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100 cult films : BFI sceen guides / / Ernest Mathijs & Xavier Mendik
| 100 cult films : BFI sceen guides / / Ernest Mathijs & Xavier Mendik |
| Autore | Mathijs Ernest |
| Pubbl/distr/stampa | New York, New York : , : Palgrave Macmillan, , 2012 |
| Descrizione fisica | 1 online resource (253 pages) : illustrations |
| Disciplina | 791.43653 |
| Collana | Screen Guides |
| Soggetto topico |
Cult films - History and criticism
Cult films Motion pictures - History |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-84457-571-3 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover -- Title -- Copyright -- Contents -- Acknowledgments -- Foreword, Joe Dante -- Introduction -- 2001: A Space Odyssey, Stanley Kubrick, 1968 -- Akira, Katsuhiro Otomo, 1988 -- Angel of Vengeance, Abel Ferrara, 1981 -- Bad Taste, Peter Jackson, 1987 -- Baise-moi, Virginie Despentes, Coralie Trinh Thi, 2000 -- Begotten, E. Elias Merhige, 1991 -- Behind the Green Door, Artie Mitchell, Jim Mitchell, 1972 -- La belle et la bête, Jean Cocteau, 1946 -- Beyond the Valley of the Dolls, Russ Meyer, 1970 -- The Big Lebowski, Joel Coen, Ethan Coen, 1998 -- Blade Runner, Ridley Scott, 1982 -- Blue Sunshine, Jeff Lieberman, 1978 -- Brazil, Terry Gilliam, 1985 -- Bride of Frankenstein, James Whale, 1935 -- The Brood, David Cronenberg, 1979 -- Das Cabinet des Dr. Caligari, Robert Wiene, 1920 -- Café Flesh, Stephen Sayadian, 1982 -- Cannibal Holocaust, Ruggero Deodato, 1979 -- Casablanca, Michael Curtiz, 1942 -- Un chien andalou, Luis Buñel, Salvador Dalí,1928 -- Coffy, Jack Hill, 1973 -- Daughters of Darkness, Harry Kümel, 1971 -- Dawn of the Dead, George A. Romero, 1978 -- Deadly Weapons, Doris Wishman, 1974 -- Debbie Does Dallas, Jim Clark, 1978 -- Deep Red, Dario Argento, 1975 -- Dirty Dancing, Emile Ardolino, 1987 -- Django, Sergio Corbucci, 1966 -- Donnie Darko, Richard Kelly, 2001 -- Don't Torture a Duckling, Lucio Fulci, 1972 -- Edward Scissorhands, Tim Burton, 1990 -- Emanuelle and the Last Cannibals, Aristide Massaccesi, 1977 -- Emmanuelle, Just Jaeckin, 1974 -- Enter the Dragon, Robert Clouse, 1973 -- Eraserhead, David Lynch, 1977 -- The Evil Dead, Sam Raimi, 1981 -- Fight Club, David Fincher, 1999 -- Flaming Creatures, Jack Smith, 1963 -- Freak Orlando, Ulrike Ottinger, 1981 -- Freaks, Tod Browning, 1932 -- Ginger Snaps, John Fawcett, 2000 -- The Gods Must Be Crazy, Jamie Uys, 1981 -- Godzilla, Ishir? Honda, 1954.
