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The philosophy of TV noir / / edited by Steven M. Sanders and Aeon J. Skoble ; contributors, Jerold J. Abrams [and fifteen others]
| The philosophy of TV noir / / edited by Steven M. Sanders and Aeon J. Skoble ; contributors, Jerold J. Abrams [and fifteen others] |
| Pubbl/distr/stampa | Lexington, Kentucky : , : The University Press of Kentucky, , 2008 |
| Descrizione fisica | 1 online resource (284 p.) |
| Disciplina | 791.45/61 |
| Collana | Philosophy of Popular Culture |
| Soggetto topico |
Detective and mystery television programs - United States - History and criticism
Fantasy television programs - United States - History and criticism Film noir - United States - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-8131-5678-5
0-8131-7262-4 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half-title ; Title; Copyright; Contents; Preface and Acknowledgments; An Introduction to the Philosophy of TV Noir; From Film Noir to TV Noir; The Through-Line of Film Noir; Realism and Relativism; An Unreasoning Annihilation; Alienation and Moral Ambiguity; Sunshine Noir; Existentialism, Crisis, and Revolt; Nihilism, Noir, and The Sopranos; Postmodernism and Crime Story; Paranoia, Detection, and Crime Scene Investigation; Espionage, Science Fiction, and Realism; The Ambiguous Perspective on Life; Notes; Part 1: Realism, Relativism, and Moral Ambiguity
Dragnet, Film Noir, and Postwar Realism Realism and Documentary in the Film Noir; He Walked by Night; Dragnet: A Different Kind of Realism; ""The Story You Are about to See Is True""; Notes; Naked City: The Relativist Turn in TV Noir; The Relativist Turn; Relativism of Morality and Normality; Cultural Relativism; Problems with Cultural Relativism; Individual Relativism; Notes; John Drake in Greeneland: Noir Themes in Secret Agent; Why Drake Is Not Bond; The Influence of Graham Greene; Noir Themes in Secret Agent; Notes; Action and Integrity in The Fugitive; Duty and Motivation Angels Travel on Lonely Roads The White Knight; Never Stop Running; Notes; Part 2: Existentialism, Nihilism, and the Meaning of Life; Noir et Blanc in Color: Existentialism and Miami Vice; Amphetamine Theatre; Points on a Compass of Cultural Reference; Life Lessons and Death Sentences; Existential Errors; Miami Masquerade; An ""I"" Exam Is Existential; Two Existentialist Approaches; Out of Whose Past?; New Hope for the Living; Notes; 24 and the Existential Man of Revolt; 24 and Noir; Jack Bauer: Noir Protagonist; Camus' ""Man of Revolt""; Jack Bauer: Existential Hero; Notes Carnivale Knowledge: Give Me That Old-time Noir Religion Carnivale and Religious Film Noir; Graham Greene's Whiskey Priest; Brother Justin's ""Fear and Trembling""; Notes; The Sopranos, Film Noir, and Nihilism; Nihilism and Film Noir; God and Gary Cooper Are Dead; ""It's All a Big Nothing""; Animals and Animosity; The Sad Clown; Notes; Part 3: Crime Scene Investigation and the Logic of Detection; CSI and the Art of Forensic Detection; The Corrupt City and CSI Storylines; CSI as Procedural Noir; The Investigative Team; Case Studies; Notes; Detection and the Logic of Abduction in The X-Files Alien NoirThe X-Files Mythology; Mulder and Scully as Sherlock Holmes and Dr. Watson; Mulder and Scully as Noir Detectives; Mulder and Scully and Clifford and James; The Logic of Abduction-the Other ""Abduction""; Detective Semiotics and the ""Absence Sign""; Mulder Thinks Outside the Paradigm; Return to the ""Will to Believe""; Scully and Mulder as One Mind; Notes; Part 4: Autonomy, Selfhood, and Interpretation; Kingdom of Darkness: Autonomy and Conspiracy in The X-Files and Millennium; Mr. (and Ms.) Noir; G-Men; ""Trust No One""; The Carceral Archipelago and the Panoptical Regime; Fugitives Coda: A Noir World Order |
| Record Nr. | UNINA-9910452146003321 |
