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Bond, James Bond : come e perché si ripresenta l'agente segreto più famoso del mondo / a cura di Alberto Abruzzese e Gian Piero Jacobelli
| Bond, James Bond : come e perché si ripresenta l'agente segreto più famoso del mondo / a cura di Alberto Abruzzese e Gian Piero Jacobelli |
| Pubbl/distr/stampa | Milano ; Udine : Mimesis, 2015 |
| Descrizione fisica | 131 p. ; 21 cm |
| Disciplina | 791.4361 |
| Collana | Il caffè dei filosofi |
| Soggetto non controllato | Cinema - Bond, James (personaggio cinematografico) |
| ISBN | 978-88-575-3200-4 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNINA-990010087500403321 |
| Milano ; Udine : Mimesis, 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Infectious inequalities : epidemics, trust, and social vulnerabilities in cinema / / Qijun Han and Daniel R. Curtis
| Infectious inequalities : epidemics, trust, and social vulnerabilities in cinema / / Qijun Han and Daniel R. Curtis |
| Autore | Han Qijun |
| Pubbl/distr/stampa | Taylor & Francis, 2022 |
| Descrizione fisica | 1 online resource (166 pages) : illustrations |
| Disciplina | 791.4361 |
| Soggetto topico | Epidemics in motion pictures |
| Soggetto non controllato |
Cinema
Epidemics Film Studies Social Vulnerability |
| ISBN |
1-00-326166-3
1-000-54076-6 1-003-26166-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Understanding epidemics through the cinematic lens -- Societal responses to epidemics: immorality and resistance -- Suspicious minds: cinematic depiction of distrust during epidemics -- Bridging the gap: epidemics, public health workers, and "heroism" in cinematic perspective -- From spreaders to sacrifice: cinematic representation of women during epidemics -- Between urban depravity and rural backwardness: cinematic depiction of poverty during epidemics -- Conclusion: epidemics and cinema in an age of COVID-19 -- Appendix: filmography of films depicting epidemics. |
| Record Nr. | UNINA-9910513699303321 |
Han Qijun
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| Taylor & Francis, 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The new extremism in cinema [[electronic resource] ] : from France to Europe / / edited by Tanya C. Horeck, Tina Kendall
| The new extremism in cinema [[electronic resource] ] : from France to Europe / / edited by Tanya C. Horeck, Tina Kendall |
| Autore | Horeck Tanya |
| Pubbl/distr/stampa | Edinburgh, : Edinburgh University Press, 2011 |
| Descrizione fisica | 1 online resource (249 p.) |
| Disciplina | 791.4361 |
| Altri autori (Persone) |
HoreckTanya
KendallTina |
| Soggetto topico |
Motion pictures - Europe - History
Sex in motion pictures Violence in motion pictures |
| ISBN |
0-7486-5122-5
1-283-22184-5 9786613221841 0-7486-4709-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Copyright; Contents; Acknowledgements; Chapter 1 Introduction; Chapter 2 Flesh and Blood: Sex and Violence in Recent French Cinema; PART I French Cinema and the NewExtremism; Chapter 3 The Wounded Screen; Chapter 4 Reframing Bataille: On Tacky Spectatorship in the New European Extremism; Chapter 5 Beyond Anti-Americanism, Beyond Euro-Centrism: Locating Bruno Dumont's Twentynine Palms in the Context of European Cinematic Extremism; PART II Becoming Animal: Posthumanism and the New Extremism; Chapter 6 Shadows of Being in Sombre: Archetypes, Wolf-men and Bare Life
Chapter 7 Eastern Extreme: The Presentation of Eastern Europe as a Site of Monstrosity in La Vie nouvelle and Import/ExportChapter 8 Naked Women, Slaughtered Animals: Ulrich Seidl and the Limits of the Real; PART III Watching the Extreme: Cultural Reception; Chapter 9 Watching Rape, Enjoying Watching Rape . . .: How Does a Study of Audience Cha(lle)nge Mainstream Film Studies Approaches?; Chapter 10 Censorship, Reception and the Films of Gaspar Noé: The Emergence of the New Extremism in Britain; Chapter 11 'Sex and Violence from a Pair of Furies': The Scandal of Baise-moi Chapter 12 'Close Your Eyes and Tell Me What You See': Sex and Politics in Lukas Moodysson's FilmsPART IV Ethics and Spectatorship in the New Extremism; Chapter 13 Lars von Trier's Dogville: A Feel-Bad Film; Chapter 14 A 'Passion for the Real': Sex, Affect and Performance in the Films of Andrea Arnold; Chapter 16 On the Unwatchable; Afterword; Chapter 17 More Moralism from that 'Wordy Fuck'; Notes on Contributors; Works Cited; Index |
