The A to Z of African American theater [[electronic resource] /] / Anthony D. Hill with Douglas Q. Barnett |
Autore | Hill Anthony D. <1947-> |
Edizione | [111th ed.] |
Pubbl/distr/stampa | Lanham, MD, : Scarecrow Press, 2009 |
Descrizione fisica | 1 online resource (624 p.) |
Disciplina | 792.08996073 |
Altri autori (Persone) |
BarnettDouglas Q
HillAnthony D. <1947-> |
Collana | A to Z guide series |
Soggetto topico |
African American theater
Theater - United States |
Soggetto genere / forma | Electronic books. |
ISBN |
1-282-52168-3
9786612521683 0-8108-7061-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Contents; Editor's Foreword; Preface; Acknowledgments; Acronyms and Abbreviations; Chronology; Introduction; The Dictionary; Bibliography; About the Authors; photospread |
Record Nr. | UNINA-9910454784603321 |
Hill Anthony D. <1947-> | ||
Lanham, MD, : Scarecrow Press, 2009 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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The A to Z of African American theater [[electronic resource] /] / Anthony D. Hill with Douglas Q. Barnett |
Autore | Hill Anthony D. <1947-> |
Edizione | [111th ed.] |
Pubbl/distr/stampa | Lanham, MD, : Scarecrow Press, 2009 |
Descrizione fisica | 1 online resource (624 p.) |
Disciplina | 792.08996073 |
Altri autori (Persone) |
BarnettDouglas Q
HillAnthony D. <1947-> |
Collana | A to Z guide series |
Soggetto topico |
African American theater
Theater - United States |
ISBN |
1-282-52168-3
9786612521683 0-8108-7061-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Contents; Editor's Foreword; Preface; Acknowledgments; Acronyms and Abbreviations; Chronology; Introduction; The Dictionary; Bibliography; About the Authors; photospread |
Record Nr. | UNINA-9910778409403321 |
Hill Anthony D. <1947-> | ||
Lanham, MD, : Scarecrow Press, 2009 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The A to Z of African American theater / / Anthony D. Hill with Douglas Q. Barnett |
Autore | Hill Anthony D. <1947-> |
Edizione | [111th ed.] |
Pubbl/distr/stampa | Lanham, MD, : Scarecrow Press, 2009 |
Descrizione fisica | 1 online resource (624 p.) |
Disciplina | 792.08996073 |
Altri autori (Persone) |
BarnettDouglas Q
HillAnthony D. <1947-> |
Collana | A to Z guide series |
Soggetto topico |
African American theater
Theater - United States |
ISBN |
1-282-52168-3
9786612521683 0-8108-7061-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Contents; Editor's Foreword; Preface; Acknowledgments; Acronyms and Abbreviations; Chronology; Introduction; The Dictionary; Bibliography; About the Authors; photospread |
Record Nr. | UNINA-9910817482103321 |
Hill Anthony D. <1947-> | ||
Lanham, MD, : Scarecrow Press, 2009 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
African American theatre : a historical and critical analysis / Samuel A. Hay |
Autore | HAY, Samuel A. |
Pubbl/distr/stampa | Cambridge ; New York, : Cambridge University Press, 1994 |
Descrizione fisica | Testo elettronico (PDF) (XIII, 287 p.) |
Disciplina | 792.08996073 |
Collana | Cambridge studies in American theatre and drama |
Soggetto topico | Teatro afroamericano - Storia |
Formato | Risorse elettroniche |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNISA-996402849303316 |
HAY, Samuel A. | ||
Cambridge ; New York, : Cambridge University Press, 1994 | ||
Risorse elettroniche | ||
Lo trovi qui: Univ. di Salerno | ||
