto genere / forma | Electronic books. |
ISBN |
1-135-88355-6
1-135-88356-4 1-280-17737-3 0-203-64206-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Book Cover; Half-Title; Title; Copyright; Dedication; Contents; Acknowledgments; Introduction; 1 A Poetics for Thugs; 2 "You'll Never Be without a Police Siren": Pinter and the Subject of Law; 3 Harold Pinter's "Before the Law"; 4 Harold Pinter's Ashes to Ashes: The Criminality of Indifference and the Failure of Empathy; 5 Comedy and Crime: Pinter's Primal Power; 6 Lost in the Funhouse: Spectacle and Crime in Pinter's Screenplay of Kafka's The Trial; 7 Lie Detectors: Pinter/Mamet and the Victorian Concept of Crime; 8 Gradations of Criminality in the Plays of David Mamet
9 Melville's The Confidence Man and His Descendants in David Mamet's Work10 Fantasy Crimes/Fictional Lives: Lakeboat; 11 David Mamet's House of Games and the Allegory of Performance; 12 More Uses of the Knife as Signifier in The Cryptogram, The Old Religion, and The Edge; 13 A Theater of the Self: Mamet's The Edge as a Figura of Otherness; 14 Suckered Again: The Perfect Patsy and The Spanish Prisoner; Contributors; Index |
Record Nr. | UNINA-9910396147603321 |
New York : , : Routledge, , 2004 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The art of crime : the plays and films of Harold Pinter and David Mamet / / edited by Leslie Kane |
Pubbl/distr/stampa | New York : , : Routledge, , 2004 |
Descrizione fisica | 1 online resource (174 p.) |
Disciplina | 822/.914093556 |
Altri autori (Persone) | KaneLeslie <1945-> |
Collana | Studies in modern drama |
Soggetto topico |
Criminals in literature
Crime in literature |
ISBN |
1-135-88355-6
1-135-88356-4 1-280-17737-3 0-203-64206-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Book Cover; Half-Title; Title; Copyright; Dedication; Contents; Acknowledgments; Introduction; 1 A Poetics for Thugs; 2 "You'll Never Be without a Police Siren": Pinter and the Subject of Law; 3 Harold Pinter's "Before the Law"; 4 Harold Pinter's Ashes to Ashes: The Criminality of Indifference and the Failure of Empathy; 5 Comedy and Crime: Pinter's Primal Power; 6 Lost in the Funhouse: Spectacle and Crime in Pinter's Screenplay of Kafka's The Trial; 7 Lie Detectors: Pinter/Mamet and the Victorian Concept of Crime; 8 Gradations of Criminality in the Plays of David Mamet
9 Melville's The Confidence Man and His Descendants in David Mamet's Work10 Fantasy Crimes/Fictional Lives: Lakeboat; 11 David Mamet's House of Games and the Allegory of Performance; 12 More Uses of the Knife as Signifier in The Cryptogram, The Old Religion, and The Edge; 13 A Theater of the Self: Mamet's The Edge as a Figura of Otherness; 14 Suckered Again: The Perfect Patsy and The Spanish Prisoner; Contributors; Index |
Record Nr. | UNINA-9910783980103321 |
New York : , : Routledge, , 2004 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The art of crime : the plays and films of Harold Pinter and David Mamet / / edited by Leslie Kane |
Edizione | [1st ed.] |
Pubbl/distr/stampa | New York, : Routledge, 2004 |
Descrizione fisica | 1 online resource (174 p.) |
Disciplina | 822/.914093556 |
Altri autori (Persone) | KaneLeslie <1945-> |
Collana | Studies in modern drama |
Soggetto topico |
Criminals in literature
Crime in literature |
ISBN |
1-135-88355-6
1-135-88356-4 1-280-17737-3 0-203-64206-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Book Cover; Half-Title; Title; Copyright; Dedication; Contents; Acknowledgments; Introduction; 1 A Poetics for Thugs; 2 "You'll Never Be without a Police Siren": Pinter and the Subject of Law; 3 Harold Pinter's "Before the Law"; 4 Harold Pinter's Ashes to Ashes: The Criminality of Indifference and the Failure of Empathy; 5 Comedy and Crime: Pinter's Primal Power; 6 Lost in the Funhouse: Spectacle and Crime in Pinter's Screenplay of Kafka's The Trial; 7 Lie Detectors: Pinter/Mamet and the Victorian Concept of Crime; 8 Gradations of Criminality in the Plays of David Mamet
9 Melville's The Confidence Man and His Descendants in David Mamet's Work10 Fantasy Crimes/Fictional Lives: Lakeboat; 11 David Mamet's House of Games and the Allegory of Performance; 12 More Uses of the Knife as Signifier in The Cryptogram, The Old Religion, and The Edge; 13 A Theater of the Self: Mamet's The Edge as a Figura of Otherness; 14 Suckered Again: The Perfect Patsy and The Spanish Prisoner; Contributors; Index |
Record Nr. | UNINA-9910813223603321 |
New York, : Routledge, 2004 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|