| Record Nr. | UNINA-9910789789403321 |
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Horeck Tanya
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| Edinburgh, : Edinburgh University Press, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The new extremism in cinema [[electronic resource] ] : from France to Europe / / edited by Tanya C. Horeck, Tina Kendall
| The new extremism in cinema [[electronic resource] ] : from France to Europe / / edited by Tanya C. Horeck, Tina Kendall |
| Pubbl/distr/stampa | Edinburgh, : Edinburgh University Press, 2011 |
| Descrizione fisica | 1 online resource (249 p.) |
| Disciplina | 791.4361 |
| Altri autori (Persone) |
HoreckTanya
KendallTina |
| Soggetto topico |
Motion pictures - Europe - History
Sex in motion pictures Violence in motion pictures |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-7486-5122-5
1-283-22184-5 9786613221841 0-7486-4709-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Copyright; Contents; Acknowledgements; Chapter 1 Introduction; Chapter 2 Flesh and Blood: Sex and Violence in Recent French Cinema; PART I French Cinema and the NewExtremism; Chapter 3 The Wounded Screen; Chapter 4 Reframing Bataille: On Tacky Spectatorship in the New European Extremism; Chapter 5 Beyond Anti-Americanism, Beyond Euro-Centrism: Locating Bruno Dumont's Twentynine Palms in the Context of European Cinematic Extremism; PART II Becoming Animal: Posthumanism and the New Extremism; Chapter 6 Shadows of Being in Sombre: Archetypes, Wolf-men and Bare Life
Chapter 7 Eastern Extreme: The Presentation of Eastern Europe as a Site of Monstrosity in La Vie nouvelle and Import/ExportChapter 8 Naked Women, Slaughtered Animals: Ulrich Seidl and the Limits of the Real; PART III Watching the Extreme: Cultural Reception; Chapter 9 Watching Rape, Enjoying Watching Rape . . .: How Does a Study of Audience Cha(lle)nge Mainstream Film Studies Approaches?; Chapter 10 Censorship, Reception and the Films of Gaspar Noé: The Emergence of the New Extremism in Britain; Chapter 11 'Sex and Violence from a Pair of Furies': The Scandal of Baise-moi Chapter 12 'Close Your Eyes and Tell Me What You See': Sex and Politics in Lukas Moodysson's FilmsPART IV Ethics and Spectatorship in the New Extremism; Chapter 13 Lars von Trier's Dogville: A Feel-Bad Film; Chapter 14 A 'Passion for the Real': Sex, Affect and Performance in the Films of Andrea Arnold; Chapter 16 On the Unwatchable; Afterword; Chapter 17 More Moralism from that 'Wordy Fuck'; Notes on Contributors; Works Cited; Index |
| Record Nr. | UNINA-9910461376403321 |
| Edinburgh, : Edinburgh University Press, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The new extremism in cinema : from France to Europe / / edited by Tanya C. Horeck, Tina Kendall
| The new extremism in cinema : from France to Europe / / edited by Tanya C. Horeck, Tina Kendall |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Edinburgh, : Edinburgh University Press, 2011 |
| Descrizione fisica | 1 online resource (249 p.) |
| Disciplina | 791.4361 |
| Altri autori (Persone) |
HoreckTanya
KendallTina |
| Soggetto topico |
Motion pictures - Europe - History
Sex in motion pictures Violence in motion pictures |
| ISBN |
0-7486-5122-5
1-283-22184-5 9786613221841 0-7486-4709-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Copyright; Contents; Acknowledgements; Chapter 1 Introduction; Chapter 2 Flesh and Blood: Sex and Violence in Recent French Cinema; PART I French Cinema and the NewExtremism; Chapter 3 The Wounded Screen; Chapter 4 Reframing Bataille: On Tacky Spectatorship in the New European Extremism; Chapter 5 Beyond Anti-Americanism, Beyond Euro-Centrism: Locating Bruno Dumont's Twentynine Palms in the Context of European Cinematic Extremism; PART II Becoming Animal: Posthumanism and the New Extremism; Chapter 6 Shadows of Being in Sombre: Archetypes, Wolf-men and Bare Life
