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The lively arts of the London stage, 1675-1725 / / edited by Kathryn Lowerre
| The lively arts of the London stage, 1675-1725 / / edited by Kathryn Lowerre |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2016 |
| Descrizione fisica | 1 online resource (325 p.) |
| Disciplina |
791.0942109032
792.09421 792/.09421 |
| Altri autori (Persone) | LowerreKathryn |
| Collana | Performance in the Long Eighteenth Century: Studies in Theatre, Music, Dance |
| Soggetto topico |
Musical theater -- England -- London -- History -- 17th century
Musical theater -- England -- London -- History -- 18th century Theater -- England -- London -- History -- 17th century Theater -- England -- London -- History -- 18th century Theater - History - 17th century - London - England Theater - History - 18th century - London - England Musical theater - History - 17th century - England - London Musical theater - History - 18th century - London - England Music, Dance, Drama & Film Drama |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-315-23859-4
1-4094-5532-7 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; List of Figures; List of Music Examples; List of Tables; Notes on Contributors; Acknowledgments; Introduction; Part IFirst, Music: Settings of Congreve's Judgment of Paris; 1 The Singers of The Judgment of Paris; 2 Harmonia Anglicana or Why Finger Failed in 'The Prize Musick'; 3The 'Prize Musick' of 1701: A Reinvestigation of the Staging Issue; Part II Mainpiece: The Lively Arts of the London Stage; 4 Composing after the Italian Manner: The English Cantata 1700-1710; 5 Johann Pepusch, Aesthetics, and the Sister Arts
6From Scaramouche to Harlequin: Dances 'in grotesque characters' on the London Stage7 Music, Magic, and Morality: Stage Reform and the Pastoral Mode; 8Madness 'Free from Vice': Musical Eroticism in the Pastoral World of The Fickle Shepherdess; 9 'Let all be husht': Songs in Praise of Anne Bracegirdle and Arabella Hunt; 10Burning and Stoic Men: Mad Rants and the Performance of Passionate Pain in the Plays of Nathaniel Lee, 1674 to 1678; 11Appreciating Bononcini's Astianatte (1727): An Italian Opera for the London Stage; Part IIIAfterpiece: Comedy, Farce, and Competition; 12 The Right to Write or, Colley Cibber and The Drury-Lane Monster13 'Quotation is the sincerest form of ...'?: Signature Songs as Inter-Theatrical References; Bibliography; Index |
| Record Nr. | UNINA-9910464904003321 |
| London ; ; New York : , : Routledge, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The lively arts of the London stage, 1675-1725 / / edited by Kathryn Lowerre
| The lively arts of the London stage, 1675-1725 / / edited by Kathryn Lowerre |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2016 |
| Descrizione fisica | 1 online resource (325 p.) |
| Disciplina |
791.0942109032
792.09421 792/.09421 |
| Altri autori (Persone) | LowerreKathryn |
| Collana | Performance in the Long Eighteenth Century: Studies in Theatre, Music, Dance |
| Soggetto topico |
Musical theater -- England -- London -- History -- 17th century
Musical theater -- England -- London -- History -- 18th century Theater -- England -- London -- History -- 17th century Theater -- England -- London -- History -- 18th century Theater - History - 17th century - London - England Theater - History - 18th century - London - England Musical theater - History - 17th century - England - London Musical theater - History - 18th century - London - England Music, Dance, Drama & Film Drama |
| ISBN |
1-315-23859-4
1-4094-5532-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; List of Figures; List of Music Examples; List of Tables; Notes on Contributors; Acknowledgments; Introduction; Part IFirst, Music: Settings of Congreve's Judgment of Paris; 1 The Singers of The Judgment of Paris; 2 Harmonia Anglicana or Why Finger Failed in 'The Prize Musick'; 3The 'Prize Musick' of 1701: A Reinvestigation of the Staging Issue; Part II Mainpiece: The Lively Arts of the London Stage; 4 Composing after the Italian Manner: The English Cantata 1700-1710; 5 Johann Pepusch, Aesthetics, and the Sister Arts
