A choreographer's handbook / / Jonathan Burrows |
Autore | Burrows Jonathan |
Pubbl/distr/stampa | Milton Park, Abingdon, Oxon ; ; New York : , : Routledge, , 2010 |
Descrizione fisica | 1 online resource (237 p.) |
Disciplina | 792.8/2 |
Soggetto topico |
Choreography - Study and teaching
Dance - Study and teaching |
Soggetto genere / forma | Electronic books. |
ISBN |
1-136-97457-1
1-136-97458-X 1-282-62968-9 9786612629686 0-203-85216-8 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Book Cover; Title; Copyright; Contents; Preface; Dancing / Principles; Material; Habits; Repetition; Repetition; Repetition; Improvisation / Cut and paste / Choreography paste / Choreography; Form; Exploration / Risk; Subject / Inspiration / Stealing / Familiar movement / Choreography / Referencing other sources / Selfexpression; Contract / Performance space / Language / Choreography; Breaking the rules; Research / How and what? / Dramaturgy / Theory / Curiosity; Interview / Unfinished business / Questions / Principles; Financial limitations / Studios / Funding applications
Preparation / Rehearsal schedule / HeavinessCollaboration / Audience; Originality / Paradox; Technique / Parrot on your shoulder / Authenticity / Daily practice / Dancing / Style / Fiddling; Virtuosity; Hoarding / Beginnings; Endings; Keeping it going / Pacing; Dub reggae / Rate of change / Simple material / Desperation; Stillness and silence / Fear of being boring; Minimal and maximal; Does it work? / Showings / Mentoring; Other bodies / States; Distracting the self / Paradox / Choreography / Performance / Electric guitars; Predictable and unpredictable / Expectation Narrative / Ballet / ContinuityContinuity / Sectional pieces / Material / Make six things / Choreography / Flow / Relation; Relation / Solos, duos, trios, quartets / Ideas; Relation / Time / Rhythm; Time; Abstract dance; Counterpoint / Formal elements / Difference; Scores / Studios / Improvisation; Chance / Empty hands / Gamut of movements / Limitations / Laborious work / Philosophy; Place or space?; Audience / Facing the front / Confrontation / Humour / Failure; Audience; Performance / Principles; The marketplace / Earning a living / Administrating the work / Commissions Music / Collaboration / SilenceText; Lighting / Technicians / Collaboration / Costumes / Shoes or no shoes? / Set design / Nudity; Titles; Filming / History / Collaboration / Mirrors / Human-scale; Hierarchies / Dancer or choreographer? / In it or out of it? / Who owns what?; How can I simplify all of this?; Forget all this; Bibliography; Thanks; Biography of the author; Index |
Record Nr. | UNINA-9910458956703321 |
Burrows Jonathan | ||
Milton Park, Abingdon, Oxon ; ; New York : , : Routledge, , 2010 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
A choreographer's handbook / / Jonathan Burrows |
Autore | Burrows Jonathan |
Pubbl/distr/stampa | Milton Park, Abingdon, Oxon ; ; New York : , : Routledge is an imprint of the Taylor & Francis Group, , 2010 |
Descrizione fisica | 1 online resource (xii, 224 pages) |
Disciplina | 792.8/2 |
Soggetto topico |
Choreography - Study and teaching
Dance - Study and teaching |
ISBN |
9781136974571
1-136-97457-1 9781136974588 1-136-97458-X 9781282629684 1-282-62968-9 9780203852163 0203852168 0415555302 9780415555296 0415555299 9780415555302 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Dancing / Principles -- Material -- Habits -- Repetition -- Repetition -- Repetition -- Improvisation / Cut and paste / Choreography -- Form -- Exploration / Risk -- Subject / Inspiration / Stealing / Familiar movement / Choreography / Referencing other sources / Self expression -- Contract / Performance space / Language / Choreography -- Breaking the rules -- Research / How and what? / Dramaturgy / Theory / Curiosity -- Interview / Unfinished business / Questions / Principles -- Financial limitations / Studios / Funding applications -- Preparation / Rehearsal schedule / Heaviness -- Collaboration / Audience -- Originality / Paradox -- Technique / Parrot on your shoulder / Authenticity / Daily practice / Dancing / Style / Fiddling -- Virtuosity -- Hoarding / Beginnings -- Endings -- Keeping it going / Pacing -- Dub reggae / Rate of change / Simple material / Desperation -- Stillness