The Harder They Come, Perry Henzell, 1972 -- Harold and Maude, Hal Ashby, 1971 -- Häxan, Benjamin Christensen, 1922 -- Hellraiser, Clive Barker, 1987 -- The Holy Mountain, Alejandro Jodorowsky, 1973 -- The House with the Laughing Windows, Pupi Avati, 1976 -- I Walked with a Zombie, Jacques Tourneur, 1943 -- Ichi the Killer, Takashi Miike, 2001 -- In Bruges, Martin McDonagh, 2008 -- Invasion of the Body Snatchers, Don Siegel, 1956 -- Invocation of My Demon Brother, Kenneth Anger, 1969 -- It's a Wonderful Life, Frank Capra, 1946 -- The Killer, John Woo, 1989 -- Lady Terminator, H. Tjut Djalil, 1988 -- The Lord of the Rings, Peter Jackson, 2001-3 -- Mad Max 2: The Road Warrior, George Miller, 1981 -- Man Bites Dog, Rémy Belvaux, André Bonzel, Benoît Poelvoorde, 1992 -- Manos, the Hands of Fate, Harold P. Warren, 1966 -- The Masque of the Red Death, Roger Corman, 1964 -- Monty Python and the Holy Grail, Terry Gilliam, Terry Jones, 1975 -- Near Dark, Kathryn Bigelow, 1987 147 -- Nekromantik, Jörg Buttgereit, 1987 -- Night of the Living Dead, George A. Romero, 1968 -- Pink Flamingos, John Waters, 1972 -- Piranha, Joe Dante, 1978 -- Plan 9 from Outer Space, Ed Wood, Jr, 1959 -- Re-Animator, Stuart Gordon, 1985 -- Reefer Madness, Louis Gasnier, 1936 -- Repo Man, Alex Cox, 1984 -- Ringu, Hideo Nakata, 1998 -- The Rocky Horror Picture Show, Jim Sharman, 1975 -- Rome Armed to the Teeth, Umberto Lenzi, 1976 -- The Room, Tommy Wiseau, 2003 -- Salò, or the 120 Days of Sodom, Pier Paolo Pasolini, 1975 -- She Killed in Ecstasy, Jesús Franco, 1971 -- Showgirls, Paul Verhoeven, 1995 -- Soul Vengeance, Jamaa Fanaka, 1975 -- The Sound of Music, Robert Wise, 1965 -- Star Wars, George Lucas, 1977-2005 -- Superstar: The Karen Carpenter Story, Todd Haynes, 1988 -- Suspiria, Dario Argento, 1977 -- Tank Girl, Rachel Talalay, 1995 -- Tetsuo, Shinya Tsukamoto, 1989. The Texas Chainsaw Massacre, Tobe Hooper, 1974 -- This Is Sp?n¨ al Tap, Rob Reiner, 1984 -- Thriller: A Cruel Picture, Bo Arne Vibenius, 1974 -- Thundercrack!, Curt McDowell, 1975 -- El Topo, Alejandro Jodorowsky, 1970 -- The Toxic Avenger, Michael Herz, Lloyd Kaufman, 1984 -- Two-Lane Blacktop, Monte Hellman, 1971 -- Two Thousand Maniacs!, Herschell Gordon Lewis, 1964 -- The Vanishing, George Sluizer, 1988 -- Videodrome, David Cronenberg, 1983 -- The Warriors, Walter Hill, 1979 -- Witchfinder General, Michael Reeves, 1968 -- Withnail & I, Bruce Robinson, 1987 -- The Wizard of Oz, Victor Fleming, 1939 -- Key Reading -- Index. |
| Record Nr. | UNINA-9910468015403321 |
Mathijs Ernest
|
||
| New York, New York : , : Palgrave Macmillan, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
100 cult films : BFI sceen guides / / Ernest Mathijs & Xavier Mendik
| 100 cult films : BFI sceen guides / / Ernest Mathijs & Xavier Mendik |
| Autore | Mathijs Ernest |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | London : , : British Film Institute : , : Bloomsbury Publishing (UK), , 2011 |
| Descrizione fisica | 1 online resource (253 pages) : illustrations |
| Disciplina | 791.43653 |
| Collana | Screen Guides |
| Soggetto topico |
Cult films - History and criticism
Motion pictures - History Cult films Motion pictures Film & Media Film, TV & radio |
| Soggetto genere / forma |
History
Criticism, interpretation, etc. |
| ISBN |
1-83871-054-X
