Authorship and Film / / edited by David A. Gerstner and Janet Staiger |
Edizione | [First edition.] |
Pubbl/distr/stampa | Boca Raton, FL : , : Taylor and Francis, an imprint of Routledge, , [2013] |
Descrizione fisica | 1 online resource (321 pages) : illustrations |
Disciplina | 808.2/3 |
Collana |
AFI Film Readers
AFI film readers |
Soggetto topico |
Motion picture authorship
Motion pictures and literature Auteur theory (Motion pictures) |
Soggetto genere / forma | Electronic books. |
ISBN |
0-203-95384-3
0-203-69897-5 0-415-93993-3 1-135-22548-6 1-135-22549-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | part one. Authorship studies in review -- part two. Authorship and identity in Hollywood -- part three. Authorship and identity near and far from Hollywood -- part four. The author-function. |
Record Nr. | UNINA-9910452266803321 |
Boca Raton, FL : , : Taylor and Francis, an imprint of Routledge, , [2013] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Authorship and Film / / edited by David A. Gerstner and Janet Staiger |
Edizione | [First edition.] |
Pubbl/distr/stampa | Boca Raton, FL : , : Taylor and Francis, an imprint of Routledge, , [2013] |
Descrizione fisica | 1 online resource (321 pages) : illustrations |
Disciplina | 808.2/3 |
Collana |
AFI Film Readers
AFI film readers |
Soggetto topico |
Motion picture authorship
Motion pictures and literature Auteur theory (Motion pictures) |
ISBN |
0-203-95384-3
0-203-69897-5 0-415-93993-3 1-135-22548-6 1-135-22549-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | part one. Authorship studies in review -- part two. Authorship and identity in Hollywood -- part three. Authorship and identity near and far from Hollywood -- part four. The author-function. |
Record Nr. | UNINA-9910790550503321 |
Boca Raton, FL : , : Taylor and Francis, an imprint of Routledge, , [2013] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Authorship and Film / / edited by David A. Gerstner and Janet Staiger |
Edizione | [First edition.] |
Pubbl/distr/stampa | Boca Raton, FL : , : Taylor and Francis, an imprint of Routledge, , [2013] |
Descrizione fisica | 1 online resource (321 pages) : illustrations |
Disciplina | 808.2/3 |
Collana |
AFI Film Readers
AFI film readers |
Soggetto topico |
Motion picture authorship
Motion pictures and literature Auteur theory (Motion pictures) |
ISBN |
0-203-95384-3
0-203-69897-5 0-415-93993-3 1-135-22548-6 1-135-22549-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | part one. Authorship studies in review -- part two. Authorship and identity in Hollywood -- part three. Authorship and identity near and far from Hollywood -- part four. The author-function. |
Record Nr. | UNINA-9910828298403321 |
Boca Raton, FL : , : Taylor and Francis, an imprint of Routledge, , [2013] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Authorship in film adaptation [[electronic resource] /] / edited and with an introduction by Jack Boozer |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Austin, : University of Texas Press, 2008 |
Descrizione fisica | 1 online resource (354 p.) |
Disciplina | 808.2/3 |
Altri autori (Persone) | BoozerJack <1944-> |
Soggetto topico |
Film adaptations
Motion picture authorship |
Soggetto genere / forma | Electronic books. |
ISBN | 0-292-79401-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Mildred Pierce : a troublesome property to script / Albert J. Lavalley -- Hitchcock and his writers : authorship and authority in adaption / Thomas Leitch -- From Traumnovelle (1927) to script to screen : Eyes wide shut (1999) / Jack Boozer -- Private knowledge, public space : investigation and navigation in Devil in a blue dress / Mark L. Berrettini -- "Strange and new-- " : subjectivity and the ineffable in The sweet hereafter / Ernesto R. Acevedo-Muñoz -- Adaptation as adaptation : from Susan Orlean's The orchid thief to Charlie (and "Donald") Kaufman's screenplay to Spike Jonze's film / Frank P. Tomasulo -- From obtrusive narration to crosscutting : adapting the doubleness of John Fowles's The French lieutenant's woman / R. Barton Palmer -- The three faces of Lolita, or how I learned to stop worrying and love the adaptation / Rebecca Bell-Metereau -- Traffic/Traffik : race, globalization, and family in Soderbergh's remake / Mark Gallagher -- Adapting Nick Hornby's High fidelity : process and sexual politics / Cynthia Lucia -- Adaptable Bridget : generic intertextuality and postfeminism in Bridget Jones's diary / Shelley Cobb -- "Who's your favorite Indian?" : the politics of representation in Sherman Alexie's short stories and screenplay / Elaine Roth. |
