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The couch and the silver screen : psychoanalytic reflections on European cinema / / edited by Andrea Sabbadini
| The couch and the silver screen : psychoanalytic reflections on European cinema / / edited by Andrea Sabbadini |
| Pubbl/distr/stampa | Hove, East Sussex ; ; New York : , : Brunner-Routledge, , 2003 |
| Descrizione fisica | 1 online resource (xx, 258 pages) |
| Disciplina | 791.4375019 |
| Altri autori (Persone) | SabbadiniAndrea |
| Collana | New library of psychoanalysis |
| Soggetto topico |
Mass Media
Behavioral Disciplines and Activities Audiovisual Aids Communications Media Teaching Materials Educational Technology Information Science Technology Technology, Industry, and Agriculture Psychoanalytic Interpretation Motion Pictures Music, Dance, Drama & Film Film |
| ISBN |
0-203-01391-3
1-280-05991-5 1-135-44452-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | part, Set and stage -- chapter INTRODUCTION / Andrea Sabbadini -- chapter 1 THE INNER AND OUTER WORLDS OF THE FILMMAKER’S TEMPORARY SOCIAL STRUCTURE / BERNARDO BERTOLUCCI FIONA SHAW -- chapter 2 One in the Eye from Sam: Samuel Beckett’s Film (1964) and his contribution to our vision in theatre, cinema and psychoanalysis / Ian Christie Juliet Stevenson Helen Taylor Robinson -- part, Working through trauma -- chapter 3 Sons and fathers: a room of their own – Nanni Moretti’s The Son’s Room (2001) / NANNI MORETTI PAOLA GOLINELLI -- chapter 4 Witness and persecution in two short films: Miguel Sapochnik’s The Dreamer (2001) and Lindy Heymann’s Kissing Buba (2001) JED SEKOFF / Jed Sekoff -- chapter 5 A post-postmodern Walkyrie: psychoanalytic considerations on Tom Tykwer’s Run, Lola, Run (1998) / Annegret Mahler-Bungers -- chapter 6 Thomas Vinterberg’s Festen (1998): an attempt to avoid madness through denunciation / Liliana Pedrón de Martín -- chapter 7 István Szabó’s Sunshine (1999): the cinematic representation of historical and familial trauma / Diana Diamond -- part, Horror perspectives -- chapter 8 NOTES ON THE RELEVANCE OF PSYCHOANALYTIC THEORY TO EURO-HORROR CINEMA / Steven Jay Schneider -- chapter 9 Dario Argento’s Phenomena (1985): a psychoanalytic perspective on the ‘horror film’ genre and adolescent development / Donald Campbell -- chapter 10 Freedom through re-introjection: a Kleinian perspective on Dominik Moll’s Harry: He’s Here to Help (2000) / Candy Aubry -- chapter 11 Cinema, horror and the abominations of hell: Carl-Theodor Dreyer’s Vampyr (1931) and Lucio Fulci’s The Beyond (1981) / Michael Grant -- part, Documenting internal worlds -- chapter 12 Narratives and documentaries: an encounter with Michael Apted and his films / Michael Apted Helen Taylor Robinson -- chapter 13 THE CINEMATIC DREAM-WORK OF INGMAR BERGMAN’S WILD STRAWBERRIES (1957) / Elizabeth Cowie -- chapter 14 Film as an abreaction of totalitarianism:Vinko Bresˇan’s Marshal Tito’s Spirit (1999) LJILJANA FILIPOVI C´ / Ljiljana Filipovic´ -- chapter 15 Documentary directors and their protagonists: a transferential / countertransferential relationship? Timna Rosenheimer’s Fortuna (2000) and Michal Aviad’s Ever Shot Anyone? (1995) / EMANUEL BERMAN TIMNA ROSENHEIMER -- chapter 16 FILMING PSYCHOANALYSIS: FEATURE OR DOCUMENTARY? Two contributions / Hugh Brody Michael Brearley. |
| Record Nr. | UNINA-9910451270103321 |
