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Captive audience : prison and captivity in contemporary theater / / edited by Thomas Fahy and Kimball King
| Captive audience : prison and captivity in contemporary theater / / edited by Thomas Fahy and Kimball King |
| Pubbl/distr/stampa | New York : , : Routledge, , 2003 |
| Descrizione fisica | 1 online resource (207 p.) |
| Disciplina |
809.2/9355
809.29355 |
| Altri autori (Persone) |
FahyThomas Richard
KingKimball |
| Collana | Studies in modern drama |
| Soggetto topico |
Drama - 20th century - History and criticism
Prisons in literature Prisoners in literature Imprisonment in literature |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-135-88894-9
1-135-88895-7 0-415-76258-8 1-280-04794-1 0-203-49485-7 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Book Cover; Title; Contents; General Editor's Note; CAPTIVE AUDIENCE: AN INTRODUCTION; THE CONFESSIONAL VOICE: MEDEA'S BRUTAL IMAGINATION; EMOTIONAL CONTRABAND: PRISON AS METAPHOR AND MEANINGIN U.S. LATINA DRAMA; SEEING ETHNICITY: THE IMPACT OF RACE AND CLASS ON THE CRITICAL RECEPTION OF MIGUEL PIERO'S SHORT EYES; ON PRISONS IN THE UNITED STATES: EXTRACT FROM A SPEECH DELIVERED TO THE CONFEDERATION OF ANALYTICAL PSYCHOLOGISTS, LONDON, 25 JUNE 1999; HAROLD PINTER'S PRISON HOUSE: THE SCREENPLAY OF KAFKA'S THE TRIAL; HAROLD PINTER'S THE HANDMAID'S TALE: FREEDOM, PRISON, AND A HIJACKED SCRIPT
~A WORLD OF BODIES~: PERFORMING FLESH IN MARAT/SADETHE DISPOSAL: WILLIAM INGE'S ABJECT DRAMA; ~IN DARK CORNERS~: MASCULINITY AND ART IN TENNESSEE WILLIAMS'S NOTABOUT NIGHTINGALES; PHYSICAL PRISONS: NAOMI WALLACE'S DRAMA OF CAPTIVITY; NO EXIT AND WAITING FOR GODOT: PERFORMANCES IN CONTRAST; Contributors; Index |
| Record Nr. | UNINA-9910450423603321 |
| New York : , : Routledge, , 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Captive audience : prison and captivity in contemporary theater / / edited by Thomas Fahy and Kimball King
| Captive audience : prison and captivity in contemporary theater / / edited by Thomas Fahy and Kimball King |
| Pubbl/distr/stampa | New York : , : Routledge, , 2003 |
| Descrizione fisica | 1 online resource (207 p.) |
| Disciplina |
809.2/9355
809.29355 |
| Altri autori (Persone) |
FahyThomas Richard
KingKimball |
| Collana | Studies in modern drama |
| Soggetto topico |
Drama - 20th century - History and criticism
Prisons in literature Prisoners in literature Imprisonment in literature |
| ISBN |
1-85411-148-5
1-135-88894-9 1-135-88895-7 0-415-76258-8 1-280-04794-1 0-203-49485-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Book Cover; Title; Contents; General Editor's Note; CAPTIVE AUDIENCE: AN INTRODUCTION; THE CONFESSIONAL VOICE: MEDEA'S BRUTAL IMAGINATION; EMOTIONAL CONTRABAND: PRISON AS METAPHOR AND MEANINGIN U.S. LATINA DRAMA; SEEING ETHNICITY: THE IMPACT OF RACE AND CLASS ON THE CRITICAL RECEPTION OF MIGUEL PIERO'S SHORT EYES; ON PRISONS IN THE UNITED STATES: EXTRACT FROM A SPEECH DELIVERED TO THE CONFEDERATION OF ANALYTICAL PSYCHOLOGISTS, LONDON, 25 JUNE 1999; HAROLD PINTER'S PRISON HOUSE: THE SCREENPLAY OF KAFKA'S THE TRIAL; HAROLD PINTER'S THE HANDMAID'S TALE: FREEDOM, PRISON, AND A HIJACKED SCRIPT
~A WORLD OF BODIES~: PERFORMING FLESH IN MARAT/SADETHE DISPOSAL: WILLIAM INGE'S ABJECT DRAMA; ~IN DARK CORNERS~: MASCULINITY AND ART IN TENNESSEE WILLIAMS'S NOTABOUT NIGHTINGALES; PHYSICAL PRISONS: NAOMI WALLACE'S DRAMA OF CAPTIVITY; NO EXIT AND WAITING FOR GODOT: PERFORMANCES IN CONTRAST; Contributors; Index |
| Record Nr. | UNINA-9910783900803321 |
| New York : , : Routledge, , 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Captive audience : prison and captivity in contemporary theater / / edited by Thomas Fahy and Kimball King
| Captive audience : prison and captivity in contemporary theater / / edited by Thomas Fahy and Kimball King |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York, : Routledge, 2003 |
| Descrizione fisica | 1 online resource (207 p.) |
| Disciplina |
809.2/9355
809.29355 |
| Altri autori (Persone) |
FahyThomas Richard
KingKimball |
| Collana | Studies in modern drama |
| Soggetto topico |
Drama - 20th century - History and criticism
Prisons in literature Prisoners in literature Imprisonment in literature |
| ISBN |
1-85411-148-5
1-135-88894-9 1-135-88895-7 0-415-76258-8 1-280-04794-1 0-203-49485-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Book Cover; Title; Contents; General Editor's Note; CAPTIVE AUDIENCE: AN INTRODUCTION; THE CONFESSIONAL VOICE: MEDEA'S BRUTAL IMAGINATION; EMOTIONAL CONTRABAND: PRISON AS METAPHOR AND MEANINGIN U.S. LATINA DRAMA; SEEING ETHNICITY: THE IMPACT OF RACE AND CLASS ON THE CRITICAL RECEPTION OF MIGUEL PIERO'S SHORT EYES; ON PRISONS IN THE UNITED STATES: EXTRACT FROM A SPEECH DELIVERED TO THE CONFEDERATION OF ANALYTICAL PSYCHOLOGISTS, LONDON, 25 JUNE 1999; HAROLD PINTER'S PRISON HOUSE: THE SCREENPLAY OF KAFKA'S THE TRIAL; HAROLD PINTER'S THE HANDMAID'S TALE: FREEDOM, PRISON, AND A HIJACKED SCRIPT
~A WORLD OF BODIES~: PERFORMING FLESH IN MARAT/SADETHE DISPOSAL: WILLIAM INGE'S ABJECT DRAMA; ~IN DARK CORNERS~: MASCULINITY AND ART IN TENNESSEE WILLIAMS'S NOTABOUT NIGHTINGALES; PHYSICAL PRISONS: NAOMI WALLACE'S DRAMA OF CAPTIVITY; NO EXIT AND WAITING FOR GODOT: PERFORMANCES IN CONTRAST; Contributors; Index |
| Record Nr. | UNINA-9910966166103321 |
| New York, : Routledge, 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||