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After the fall : American literature since 9/11 / / Richard Gray
| After the fall : American literature since 9/11 / / Richard Gray |
| Autore | Gray Richard <1944-> |
| Pubbl/distr/stampa | London, England ; ; Malden, Massachusetts : , : Wiley-Blackwell, , [2011] |
| Descrizione fisica | 1 online resource (236 p.) |
| Disciplina | 810.9006 |
| Collana | Blackwell manifestos |
| Soggetto topico |
American literature - History and criticism - 21st century
Nationalism in literature |
| ISBN |
1-283-40833-3
9786613408334 1-4443-9586-6 1-4443-9584-X |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | After the Fall: American Literature Since 9/11; Contents; Acknowledgments; 1 After the Fall; 2 Imagining Disaster; 3 Imagining Crisis; 4 Imagining the Transnational; 5 Imagining the Crisis in Drama and Poetry; Works Cited; Index |
| Record Nr. | UNINA-9910141305403321 |
Gray Richard <1944->
|
||
| London, England ; ; Malden, Massachusetts : , : Wiley-Blackwell, , [2011] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
After the fall : American literature since 9/11 / / Richard Gray
| After the fall : American literature since 9/11 / / Richard Gray |
| Autore | Gray Richard <1944-> |
| Pubbl/distr/stampa | London, England ; ; Malden, Massachusetts : , : Wiley-Blackwell, , [2011] |
| Descrizione fisica | 1 online resource (236 p.) |
| Disciplina | 810.9006 |
| Collana | Blackwell manifestos |
| Soggetto topico |
American literature - History and criticism - 21st century
Nationalism in literature |
| ISBN |
1-283-40833-3
9786613408334 1-4443-9586-6 1-4443-9584-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | After the Fall: American Literature Since 9/11; Contents; Acknowledgments; 1 After the Fall; 2 Imagining Disaster; 3 Imagining Crisis; 4 Imagining the Transnational; 5 Imagining the Crisis in Drama and Poetry; Works Cited; Index |
| Record Nr. | UNINA-9910830742603321 |
|
Gray Richard <1944->
|
||
| London, England ; ; Malden, Massachusetts : , : Wiley-Blackwell, , [2011] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Literary Writing in the 21st Century : Conversations / / Anis Shivani
| Literary Writing in the 21st Century : Conversations / / Anis Shivani |
| Autore | Shivani Anis |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | Huntsville, Texas : , : Texas Review Press, , [2017] |
| Descrizione fisica | 1 online resource (285 pages) |
| Disciplina | 810.9006 |
| Soggetto topico |
Literature publishing
Contemporary, The, in literature Authors and publishers American literature Authors and publishers - United States - History - 21st century Literature publishing - United States - History - 21st century American literature - 21st century - History and criticism |
| Soggetto genere / forma |
History
Criticism, interpretation, etc. Electronic books. |
| ISBN | 1-68003-130-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Symposium: what is good or bad about southern writing today? -- How can indie bookstores succeed in the new economy? San Antonio's Twig Book Shop as a case study -- A fabled indie press reaches maturity: what can we learn from the experience of Coffee House Press? -- How does a successful university press work? Behind the scenes with Princeton University Press director Peter Dougherty -- Symposium: have online literary journals come of age? -- How can poetry become eclectic, global, and diverse? Interview with New York Quarterly editor Raymond Hammond -- The three best books of 2013 -- Symposium: what goes into the making of an outstanding book cover? -- A manifesto against authors writing for free.