and silence / Fear of being boring; Minimal and maximal -- Does it work? / Showings / Mentoring -- Other bodies / States -- Distracting the self / Paradox / Choreography / Performance / Electric guitars -- Predictable and unpredictable / Expectation -- Narrative / Ballet / Continuity -- Continuity / Sectional pieces / Material / Make six things / Choreography / Flow / Relation -- Relation / Solos, duos, trios, quartets / Ideas; Relation / Time / Rhythm -- Time -- Abstract dance -- Counterpoint / Formal elements / Difference -- Scores / Studios / Improvisation -- Chance / Empty hands / Gamut of movements / Limitations / Laborious work / Philosophy -- Place or space? -- Audience / Facing the front / Confrontation / Humour / Failure -- Audience -- Performance / Principles -- The marketplace / Earning a living / Administrating the work / Commissions -- Music / Collaboration / Silence -- Text -- Lighting / Technicians / Collaboration / Costumes / Shoes or no shoes? / Set design / Nudity -- Titles -- Filming / History / Collaboration / Mirrors / Human-scale -- Hierarchies / Dancer or choreographer? / In it or out of it? / Who owns what? -- How can I simplify all of this? -- Forget all this. |
Record Nr. | UNINA-9910791123003321 |
Burrows Jonathan | ||
Milton Park, Abingdon, Oxon ; ; New York : , : Routledge is an imprint of the Taylor & Francis Group, , 2010 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
A choreographer's handbook / / Jonathan Burrows |
Autore | Burrows Jonathan |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Milton Park, Abingdon, Oxon ; ; New York, : Routledge, 2010 |
Descrizione fisica | 1 online resource (xii, 224 pages) |
Disciplina | 792.8/2 |
Soggetto topico |
Choreography - Study and teaching
Dance - Study and teaching |
ISBN |
9781136974571
1-136-97457-1 9781136974588 1-136-97458-X 9781282629684 1-282-62968-9 9780203852163 0203852168 0415555302 9780415555296 0415555299 9780415555302 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Dancing / Principles -- Material -- Habits -- Repetition -- Repetition -- Repetition -- Improvisation / Cut and paste / Choreography -- Form -- Exploration / Risk -- Subject / Inspiration / Stealing / Familiar movement / Choreography / Referencing other sources / Self expression -- Contract / Performance space / Language / Choreography -- Breaking the rules -- Research / How and what? / Dramaturgy / Theory / Curiosity -- Interview / Unfinished business / Questions / Principles -- Financial limitations / Studios / Funding applications -- Preparation / Rehearsal schedule / Heaviness -- Collaboration / Audience -- Originality / Paradox -- Technique / Parrot on your shoulder / Authenticity / Daily practice / Dancing / Style / Fiddling -- Virtuosity -- Hoarding / Beginnings -- Endings -- Keeping it going / Pacing -- Dub reggae / Rate of change / Simple material / Desperation -- Stillness and silence / Fear of being boring; Minimal and maximal -- Does it work? / Showings / Mentoring -- Other bodies / States -- Distracting the self / Paradox / Choreography / Performance / Electric guitars -- Predictable and unpredictable / Expectation -- Narrative / Ballet / Continuity -- Continuity / Sectional pieces / Material / Make six things / Choreography / Flow / Relation -- Relation / Solos, duos, trios, quartets / Ideas; Relation / Time / Rhythm -- Time -- Abstract dance -- Counterpoint / Formal elements / Difference -- Scores / Studios / Improvisation -- Chance / Empty hands / Gamut of movements / Limitations / Laborious work / Philosophy -- Place or space? -- Audience / Facing the front / Confrontation / Humour / Failure -- Audience -- Performance / Principles -- The marketplace / Earning a living / Administrating the work / Commissions -- Music / Collaboration / Silence -- Text -- Lighting / Technicians / Collaboration / Costumes / Shoes or no shoes? / Set design / Nudity -- Titles -- Filming / History / Collaboration / Mirrors / Human-scale -- Hierarchies / Dancer or choreographer? / In it or out of it? / Who owns what? -- How can I simplify all of this? -- Forget all this. |
Record Nr. | UNINA-9910828484803321 |
Burrows Jonathan | ||
Milton Park, Abingdon, Oxon ; ; New York, : Routledge, 2010 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Contemporary choreography : a critical reader / / edited by Jo Butterworth and Liesbeth Wildschut |
