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100 Years of Spanish Cinema
| 100 Years of Spanish Cinema |
| Autore | Pavlović Tatjana |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Hoboken : , : John Wiley & Sons, Incorporated, , 2008 |
| Descrizione fisica | 1 online resource (296 pages) |
| Disciplina | 791.430946 |
| Altri autori (Persone) |
AlvarezInmaculada
Blanco-CanoRosana GrisalesAnitra OsorioAlejandra SánchezAlejandra |
| Soggetto topico | Motion pictures -- Spain -- History |
| Soggetto genere / forma | Electronic books. |
| ISBN |
9781444304800
9781405184199 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Intro -- Figures -- About the Authors -- Acknowledgments -- Preface -- 1 Silent Cinema and its Pioneers (1906-1930) -- 1 El ciego de aldea (Ángel García Cardona, 1906) -- 2 Amor que mata (Fructuós Gelabert, 1909) -- 3 Don Pedro el Cruel (Ricardo Baños, Albert Marro, 1911) -- 4 La aldea maldita (Florián Rey, 1930) -- 2 Surrealism (1924-1930) and the Advent of Sound (the Second Republic: 1931-1936) -- 1 Un chien andalou (Luis Buñuel, 1929) -- 2 Tierra sin pan (Luis Buñuel, 1933) -- 3 Spanish Civil War (1936-1939) -- 1 Suspiros de España (Benito Perojo, 1938) -- 2 Canciones para después de una guerra (Basilio Martín Patino, 1971) -- 4 The Autarky: Papier-Mâché Cinema (1939-1950) -- 1 Raza (José Luis Sáenz de Heredia, 1941) -- 2 Locura de amor (Juan de Orduña, 1948) -- 5 Neorealism: Status Quo and Dissent (1951-1961) -- 1 El cochecito (Marco Ferreri, 1960) -- 2 Viridiana (Luis Buñuel, 1961) -- 6 The "Liberal" Dictatorship and its Agony (1962-1975) -- 1 El verdugo (Luis García Berlanga, 1963) -- 2 El jardín de las delicias (Carlos Saura, 1970) -- 7 Cinema of the Transition: The Period of Disenchantment (1975-1979) -- 1 El desencanto (Jaime Chávarri, 1976) -- 2 El crimen de Cuenca (Pilar Miró, 1979) -- 8 Post-Franco Spain: The Pedro Almodóvar Phenomenon (1980-1991) -- 1 Pepi, Luci, Bom y otras chicas del montón (Pedro Almodóvar, 1980) -- 2 ¿Qué he hecho yo para merecer esto! (Pedro Almodóvar, 1984) -- 9 Contemporary Trends (1992 to the Present) -- 1 Vacas (Julio Medem, 1992) -- 2 Carícies (Ventura Pons, 1997) -- 3 Flores de otro mundo (Icíar Bollaín, 1999) -- 4 The Secret Life of Words (La vida secreta de las palabras) (Isabel Coixet, 2005) -- Glossary of Film Terms -- Historical Chronology -- Notes -- Bibliography -- Index. |
| Record Nr. | UNINA-9910795816603321 |
Pavlović Tatjana
|
||
| Hoboken : , : John Wiley & Sons, Incorporated, , 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
100 Years of Spanish Cinema
| 100 Years of Spanish Cinema |
| Autore | Pavlović Tatjana |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Hoboken : , : John Wiley & Sons, Incorporated, , 2008 |
| Descrizione fisica | 1 online resource (296 pages) |
| Disciplina | 791.430946 |
| Altri autori (Persone) |
AlvarezInmaculada
Blanco-CanoRosana GrisalesAnitra OsorioAlejandra SánchezAlejandra |
| Soggetto topico | Motion pictures -- Spain -- History |
| ISBN |
9781444304800