| Lexington, Kentucky : , : The University Press of Kentucky, , 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The philosophy of TV noir / / edited by Steven M. Sanders and Aeon J. Skoble ; contributors, Jerold J. Abrams [and fifteen others]
| The philosophy of TV noir / / edited by Steven M. Sanders and Aeon J. Skoble ; contributors, Jerold J. Abrams [and fifteen others] |
| Pubbl/distr/stampa | Lexington, Kentucky : , : The University Press of Kentucky, , 2008 |
| Descrizione fisica | 1 online resource (284 p.) |
| Disciplina | 791.45/61 |
| Collana | Philosophy of Popular Culture |
| Soggetto topico |
Detective and mystery television programs - United States - History and criticism
Fantasy television programs - United States - History and criticism Film noir - United States - History and criticism |
| ISBN |
0-8131-5678-5
0-8131-7262-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half-title ; Title; Copyright; Contents; Preface and Acknowledgments; An Introduction to the Philosophy of TV Noir; From Film Noir to TV Noir; The Through-Line of Film Noir; Realism and Relativism; An Unreasoning Annihilation; Alienation and Moral Ambiguity; Sunshine Noir; Existentialism, Crisis, and Revolt; Nihilism, Noir, and The Sopranos; Postmodernism and Crime Story; Paranoia, Detection, and Crime Scene Investigation; Espionage, Science Fiction, and Realism; The Ambiguous Perspective on Life; Notes; Part 1: Realism, Relativism, and Moral Ambiguity
Dragnet, Film Noir, and Postwar Realism Realism and Documentary in the Film Noir; He Walked by Night; Dragnet: A Different Kind of Realism; ""The Story You Are about to See Is True""; Notes; Naked City: The Relativist Turn in TV Noir; The Relativist Turn; Relativism of Morality and Normality; Cultural Relativism; Problems with Cultural Relativism; Individual Relativism; Notes; John Drake in Greeneland: Noir Themes in Secret Agent; Why Drake Is Not Bond; The Influence of Graham Greene; Noir Themes in Secret Agent; Notes; Action and Integrity in The Fugitive; Duty and Motivation Angels Travel on Lonely Roads The White Knight; Never Stop Running; Notes; Part 2: Existentialism, Nihilism, and the Meaning of Life; Noir et Blanc in Color: Existentialism and Miami Vice; Amphetamine Theatre; Points on a Compass of Cultural Reference; Life Lessons and Death Sentences; Existential Errors; Miami Masquerade; An ""I"" Exam Is Existential; Two Existentialist Approaches; Out of Whose Past?; New Hope for the Living; Notes; 24 and the Existential Man of Revolt; 24 and Noir; Jack Bauer: Noir Protagonist; Camus' ""Man of Revolt""; Jack Bauer: Existential Hero; Notes Carnivale Knowledge: Give Me That Old-time Noir Religion Carnivale and Religious Film Noir; Graham Greene's Whiskey Priest; Brother Justin's ""Fear and Trembling""; Notes; The Sopranos, Film Noir, and Nihilism; Nihilism and Film Noir; God and Gary Cooper Are Dead; ""It's All a Big Nothing""; Animals and Animosity; The Sad Clown; Notes; Part 3: Crime Scene Investigation and the Logic of Detection; CSI and the Art of Forensic Detection; The Corrupt City and CSI Storylines; CSI as Procedural Noir; The Investigative Team; Case Studies; Notes; Detection and the Logic of Abduction in The X-Files Alien NoirThe X-Files Mythology; Mulder and Scully as Sherlock Holmes and Dr. Watson; Mulder and Scully as Noir Detectives; Mulder and Scully and Clifford and James; The Logic of Abduction-the Other ""Abduction""; Detective Semiotics and the ""Absence Sign""; Mulder Thinks Outside the Paradigm; Return to the ""Will to Believe""; Scully and Mulder as One Mind; Notes; Part 4: Autonomy, Selfhood, and Interpretation; Kingdom of Darkness: Autonomy and Conspiracy in The X-Files and Millennium; Mr. (and Ms.) Noir; G-Men; ""Trust No One""; The Carceral Archipelago and the Panoptical Regime; Fugitives Coda: A Noir World Order |
| Record Nr. | UNINA-9910778379203321 |
