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Acting (re)considered : a theoretical and practical guide / / [edited by] Phillip B. Zarrilli
| Acting (re)considered : a theoretical and practical guide / / [edited by] Phillip B. Zarrilli |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2002 |
| Descrizione fisica | 1 online resource (417 p.) |
| Disciplina | 792/.028 |
| Altri autori (Persone) | ZarrilliPhillip B. <1947-> |
| Collana | Worlds of performance |
| Soggetto topico | Acting |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-134-57543-2
1-134-57544-0 1-280-14200-6 0-203-99147-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Book Cover; Title; Contents; List of Illustrations; Contributors; Preface; Acknowledgements; General Introduction: Between theory and practice; Introduction; The Actor's Presence: Three phenomenal modes; On Acting and Not-Acting; ""Just Be Your Self"": Logocentrism and difference in performance theory; The Actor's Emotions Reconsidered: A psychological task-based perspective; Introduction; An Amulet Made of Memory: The significance of exercises in the actor's dramaturgy; Meyerhold's Biomechanics; Etienne Decroux's Promethean Mime; Actor Training in the Neutral Mask
Bali and Grotowski: Some parallels in the training processCulture is the Body; My Bodies: The performer in West Java; ""On the edge of a breath, looking"": Cultivating the actor's bodymind through Asian martial/meditation arts; The Gardzienice Theatre Association of Poland; Effector Patterns of Basic Emotions: A psychophysiological method for training actors; Introduction; Brecht and the Contradictory Actor; Dario Fo: The roar of the clown; Forum Theatre; Resisting the ""Organic"": A feminist actor's approach; Rachel Rosenthal Creating Her Selves; Task and Vision: Willem Dafoe in LSD David Warrilow: Creating symbol and cypherRobert Wilson and the Actor: Performing in Danton's Death; Anna Deavere Smith; Notes; Bibliography and References Cited; Bibliographical Note: Actors speaking on acting; Index |
| Record Nr. | UNINA-9910457575903321 |
| London ; ; New York : , : Routledge, , 2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Acting (re)considered : a theoretical and practical guide / / [edited by] Phillip B. Zarrilli
| Acting (re)considered : a theoretical and practical guide / / [edited by] Phillip B. Zarrilli |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2002 |
| Descrizione fisica | 1 online resource (417 p.) |
| Disciplina | 792/.028 |
| Altri autori (Persone) | ZarrilliPhillip B. <1947-> |
| Collana | Worlds of performance |
| Soggetto topico | Acting |
| ISBN |
1-134-57543-2
1-134-57544-0 1-280-14200-6 0-203-99147-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Book Cover; Title; Contents; List of Illustrations; Contributors; Preface; Acknowledgements; General Introduction: Between theory and practice; Introduction; The Actor's Presence: Three phenomenal modes; On Acting and Not-Acting; ""Just Be Your Self"": Logocentrism and difference in performance theory; The Actor's Emotions Reconsidered: A psychological task-based perspective; Introduction; An Amulet Made of Memory: The significance of exercises in the actor's dramaturgy; Meyerhold's Biomechanics; Etienne Decroux's Promethean Mime; Actor Training in the Neutral Mask
Bali and Grotowski: Some parallels in the training processCulture is the Body; My Bodies: The performer in West Java; ""On the edge of a breath, looking"": Cultivating the actor's bodymind through Asian martial/meditation arts; The Gardzienice Theatre Association of Poland; Effector Patterns of Basic Emotions: A psychophysiological method for training actors; Introduction; Brecht and the Contradictory Actor; Dario Fo: The roar of the clown; Forum Theatre; Resisting the ""Organic"": A feminist actor's approach; Rachel Rosenthal Creating Her Selves; Task and Vision: Willem Dafoe in LSD David Warrilow: Creating symbol and cypherRobert Wilson and the Actor: Performing in Danton's Death; Anna Deavere Smith; Notes; Bibliography and References Cited; Bibliographical Note: Actors speaking on acting; Index |
| Altri titoli varianti | Acting reconsidered |
| Record Nr. | UNINA-9910784586903321 |