Record Nr. | UNINA-9910453892503321 |
Austin, : University of Texas Press, 2008 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Authorship in film adaptation [[electronic resource] /] / edited and with an introduction by Jack Boozer |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Austin, : University of Texas Press, 2008 |
Descrizione fisica | 1 online resource (354 p.) |
Disciplina | 808.2/3 |
Altri autori (Persone) | BoozerJack <1944-> |
Soggetto topico |
Film adaptations
Motion picture authorship |
ISBN | 0-292-79401-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Mildred Pierce : a troublesome property to script / Albert J. Lavalley -- Hitchcock and his writers : authorship and authority in adaption / Thomas Leitch -- From Traumnovelle (1927) to script to screen : Eyes wide shut (1999) / Jack Boozer -- Private knowledge, public space : investigation and navigation in Devil in a blue dress / Mark L. Berrettini -- "Strange and new-- " : subjectivity and the ineffable in The sweet hereafter / Ernesto R. Acevedo-Muñoz -- Adaptation as adaptation : from Susan Orlean's The orchid thief to Charlie (and "Donald") Kaufman's screenplay to Spike Jonze's film / Frank P. Tomasulo -- From obtrusive narration to crosscutting : adapting the doubleness of John Fowles's The French lieutenant's woman / R. Barton Palmer -- The three faces of Lolita, or how I learned to stop worrying and love the adaptation / Rebecca Bell-Metereau -- Traffic/Traffik : race, globalization, and family in Soderbergh's remake / Mark Gallagher -- Adapting Nick Hornby's High fidelity : process and sexual politics / Cynthia Lucia -- Adaptable Bridget : generic intertextuality and postfeminism in Bridget Jones's diary / Shelley Cobb -- "Who's your favorite Indian?" : the politics of representation in Sherman Alexie's short stories and screenplay / Elaine Roth. |
Record Nr. | UNINA-9910782874403321 |
Austin, : University of Texas Press, 2008 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Authorship in film adaptation / / edited and with an introduction by Jack Boozer |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Austin, : University of Texas Press, 2008 |
Descrizione fisica | 1 online resource (354 p.) |
Disciplina | 808.2/3 |
Altri autori (Persone) | BoozerJack <1944-> |
Soggetto topico |
Film adaptations
Motion picture authorship |
ISBN | 0-292-79401-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Mildred Pierce : a troublesome property to script / Albert J. Lavalley -- Hitchcock and his writers : authorship and authority in adaption / Thomas Leitch -- From Traumnovelle (1927) to script to screen : Eyes wide shut (1999) / Jack Boozer -- Private knowledge, public space : investigation and navigation in Devil in a blue dress / Mark L. Berrettini -- "Strange and new-- " : subjectivity and the ineffable in The sweet hereafter / Ernesto R. Acevedo-Munoz -- Adaptation as adaptation : from Susan Orlean's The orchid thief to Charlie (and "Donald") Kaufman's screenplay to Spike Jonze's film / Frank P. Tomasulo -- From obtrusive narration to crosscutting : adapting the doubleness of John Fowles's The French lieutenant's woman / R. Barton Palmer -- The three faces of Lolita, or how I learned to stop worrying and love the adaptation / Rebecca Bell-Metereau -- Traffic/Traffik : race, globalization, and family in Soderbergh's remake / Mark Gallagher -- Adapting Nick Hornby's High fidelity : process and sexual politics / Cynthia Lucia -- Adaptable Bridget : generic intertextuality and postfeminism in Bridget Jones's diary / Shelley Cobb -- "Who's your favorite Indian?" : the politics of representation in Sherman Alexie's short stories and screenplay / Elaine Roth. |