| Lexington, Kentucky : , : The University Press of Kentucky, , 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The philosophy of TV noir / / edited by Steven M. Sanders and Aeon J. Skoble ; contributors, Jerold J. Abrams [and fifteen others]
| The philosophy of TV noir / / edited by Steven M. Sanders and Aeon J. Skoble ; contributors, Jerold J. Abrams [and fifteen others] |
| Pubbl/distr/stampa | Lexington, Kentucky : , : The University Press of Kentucky, , 2008 |
| Descrizione fisica | 1 online resource (284 p.) |
| Disciplina | 791.45/61 |
| Collana | Philosophy of Popular Culture |
| Soggetto topico |
Detective and mystery television programs - United States - History and criticism
Fantasy television programs - United States - History and criticism Film noir - United States - History and criticism |
| ISBN |
0-8131-5678-5
0-8131-7262-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half-title ; Title; Copyright; Contents; Preface and Acknowledgments; An Introduction to the Philosophy of TV Noir; From Film Noir to TV Noir; The Through-Line of Film Noir; Realism and Relativism; An Unreasoning Annihilation; Alienation and Moral Ambiguity; Sunshine Noir; Existentialism, Crisis, and Revolt; Nihilism, Noir, and The Sopranos; Postmodernism and Crime Story; Paranoia, Detection, and Crime Scene Investigation; Espionage, Science Fiction, and Realism; The Ambiguous Perspective on Life; Notes; Part 1: Realism, Relativism, and Moral Ambiguity
Dragnet, Film Noir, and Postwar Realism Realism and Documentary in the Film Noir; He Walked by Night; Dragnet: A Different Kind of Realism; ""The Story You Are about to See Is True""; Notes; Naked City: The Relativist Turn in TV Noir; The Relativist Turn; Relativism of Morality and Normality; Cultural Relativism; Problems with Cultural Relativism; Individual Relativism; Notes; John Drake in Greeneland: Noir Themes in Secret Agent; Why Drake Is Not Bond; The Influence of Graham Greene; Noir Themes in Secret Agent; Notes; Action and Integrity in The Fugitive; Duty and Motivation Angels Travel on Lonely Roads The White Knight; Never Stop Running; Notes; Part 2: Existentialism, Nihilism, and the Meaning of Life; Noir et Blanc in Color: Existentialism and Miami Vice; Amphetamine Theatre; Points on a Compass of Cultural Reference; Life Lessons and Death Sentences; Existential Errors; Miami Masquerade; An ""I"" Exam Is Existential; Two Existentialist Approaches; Out of Whose Past?; New Hope for the Living; Notes; 24 and the Existential Man of Revolt; 24 and Noir; Jack Bauer: Noir Protagonist; Camus' ""Man of Revolt""; Jack Bauer: Existential Hero; Notes Carnivale Knowledge: Give Me That Old-time Noir Religion Carnivale and Religious Film Noir; Graham Greene's Whiskey Priest; Brother Justin's ""Fear and Trembling""; Notes; The Sopranos, Film Noir, and Nihilism; Nihilism and Film Noir; God and Gary Cooper Are Dead; ""It's All a Big Nothing""; Animals and Animosity; The Sad Clown; Notes; Part 3: Crime Scene Investigation and the Logic of Detection; CSI and the Art of Forensic Detection; The Corrupt City and CSI Storylines; CSI as Procedural Noir; The Investigative Team; Case Studies; Notes; Detection and the Logic of Abduction in The X-Files Alien NoirThe X-Files Mythology; Mulder and Scully as Sherlock Holmes and Dr. Watson; Mulder and Scully as Noir Detectives; Mulder and Scully and Clifford and James; The Logic of Abduction-the Other ""Abduction""; Detective Semiotics and the ""Absence Sign""; Mulder Thinks Outside the Paradigm; Return to the ""Will to Believe""; Scully and Mulder as One Mind; Notes; Part 4: Autonomy, Selfhood, and Interpretation; Kingdom of Darkness: Autonomy and Conspiracy in The X-Files and Millennium; Mr. (and Ms.) Noir; G-Men; ""Trust No One""; The Carceral Archipelago and the Panoptical Regime; Fugitives Coda: A Noir World Order |
| Record Nr. | UNINA-9910828029403321 |
| Lexington, Kentucky : , : The University Press of Kentucky, , 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||