6From Scaramouche to Harlequin: Dances 'in grotesque characters' on the London Stage7 Music, Magic, and Morality: Stage Reform and the Pastoral Mode; 8Madness 'Free from Vice': Musical Eroticism in the Pastoral World of The Fickle Shepherdess; 9 'Let all be husht': Songs in Praise of Anne Bracegirdle and Arabella Hunt; 10Burning and Stoic Men: Mad Rants and the Performance of Passionate Pain in the Plays of Nathaniel Lee, 1674 to 1678; 11Appreciating Bononcini's Astianatte (1727): An Italian Opera for the London Stage; Part IIIAfterpiece: Comedy, Farce, and Competition; 12 The Right to Write or, Colley Cibber and The Drury-Lane Monster13 'Quotation is the sincerest form of ...'?: Signature Songs as Inter-Theatrical References; Bibliography; Index |
| Record Nr. | UNINA-9910789121703321 |
| London ; ; New York : , : Routledge, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The lively arts of the London stage, 1675-1725 / / edited by Kathryn Lowerre
| The lively arts of the London stage, 1675-1725 / / edited by Kathryn Lowerre |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2016 |
| Descrizione fisica | 1 online resource (325 p.) |
| Disciplina |
791.0942109032
792.09421 792/.09421 |
| Altri autori (Persone) | LowerreKathryn |
| Collana | Performance in the Long Eighteenth Century: Studies in Theatre, Music, Dance |
| Soggetto topico |
Musical theater -- England -- London -- History -- 17th century
Musical theater -- England -- London -- History -- 18th century Theater -- England -- London -- History -- 17th century Theater -- England -- London -- History -- 18th century Theater - History - 17th century - London - England Theater - History - 18th century - London - England Musical theater - History - 17th century - England - London Musical theater - History - 18th century - London - England Music, Dance, Drama & Film Drama |
| ISBN |
1-315-23859-4
1-4094-5532-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; List of Figures; List of Music Examples; List of Tables; Notes on Contributors; Acknowledgments; Introduction; Part IFirst, Music: Settings of Congreve's Judgment of Paris; 1 The Singers of The Judgment of Paris; 2 Harmonia Anglicana or Why Finger Failed in 'The Prize Musick'; 3The 'Prize Musick' of 1701: A Reinvestigation of the Staging Issue; Part II Mainpiece: The Lively Arts of the London Stage; 4 Composing after the Italian Manner: The English Cantata 1700-1710; 5 Johann Pepusch, Aesthetics, and the Sister Arts
6From Scaramouche to Harlequin: Dances 'in grotesque characters' on the London Stage7 Music, Magic, and Morality: Stage Reform and the Pastoral Mode; 8Madness 'Free from Vice': Musical Eroticism in the Pastoral World of The Fickle Shepherdess; 9 'Let all be husht': Songs in Praise of Anne Bracegirdle and Arabella Hunt; 10Burning and Stoic Men: Mad Rants and the Performance of Passionate Pain in the Plays of Nathaniel Lee, 1674 to 1678; 11Appreciating Bononcini's Astianatte (1727): An Italian Opera for the London Stage; Part IIIAfterpiece: Comedy, Farce, and Competition; 12 The Right to Write or, Colley Cibber and The Drury-Lane Monster13 'Quotation is the sincerest form of ...'?: Signature Songs as Inter-Theatrical References; Bibliography; Index |
| Record Nr. | UNINA-9910827865303321 |
| London ; ; New York : , : Routledge, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Royal Court Theatre and the modern stage / / Philip Roberts [[electronic resource]]
| The Royal Court Theatre and the modern stage / / Philip Roberts [[electronic resource]] |
| Autore | Roberts Philip <1942-> |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 1999 |
| Descrizione fisica | 1 online resource (xxi, 291 pages) : digital, PDF file(s) |
| Disciplina | 792/.09421 |
| Collana | Cambridge studies in modern theatre |
| Soggetto topico | English drama - 20th century - History and criticism |
| ISBN |
1-107-11262-1
1-280-15188-9 0-511-48607-3 0-511-14989-1 0-511-30990-2 0-511-11618-7 0-511-05311-8 0-521-47438-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Foreword / Max Stafford-Clark -- Introduction: abortive schemes, 1951-1954 -- ; 1. Coincidences, 1954-1956 -- ; 2. The struggle for control, 1956-1960 -- ; 3. Conflict and competition, 1961-1965 -- ; 4. A socialist theatre, 1965-1969 -- ; 5. A humanist theatre, 1969-1975 -- ; 6. Changing places, 1975-1979 -- ; 7. Theatre in a cold climate, 1980-1986 -- ; 8. Holding on, 1987-1993. |