| London ; ; New York : , : Routledge, , 2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Acting (re)considered : a theoretical and practical guide / / [edited by] Phillip B. Zarrilli
| Acting (re)considered : a theoretical and practical guide / / [edited by] Phillip B. Zarrilli |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | London ; ; New York, : Routledge, 2002 |
| Descrizione fisica | 1 online resource (417 p.) |
| Disciplina | 792/.028 |
| Altri autori (Persone) | ZarrilliPhillip B. <1947-> |
| Collana | Worlds of performance |
| Soggetto topico | Acting |
| ISBN |
1-134-57543-2
1-134-57544-0 1-280-14200-6 0-203-99147-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Book Cover; Title; Contents; List of Illustrations; Contributors; Preface; Acknowledgements; General Introduction: Between theory and practice; Introduction; The Actor's Presence: Three phenomenal modes; On Acting and Not-Acting; ""Just Be Your Self"": Logocentrism and difference in performance theory; The Actor's Emotions Reconsidered: A psychological task-based perspective; Introduction; An Amulet Made of Memory: The significance of exercises in the actor's dramaturgy; Meyerhold's Biomechanics; Etienne Decroux's Promethean Mime; Actor Training in the Neutral Mask
Bali and Grotowski: Some parallels in the training processCulture is the Body; My Bodies: The performer in West Java; ""On the edge of a breath, looking"": Cultivating the actor's bodymind through Asian martial/meditation arts; The Gardzienice Theatre Association of Poland; Effector Patterns of Basic Emotions: A psychophysiological method for training actors; Introduction; Brecht and the Contradictory Actor; Dario Fo: The roar of the clown; Forum Theatre; Resisting the ""Organic"": A feminist actor's approach; Rachel Rosenthal Creating Her Selves; Task and Vision: Willem Dafoe in LSD David Warrilow: Creating symbol and cypherRobert Wilson and the Actor: Performing in Danton's Death; Anna Deavere Smith; Notes; Bibliography and References Cited; Bibliographical Note: Actors speaking on acting; Index |
| Altri titoli varianti | Acting reconsidered |
| Record Nr. | UNINA-9910817512403321 |
| London ; ; New York, : Routledge, 2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Approaches to acting : past and present / / Daniel Meyer-Dinkgräfe
| Approaches to acting : past and present / / Daniel Meyer-Dinkgräfe |
| Autore | Meyer-Dinkgräfe Daniel <1958-> |
| Pubbl/distr/stampa | London ; ; New York : , : Continuum, , 2001 |
| Descrizione fisica | 1 online resource (234 p.) |
| Disciplina | 792/.028 |
| Collana | Continuum Collection |
| Soggetto topico |
Acting
Acting - History |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-8264-4901-8
1-283-20229-8 9786613202291 1-4411-0381-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Acknowledgements; Introduction; 1 Worldwide Origins of Acting; 2 The Foundations of Western Approaches to Acting: Greece and Rome; 3 Renewing the Sources: Approaches to Acting in the Middle Ages and the Renaissance; 4 Nature or Form: Approaches to Acting from 1550 to 1900; 5 Approaches to Acting in the Twentieth Century; 6 Non-Western Approaches to Acting; 7 Approaches to Acting in the Intercultural Paradigm; 8 Training the Actor, Past and Present; 9 Theatre Criticism; 10 The Future of Acting; Notes; Bibliography; Index |
| Record Nr. | UNINA-9910461493103321 |
Meyer-Dinkgräfe Daniel <1958->
|
||
| London ; ; New York : , : Continuum, , 2001 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Approaches to acting : past and present / / Daniel Meyer-Dinkgräfe
| Approaches to acting : past and present / / Daniel Meyer-Dinkgräfe |
| Autore | Meyer-Dinkgräfe Daniel <1958-> |
| Pubbl/distr/stampa | London ; ; New York : , : Continuum, , 2001 |
| Descrizione fisica | 1 online resource (234 p.) |
| Disciplina | 792/.028 |
| Collana | Continuum Collection |
| Soggetto topico |
Acting
Acting - History |
| ISBN |
0-8264-4901-8
1-283-20229-8 9786613202291 1-4411-0381-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Acknowledgements; Introduction; 1 Worldwide Origins of Acting; 2 The Foundations of Western Approaches to Acting: Greece and Rome; 3 Renewing the Sources: Approaches to Acting in the Middle Ages and the Renaissance; 4 Nature or Form: Approaches to Acting from 1550 to 1900; 5 Approaches to Acting in the Twentieth Century; 6 Non-Western Approaches to Acting; 7 Approaches to Acting in the Intercultural Paradigm; 8 Training the Actor, Past and Present; 9 Theatre Criticism; 10 The Future of Acting; Notes; Bibliography; Index |