Edizione | [Second edition.] |
Pubbl/distr/stampa | Milton Park, Abingdon, Oxon ; ; New York, NY : , : Routledge, , 2018 |
Descrizione fisica | 1 online resource (573 pages) |
Disciplina | 792.8/2 |
Soggetto topico | Choreography |
ISBN |
1-138-67998-4
1-317-19157-9 1-317-19158-7 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | chapter General introduction: studying contemporary choreography / JO BUTTERWORTH -- chapter Section introduction -- chapter 1 Knowing through dance-making: choreography, practical knowledge and practice-as-research / ANNA PAKES -- chapter 2 Expert-intuitive and deliberative processes: struggles in (the wording of ) creative decision-making in ‘dance’ / SUSAN MELROSE -- chapter 3 ‘Throwing like a girl’? Gender in a transnational world / SUSAN LEIGH FOSTER -- chapter 4 Choreography that poses problems / BOJANA CVEJIC´ -- chapter 5 Choreography as research: iteration, object, context / BEN SPATZ -- chapter Section introduction -- chapter 6 Too many cooks? A framework for dance making and devising / JO BUTTERWORTH -- chapter 7 Facilitating choreographic process / LARRY LAVENDER -- chapter 8 Velvet Petal: getting lost / FLEUR DARKIN -- chapter 9 Risk-taking and group dance improvisation / JOAO DA SILVA -- chapter 10 Dancing strategies and moving identities: the contributions independent contemporary dancers make to the choreographic process / JENNY ROCHE -- chapter 11 Jonathan Burrows’ Postdance Conference keynote address, Stockholm 2015 / JONATHAN BURROWS -- chapter Intervention / PEGGY OLISLAEGERS -- chapter Section introduction -- chapter 12 Dance dramaturgical agency / PIL HANSEN -- chapter 13 The catalytic function of dramaturgy: working on actions in choreographic processes / KONSTANTINA GEORGELOU -- chapter 14 Decentred dramaturgy: non-structural contexts in contemporary choreography -- chapter Section introduction -- chapter 15 Dancing around exclusion: an examination of the issues of social inclusion within choreographic practice in the community / SARA HOUSTON -- chapter 16 Choreographic approaches in the community context / DIANE AMANS -- chapter 17 Escola Livre de Danca da Mare in Rio de Janeiro: a ground to share / SILVIA SOTER -- chapter 18 Experiencing space: some implications for site-specific dance performance / VICTORIA HUNTER -- chapter 19 Whispering Birds: site-specific dance, affect and emotion / KAREN N. BARBOUR -- chapter Section introduction -- chapter 20 Principles of African choreography: some perspectives from Ghana / FRANCIS NII-YARTEY -- chapter 21 The body as a site of power: an artistic case study on contemporary choreography in the Arab world / SANDRA NOETH AND SAMAR HADDAD KING -- chapter 22 Beyond the intercultural to the accented body: an Australian perspective / CHERYL STOCK -- chapter 23 Minority visibility and hip hop choreography: France 2015 / FELICIA MCCARREN -- chapter 24 Sidi Larbi Cherkaoui and Akram Khan: intertwined journeys in-between dance cultures / GUY COOLS -- chapter 25 Akram Khan on the politics of choreographing touch / ROYONA MITRA -- chapter Section introduction -- chapter 26 In search of Asian modernity: Cloud Gate Dance Theatre’s body aesthetics in the era of globalisation / YA-PING CHEN -- chapter 27 The body as the stage of abstract space: sculpting of spectatorship in Meg Stuart’s choreography / JEROEN FABIUS -- chapter 28 Hi, who are you? On choreography and the aged dancer / EFVA LILJA -- chapter 29 Inclusive choreography: Lucy Bennett and Stopgap Dance Company / SHO SHIBATA -- chapter Section introduction -- chapter 30 Choreographic performance systems / JOHANNES BIRRINGER -- chapter 31 Virtually touching: embodied engagement in telematic and virtual reality performance / SITA POPAT -- chapter 32 How does motion capture mediate dance? / LAURA KARREMAN -- chapter 33 Social media and choreographic practice: creative tools for collaboration, co-creation and creative practice / SOPHY SMITH. |
Record Nr. | UNINA-9910796378103321 |
Milton Park, Abingdon, Oxon ; ; New York, NY : , : Routledge, , 2018 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Contemporary choreography : a critical reader / / edited by Jo Butterworth and Liesbeth Wildschut |