| Altri titoli varianti | The Royal Court Theatre & the Modern Stage |
| Record Nr. | UNINA-9910455207903321 |
Roberts Philip <1942->
|
||
| Cambridge : , : Cambridge University Press, , 1999 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Royal Court Theatre and the modern stage / / Philip Roberts [[electronic resource]]
| The Royal Court Theatre and the modern stage / / Philip Roberts [[electronic resource]] |
| Autore | Roberts Philip <1942-> |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 1999 |
| Descrizione fisica | 1 online resource (xxi, 291 pages) : digital, PDF file(s) |
| Disciplina | 792/.09421 |
| Collana | Cambridge studies in modern theatre |
| Soggetto topico | English drama - 20th century - History and criticism |
| ISBN |
0-511-09270-9
1-107-11262-1 1-280-15188-9 0-511-48607-3 0-511-14989-1 0-511-30990-2 0-511-11618-7 0-511-05311-8 0-521-47438-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Foreword / Max Stafford-Clark -- Introduction: abortive schemes, 1951-1954 -- ; 1. Coincidences, 1954-1956 -- ; 2. The struggle for control, 1956-1960 -- ; 3. Conflict and competition, 1961-1965 -- ; 4. A socialist theatre, 1965-1969 -- ; 5. A humanist theatre, 1969-1975 -- ; 6. Changing places, 1975-1979 -- ; 7. Theatre in a cold climate, 1980-1986 -- ; 8. Holding on, 1987-1993. |
| Altri titoli varianti | The Royal Court Theatre & the Modern Stage |
| Record Nr. | UNISA-996248116503316 |
|
Roberts Philip <1942->
|
||
| Cambridge : , : Cambridge University Press, , 1999 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
The Royal Court Theatre and the modern stage / / Philip Roberts [[electronic resource]]
| The Royal Court Theatre and the modern stage / / Philip Roberts [[electronic resource]] |
| Autore | Roberts Philip <1942-> |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 1999 |
| Descrizione fisica | 1 online resource (xxi, 291 pages) : digital, PDF file(s) |
| Disciplina | 792/.09421 |
| Collana | Cambridge studies in modern theatre |
| Soggetto topico | English drama - 20th century - History and criticism |
| ISBN |
0-511-09270-9
1-107-11262-1 1-280-15188-9 0-511-48607-3 0-511-14989-1 0-511-30990-2 0-511-11618-7 0-511-05311-8 0-521-47438-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Foreword / Max Stafford-Clark -- Introduction: abortive schemes, 1951-1954 -- ; 1. Coincidences, 1954-1956 -- ; 2. The struggle for control, 1956-1960 -- ; 3. Conflict and competition, 1961-1965 -- ; 4. A socialist theatre, 1965-1969 -- ; 5. A humanist theatre, 1969-1975 -- ; 6. Changing places, 1975-1979 -- ; 7. Theatre in a cold climate, 1980-1986 -- ; 8. Holding on, 1987-1993. |
| Altri titoli varianti | The Royal Court Theatre & the Modern Stage |
| Record Nr. | UNINA-9910780094203321 |
|
Roberts Philip <1942->
|
||
| Cambridge : , : Cambridge University Press, , 1999 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Royal Court Theatre and the modern stage / / Philip Roberts
| The Royal Court Theatre and the modern stage / / Philip Roberts |
| Autore | Roberts Philip <1942-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Cambridge, UK ; ; New York, NY, : Cambridge University Press, 1999 |
| Descrizione fisica | 1 online resource (xxi, 291 pages) : digital, PDF file(s) |
| Disciplina | 792/.09421 |
| Collana | Cambridge studies in modern theatre |
| ISBN |
0-511-09270-9
1-107-11262-1 1-280-15188-9 0-511-48607-3 0-511-14989-1 0-511-30990-2 0-511-11618-7 0-511-05311-8 0-521-47438-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Foreword / Max Stafford-Clark -- Introduction: abortive schemes, 1951-1954 -- ; 1. Coincidences, 1954-1956 -- ; 2. The struggle for control, 1956-1960 -- ; 3. Conflict and competition, 1961-1965 -- ; 4. A socialist theatre, 1965-1969 -- ; 5. A humanist theatre, 1969-1975 -- ; 6. Changing places, 1975-1979 -- ; 7. Theatre in a cold climate, 1980-1986 -- ; 8. Holding on, 1987-1993. |
| Record Nr. | UNINA-9910819698403321 |
|
Roberts Philip <1942->
|
||
| Cambridge, UK ; ; New York, NY, : Cambridge University Press, 1999 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||