Keeping up her geography : women's writing and geocultural space in twentieth-century U.S. literature and culture / / Tanya Ann Kennedy |
Autore | Kennedy Tanya Ann |
Pubbl/distr/stampa | London : , : Taylor & Francis, , [2007] |
Descrizione fisica | 1 online resource (190 pages) |
Disciplina | 810.9928709045 |
Collana | Literary criticism and cultural theory |
Soggetto topico | Women and literature - United States - History - 20th century |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Cover; Title Page; Copyright Page; Table of Contents; Acknowledgments; Chapter One Feminism and the Public/Private Divide; Chapter Two Journeys into Urban Interiors; Chapter Three The Secret Properties of Southern Regionalism; Chapter Four Bitter Locations: Self-Representation, Gender, and Nation; Conclusion; Notes; Works Cited; Index. |
Record Nr. | UNINA-9910476806303321 |
Kennedy Tanya Ann | ||
London : , : Taylor & Francis, , [2007] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Patricia Highsmith on Screen / / edited by Wieland Schwanebeck, Douglas McFarland |
Edizione | [1st ed. 2018.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
Descrizione fisica | 1 online resource (299 pages) : illustrations |
Disciplina | 810.9928709045 |
Collana | Palgrave Studies in Adaptation and Visual Culture |
Soggetto topico |
Motion pictures
America—Literatures Adaptation Studies North American Literature |
ISBN | 3-319-96050-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction: Patricia Highsmith on Screen, Douglas McFarland and Wieland Schwanebeck -- 2. The Dark Side of Adaptation, Thomas Leitch -- Section I: Doubles, Copies, and Strangers -- 3. “I Meet a Lot of Guys--But Not Many Like You”: Strangers and Types in Highsmith’s and Hitchcock’s Strangers on a Train, Bran Nicol -- 4. Strangers on a Park Bench: From Highsmith to Alfred Hitchcock to Woody Allen, Klara Stephanie Szlezák -- 5. Tom Ripley’s Talent, Murray Pomerance -- 6. Ripley Under Ground and Its Illegitimate Heirs, Wieland Schwanebeck -- Section II: Queer Encounters -- 7. Queer Ripley: Minghella, Highsmith, and the Anti-Social -- David Greven -- 8. The Price of Salt, Carol, and Queer Narrative Desire(s), Alison L. McKee -- 9. “Easy Living”: From The Price of Salt (78) to Carol (EP), Robert Miklitsch -- Section III: Aesthetic, Mythic, and Cultural Transaction -- 10. Adapting Irony: Claude Chabrol’s The Cry of the Owl, Douglas McFarland -- 11. With Friends Like These: Wim Wenders’ The American Friend as Noir Allegory, Christopher Breu -- 12. Hans Geissendörfer’s Psychological Noir: West-German Adaptations of Patricia Highsmith Novels, Erin Altman and William Mahan -- 13. Authorship and Scales of Adaptation in Chillers, Kristopher Mecholsky -- 14. The Two Faces of January: Theseus and the Minotaur, Catherine McFarland -- Section IV: Adapters in Conversation -- 15. Memories of The American Friend, Wim Wenders -- 16. "Highsmith really writes films", Hans W. Geißendörfer -- 17. “An interesting lack of sentimentality", Hossein Amini -- 18. “Highsmith was the queen of guilt", Phyllis Nagy. |
Record Nr. | UNINA-9910300007503321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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