1-83871-400-6 1-84457-571-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover -- Title -- Copyright -- Contents -- Acknowledgments -- Foreword, Joe Dante -- Introduction -- 2001: A Space Odyssey, Stanley Kubrick, 1968 -- Akira, Katsuhiro Otomo, 1988 -- Angel of Vengeance, Abel Ferrara, 1981 -- Bad Taste, Peter Jackson, 1987 -- Baise-moi, Virginie Despentes, Coralie Trinh Thi, 2000 -- Begotten, E. Elias Merhige, 1991 -- Behind the Green Door, Artie Mitchell, Jim Mitchell, 1972 -- La belle et la bête, Jean Cocteau, 1946 -- Beyond the Valley of the Dolls, Russ Meyer, 1970 -- The Big Lebowski, Joel Coen, Ethan Coen, 1998 -- Blade Runner, Ridley Scott, 1982 -- Blue Sunshine, Jeff Lieberman, 1978 -- Brazil, Terry Gilliam, 1985 -- Bride of Frankenstein, James Whale, 1935 -- The Brood, David Cronenberg, 1979 -- Das Cabinet des Dr. Caligari, Robert Wiene, 1920 -- Café Flesh, Stephen Sayadian, 1982 -- Cannibal Holocaust, Ruggero Deodato, 1979 -- Casablanca, Michael Curtiz, 1942 -- Un chien andalou, Luis Buñel, Salvador Dalí,1928 -- Coffy, Jack Hill, 1973 -- Daughters of Darkness, Harry Kümel, 1971 -- Dawn of the Dead, George A. Romero, 1978 -- Deadly Weapons, Doris Wishman, 1974 -- Debbie Does Dallas, Jim Clark, 1978 -- Deep Red, Dario Argento, 1975 -- Dirty Dancing, Emile Ardolino, 1987 -- Django, Sergio Corbucci, 1966 -- Donnie Darko, Richard Kelly, 2001 -- Don't Torture a Duckling, Lucio Fulci, 1972 -- Edward Scissorhands, Tim Burton, 1990 -- Emanuelle and the Last Cannibals, Aristide Massaccesi, 1977 -- Emmanuelle, Just Jaeckin, 1974 -- Enter the Dragon, Robert Clouse, 1973 -- Eraserhead, David Lynch, 1977 -- The Evil Dead, Sam Raimi, 1981 -- Fight Club, David Fincher, 1999 -- Flaming Creatures, Jack Smith, 1963 -- Freak Orlando, Ulrike Ottinger, 1981 -- Freaks, Tod Browning, 1932 -- Ginger Snaps, John Fawcett, 2000 -- The Gods Must Be Crazy, Jamie Uys, 1981 -- Godzilla, Ishir? Honda, 1954.
The Harder They Come, Perry Henzell, 1972 -- Harold and Maude, Hal Ashby, 1971 -- Häxan, Benjamin Christensen, 1922 -- Hellraiser, Clive Barker, 1987 -- The Holy Mountain, Alejandro Jodorowsky, 1973 -- The House with the Laughing Windows, Pupi Avati, 1976 -- I Walked with a Zombie, Jacques Tourneur, 1943 -- Ichi the Killer, Takashi Miike, 2001 -- In Bruges, Martin McDonagh, 2008 -- Invasion of the Body Snatchers, Don Siegel, 1956 -- Invocation of My Demon Brother, Kenneth Anger, 1969 -- It's a Wonderful Life, Frank Capra, 1946 -- The Killer, John Woo, 1989 -- Lady Terminator, H. Tjut Djalil, 1988 -- The Lord of the Rings, Peter Jackson, 2001-3 -- Mad Max 2: The Road Warrior, George Miller, 1981 -- Man Bites Dog, Rémy Belvaux, André Bonzel, Benoît Poelvoorde, 1992 -- Manos, the Hands of Fate, Harold P. Warren, 1966 -- The Masque of the Red Death, Roger Corman, 1964 -- Monty Python and the Holy Grail, Terry Gilliam, Terry Jones, 1975 -- Near Dark, Kathryn Bigelow, 1987 147 -- Nekromantik, Jörg Buttgereit, 1987 -- Night of the Living Dead, George A. Romero, 1968 -- Pink Flamingos, John Waters, 1972 -- Piranha, Joe Dante, 1978 -- Plan 9 from Outer Space, Ed Wood, Jr, 1959 -- Re-Animator, Stuart Gordon, 1985 -- Reefer Madness, Louis Gasnier, 1936 -- Repo Man, Alex Cox, 1984 -- Ringu, Hideo Nakata, 1998 -- The Rocky Horror Picture Show, Jim Sharman, 1975 -- Rome Armed to the Teeth, Umberto Lenzi, 1976 -- The Room, Tommy Wiseau, 2003 -- Salò, or the 120 Days of Sodom, Pier Paolo Pasolini, 1975 -- She Killed in Ecstasy, Jesús Franco, 1971 -- Showgirls, Paul Verhoeven, 1995 -- Soul Vengeance, Jamaa Fanaka, 1975 -- The Sound of Music, Robert Wise, 1965 -- Star Wars, George Lucas, 1977-2005 -- Superstar: The Karen Carpenter Story, Todd Haynes, 1988 -- Suspiria, Dario Argento, 1977 -- Tank Girl, Rachel