| Hove, East Sussex ; ; New York : , : Brunner-Routledge, , 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The couch and the silver screen : psychoanalytic reflections on European cinema / / edited by Andrea Sabbadini
| The couch and the silver screen : psychoanalytic reflections on European cinema / / edited by Andrea Sabbadini |
| Pubbl/distr/stampa | Hove, East Sussex ; ; New York : , : Brunner-Routledge, , 2003 |
| Descrizione fisica | 1 online resource (xx, 258 pages) |
| Disciplina | 791.4375019 |
| Altri autori (Persone) | SabbadiniAndrea |
| Collana | New library of psychoanalysis |
| Soggetto topico |
Mass Media
Behavioral Disciplines and Activities Audiovisual Aids Communications Media Teaching Materials Educational Technology Information Science Technology Technology, Industry, and Agriculture Psychoanalytic Interpretation Motion Pictures Music, Dance, Drama & Film Film |
| ISBN |
1-135-44451-X
0-203-01391-3 1-280-05991-5 1-135-44452-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | part, Set and stage -- chapter INTRODUCTION / Andrea Sabbadini -- chapter 1 THE INNER AND OUTER WORLDS OF THE FILMMAKER’S TEMPORARY SOCIAL STRUCTURE / BERNARDO BERTOLUCCI FIONA SHAW -- chapter 2 One in the Eye from Sam: Samuel Beckett’s Film (1964) and his contribution to our vision in theatre, cinema and psychoanalysis / Ian Christie Juliet Stevenson Helen Taylor Robinson -- part, Working through trauma -- chapter 3 Sons and fathers: a room of their own – Nanni Moretti’s The Son’s Room (2001) / NANNI MORETTI PAOLA GOLINELLI -- chapter 4 Witness and persecution in two short films: Miguel Sapochnik’s The Dreamer (2001) and Lindy Heymann’s Kissing Buba (2001) JED SEKOFF / Jed Sekoff -- chapter 5 A post-postmodern Walkyrie: psychoanalytic considerations on Tom Tykwer’s Run, Lola, Run (1998) / Annegret Mahler-Bungers -- chapter 6 Thomas Vinterberg’s Festen (1998): an attempt to avoid madness through denunciation / Liliana Pedrón de Martín -- chapter 7 István Szabó’s Sunshine (1999): the cinematic representation of historical and familial trauma / Diana Diamond -- part, Horror perspectives -- chapter 8 NOTES ON THE RELEVANCE OF PSYCHOANALYTIC THEORY TO EURO-HORROR CINEMA / Steven Jay Schneider -- chapter 9 Dario Argento’s Phenomena (1985): a psychoanalytic perspective on the ‘horror film’ genre and adolescent development / Donald Campbell -- chapter 10 Freedom through re-introjection: a Kleinian perspective on Dominik Moll’s Harry: He’s Here to Help (2000) / Candy Aubry -- chapter 11 Cinema, horror and the abominations of hell: Carl-Theodor Dreyer’s Vampyr (1931) and Lucio Fulci’s The Beyond (1981) / Michael Grant -- part, Documenting internal worlds -- chapter 12 Narratives and documentaries: an encounter with Michael Apted and his films / Michael Apted Helen Taylor Robinson -- chapter 13 THE CINEMATIC DREAM-WORK OF INGMAR BERGMAN’S WILD STRAWBERRIES (1957) / Elizabeth Cowie -- chapter 14 Film as an abreaction of totalitarianism:Vinko Bresˇan’s Marshal Tito’s Spirit (1999) LJILJANA FILIPOVI C´ / Ljiljana Filipovic´ -- chapter 15 Documentary directors and their protagonists: a transferential / countertransferential relationship? Timna Rosenheimer’s Fortuna (2000) and Michal Aviad’s Ever Shot Anyone? (1995) / EMANUEL BERMAN TIMNA ROSENHEIMER -- chapter 16 FILMING PSYCHOANALYSIS: FEATURE OR DOCUMENTARY? Two contributions / Hugh Brody Michael Brearley. |
| Record Nr. | UNINA-9910784823903321 |
| Hove, East Sussex ; ; New York : , : Brunner-Routledge, , 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||