Edizione | [Second edition.] |
Pubbl/distr/stampa | Milton Park, Abingdon, Oxon ; ; New York, NY : , : Routledge, , 2018 |
Descrizione fisica | 1 online resource (573 pages) |
Disciplina | 792.8/2 |
Soggetto topico | Choreography |
ISBN |
1-138-67998-4
1-317-19157-9 1-317-19158-7 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | chapter General introduction: studying contemporary choreography / JO BUTTERWORTH -- chapter Section introduction -- chapter 1 Knowing through dance-making: choreography, practical knowledge and practice-as-research / ANNA PAKES -- chapter 2 Expert-intuitive and deliberative processes: struggles in (the wording of ) creative decision-making in ‘dance’ / SUSAN MELROSE -- chapter 3 ‘Throwing like a girl’? Gender in a transnational world / SUSAN LEIGH FOSTER -- chapter 4 Choreography that poses problems / BOJANA CVEJIC´ -- chapter 5 Choreography as research: iteration, object, context / BEN SPATZ -- chapter Section introduction -- chapter 6 Too many cooks? A framework for dance making and devising / JO BUTTERWORTH -- chapter 7 Facilitating choreographic process / LARRY LAVENDER -- chapter 8 Velvet Petal: getting lost / FLEUR DARKIN -- chapter 9 Risk-taking and group dance improvisation / JOAO DA SILVA -- chapter 10 Dancing strategies and moving identities: the contributions independent contemporary dancers make to the choreographic process / JENNY ROCHE -- chapter 11 Jonathan Burrows’ Postdance Conference keynote address, Stockholm 2015 / JONATHAN BURROWS -- chapter Intervention / PEGGY OLISLAEGERS -- chapter Section introduction -- chapter 12 Dance dramaturgical agency / PIL HANSEN -- chapter 13 The catalytic function of dramaturgy: working on actions in choreographic processes / KONSTANTINA GEORGELOU -- chapter 14 Decentred dramaturgy: non-structural contexts in contemporary choreography -- chapter Section introduction -- chapter 15 Dancing around exclusion: an examination of the issues of social inclusion within choreographic practice in the community / SARA HOUSTON -- chapter 16 Choreographic approaches in the community context / DIANE AMANS -- chapter 17 Escola Livre de Danca da Mare in Rio de Janeiro: a ground to share / SILVIA SOTER -- chapter 18 Experiencing space: some implications for site-specific dance performance / VICTORIA HUNTER -- chapter 19 Whispering Birds: site-specific dance, affect and emotion / KAREN N. BARBOUR -- chapter Section introduction -- chapter 20 Principles of African choreography: some perspectives from Ghana / FRANCIS NII-YARTEY -- chapter 21 The body as a site of power: an artistic case study on contemporary choreography in the Arab world / SANDRA NOETH AND SAMAR HADDAD KING -- chapter 22 Beyond the intercultural to the accented body: an Australian perspective / CHERYL STOCK -- chapter 23 Minority visibility and hip hop choreography: France 2015 / FELICIA MCCARREN -- chapter 24 Sidi Larbi Cherkaoui and Akram Khan: intertwined journeys in-between dance cultures / GUY COOLS -- chapter 25 Akram Khan on the politics of choreographing touch / ROYONA MITRA -- chapter Section introduction -- chapter 26 In search of Asian modernity: Cloud Gate Dance Theatre’s body aesthetics in the era of globalisation / YA-PING CHEN -- chapter 27 The body as the stage of abstract space: sculpting of spectatorship in Meg Stuart’s choreography / JEROEN FABIUS -- chapter 28 Hi, who are you? On choreography and the aged dancer / EFVA LILJA -- chapter 29 Inclusive choreography: Lucy Bennett and Stopgap Dance Company / SHO SHIBATA -- chapter Section introduction -- chapter 30 Choreographic performance systems / JOHANNES BIRRINGER -- chapter 31 Virtually touching: embodied engagement in telematic and virtual reality performance / SITA POPAT -- chapter 32 How does motion capture mediate dance? / LAURA KARREMAN -- chapter 33 Social media and choreographic practice: creative tools for collaboration, co-creation and creative practice / SOPHY SMITH. |
Record Nr. | UNINA-9910826878003321 |
Milton Park, Abingdon, Oxon ; ; New York, NY : , : Routledge, , 2018 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Elements of classical ballet technique as practiced in the school of the Dance Theatre of Harlem [[electronic resource] /] / Karel Shook |