Talalay, 1995 -- Tetsuo, Shinya Tsukamoto, 1989. The Texas Chainsaw Massacre, Tobe Hooper, 1974 -- This Is Sp?n¨ al Tap, Rob Reiner, 1984 -- Thriller: A Cruel Picture, Bo Arne Vibenius, 1974 -- Thundercrack!, Curt McDowell, 1975 -- El Topo, Alejandro Jodorowsky, 1970 -- The Toxic Avenger, Michael Herz, Lloyd Kaufman, 1984 -- Two-Lane Blacktop, Monte Hellman, 1971 -- Two Thousand Maniacs!, Herschell Gordon Lewis, 1964 -- The Vanishing, George Sluizer, 1988 -- Videodrome, David Cronenberg, 1983 -- The Warriors, Walter Hill, 1979 -- Witchfinder General, Michael Reeves, 1968 -- Withnail & I, Bruce Robinson, 1987 -- The Wizard of Oz, Victor Fleming, 1939 -- Key Reading -- Index. |
| Altri titoli varianti |
One hundred cult films
Hundred cult films |
| Record Nr. | UNINA-9910794826503321 |
|
Mathijs Ernest
|
||
| London : , : British Film Institute : , : Bloomsbury Publishing (UK), , 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
100 cult films : BFI sceen guides / / Ernest Mathijs & Xavier Mendik
| 100 cult films : BFI sceen guides / / Ernest Mathijs & Xavier Mendik |
| Autore | Mathijs Ernest |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | London : , : British Film Institute : , : Bloomsbury Publishing (UK), , 2011 |
| Descrizione fisica | 1 online resource (253 pages) : illustrations |
| Disciplina | 791.43653 |
| Collana | Screen Guides |
| Soggetto topico |
Cult films - History and criticism
Motion pictures - History Cult films Motion pictures Film & Media Film, TV & radio |
| Soggetto genere / forma |
History
Criticism, interpretation, etc. |
| ISBN |
1-83871-054-X
1-83871-400-6 1-84457-571-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover -- Title -- Copyright -- Contents -- Acknowledgments -- Foreword, Joe Dante -- Introduction -- 2001: A Space Odyssey, Stanley Kubrick, 1968 -- Akira, Katsuhiro Otomo, 1988 -- Angel of Vengeance, Abel Ferrara, 1981 -- Bad Taste, Peter Jackson, 1987 -- Baise-moi, Virginie Despentes, Coralie Trinh Thi, 2000 -- Begotten, E. Elias Merhige, 1991 -- Behind the Green Door, Artie Mitchell, Jim Mitchell, 1972 -- La belle et la bête, Jean Cocteau, 1946 -- Beyond the Valley of the Dolls, Russ Meyer, 1970 -- The Big Lebowski, Joel Coen, Ethan Coen, 1998 -- Blade Runner, Ridley Scott, 1982 -- Blue Sunshine, Jeff Lieberman, 1978 -- Brazil, Terry Gilliam, 1985 -- Bride of Frankenstein, James Whale, 1935 -- The Brood, David Cronenberg, 1979 -- Das Cabinet des Dr. Caligari, Robert Wiene, 1920 -- Café Flesh, Stephen Sayadian, 1982 -- Cannibal Holocaust, Ruggero Deodato, 1979 -- Casablanca, Michael Curtiz, 1942 -- Un chien andalou, Luis Buñel, Salvador Dalí,1928 -- Coffy, Jack Hill, 1973 -- Daughters of Darkness, Harry Kümel, 1971 -- Dawn of the Dead, George A. Romero, 1978 -- Deadly Weapons, Doris Wishman, 1974 -- Debbie Does Dallas, Jim Clark, 1978 -- Deep Red, Dario Argento, 1975 -- Dirty Dancing, Emile Ardolino, 1987 -- Django, Sergio Corbucci, 1966 -- Donnie Darko, Richard Kelly, 2001 -- Don't Torture a Duckling, Lucio Fulci, 1972 -- Edward Scissorhands, Tim Burton, 1990 -- Emanuelle and the Last Cannibals, Aristide Massaccesi, 1977 -- Emmanuelle, Just Jaeckin, 1974 -- Enter the Dragon, Robert Clouse, 1973 -- Eraserhead, David Lynch, 1977 -- The Evil Dead, Sam Raimi, 1981 -- Fight Club, David Fincher, 1999 -- Flaming Creatures, Jack Smith, 1963 -- Freak Orlando, Ulrike Ottinger, 1981 -- Freaks, Tod Browning, 1932 -- Ginger Snaps, John Fawcett, 2000 -- The Gods Must Be Crazy, Jamie Uys, 1981 -- Godzilla, Ishir? Honda, 1954.