Orhan Pamuk's original contribution to the theory of the novel: the naive and the sentimental novelist -- Symposium response: how do religious or spiritual beliefs affect my writing? -- What is the appeal of detective fiction? Dashiell Hammett's The continental op as a test case -- Symposium: who is the most important contemporary poet? -- Creative writing finally gets the satire it deserves: interview with John McNally -- Thoughts for AWP week: the glut in creative writing is the reverse side of the drought in the humanities -- The writer as confidence man: the heart versus the mind in James Magnuson's wily novel of creative writing -- New rules for writers -- Symposium: how are America's little magazines coping with technological and economic change? -- How to put together a successful poetry anthology: Ryan G. van Cleave on the challenges of summing up contemporary Chicago -- What must indie presses do today to survive and thrive? Wings Press of San Antonio shows the way -- Paul Ruffin on the role of Texas Review Press in the southern literary scene. The ten best books of the last decade -- Symposium: how can reviewing be made relevant for the new generation? -- Favorite poems -- Symposium: what is the present state of American poetry? -- Have feminist poets kept up with the legacy of Sylvia Plath? A reassessment fifty years later -- White House poetry reading leaked! Billy Collins, Elizabeth Alexander, and the secret rejection letter -- Symposium: short stories vs. novels-which is the more rewarding form and why? -- Is there a short story renaissance in America? Interview with Harper Perennial editor Calvert Morgan -- The last good 9/11 novel: interview with Teddy Wayne -- Should writing try to humanize particular groups of people? -- Symposium: what is distinctive about Arab-American writing today? -- Cormac McCarthy's The road: doing apocalypse the Southern way -- Why Salman Rushdie so richly deserves the Nobel Prize in literature -- Symposium response: is American literature too insular? -- Symposium: who is the most important contemporary fiction writer? -- We are all neoliberals now: the new genre of plastic realism in contemporary American fiction -- The Pakistani novel of class comes of age: Mohsin Hamid's How to get filthy rich in rising Asia -- The millennial generation's literary escapism toward the end of empire: Dave Eggers's A hologram for the king. |
| Record Nr. | UNINA-9910511993903321 |
|
Shivani Anis
|
||
| Huntsville, Texas : , : Texas Review Press, , [2017] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Literary Writing in the 21st Century : Conversations / / Anis Shivani
| Literary Writing in the 21st Century : Conversations / / Anis Shivani |
| Autore | Shivani Anis |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | Huntsville, Texas : , : Texas Review Press, , [2017] |
| Descrizione fisica | 1 online resource (285 pages) |
| Disciplina | 810.9006 |
| Soggetto topico |
Literature publishing
Contemporary, The, in literature Authors and publishers American literature Authors and publishers - United States - History - 21st century Literature publishing - United States - History - 21st century American literature - 21st century - History and criticism |
| Soggetto genere / forma |
History
Criticism, interpretation, etc. |
| ISBN | 1-68003-130-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Symposium: what is good or bad about southern writing today? -- How can indie bookstores succeed in the new economy? San Antonio's Twig Book Shop as a case study -- A fabled indie press reaches maturity: what can we learn from the experience of Coffee House Press? -- How does a successful university press work? Behind the scenes with Princeton University Press director Peter Dougherty -- Symposium: have online literary journals come of age? -- How can poetry become eclectic, global, and diverse? Interview with New York Quarterly editor Raymond Hammond -- The three best books of 2013 -- Symposium: what goes into the making of an outstanding book cover? -- A manifesto against authors writing for free.
Orhan Pamuk's original contribution to the theory of the novel: the naive and the sentimental novelist -- Symposium response: how do religious or spiritual beliefs affect my writing? -- What is the appeal of detective fiction? Dashiell Hammett's The continental op as a test case -- Symposium: who is the most important contemporary poet? -- Creative writing finally gets the satire it deserves: interview with John McNally -- Thoughts for AWP week: the glut in creative writing is the reverse side of the drought in the humanities -- The writer as confidence man: the heart versus the mind in James Magnuson's wily novel of creative writing -- New rules for writers -- Symposium: how are America's little magazines coping with technological and economic change? -- How to put together a successful poetry anthology: Ryan G. van Cleave on the challenges of summing up contemporary Chicago -- What must indie presses do today to survive and thrive? Wings Press of San Antonio shows the way -- Paul Ruffin on the role of Texas Review Press in the southern literary scene. The ten best books of the last decade -- Symposium: how can reviewing be made relevant for the new generation? -- Favorite poems -- Symposium: what is the present state of American poetry? -- Have feminist poets kept up