Record Nr. | UNINA-9910826238803321 |
Austin, : University of Texas Press, 2008 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Blueprint for screenwriting [[electronic resource] ] : a complete writer's guide to story structure and character development / / Rachel Ballon |
Autore | Ballon Rachel Friedman |
Edizione | [Rev. ed.] |
Pubbl/distr/stampa | Mahwah, N.J., : Lawrence Erlbaum Associates, 2005 |
Descrizione fisica | 1 online resource (175 p.) |
Disciplina | 808.2/3 |
Altri autori (Persone) | BallonRachel Friedman |
Soggetto topico | Motion picture authorship |
Soggetto genere / forma | Electronic books. |
ISBN |
1-282-32154-4
9786612321542 1-4106-1112-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Preliminaries; Contents; Preface: Blueprint for Screenwriting; Preface Blueprint for Screenwriting; Chapter 1 Creativity Your Blueprint for Ideas; Chapter 2 Building Your Story; Chapter 3 Constructing Your Blueprint; Laying Down the Framework; Chapter 4 Story Structure The Screenplay's Foundation; Chapter 5 The Main Character; Chapter 6 Characters and Conflict; Chapter 7 Creating the Character's Emotional Arc: The Heart of the Story; Chapter 8 The Psychology of Characters; Chapter 9 Structuring Scenes and Acts; Chapter 10 The Outline the Treatment The Synopsis; Chapter 11 Script Format
Chapter 12 DialogueChapter 13 Subtext; Chapter 14 Writing From Your Inner Cast of Characters; Chapter 15 Overcoming Writer's Block; Chapter 16 The Completed Screenplay; Index |
Record Nr. | UNINA-9910450341703321 |
Ballon Rachel Friedman | ||
Mahwah, N.J., : Lawrence Erlbaum Associates, 2005 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Blueprint for screenwriting [[electronic resource] ] : a complete writer's guide to story structure and character development / / Rachel Ballon |
Autore | Ballon Rachel Friedman |
Edizione | [Rev. ed.] |
Pubbl/distr/stampa | Mahwah, N.J., : Lawrence Erlbaum Associates, 2005 |
Descrizione fisica | 1 online resource (175 p.) |
Disciplina | 808.2/3 |
Altri autori (Persone) | BallonRachel Friedman |
Soggetto topico | Motion picture authorship |
ISBN |
1-282-32154-4
9786612321542 1-4106-1112-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Preliminaries; Contents; Preface: Blueprint for Screenwriting; Preface Blueprint for Screenwriting; Chapter 1 Creativity Your Blueprint for Ideas; Chapter 2 Building Your Story; Chapter 3 Constructing Your Blueprint; Laying Down the Framework; Chapter 4 Story Structure The Screenplay's Foundation; Chapter 5 The Main Character; Chapter 6 Characters and Conflict; Chapter 7 Creating the Character's Emotional Arc: The Heart of the Story; Chapter 8 The Psychology of Characters; Chapter 9 Structuring Scenes and Acts; Chapter 10 The Outline the Treatment The Synopsis; Chapter 11 Script Format
Chapter 12 DialogueChapter 13 Subtext; Chapter 14 Writing From Your Inner Cast of Characters; Chapter 15 Overcoming Writer's Block; Chapter 16 The Completed Screenplay; Index |
Record Nr. | UNINA-9910783595303321 |
Ballon Rachel Friedman | ||
Mahwah, N.J., : Lawrence Erlbaum Associates, 2005 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Blueprint for screenwriting : a complete writer's guide to story structure and character development / / Rachel Ballon |
Autore | Ballon Rachel Friedman |
Edizione | [Rev. ed.] |
Pubbl/distr/stampa | Mahwah, N.J., : Lawrence Erlbaum Associates, 2005 |
Descrizione fisica | 1 online resource (175 p.) |
Disciplina | 808.2/3 |
Altri autori (Persone) | BallonRachel Friedman |
Soggetto topico | Motion picture authorship |
ISBN |
1-282-32154-4