| Record Nr. | UNINA-9910789781503321 |
|
Meyer-Dinkgräfe Daniel <1958->
|
||
| London ; ; New York : , : Continuum, , 2001 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Approaches to acting : past and present / / Daniel Meyer-Dinkgräfe
| Approaches to acting : past and present / / Daniel Meyer-Dinkgräfe |
| Autore | Meyer-Dinkgräfe Daniel <1958-> |
| Pubbl/distr/stampa | London ; ; New York : , : Continuum, , 2001 |
| Descrizione fisica | 1 online resource (234 p.) |
| Disciplina | 792/.028 |
| Collana | Continuum Collection |
| Soggetto topico |
Acting
Acting - History |
| ISBN |
0-8264-4901-8
1-283-20229-8 9786613202291 1-4411-0381-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Acknowledgements; Introduction; 1 Worldwide Origins of Acting; 2 The Foundations of Western Approaches to Acting: Greece and Rome; 3 Renewing the Sources: Approaches to Acting in the Middle Ages and the Renaissance; 4 Nature or Form: Approaches to Acting from 1550 to 1900; 5 Approaches to Acting in the Twentieth Century; 6 Non-Western Approaches to Acting; 7 Approaches to Acting in the Intercultural Paradigm; 8 Training the Actor, Past and Present; 9 Theatre Criticism; 10 The Future of Acting; Notes; Bibliography; Index |
| Record Nr. | UNINA-9910817165403321 |
|
Meyer-Dinkgräfe Daniel <1958->
|
||
| London ; ; New York : , : Continuum, , 2001 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Games for actors and non-actors / / Augusto Boal
| Games for actors and non-actors / / Augusto Boal |
| Autore | Boal Augusto |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | New York : , : Routledge, , 2002 |
| Descrizione fisica | 1 online resource (332 p.) |
| Disciplina |
792.02/8
792.028 792/.028 |
| Soggetto topico |
Acting
Games |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-134-49851-9
1-280-11592-0 0-203-99481-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | BOOK COVER; TITLE; COPYRIGHT; CONTENTS; 1 THEATRE OF THE OPPRESSED IN EUROPE; 2 THE STRUCTURE OF THE ACTOR'S WORK; 3 THE ARSENAL OF THEATRE OF THE OPPRESSED; 4 THE EARLY FORMS OF FORUM THEATRE; 5 FORUM THEATRE; 6 FIRST EXPERIENCES WITH INVISIBLE THEATRE; 7 ARTISTIC CREATION AND DIVINE MADNESS; POSTSCRIPT |
| Record Nr. | UNINA-9910451173203321 |
|
Boal Augusto
|
||
| New York : , : Routledge, , 2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Gorilla theatre : a practical guide to performing the new outdoor theatre anytime, anywhere / / Christopher Carter Sanderson
| Gorilla theatre : a practical guide to performing the new outdoor theatre anytime, anywhere / / Christopher Carter Sanderson |
| Autore | Sanderson Christopher Carter <1965-, > |
| Pubbl/distr/stampa | New York : , : Routledge, , 2003 |
| Descrizione fisica | 1 online resource (209 p.) |
| Disciplina | 792/.028 |
| Soggetto topico |
Acting
Theater - Production and direction |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-87830-171-2
1-315-05995-9 1-135-87066-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover ; Half-title; Title Page; Copyright Page; Dedication ; Table of Contents; Foreword ; Acknowledgments; Introduction: About Gorilla Repertory Theatre Company, Inc; 1. Concept and Location; Inspiration; Read Plays, Shakespeare First; List Plays; Tour Sites; List Sites with Pros and Cons; 2. Scouting; Organizations That Can Help; Rights of Free Speech and Assembly; Working Conditions for the Actors and Personnel; Mapping the Site; 3. Establishing Corporate Culture; Observations; Responding to Conflicts; Running Effective Meetings; 4. Casting; Ideas and Ideals