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The Civil Rights Theatre movement in New York, 1939-1966 : staging freedom / / Julie Burrell |
Autore | Burrell Julie |
Edizione | [1st ed. 2019.] |
Pubbl/distr/stampa | New York, New York : , : Springer Berlin Heidelberg, , [2019] |
Descrizione fisica | 1 online resource (xv, 236 pages) |
Disciplina | 792.08996073 |
Collana | Palgrave Studies in Theatre and Performance History |
Soggetto topico |
Theater - New York (State) - New York
African American theater African Americans - Civil rights Civil rights movements - United States |
ISBN | 3-030-12188-7 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Chapter 1: Introduction -- Chapter 2: The Negro People's Theatre and the Emergence of the Civil Rights Theatre Movement -- Chapter 3: "An American Dilemma": Dramas of the Returning Negro Soldier -- Chapter 4: Rescripting the Negro Problem: The Cold War-Civil Rights Play -- Chapter 5: "To Be a Man": Progressive Masculinities in Lorraine Hansberry's Cold War-Civil Rights Plays -- Chapter 6: Alice Childress's Wedding Band and the Black Feminist Nation -- Epilogue. |
Record Nr. | UNINA-9910483442503321 |
Burrell Julie | ||
New York, New York : , : Springer Berlin Heidelberg, , [2019] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Coloring whiteness : acts of critique in Black performance / Faedra Chatard Carpenter |
Autore | CARPENTER, Faedra Chatard |
Pubbl/distr/stampa | Ann Arbor, : University of Michigan Press, 2014 |
Descrizione fisica | Testo elettronico (PDF) (IX, 297 p. : ill.) |
Disciplina | 792.08996073 |
Collana | Theater: theory/text/performance |
Soggetto topico | Afroamericani - Artisti - Storia - Sec. 20 |
ISBN | 9780472120659 |
Formato | Risorse elettroniche |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNISA-996448444903316 |
CARPENTER, Faedra Chatard | ||
Ann Arbor, : University of Michigan Press, 2014 | ||
Risorse elettroniche | ||
Lo trovi qui: Univ. di Salerno | ||
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The Routledge Companion to African American Theatre and Performance / / edited by Kathy A. Perkins, Sandra L. Richards, Renée Alexander Craft and Thomas F. DeFrantz |
Edizione | [First edition.] |
Pubbl/distr/stampa | Boca Raton, FL : , : Routledge, , [2018] |
Descrizione fisica | 1 online resource (451 pages) |
Disciplina | 792.08996073 |
Collana | Routledge theatre and performance companions |
Soggetto topico |
African American theater
African American theatrical producers and directors African American dramatists African American actors |
Soggetto genere / forma | Electronic books. |
ISBN |
1-78785-938-X
1-351-75144-1 1-315-19122-9 1-351-75143-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | List of Figures -- Editor/Contributor Biographies -- Black Art Now by Nambi E. Kelley -- Introduction: Renee Alexander Craft, Thomas F. DeFrantz. Kathy A. Perkins, and Sandra L. Richards. -- Part I: Highlights of African American Theatre and Performance -- Part II: Seeing Ourselves Onstage -- Edited and Introduced by Thomas F. DeFrantz -- Chapter 1 -- Dudley, The Smart Set, and the Beginning of the Black Entertainment Industry -- Nadine George-Graves -- Chapter 2 -- Black Theatre History Plays: Remembering, Recovering, Re-envisioning -- Sandra Mayo -- Chapter 3 -- "Hung Be the Heavens with Black" Bodies: An Analysis of the August 1822 Riot at William Brown's Greenwich Village Theater -- Marvin McAllister -- Chapter 4 -- Mulattoes, Mistresses, and Mammies: The Phantom Family in Langston Hughes'sMulatto -- Alison Walls -- Chapter 5 -- Interview with Woodie King, Jr. - Producer and Director -- JaMeeka Holloway-Burrell -- Chapter 6 -- Freedom Forward: Alice Childress and Lorraine Hansberry Circling Broadway in the 1950s -- Barbara Lewis -- Chapter 7 -- Navigating Respectability in Turn of the Century New York City: Intimate Apparel by Lynn Nottage -- Marta Effinger-Crichlow -- Chapter 8 -- Earle Hyman: Scandinavian Successes -- Baron Kelly -- Chapter 9 -- Pittsburgh Piety: A Century of Symbolism -- Pedro E. Alvarado -- Chapter 10 -- Interview with Ron Simons - Broadway Producer -- Lisa B. Thompson -- Chapter 11 -- Interview with Paul Tazewell - Costume Designer -- Niiamar Felder -- Chapter 12 -- Race on the Opera Stage -- Twila L. Perry -- Chapter 13 -- The Wiz and the African Diaspora Musical: Rethinking the Research Questions in Black Musical Historiography -- Sam OConnell -- Chapter 14 -- Bob Cole's "Colored Man's Declaration of Independence": The Case of Shoo Fly Regiment and George C. Wolfe's Shuffle Along -- Paula Marie Seniors -- Chapter 15 -- Shuffle Along and Ethnic Humor: A Family Story -- Sandra Seaton -- Chapter 16 -- Interview with Eva Yaa Asantewaa - Dance Critic -- Thomas F. DeFrantz -- Chapter 17 -- Black Female Sexuality in the Drama of Pearl Cleage -- Beth Turner -- Chapter 18 -- Coming-of-Age and Rituals of Gender Nonconformity in Leslie Lee's The First Breeze of Summer -- Rhone Fraser -- Chapter 19 -- Pomo Afro Homos: A Revolutionary Act -- Tabitha Jamie Mary Chester -- PART III: Institution Building: Making a Space of OUR Own -- Edited and Introduced by Kathy A. Perkins -- Chapter 20 -- Being Black on Stage and Screen: Black Actor Training Before Black Power and the Rise of Stanislavskis System -- Monica White Ndounou -- Chapter 21 -- Three Visionary African American Women Theatre Artists: Anita Bush, Barbara Ann Teer and Ellen Stewart -- Sandra Adell -- Chapter 22 -- The Birth of Queen Anne: Re-Discovering Anne Cooke at Spelman College -- Leslye Joy Allen -- Chapter 23 -- The Howard University Players: From Respectability Politics to Black Representation -- Denise J. Hart and Kathy A. Perkins -- Chapter 24 -- An African American Theatre Program for the 21st Century -- Nefertiti Burton -- Chapter 25 -- Interview with Karen Allen Baxter Managing Director of Rites and Reason Theatre -- Jasmine Johnson -- Chapter 26 -- The Negro Ensemble Company, Inc.: One Moment in Time? -- Susan Watson Turner -- Chapter 27 -- Interview with Shirley Prendergast - Lighting Designer -- Kathy A. Perkins -- Chapter 28 -- Interview with Femi Sarah Heggie Stage Manager -- Kathy A. Perkins -- Chapter 29 -- Weathering the Winds of Change: The Sustainability of the St. Louis Black Repertory Company -- Gregory S. Carr -- Chapter 30 -- The National Black Theatre Festival and the "Marvtastic" Legacy of Larry Leon Hamlin -- J. K. Curry -- Chapter 31 -- The Black Feminist Theatre of Glenda Dickerson -- Khalid Yaya Long -- Chapter 32 -- Ernie McClintocks Jazz Acting: A Theatre of Common Sense -- Elizabeth M. Cizmar -- Chapter 33 -- Black Acting Methods: Mapping the Movement -- Sharrell D. Luckett -- Chapter 34 -- Financial Fitness of Black Theatres: Roundtable of Artistic Directors -- K. Zaheerah Sultan -- Chapter 35 -- A Reflection on The University of Arkansas Pine Bluffs The Hip Hop Project: Insight into the Hip Hop Generation -- Johnny Jones -- Chapter 36 -- Interview with Ekundayo Bandele Founder and CEO of Hattiloo Theatre -- Shondrika Moss-Bouldin -- PART IV: THEATRE AND SOCIAL CHANGE -- Edited and Introduced by Sandra L. Richards -- Chapter 37 -- W.E.B. DuBois, Dramatist -- FREDA SCOTT GILES -- Chaper 38 -- The Third Gift of the Negro: Muslim Identity and DuBois Star of Ethiopia -- CRISTAL CHANELLE TRUSCOTT -- Chapter 39 -- Oh, Ma Dear! What's Going On?: Staging Angelina W. Grimke's Rachel in the Wake of Black Lives Matter -- NICOLE HODGES PERSLEY -- Chapter 40 -- Leaning Left: Why Theater Artists in the 1930s Were Attracted to the Red Movement -- KIMMIKA L. H. WILLIAMS-WITHERSPOON -- Chapter 41 -- Fighting Fire with Fire: Violence and the Black Liberation Movement -- PORTIA OWUSU -- Chapter 42 -- "When We Gonna Rise": Free Southern Theater Performances of Slave Ship and Black Power in Mississippi -- Susan Stone-Lawrence -- Chapter 43 -- From "Poemplays" to Ritualistic Revivals: The Experimental Works of Women Dramatists of the Black Arts Movement -- LA DONNA L. FORSGREN -- Chapter 44 -- Interview with Micki Grant -- KATHY A. PERKINS -- Chapter 45 -- Keeping His Gloves Up: August Wilson and His Critics -- Sandra G. Shannon -- Chapter 46 -- Interview with Edward Everett Haynes, Jr. -- KATHY A. PERKINS -- Chapter 47 -- Afro-Latinx Themes in Theatre Today -- Daphnie Sicre -- Chapter 48 -- To be Young, Performing, and Black: Situating Youth in African American Theatre and Performance History -- Asantewa Fulani Sunni-Ali -- Chapter 49 -- Interview with Mama Kariamu Welsh -- Amoaba Gooden -- Chapter 50 -- Robert O'Hara's Defamiliarizing Dramaturgy -- Isaiah MATTHEW Wooden -- Chapter 51 -- Black Plight in Flight -- Tezeru Teshome -- Chapter 52 -- Creatively Censoring African American Drama While Teaching in the Arab Gulf Region -- PhyLlisa smith Deroze -- Chapter 53 -- Mike Wiley: A Multi-Faceted Artist on a Mission for Social Change -- Sonny Kelly -- Chapter 54 -- "Locked Away But Not Defeated": African American Women Performing Resilience -- Lori D. Barcliff Baptista -- Chapter 55 -- A Hundredfold: An Experiential Archive of Octavia E. Butlers Parable of the Sower, the Opera. -- Alexis Pauline Gumbs -- PART V: Expanding the Traditional Stage -- Edited and Introduced by Rene Alexander Craft -- Chapter 56 -- Many Stories/One Body: Black Solo Performance from Vaudeville to Spoken Word -- E. Patrick Johnson -- Chapter 57 -- Standing Up: Black Feminist Comedy in the Twentieth and Twenty-First Centuries -- Katelyn Hale Wood -- Chapter 58 -- My Name Mudbone: What I learned about playwriting from Richard Pryor -- Howard L. Craft -- Chapter 59 -- Ntozake Shange and the Choreopoem -- Nicole M. Morris Johnson -- Chapter 60 -- Interview with Donna Walker-Kuhne Audience Development -- Kathy A. Perkins -- Chapter 61 -- Performed Ethnography -- D. Soyini Madison -- Chapter 62 -- The United States of Lucia: Three Generations of Haitian-Americans Reconfigure Ancestry, Home and Host Lands through Storytelling -- Mario LaMothe -- Chapter 63 -- We Were What No One Else Had -- Rikki Byrd -- Chapter 64 -- Interview with Pam Green Artist Management and Consulting -- Melanie Greene -- Chapter 65 -- Sidelong Glances: Black Divas in Transit, 1945-1955 -- Katherine Zien -- Chapter 66 -- Black Indians of New Orleans: Performing Resistance and Remembrance -- Sascha Just -- Chapter 67 -- Interview with Darryl Montana- Black Indian Chief and Master Artisan -- Loyce L. Arthur -- Chapter 68 -- African Performance in the Feast of St. Francis Xavier in 17thcentury Luanda, Angola -- Margit Edwards -- Chapter 69 -- Afro-Futurism and the 2018 Wakanda Diaspora Carnival -- Rene Alexander Craft -- Chapter 70 -- A Beginners Guide to Implementing Hip Hop Theatre in the Classroom -- Kashi Johnson -- Chapter 71 -- Interview with Shirley Basfield Dunlap Educator and Director -- Eric Ruffin -- Index. |