Chapter 7 Eastern Extreme: The Presentation of Eastern Europe as a Site of Monstrosity in La Vie nouvelle and Import/ExportChapter 8 Naked Women, Slaughtered Animals: Ulrich Seidl and the Limits of the Real; PART III Watching the Extreme: Cultural Reception; Chapter 9 Watching Rape, Enjoying Watching Rape . . .: How Does a Study of Audience Cha(lle)nge Mainstream Film Studies Approaches?; Chapter 10 Censorship, Reception and the Films of Gaspar Noé: The Emergence of the New Extremism in Britain; Chapter 11 'Sex and Violence from a Pair of Furies': The Scandal of Baise-moi Chapter 12 'Close Your Eyes and Tell Me What You See': Sex and Politics in Lukas Moodysson's FilmsPART IV Ethics and Spectatorship in the New Extremism; Chapter 13 Lars von Trier's Dogville: A Feel-Bad Film; Chapter 14 A 'Passion for the Real': Sex, Affect and Performance in the Films of Andrea Arnold; Chapter 16 On the Unwatchable; Afterword; Chapter 17 More Moralism from that 'Wordy Fuck'; Notes on Contributors; Works Cited; Index |
| Record Nr. | UNINA-9910807978203321 |
| Edinburgh, : Edinburgh University Press, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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O de conduite : revue de l'union française du film pour l'enfance et la jeunesse, uffej
| O de conduite : revue de l'union française du film pour l'enfance et la jeunesse, uffej |
| Pubbl/distr/stampa | Paris : UFFEJ |
| Descrizione fisica | v. : ill. ; 30 cm |
| Disciplina | 791.4361 |
| Soggetto topico | Film per la gioventù - Periodici |
| ISSN | 1152-8737 |
| Formato | Materiale a stampa |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | fre |
| Note periodicità | Trimestrale |
| Record Nr. | UNISA-990001012660203316 |
| Paris : UFFEJ | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Pandemic protagonists : viral (re)actions in pandemic and Corona fictions / / Yvonne Völkl, Julia Obermayr, Elisabeth Hobisch, editors
| Pandemic protagonists : viral (re)actions in pandemic and Corona fictions / / Yvonne Völkl, Julia Obermayr, Elisabeth Hobisch, editors |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld : , : transcript Verlag, , [2023] |
| Descrizione fisica | 1 online resource (308 pages) : illustrations |
| Disciplina | 791.4361 |
| Collana | Culture & theory |
| Soggetto topico | Epidemics in motion pictures |
| Soggetto non controllato |
Covid-19
Cultural Studies Culture Film Literary Studies Literature Media Medicine Pandemic |
| ISBN | 3-8394-6616-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Table of Contents -- Acknowledgements -- Pandemic Protagonists (Re)Claiming Agency: An Introduction -- Bloody Investigations. Scientists as Ambiguous Pandemic Protagonists in the Dystopian Streaming Series La Valla and La Révolution -- Corona Palimpsests: Pandemic Protagonists as Readers -- Hysterical Men and Reasoning Women? On Gender Roles and Agency in Corona Fictions -- La novela de la pandemia como una modalidad de la novela de la crisis. El caso de La madre del futbolista de Pablo García Casado -- Mediated Vulnerabilities: Transforming Virginia Woolf’s Characters in Corona Fictions -- ‘¿Te importa?’ Entre soledad y olvido: la representación de los ancianos en el teatro español durante la pandemia de COVID-19 -- Immunity and Community: The Role of Immune Protagonists in Saramago’s Ensaio sobre a Cegueira (1995) and Roth’s Nemesis (2010) -- The Crowd as a Pandemic Character: Determinism, Entertainment and Transgression in Literature -- ‘C’était quelqu’un de toute façon’ : les personnages humains et non humains dans le roman animaliste Les Métamorphoses de Camille Brunel -- The Role of Animals in Pandemic Narratives: Forewarning Disaster, Causing Outbreaks, Conferring Immunity -- Germs as Social Protagonists: (In)visible Enemies and the Fear of Epidemic Invasion in Classical Hollywood Cinema -- Human-Viral Hybrids as Challenge to the Outbreak Narrative and Neo-Liberal Biopolitics -- Protagonisti in cerca di una nuova agency: la pandemia di Covid-19 nella letteratura italiana -- Corona Fictions Agents: Cinematic Representations of Hopeful Pandemic Protagonists in Early Corona Fictions -- Authors |
| Record Nr. | UNINA-9910686491003321 |