Respect for Actors and Demands of the FormEnthusiasm for the Form; Character Basics and Physical Motion; Working in Further Detail; Techniques and Scheduling; Callback Practices and Forms; 5. Rehearsal Techniques; Introduction: Use What You Know; How Do You See?; Respect for the Audience; Respect for the Text; The Character Meeting: Establishing Individual Communication; Scheduling Rehearsal; The Three-Phase Technique: Improvisation, Work-Through, and Staging; Run-Throughs; Adapting Indoor Techniques to Outdoor Uses; A Note; 6. The Paratheatric Rehearsal Technique; Brief Description Early ExperimentsScouting and Booking; Logistic; Schedule; Blazing and Establishing Safe Practices; Improvisation Suggestions for Day One and Day Two; The Bonfire: Metaphor and Practice; Night Exercises; The Paratheatric Run; Examples of Staging Brought Back; Integrating Paratheatric Discoveries; Variations and How to Invent New Paratheatric Rehearsal Procedures; 7. On-Site Directing and Operational Practices; Practicing Nonconfrontational Conflict Resolution; Cut Procedure; The Role of the Director in Performance; 8. Organizational Approaches; Mission Statement and Incorporation Working with VolunteersInterns; Publicity: Homemade and Professional; Sponsorship; Permits, Contracts, and Letters of Agreement; Working with Designers; Working with an Assistant; Working with Crews; Trucks and Trucking; Notes for the Producer; 9. Documentation Practices; Documentarian; Photo Strategies; Video Strategies; Archiving: Print, Video, and Mailing Lists; 10. Design Issues and Aesthetic Practice; Lighting; Props; Sets; Stage Fighting; 11. Indoor Environmental or Action Theatre; Design Issues; Audience Changes and Pressures; Examples; 12. Moving a Show; Feel of the Show Moving A Midsummer Night's Dream: "Get Puck!" and Other Stories13. Notes and Observations; Dialogue with Criticism; Relationship to Academia; Sibling Institutions; 14. Spirituality; Bibliography; Index |
| Record Nr. | UNINA-9910452440403321 |
|
Sanderson Christopher Carter <1965-, >
|
||
| New York : , : Routledge, , 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Gorilla theatre : a practical guide to performing the new outdoor theatre anytime, anywhere / / Christopher Carter Sanderson
| Gorilla theatre : a practical guide to performing the new outdoor theatre anytime, anywhere / / Christopher Carter Sanderson |
| Autore | Sanderson Christopher Carter <1965-, > |
| Pubbl/distr/stampa | New York : , : Routledge, , 2003 |
| Descrizione fisica | 1 online resource (209 p.) |
| Disciplina | 792/.028 |
| Soggetto topico |
Acting
Theater - Production and direction |
| ISBN |
1-135-87073-X
0-87830-171-2 1-315-05995-9 1-135-87066-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover ; Half-title; Title Page; Copyright Page; Dedication ; Table of Contents; Foreword ; Acknowledgments; Introduction: About Gorilla Repertory Theatre Company, Inc; 1. Concept and Location; Inspiration; Read Plays, Shakespeare First; List Plays; Tour Sites; List Sites with Pros and Cons; 2. Scouting; Organizations That Can Help; Rights of Free Speech and Assembly; Working Conditions for the Actors and Personnel; Mapping the Site; 3. Establishing Corporate Culture; Observations; Responding to Conflicts; Running Effective Meetings; 4. Casting; Ideas and Ideals
Respect for Actors and Demands of the FormEnthusiasm for the Form; Character Basics and Physical Motion; Working in Further Detail; Techniques and Scheduling; Callback Practices and Forms; 5. Rehearsal Techniques; Introduction: Use What You Know; How Do You See?; Respect for the Audience; Respect for the Text; The Character Meeting: Establishing Individual Communication; Scheduling Rehearsal; The Three-Phase Technique: Improvisation, Work-Through, and Staging; Run-Throughs; Adapting Indoor Techniques to Outdoor Uses; A Note; 6. The Paratheatric Rehearsal Technique; Brief Description Early ExperimentsScouting and Booking; Logistic; Schedule; Blazing and Establishing Safe Practices; Improvisation Suggestions for Day One and Day Two; The Bonfire: Metaphor and Practice; Night Exercises; The Paratheatric Run; Examples of Staging Brought Back; Integrating Paratheatric Discoveries; Variations and How to Invent New Paratheatric Rehearsal Procedures; 7. On-Site Directing and Operational Practices; Practicing Nonconfrontational Conflict Resolution; Cut Procedure; The Role of the Director in Performance; 8. Organizational Approaches; Mission Statement and Incorporation Working with VolunteersInterns; Publicity: Homemade and Professional; Sponsorship; Permits, Contracts, and Letters of Agreement; Working with