9786612321542 1-4106-1112-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Preliminaries; Contents; Preface: Blueprint for Screenwriting; Preface Blueprint for Screenwriting; Chapter 1 Creativity Your Blueprint for Ideas; Chapter 2 Building Your Story; Chapter 3 Constructing Your Blueprint; Laying Down the Framework; Chapter 4 Story Structure The Screenplay's Foundation; Chapter 5 The Main Character; Chapter 6 Characters and Conflict; Chapter 7 Creating the Character's Emotional Arc: The Heart of the Story; Chapter 8 The Psychology of Characters; Chapter 9 Structuring Scenes and Acts; Chapter 10 The Outline the Treatment The Synopsis; Chapter 11 Script Format
Chapter 12 DialogueChapter 13 Subtext; Chapter 14 Writing From Your Inner Cast of Characters; Chapter 15 Overcoming Writer's Block; Chapter 16 The Completed Screenplay; Index |
Record Nr. | UNINA-9910813913403321 |
Ballon Rachel Friedman | ||
Mahwah, N.J., : Lawrence Erlbaum Associates, 2005 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Crafting short screenplays that connect / / Claudia Hunter Johnson |
Autore | Johnson Claudia (Claudia Hunter) |
Edizione | [2nd ed.] |
Pubbl/distr/stampa | Burlington, Mass. : , : Focal Press, an imprint of Elsevier, , 2005 |
Descrizione fisica | 1 online resource (303 p.) |
Disciplina | 808.2/3 |
Soggetto topico |
Motion picture authorship
Short films |
Soggetto genere / forma | Electronic books. |
ISBN |
1-136-05130-9
1-280-96400-6 9786610964000 0-08-047060-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Front Cover; Crafting Short Screenplays That Connect; Copyright Page; Contents; Preface to the Second Edition; Acknowledgments; Introduction: The Power and Importance of Human Connection; Part I: Preparing to Write the Short Screenplay; Chapter 1.Connecting to Purpose; Only Connect; The Screenplay Paradox; Chapter 2.Connecting to Self; Le Menu; Depart the Donnée; Chapter 3.Connecting to Process; The Space-Time Conundrum; Madness in Your Method; Creating Rituals; Taking Care of Yourself; Just Do It; Chapter 4.Connecting to Screenplays; Surface and Deep Action; Making Change; The Mood Exercise
The Pearl in the OysterEmotional Flow; Everything You Need to Know You Can LearnFrom City Lights; Demystifying Format; Chapter 5. Connectingto Collaboration; Top Ten Reasons to Write With a Partner; Finding the Right Writing Partner; The Space-Time Conundrum, The Sequel; Co-Drafting the Script; Dealing With Disagreements; Part II: Five (Not So) Easy Screenplays; Chapter 6.The Discovery; The First Screenplay-The Discovery; Choosing an Idea; Developing Character; Developing Story and Structure; Drafting the Screenplay; Rewriting the Screenplay; Chapter 7.The Decision The Second Screenplay-The DecisionChoosing an Idea; Developing Character; Developing Story and Structure; Drafting the Screenplay; Rewriting the Screenplay; Chapter 8.The Boxing Match; The Third Screenplay-The Boxing Match; Choosing an Idea; Developing Character; Developing Story and Structure; Drafting the Screenplay; Rewriting the Screenplay; Chapter 9.The Improbable Connection; The Fourth Screenplay-The Improbable Connection; Choosing an Idea; Developing Character; Developing Story and Structure; Drafting the Screenplay; Rewriting the Screenplay; Chapter 10.The Long Short Screenplay The Fifth Screenplay-The Long Short ScreenplayChoosing an Idea; Developing Character; Developing Story and Structure; Drafting the Screenplay; Rewriting the Screenplay; Part III: Seven Screenplays That Make It Look Easy; Chapter 11.Kosher (by Aimee Barth); Chapter 12.My Josephine (by Barry Jenkins); Chapter 13. A Work in Progress (by Wes Ball); Chapter 14.Lena's Spaghetti (by Rachel A. Witenstein); Chapter 15.Cool Breeze and Buzz (by Lani Sciandra); Chapter 16. The Making of "Killer Kite" (story By Matt Stevens, screenplay By Robert S. Gray) Chapter 17.Slow Dancin' Down the Aisles of the Quickcheck (by Thomas Wade Jackson)Chapter 18.Conclusion; Appendix A: Available Screenwriting Software; Appendix B: Films Referenced; Appendix C: Further Reading; Index |
Record Nr. | UNINA-9910457512403321 |
Johnson Claudia (Claudia Hunter) | ||
Burlington, Mass. : , : Focal Press, an imprint of Elsevier, , 2005 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|