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Cross-rhythms [[electronic resource] ] : jazz aesthetics in African-American literature / / Keren Omry
| Cross-rhythms [[electronic resource] ] : jazz aesthetics in African-American literature / / Keren Omry |
| Autore | Omry Keren |
| Pubbl/distr/stampa | London ; ; New York, : Continuum, c2008 |
| Descrizione fisica | 1 online resource (196 p.) |
| Disciplina | 810.98960730904 |
| Collana | Continuum literary studies series |
| Soggetto topico |
American literature - African American authors - History and criticism
Jazz - Philosophy and aesthetics Jazz in literature American literature - 20th century - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-87617-1
9786612876172 1-4411-7961-5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Acknowledgements; Introduction; 1. Blues notes: a discourse of race in the poetry of Langston Hughes, in Their Eyes Were Watching God by Zora Neale Hurston and in Corregidora by Gayl Jones; 2. Bebop spoken here: performativity in Ralph Ellison, James Baldwin and Toni Morrison; 3. Modes of experience: modal jazz and the authority of experience in Ishmael Reed's Mumbo Jumbo, Toni Morrison's The Bluest Eye and Song of Solomon; 4. Free jazz: postracialism and collectivity in Toni Morrison's 'Recitatif' and Paradise; Conclusion; Notes; Bibliography; Discography; Index |
| Record Nr. | UNINA-9910458804603321 |
Omry Keren
|
||
| London ; ; New York, : Continuum, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Cross-rhythms [[electronic resource] ] : jazz aesthetics in African-American literature / / Keren Omry
| Cross-rhythms [[electronic resource] ] : jazz aesthetics in African-American literature / / Keren Omry |
| Autore | Omry Keren |
| Pubbl/distr/stampa | London ; ; New York, : Continuum, c2008 |
| Descrizione fisica | 1 online resource (196 p.) |
| Disciplina | 810.98960730904 |
| Collana | Continuum literary studies series |
| Soggetto topico |
American literature - African American authors - History and criticism
Jazz - Philosophy and aesthetics Jazz in literature American literature - 20th century - History and criticism |
| ISBN |
1-282-87617-1
9786612876172 1-4411-7961-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Acknowledgements; Introduction; 1. Blues notes: a discourse of race in the poetry of Langston Hughes, in Their Eyes Were Watching God by Zora Neale Hurston and in Corregidora by Gayl Jones; 2. Bebop spoken here: performativity in Ralph Ellison, James Baldwin and Toni Morrison; 3. Modes of experience: modal jazz and the authority of experience in Ishmael Reed's Mumbo Jumbo, Toni Morrison's The Bluest Eye and Song of Solomon; 4. Free jazz: postracialism and collectivity in Toni Morrison's 'Recitatif' and Paradise; Conclusion; Notes; Bibliography; Discography; Index |
| Record Nr. | UNINA-9910785372403321 |
|
Omry Keren
|
||
| London ; ; New York, : Continuum, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Cross-rhythms : jazz aesthetics in African-American literature / / Keren Omry
| Cross-rhythms : jazz aesthetics in African-American literature / / Keren Omry |
| Autore | Omry Keren |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | London ; ; New York, : Continuum, c2008 |
| Descrizione fisica | 1 online resource (196 p.) |
| Disciplina | 810.98960730904 |
| Collana | Continuum literary studies series |
| Soggetto topico |
American literature - African American authors - History and criticism
Jazz - Philosophy and aesthetics Jazz in literature American literature - 20th century - History and criticism |
| ISBN |
1-282-87617-1
9786612876172 1-4411-7961-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Acknowledgements; Introduction; 1. Blues notes: a discourse of race in the poetry of Langston Hughes, in Their Eyes Were Watching God by Zora Neale Hurston and in Corregidora by Gayl Jones; 2. Bebop spoken here: performativity in Ralph Ellison, James Baldwin and Toni Morrison; 3. Modes of experience: modal jazz and the authority of experience in Ishmael Reed's Mumbo Jumbo, Toni Morrison's The Bluest Eye and Song of Solomon; 4. Free jazz: postracialism and collectivity in Toni Morrison's 'Recitatif' and Paradise; Conclusion; Notes; Bibliography; Discography; Index |
| Record Nr. | UNINA-9910828658503321 |
|
Omry Keren
|
||
| London ; ; New York, : Continuum, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||