Designers; Working with an Assistant; Working with Crews; Trucks and Trucking; Notes for the Producer; 9. Documentation Practices; Documentarian; Photo Strategies; Video Strategies; Archiving: Print, Video, and Mailing Lists; 10. Design Issues and Aesthetic Practice; Lighting; Props; Sets; Stage Fighting; 11. Indoor Environmental or Action Theatre; Design Issues; Audience Changes and Pressures; Examples; 12. Moving a Show; Feel of the Show Moving A Midsummer Night's Dream: "Get Puck!" and Other Stories13. Notes and Observations; Dialogue with Criticism; Relationship to Academia; Sibling Institutions; 14. Spirituality; Bibliography; Index |
| Altri titoli varianti | Gorilla theater |
| Record Nr. | UNINA-9910790661703321 |
|
Sanderson Christopher Carter <1965-, >
|
||
| New York : , : Routledge, , 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Gorilla theatre : a practical guide to performing the new outdoor theatre anytime, anywhere / / Christopher Carter Sanderson
| Gorilla theatre : a practical guide to performing the new outdoor theatre anytime, anywhere / / Christopher Carter Sanderson |
| Autore | Sanderson Christopher Carter <1965-, > |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York : , : Routledge, , 2003 |
| Descrizione fisica | 1 online resource (209 p.) |
| Disciplina | 792/.028 |
| Soggetto topico |
Acting
Theater - Production and direction |
| ISBN |
1-135-87073-X
0-87830-171-2 1-315-05995-9 1-135-87066-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover ; Half-title; Title Page; Copyright Page; Dedication ; Table of Contents; Foreword ; Acknowledgments; Introduction: About Gorilla Repertory Theatre Company, Inc; 1. Concept and Location; Inspiration; Read Plays, Shakespeare First; List Plays; Tour Sites; List Sites with Pros and Cons; 2. Scouting; Organizations That Can Help; Rights of Free Speech and Assembly; Working Conditions for the Actors and Personnel; Mapping the Site; 3. Establishing Corporate Culture; Observations; Responding to Conflicts; Running Effective Meetings; 4. Casting; Ideas and Ideals
Respect for Actors and Demands of the FormEnthusiasm for the Form; Character Basics and Physical Motion; Working in Further Detail; Techniques and Scheduling; Callback Practices and Forms; 5. Rehearsal Techniques; Introduction: Use What You Know; How Do You See?; Respect for the Audience; Respect for the Text; The Character Meeting: Establishing Individual Communication; Scheduling Rehearsal; The Three-Phase Technique: Improvisation, Work-Through, and Staging; Run-Throughs; Adapting Indoor Techniques to Outdoor Uses; A Note; 6. The Paratheatric Rehearsal Technique; Brief Description Early ExperimentsScouting and Booking; Logistic; Schedule; Blazing and Establishing Safe Practices; Improvisation Suggestions for Day One and Day Two; The Bonfire: Metaphor and Practice; Night Exercises; The Paratheatric Run; Examples of Staging Brought Back; Integrating Paratheatric Discoveries; Variations and How to Invent New Paratheatric Rehearsal Procedures; 7. On-Site Directing and Operational Practices; Practicing Nonconfrontational Conflict Resolution; Cut Procedure; The Role of the Director in Performance; 8. Organizational Approaches; Mission Statement and Incorporation Working with VolunteersInterns; Publicity: Homemade and Professional; Sponsorship; Permits, Contracts, and Letters of Agreement; Working with Designers; Working with an Assistant; Working with Crews; Trucks and Trucking; Notes for the Producer; 9. Documentation Practices; Documentarian; Photo Strategies; Video Strategies; Archiving: Print, Video, and Mailing Lists; 10. Design Issues and Aesthetic Practice; Lighting; Props; Sets; Stage Fighting; 11. Indoor Environmental or Action Theatre; Design Issues; Audience Changes and Pressures; Examples; 12. Moving a Show; Feel of the Show Moving A Midsummer Night's Dream: "Get Puck!" and Other Stories13. Notes and Observations; Dialogue with Criticism; Relationship to Academia; Sibling Institutions; 14. Spirituality; Bibliography; Index |
| Altri titoli varianti | Gorilla theater |
| Record Nr. | UNINA-9910819568403321 |
|
Sanderson Christopher Carter <1965-, >
|
||
| New York : , : Routledge, , 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