Record Nr. | UNINA-9910476776703321 |
Boca Raton, FL : , : Routledge, , [2018] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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A Sourcebook on African-American Performance [[electronic resource] ] : Plays, People, Movements |
Autore | Bean Annemarie |
Pubbl/distr/stampa | Hoboken, : Taylor and Francis, 2002 |
Descrizione fisica | 1 online resource (375 p.) |
Disciplina |
792.08996073
792/.089/96073 |
Collana | Worlds of Performance |
Soggetto topico |
African American theater - History - 20th century
African American artists Performing arts |
Soggetto genere / forma | Electronic books. |
ISBN | 0-203-19081-5 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Book Cover; Title; Contents; List of illustrations; Acknowledgments; Preface; Introduction Performing Beyond Pre-formations and Between Movements: Thirty Years of African-American Performance Annemarie Bean; Black Theatre 1998: A Thirty-Year Look at Black Arts Theatre (1998) Ed Bullins; Clara's Ole Man (1968) Ed Bullins; Home on the Range and Police (1968) Amiri Baraka (LeRoi Jones); The Bronx is Next (1968) Sonia Sanchez; The Black Arts Movement (1968) Larry Neal; Ritual Reformulations: Barbara Ann Teer and the National Black Theatre of Harlem (1998) Barbara Lewis
To Make Black Bodies Strange: Social Critique in Concert Dance of the Black Arts Movement (1998) Thomas DeFrantz A Road Through the Wilderness (1998) John O'Neal; Dialog: The Free Southern Theater (1965) Gilbert Moses, John O'Neal, Denise Nicholas, Murray Levy and Richard Schechner; Motion in the Ocean: Some Political Dimensions of the Free Southern Theater (1968) John O'Neal; After the Free Southern Theater: A Dialog (1987) Tom Dent and Jerry W.Ward, Jr.; John O'Neal, Actor and Activist: The Praxis of Storytelling (1992) Kate Hammer; Rode a Railroad That Had No Track (1998) Glenda Dicker/sun Theatre in Historically Black Colleges: A Survey of 100 Years (1998) James V. Hatch Stepping, Saluting, Cracking, and Freaking: The Cultural Politics of African-American Step Shows (1991) Elizabeth C. Fine; The Gospel Musical and Its Place in the Black American Theatre (1998) Warren B. Burdine, Jr.; Catalysis: An Interview with Adrian Piper (1972) Lucy Lippard; Four Bad Sisters (1998) Eugene Nesmith; A Growth of Images (1977) Adrienne Kennedy; Obsessing in Public: An Interview with Robbie McCauley(1993) Vicki Patraka; Sally's Rape (1994) Robbie McCauley Anna Deavere Smith: Acting as Incorporation (1993) Richard Schechner The Word Becomes You: An Interview with Anna Deavere Smith (1993) Carol Martin; Doo-a-diddly-dit-dit: An Interview with Suzan-Lori Parks and Liz Diamond (1995) Steven Drukman; The America Play (1994) Suzan-Lori Parks; Index |
Record Nr. | UNINA-9910455505203321 |
Bean Annemarie | ||
Hoboken, : Taylor and Francis, 2002 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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A sourcebook on African-American performance [[electronic resource] ] : plays, people, movements |