The Harder They Come, Perry Henzell, 1972 -- Harold and Maude, Hal Ashby, 1971 -- Häxan, Benjamin Christensen, 1922 -- Hellraiser, Clive Barker, 1987 -- The Holy Mountain, Alejandro Jodorowsky, 1973 -- The House with the Laughing Windows, Pupi Avati, 1976 -- I Walked with a Zombie, Jacques Tourneur, 1943 -- Ichi the Killer, Takashi Miike, 2001 -- In Bruges, Martin McDonagh, 2008 -- Invasion of the Body Snatchers, Don Siegel, 1956 -- Invocation of My Demon Brother, Kenneth Anger, 1969 -- It's a Wonderful Life, Frank Capra, 1946 -- The Killer, John Woo, 1989 -- Lady Terminator, H. Tjut Djalil, 1988 -- The Lord of the Rings, Peter Jackson, 2001-3 -- Mad Max 2: The Road Warrior, George Miller, 1981 -- Man Bites Dog, Rémy Belvaux, André Bonzel, Benoît Poelvoorde, 1992 -- Manos, the Hands of Fate, Harold P. Warren, 1966 -- The Masque of the Red Death, Roger Corman, 1964 -- Monty Python and the Holy Grail, Terry Gilliam, Terry Jones, 1975 -- Near Dark, Kathryn Bigelow, 1987 147 -- Nekromantik, Jörg Buttgereit, 1987 -- Night of the Living Dead, George A. Romero, 1968 -- Pink Flamingos, John Waters, 1972 -- Piranha, Joe Dante, 1978 -- Plan 9 from Outer Space, Ed Wood, Jr, 1959 -- Re-Animator, Stuart Gordon, 1985 -- Reefer Madness, Louis Gasnier, 1936 -- Repo Man, Alex Cox, 1984 -- Ringu, Hideo Nakata, 1998 -- The Rocky Horror Picture Show, Jim Sharman, 1975 -- Rome Armed to the Teeth, Umberto Lenzi, 1976 -- The Room, Tommy Wiseau, 2003 -- Salò, or the 120 Days of Sodom, Pier Paolo Pasolini, 1975 -- She Killed in Ecstasy, Jesús Franco, 1971 -- Showgirls, Paul Verhoeven, 1995 -- Soul Vengeance, Jamaa Fanaka, 1975 -- The Sound of Music, Robert Wise, 1965 -- Star Wars, George Lucas, 1977-2005 -- Superstar: The Karen Carpenter Story, Todd Haynes, 1988 -- Suspiria, Dario Argento, 1977 -- Tank Girl, Rachel Talalay, 1995 -- Tetsuo, Shinya Tsukamoto, 1989. The Texas Chainsaw Massacre, Tobe Hooper, 1974 -- This Is Sp?n¨ al Tap, Rob Reiner, 1984 -- Thriller: A Cruel Picture, Bo Arne Vibenius, 1974 -- Thundercrack!, Curt McDowell, 1975 -- El Topo, Alejandro Jodorowsky, 1970 -- The Toxic Avenger, Michael Herz, Lloyd Kaufman, 1984 -- Two-Lane Blacktop, Monte Hellman, 1971 -- Two Thousand Maniacs!, Herschell Gordon Lewis, 1964 -- The Vanishing, George Sluizer, 1988 -- Videodrome, David Cronenberg, 1983 -- The Warriors, Walter Hill, 1979 -- Witchfinder General, Michael Reeves, 1968 -- Withnail & I, Bruce Robinson, 1987 -- The Wizard of Oz, Victor Fleming, 1939 -- Key Reading -- Index. |
| Altri titoli varianti |
One hundred cult films
Hundred cult films |
| Record Nr. | UNINA-9910825850703321 |
|
Mathijs Ernest
|
||
| London : , : British Film Institute : , : Bloomsbury Publishing (UK), , 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
100 greatest cult films / / Christopher J. Olson
| 100 greatest cult films / / Christopher J. Olson |
| Autore | Olson Christopher J. |
| Pubbl/distr/stampa | Lanham : , : Rowman & Littlefield, , [2018] |
| Descrizione fisica | 1 online resource |
| Disciplina | 791.43653 |
| Collana | 100 Greatest.. |
| Soggetto topico |
Cult films - History and criticism
Sensationalism in motion pictures |
| ISBN | 1-4422-1104-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Intro -- Contents -- Acknowledgments -- Introduction -- Chronological List of Filmsorst Cult Films -- Notes -- Index -- About the Author. |
| Record Nr. | UNINA-9910795413603321 |
|
Olson Christopher J.