with the legacy of Sylvia Plath? A reassessment fifty years later -- White House poetry reading leaked! Billy Collins, Elizabeth Alexander, and the secret rejection letter -- Symposium: short stories vs. novels-which is the more rewarding form and why? -- Is there a short story renaissance in America? Interview with Harper Perennial editor Calvert Morgan -- The last good 9/11 novel: interview with Teddy Wayne -- Should writing try to humanize particular groups of people? -- Symposium: what is distinctive about Arab-American writing today? -- Cormac McCarthy's The road: doing apocalypse the Southern way -- Why Salman Rushdie so richly deserves the Nobel Prize in literature -- Symposium response: is American literature too insular? -- Symposium: who is the most important contemporary fiction writer? -- We are all neoliberals now: the new genre of plastic realism in contemporary American fiction -- The Pakistani novel of class comes of age: Mohsin Hamid's How to get filthy rich in rising Asia -- The millennial generation's literary escapism toward the end of empire: Dave Eggers's A hologram for the king. |
| Record Nr. | UNINA-9910793910803321 |
|
Shivani Anis
|
||
| Huntsville, Texas : , : Texas Review Press, , [2017] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Literary Writing in the 21st Century : Conversations / / Anis Shivani
| Literary Writing in the 21st Century : Conversations / / Anis Shivani |
| Autore | Shivani Anis |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | Huntsville, Texas : , : Texas Review Press, , [2017] |
| Descrizione fisica | 1 online resource (285 pages) |
| Disciplina | 810.9006 |
| Soggetto topico |
Literature publishing
Contemporary, The, in literature Authors and publishers American literature Authors and publishers - United States - History - 21st century Literature publishing - United States - History - 21st century American literature - 21st century - History and criticism |
| Soggetto genere / forma |
History
Criticism, interpretation, etc. |
| ISBN | 1-68003-130-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Symposium: what is good or bad about southern writing today? -- How can indie bookstores succeed in the new economy? San Antonio's Twig Book Shop as a case study -- A fabled indie press reaches maturity: what can we learn from the experience of Coffee House Press? -- How does a successful university press work? Behind the scenes with Princeton University Press director Peter Dougherty -- Symposium: have online literary journals come of age? -- How can poetry become eclectic, global, and diverse? Interview with New York Quarterly editor Raymond Hammond -- The three best books of 2013 -- Symposium: what goes into the making of an outstanding book cover? -- A manifesto against authors writing for free.
Orhan Pamuk's original contribution to the theory of the novel: the naive and the sentimental novelist -- Symposium response: how do religious or spiritual beliefs affect my writing? -- What is the appeal of detective fiction? Dashiell Hammett's The continental op as a test case -- Symposium: who is the most important contemporary poet? -- Creative writing finally gets the satire it deserves: interview with John McNally -- Thoughts for AWP week: the glut in creative writing is the reverse side of the drought in the humanities -- The writer as confidence man: the heart versus the mind in James Magnuson's wily novel of creative writing -- New rules for writers -- Symposium: how are America's little magazines coping with technological and economic change? -- How to put together a successful poetry anthology: Ryan G. van Cleave on the challenges of summing up contemporary Chicago -- What must indie presses do today to survive and thrive? Wings Press of San Antonio shows the way -- Paul Ruffin on the role of Texas Review Press in the southern literary scene. The ten best books of the last decade -- Symposium: how can reviewing be made relevant for the new generation? -- Favorite poems -- Symposium: what is the present state of American poetry? -- Have feminist poets kept up with the legacy of Sylvia Plath? A reassessment fifty years later -- White House poetry reading leaked! Billy Collins, Elizabeth Alexander, and the secret rejection letter -- Symposium: short stories vs. novels-which is the more rewarding form and why? -- Is there a short story renaissance in America? Interview with Harper Perennial editor Calvert Morgan -- The last good 9/11 novel: interview with Teddy Wayne -- Should writing try to humanize particular groups of people? -- Symposium: what is distinctive about Arab-American writing today? -- Cormac McCarthy's The road: doing apocalypse the Southern way -- Why Salman Rushdie so richly deserves the Nobel Prize in literature -- Symposium response: is American literature too insular? -- Symposium: who is the most important contemporary fiction writer? -- We are all neoliberals now: the new genre of plastic realism in contemporary American fiction -- The Pakistani novel of class comes of age: Mohsin Hamid's How to get filthy rich in rising Asia -- The millennial generation's literary escapism toward the end of empire: Dave Eggers's A hologram for the king. |
| Record Nr. | UNINA-9910961967203321 |
|
Shivani Anis
|
||
| Huntsville, Texas : , : Texas Review Press, , [2017] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||