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Cultural Convergence : The Dublin Gate Theatre, 1928–1960 / / edited by Ondřej Pilný, Ruud van den Beuken, Ian R. Walsh
| Cultural Convergence : The Dublin Gate Theatre, 1928–1960 / / edited by Ondřej Pilný, Ruud van den Beuken, Ian R. Walsh |
| Autore | Pilný Ondřej |
| Edizione | [1st ed. 2021.] |
| Pubbl/distr/stampa | Springer Nature, 2021 |
| Descrizione fisica | 1 online resource (XVIII, 244 p. 28 illus., 1 illus. in color.) |
| Disciplina |
792.09
792.0941835 |
| Soggetto topico |
Theater—History
Theater British literature Theatre History National/Regional Theatre and Performance British and Irish Literature |
| Soggetto non controllato |
Theatre History
National/Regional Theatre and Performance British and Irish Literature National and Regional Theatre and Performance Literature Dublin Gate Theatre cultural exchange Ireland avant-garde North America experimental exchange interaction acculturation Open Access Theatre studies Literature: history & criticism |
| ISBN | 3-030-57562-4 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: Cultural Convergence at Dublin’s Gate Theatre; Ondřej Pilný (Charles University, Prague, Czech Republic), Ruud van den Beuken (Radboud University Nijmegen, The Netherlands) and Ian R. Walsh (NUI Galway, Ireland) -- 2. The Internationalist Dramaturgy of Hilton Edwards and Micheál mac Liammóir; Joan FitzPatrick Dean (University of Missouri – Kansas City, USA) and Radvan Markus (Charles University, Prague, Czech Republic) -- 3. Gearóid Ó Lochlainn: The Gate Theatre’s Other Irish-speaking Founder; Pádraig Ó Siadhail (Saint Mary’s University, Halifax, Nova Scotia, Canada) -- 4. The Transnational Roots of Key Figures from the Early Years of the Gate Theatre, Dublin; David Clare (Mary Immaculate College, University of Limerick, Ireland) and Nicola Morris (Trinity College Dublin, Ireland) -- 5. The Other Gates: Anglo-American Influences on and from Dublin; Charlotte Purkis (University of Winchester, UK) -- 6. The Brothers Čapek at the Gate: R.U.R. and The Insect Play; Ondřej Pilný (Charles University, Prague, Czech Republic) -- 7. Kismet: Hollywood, Orientalism and the Design Language of Padraic Colum’s Mogu of the Desert; Elaine Sisson (IADT, Dublin, Ireland) -- 8. Prussian Discipline and Lesbian Vulnerability: Christa Winsloe’s Children in Uniform at the Gate; Yvonne Ivory (University of South Carolina, USA) -- 9. ‘We belong to the world’: Christine Longford’s War Plays during Irish Neutrality; Erin Grogan (Texas Tech University, USA). |
| Record Nr. | UNINA-9910424947303321 |
Pilný Ondřej
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| Springer Nature, 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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A Stage of Emancipation : Change and Progress at the Dublin Gate Theatre
| A Stage of Emancipation : Change and Progress at the Dublin Gate Theatre |
| Autore | Corporaal Marguérite |
| Pubbl/distr/stampa | Liverpool University Press, 2021 |
| Descrizione fisica | 1 online resource (248 pages) |
| Disciplina | 792.0941835 |
| Altri autori (Persone) | BeukenRuud van den |
| Soggetto topico | Theatre studies |
| Soggetto non controllato | Ireland;Irish theatre;marginalized groups;social emancipation;gender;ethnicity;language;class |
| ISBN | 1-80085-862-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | ; Machine generated contents note: ; 1. Introduction: A Stage of Emancipation / Ruud van den Beuken -- ; pt. I Liberating Bodies -- ; 2. Queering the Irish Actress: The Gate Theatre Production of Children in Uniform (1934) / Mary Trotter -- ; 3. Maura Laverty at the Gate: Theatre as Social Commentary in 1950s Ireland / Deirdre McFeely -- ; pt. II Emancipating Communities -- ; 4. `Let's Be Gay, While We May': Artistic Platforms and the Construction of Queer Communities in Mary Manning's Youths the Season --? / Grace Vroomen -- ; 5. Images and Imperatives: Robert Collis's Marrowbone Lane. (1939) at the Gate as Theatre for Social Change / Ian R. Walsh -- ; 6. Authenticity and Social Change on the Gate Stage in the 1970s: `Communicating with the People' / Barry Houlihan -- ; pt. III Staging Minority Languages -- ; 7. Micheal mac Liammoir, the Irish Language, and the Idea of Freedom / Radvan Markus -- ; 8. The Use of Minority Languages at Dublin's Gate Theatre and Barcelona's Teatre Lliure / David Clare -- ; pt. IV Deconstructing Aesthetics -- ; 9. Mogu and the Unicorn: Frederick May's Music for the Gate Theatre / Mark Fitzgerald -- ; 10. Tartan Transpositions: Materialising Europe, Ireland, and Scotland in the Designs of Molly MacEwen / Siobhdn O'Gorman -- ; pt. V Contesting Traditions in Contemporary Theatre -- ; 11. From White Othello to Black Hamlet: A History of Race and Representation at the Gate Theatre / Justine Nakase -- ; 12. Bending the Plots: Selina Cartmell's Gate and Politics of Gender Inclusion / Marguerite Corporaal. |
| Altri titoli varianti | Stage of Emancipation |
| Record Nr. | UNINA-9910472625403321 |
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Corporaal Marguérite
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| Liverpool University Press, 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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