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||
| Lanham : , : Rowman & Littlefield, , [2018] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
100 greatest cult films / / Christopher J. Olson
| 100 greatest cult films / / Christopher J. Olson |
| Autore | Olson Christopher J. |
| Pubbl/distr/stampa | Lanham : , : Rowman & Littlefield, , [2018] |
| Descrizione fisica | 1 online resource |
| Disciplina | 791.43653 |
| Collana | 100 Greatest.. |
| Soggetto topico |
Cult films - History and criticism
Sensationalism in motion pictures |
| ISBN | 1-4422-1104-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Intro -- Contents -- Acknowledgments -- Introduction -- Chronological List of Filmsorst Cult Films -- Notes -- Index -- About the Author. |
| Record Nr. | UNINA-9910823442003321 |
|
Olson Christopher J.
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||
| Lanham : , : Rowman & Littlefield, , [2018] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Affirmative Aesthetics and Wilful Women : Gender, Space and Mobility in Contemporary Cinema / / by Maud Ceuterick
| Affirmative Aesthetics and Wilful Women : Gender, Space and Mobility in Contemporary Cinema / / by Maud Ceuterick |
| Autore | Ceuterick Maud |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Springer Nature, 2020 |
| Descrizione fisica | 1 online resource (XVI, 186 p. 40 illus., 38 illus. in color.) |
| Disciplina |
791.4301
791.43653 |
| Soggetto topico |
Motion pictures
Culture Gender Film Theory Culture and Gender |
| Soggetto non controllato |
Film Theory
Culture and Gender Gender and Culture Gender Affect and Form Space Affirmative Ethics Wilfulness Contemporary Cinema Open Access Film history, theory & criticism Cultural studies |
| ISBN | 3-030-37039-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: Affirmative ethics, wilfulness, and affects as forms -- 2. Urban wanderer and wilful performances: Head-on (Gegen die wand) -- 3. Housing wilfulness: Wadjda -- 4. Lived body, affects and cars: Friday night (Vendredi soir) -- 5. Conclusion: Affirmative aesthetics. |
| Record Nr. | UNINA-9910424948403321 |
|
Ceuterick Maud
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| Springer Nature, 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Alla ricerca del corpo perduto : perversione e metamorfosi del cinema / Alessandro Cappabianca
| Alla ricerca del corpo perduto : perversione e metamorfosi del cinema / Alessandro Cappabianca |
| Autore | CAPPABIANCA, Alessandro |
| Pubbl/distr/stampa | Roma : Bulzoni, 2012 |
| Descrizione fisica | 162 p. : ill. ; 23 cm |
| Disciplina | 791.43653 |
| Collana | Biblioteca teatrale, Strumenti |
| Soggetto topico | Cinema - Temi [:] Corpo umano |
| ISBN | 978-88-7870-633-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNISA-990003690870203316 |
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CAPPABIANCA, Alessandro
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| Roma : Bulzoni, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Barra and Zaman : reading Egyptian modernity in Shadi Abdel Salam's 'The mummy' / / Youssef Rakha
| Barra and Zaman : reading Egyptian modernity in Shadi Abdel Salam's 'The mummy' / / Youssef Rakha |
| Autore | Rakhā Yūsuf |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham, Switzerland : , : Palgrave Macmillan, , [2020] |
| Descrizione fisica | 1 online resource (XI, 111 p. 22 illus., 12 illus. in color.) |
| Disciplina | 791.43653 |
| Collana | Palgrave Studies in Arab Cinema |