| Bielefeld : , : transcript Verlag, , [2023] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Pandemic protagonists : viral (re)actions in pandemic and Corona fictions / / Yvonne Völkl, Julia Obermayr, Elisabeth Hobisch, editors
| Pandemic protagonists : viral (re)actions in pandemic and Corona fictions / / Yvonne Völkl, Julia Obermayr, Elisabeth Hobisch, editors |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld : , : transcript Verlag, , [2023] |
| Descrizione fisica | 1 online resource (308 pages) : illustrations |
| Disciplina | 791.4361 |
| Collana | Culture & theory |
| Soggetto topico | Epidemics in motion pictures |
| Soggetto non controllato |
Covid-19
Cultural Studies Culture Film Literary Studies Literature Media Medicine Pandemic |
| ISBN | 3-8394-6616-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Table of Contents -- Acknowledgements -- Pandemic Protagonists (Re)Claiming Agency: An Introduction -- Bloody Investigations. Scientists as Ambiguous Pandemic Protagonists in the Dystopian Streaming Series La Valla and La Révolution -- Corona Palimpsests: Pandemic Protagonists as Readers -- Hysterical Men and Reasoning Women? On Gender Roles and Agency in Corona Fictions -- La novela de la pandemia como una modalidad de la novela de la crisis. El caso de La madre del futbolista de Pablo García Casado -- Mediated Vulnerabilities: Transforming Virginia Woolf’s Characters in Corona Fictions -- ‘¿Te importa?’ Entre soledad y olvido: la representación de los ancianos en el teatro español durante la pandemia de COVID-19 -- Immunity and Community: The Role of Immune Protagonists in Saramago’s Ensaio sobre a Cegueira (1995) and Roth’s Nemesis (2010) -- The Crowd as a Pandemic Character: Determinism, Entertainment and Transgression in Literature -- ‘C’était quelqu’un de toute façon’ : les personnages humains et non humains dans le roman animaliste Les Métamorphoses de Camille Brunel -- The Role of Animals in Pandemic Narratives: Forewarning Disaster, Causing Outbreaks, Conferring Immunity -- Germs as Social Protagonists: (In)visible Enemies and the Fear of Epidemic Invasion in Classical Hollywood Cinema -- Human-Viral Hybrids as Challenge to the Outbreak Narrative and Neo-Liberal Biopolitics -- Protagonisti in cerca di una nuova agency: la pandemia di Covid-19 nella letteratura italiana -- Corona Fictions Agents: Cinematic Representations of Hopeful Pandemic Protagonists in Early Corona Fictions -- Authors |
| Record Nr. | UNISA-996524969803316 |
| Bielefeld : , : transcript Verlag, , [2023] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Ridley Scott : Blade runner / Roy Menarini
| Ridley Scott : Blade runner / Roy Menarini |
| Autore | MENARINI, Roy |
| Pubbl/distr/stampa | Torino : Lindau, copyr. 2001 |
| Descrizione fisica | 110 p. ; 19 cm |
| Disciplina | 791.4361 |
| Collana | Universale, Film |
| Soggetto (Persona) |
Blade runner |
| ISBN | 978-88-7180-670-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNISA-990002958970203316 |
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MENARINI, Roy
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| Torino : Lindau, copyr. 2001 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Lo schermo demoniaco : le influenze di Max Reinhardt e dell'espressionismo / Lotte H. Eisner ; prefazione di Gian Piero Brunetta ; [trad. di Martine Schruoffeneger]
| Lo schermo demoniaco : le influenze di Max Reinhardt e dell'espressionismo / Lotte H. Eisner ; prefazione di Gian Piero Brunetta ; [trad. di Martine Schruoffeneger] |
| Autore | Eisner, Lotte H. |
| Pubbl/distr/stampa | Roma : Editori Riuniti, 1983 |
| Descrizione fisica | 335 p. : ill. ; 20 cm |
| Disciplina | 791.4361 |
| Collana | Universale. Arte e spettacolo ; 106 |
| Soggetto topico |
Cinematografo - Germania
Reinhardt, Max Espressionismo (cinema) |
| ISBN | 8835926408 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNISALENTO-991000407609707536 |
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Eisner, Lotte H.
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| Roma : Editori Riuniti, 1983 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. del Salento | ||
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