Autore | Shook Karel |
Pubbl/distr/stampa | New York, : Dance Horizons, 1977 |
Descrizione fisica | 1 online resource (98 p.) |
Disciplina | 792.8/2 |
Soggetto topico | Ballet dancing |
Soggetto genere / forma | Electronic books. |
ISBN | 0-87127-270-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Contents; Foreword; Introduction; I. The Dance Teacher; II. The American Attitude; III. Classsical Ballet; IV. Dance Theatre of Harlem; I. Beyond Teaching; II. Rudimentary Behavior; III. Demonstration, Explanation and Correction; IV. Elementary Principles; I. Structure of the Lesson; II. The First Lessons; III. Practice at the Barre; IV. Center Practice; V. The Second Period; VI. The Floor Pattern; VII. The Third Period; VII. Tours and Pirouettes; IX. Music for Ballet; X. Conclusion; Index |
Record Nr. | UNINA-9910451034803321 |
Shook Karel | ||
New York, : Dance Horizons, 1977 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Elements of classical ballet technique as practiced in the school of the Dance Theatre of Harlem / / Karel Shook |
Autore | Shook Karel <1920-1985.> |
Pubbl/distr/stampa | New York : , : Dance Horizons, , 1977 |
Descrizione fisica | 1 online resource (98 pages) |
Disciplina | 792.8/2 |
Soggetto topico | Ballet dancing |
ISBN | 0-87127-270-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Contents; Foreword; Introduction; I. The Dance Teacher; II. The American Attitude; III. Classsical Ballet; IV. Dance Theatre of Harlem; I. Beyond Teaching; II. Rudimentary Behavior; III. Demonstration, Explanation and Correction; IV. Elementary Principles; I. Structure of the Lesson; II. The First Lessons; III. Practice at the Barre; IV. Center Practice; V. The Second Period; VI. The Floor Pattern; VII. The Third Period; VII. Tours and Pirouettes; IX. Music for Ballet; X. Conclusion; Index |
Record Nr. | UNINA-9910784220603321 |
Shook Karel <1920-1985.> | ||
New York : , : Dance Horizons, , 1977 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Elements of classical ballet technique as practiced in the school of the Dance Theatre of Harlem / / Karel Shook |
Autore | Shook Karel |
Pubbl/distr/stampa | New York, : Dance Horizons, 1977 |
Descrizione fisica | 1 online resource (98 pages) |
Disciplina | 792.8/2 |
Soggetto topico | Ballet dancing |
ISBN | 0-87127-270-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Contents; Foreword; Introduction; I. The Dance Teacher; II. The American Attitude; III. Classsical Ballet; IV. Dance Theatre of Harlem; I. Beyond Teaching; II. Rudimentary Behavior; III. Demonstration, Explanation and Correction; IV. Elementary Principles; I. Structure of the Lesson; II. The First Lessons; III. Practice at the Barre; IV. Center Practice; V. The Second Period; VI. The Floor Pattern; VII. The Third Period; VII. Tours and Pirouettes; IX. Music for Ballet; X. Conclusion; Index |
Record Nr. | UNINA-9910821621803321 |
Shook Karel | ||
New York, : Dance Horizons, 1977 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The intimate act of choreography / / Lynne Anne Blom and L. Tarin Chaplin |
Autore | Blom Lynne Anne <1942-1993, > |
Pubbl/distr/stampa | Pittsburgh, Pennsylvania : , : University of Pittsburgh Press, , [1982] |
Descrizione fisica | 1 online resource (251 pages) : illustrations |
Disciplina | 792.8/2 |
Soggetto topico | Choreography |
Soggetto genere / forma | Electronic books. |
ISBN | 0-8229-71 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910464509603321 |
Blom Lynne Anne <1942-1993, > | ||
Pittsburgh, Pennsylvania : , : University of Pittsburgh Press, , [1982] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The intimate act of choreography / / Lynne Anne Blom and L. Tarin Chaplin |
Autore | Blom Lynne Anne <1942-1993, > |
Pubbl/distr/stampa | Pittsburgh, Pennsylvania : , : University of Pittsburgh Press, , [1982] |
Descrizione fisica | 1 online resource (251 pages) : illustrations |
Disciplina | 792.8/2 |
Soggetto topico | Choreography |
Soggetto genere / forma | Electronic books. |
ISBN | 0-8229-71 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910540295403321 |
Blom Lynne Anne <1942-1993, > | ||
Pittsburgh, Pennsylvania : , : University of Pittsburgh Press, , [1982] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|