| Soggetto topico | Identity (Psychology) in motion pictures |
| ISBN | 3-030-61354-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: Sections 1-50 -- Chapter 2: Sections 51-100 -- Chapter 3: Sections 101-150 -- Chapter 4: Sections 151-200. |
| Record Nr. | UNINA-9910483777003321 |
|
Rakhā Yūsuf
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| Cham, Switzerland : , : Palgrave Macmillan, , [2020] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Body, gender, and sexuality in Latin American cinema : insurgent skin / / Juli A. Kroll
| Body, gender, and sexuality in Latin American cinema : insurgent skin / / Juli A. Kroll |
| Autore | Kroll Juli A. |
| Pubbl/distr/stampa | Cham, Switzerland : , : Palgrave Macmillan, , [2022] |
| Descrizione fisica | 1 online resource (254 pages) |
| Disciplina | 791.43653 |
| Collana | Palgrave studies in (re)presenting gender |
| Soggetto topico |
Gender identity in motion pictures
Motion pictures - Latin America Sexual minorities in motion pictures |
| ISBN |
9783030845582
9783030845575 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910585974603321 |
|
Kroll Juli A.
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| Cham, Switzerland : , : Palgrave Macmillan, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Cinema and evil : moral complexities and the "dangerous" film / / by Dara Waldron
| Cinema and evil : moral complexities and the "dangerous" film / / by Dara Waldron |
| Autore | Waldron Dara |
| Pubbl/distr/stampa | Newcastle upon Tyne, England : , : Cambridge Scholars Publishing, , 2013 |
| Descrizione fisica | 1 online resource (229 p.) |
| Disciplina | 791.43653 |
| Soggetto topico | Evil in motion pictures |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-4438-6558-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
TABLE OF CONTENTS; ACKNOWLEDGEMENTS; INTRODUCTION; CHAPTER ONE - 'TRYING TO SEE DARKNESS'; Augustine and Theology; Responsibility; The Cathars; Paradise Lost; The Language of 'Sin'; Milton and Augustine; Kant and the Moral Law; Immoral Action; The Act of Evil; Interlude on Good and Evil; Lacan and Evil; In Finale: Kant avec Bataille; CHAPTER TWO - THE 'DISCOURSE ON EVIL' IN FRITZ LANG''S M (1931) AND ORSON WELLES''S TOUCH OF EVIL (1958); Introduction; M and Evil; Confessions; Welles and the Law; Welles and the Noir Landscape; Nothing but Desire; Conclusion: Desire and Evil
CHAPTER THREE - PASOLINI AND THE REMNANTS OF NEOREALISMThe Remnants of Neo-Realism; The Beatific Vision and Pasolini's 'Nightmare'; The Messianic Intruder; Saló and the Ethical Test; Conclusion: 'Til Death Do Us Part; CHAPTER FOUR - 'STRIKE DEAR MISTRESS AND CURE HIS HEART''; Introduction; Masochism and the Law; Christology and Moral Crisis; Conclusion: The Fascist Within; Epilogue: Cavani and Evil; CHAPTER FIVE - 'BARBARISM BEGINS AT HOME'; The Evil That Young Men Do; Mea Culpa (and I Don't Care)/ or: Haneke's Cosmology; Haneke the Augustinian; CHAPTER SIX - DOLI INCAPAX? Friends and EnemiesEyes Wide Shut?; CHAPTER SEVEN - SEEING AND FAILING TO SEE AGAIN; After Saló; Banal or Radical Evil?; CONCLUSION; POSTSCRIPT; BIBLIOGRAPHY; FILMOGRAPHY |
| Record Nr. | UNINA-9910465294203321 |
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Waldron Dara
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| Newcastle upon Tyne, England : , : Cambridge Scholars Publishing, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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