Autore | Bean Annemarie |
Pubbl/distr/stampa | Hoboken, : Taylor and Francis, 2002 |
Descrizione fisica | 1 online resource (375 p.) |
Disciplina |
792.08996073
792/.089/96073 |
Collana | Worlds of Performance |
Soggetto topico |
African American theater - History - 20th century
African American artists Performing arts |
ISBN |
1-280-32625-5
1-134-67392-2 0-203-18221-9 1-134-67393-0 0-203-19081-5 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Book Cover; Title; Contents; List of illustrations; Acknowledgments; Preface; Introduction Performing Beyond Pre-formations and Between Movements: Thirty Years of African-American Performance Annemarie Bean; Black Theatre 1998: A Thirty-Year Look at Black Arts Theatre (1998) Ed Bullins; Clara's Ole Man (1968) Ed Bullins; Home on the Range and Police (1968) Amiri Baraka (LeRoi Jones); The Bronx is Next (1968) Sonia Sanchez; The Black Arts Movement (1968) Larry Neal; Ritual Reformulations: Barbara Ann Teer and the National Black Theatre of Harlem (1998) Barbara Lewis
To Make Black Bodies Strange: Social Critique in Concert Dance of the Black Arts Movement (1998) Thomas DeFrantz A Road Through the Wilderness (1998) John O'Neal; Dialog: The Free Southern Theater (1965) Gilbert Moses, John O'Neal, Denise Nicholas, Murray Levy and Richard Schechner; Motion in the Ocean: Some Political Dimensions of the Free Southern Theater (1968) John O'Neal; After the Free Southern Theater: A Dialog (1987) Tom Dent and Jerry W.Ward, Jr.; John O'Neal, Actor and Activist: The Praxis of Storytelling (1992) Kate Hammer; Rode a Railroad That Had No Track (1998) Glenda Dicker/sun Theatre in Historically Black Colleges: A Survey of 100 Years (1998) James V. Hatch Stepping, Saluting, Cracking, and Freaking: The Cultural Politics of African-American Step Shows (1991) Elizabeth C. Fine; The Gospel Musical and Its Place in the Black American Theatre (1998) Warren B. Burdine, Jr.; Catalysis: An Interview with Adrian Piper (1972) Lucy Lippard; Four Bad Sisters (1998) Eugene Nesmith; A Growth of Images (1977) Adrienne Kennedy; Obsessing in Public: An Interview with Robbie McCauley(1993) Vicki Patraka; Sally's Rape (1994) Robbie McCauley Anna Deavere Smith: Acting as Incorporation (1993) Richard Schechner The Word Becomes You: An Interview with Anna Deavere Smith (1993) Carol Martin; Doo-a-diddly-dit-dit: An Interview with Suzan-Lori Parks and Liz Diamond (1995) Steven Drukman; The America Play (1994) Suzan-Lori Parks; Index |
Record Nr. | UNINA-9910779938603321 |
Bean Annemarie | ||
Hoboken, : Taylor and Francis, 2002 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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The Cambridge companion to African American theatre / edited by Harvey Young |
Pubbl/distr/stampa | Cambridge [etc.], : Cambridge University Press, 2013 |
Descrizione fisica | xix, 291 p. : ill. ; 23 cm. |
Disciplina | 792.08996073(Teatro. Storia e descrizione in riferimento a specifici gruppi etnici e nazionali. Afroamericani (Neri degli Stati Uniti)) |
Soggetto topico |
TEATRO AFRO-AMERICANO - Storia
TEATRO - Autori afro-americani - Studi |
ISBN | 978-11-07-60275-5 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNIOR-UON00499633 |
Cambridge [etc.], : Cambridge University Press, 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. L'Orientale | ||
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