9781405184199 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Intro -- Figures -- About the Authors -- Acknowledgments -- Preface -- 1 Silent Cinema and its Pioneers (1906-1930) -- 1 El ciego de aldea (Ángel García Cardona, 1906) -- 2 Amor que mata (Fructuós Gelabert, 1909) -- 3 Don Pedro el Cruel (Ricardo Baños, Albert Marro, 1911) -- 4 La aldea maldita (Florián Rey, 1930) -- 2 Surrealism (1924-1930) and the Advent of Sound (the Second Republic: 1931-1936) -- 1 Un chien andalou (Luis Buñuel, 1929) -- 2 Tierra sin pan (Luis Buñuel, 1933) -- 3 Spanish Civil War (1936-1939) -- 1 Suspiros de España (Benito Perojo, 1938) -- 2 Canciones para después de una guerra (Basilio Martín Patino, 1971) -- 4 The Autarky: Papier-Mâché Cinema (1939-1950) -- 1 Raza (José Luis Sáenz de Heredia, 1941) -- 2 Locura de amor (Juan de Orduña, 1948) -- 5 Neorealism: Status Quo and Dissent (1951-1961) -- 1 El cochecito (Marco Ferreri, 1960) -- 2 Viridiana (Luis Buñuel, 1961) -- 6 The "Liberal" Dictatorship and its Agony (1962-1975) -- 1 El verdugo (Luis García Berlanga, 1963) -- 2 El jardín de las delicias (Carlos Saura, 1970) -- 7 Cinema of the Transition: The Period of Disenchantment (1975-1979) -- 1 El desencanto (Jaime Chávarri, 1976) -- 2 El crimen de Cuenca (Pilar Miró, 1979) -- 8 Post-Franco Spain: The Pedro Almodóvar Phenomenon (1980-1991) -- 1 Pepi, Luci, Bom y otras chicas del montón (Pedro Almodóvar, 1980) -- 2 ¿Qué he hecho yo para merecer esto! (Pedro Almodóvar, 1984) -- 9 Contemporary Trends (1992 to the Present) -- 1 Vacas (Julio Medem, 1992) -- 2 Carícies (Ventura Pons, 1997) -- 3 Flores de otro mundo (Icíar Bollaín, 1999) -- 4 The Secret Life of Words (La vida secreta de las palabras) (Isabel Coixet, 2005) -- Glossary of Film Terms -- Historical Chronology -- Notes -- Bibliography -- Index. |
| Record Nr. | UNINA-9910808703303321 |
|
Pavlović Tatjana
|
||
| Hoboken : , : John Wiley & Sons, Incorporated, , 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Blood cinema : the reconstruction of national identity in Spain / Marsha Kinder
| Blood cinema : the reconstruction of national identity in Spain / Marsha Kinder |
| Autore | KINDER, Marsha |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 1993 |
| Descrizione fisica | Testo elettronico (PDF) (XI, 553 p. : ill.) |
| Disciplina | 791.430946 |
| Soggetto topico | Cinema - Spagna - Caratteristiche nazionali - Storia |
| ISBN | 0-520-08157-9 |
| Formato | Risorse elettroniche  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISA-996411047203316 |
|
KINDER, Marsha
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| Berkeley, : University of California Press, 1993 | ||
| Risorse elettroniche | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Breve storia del cinema spagnolo / Jean-Claude Seguin ; [traduzione dal francese di Dario Buzzolan]
| Breve storia del cinema spagnolo / Jean-Claude Seguin ; [traduzione dal francese di Dario Buzzolan] |
| Autore | SEGUIN, Jean Claude |
| Pubbl/distr/stampa | Torino : LINDAU, c1998 |
| Descrizione fisica | 157 p ; 17 cm |
| Disciplina | 791.430946 |
| Collana | Strumenti |
| Soggetto topico | Cinematografo spagnolo - Storia |
| ISBN | 88-7180-224-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNISA-990000941630203316 |
|
SEGUIN, Jean Claude
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| Torino : LINDAU, c1998 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Burning darkness [[electronic resource] ] : a half century of Spanish cinema / / edited by Joan Ramon Resina ; with the assistance of Andrés Lema-Hincapié
| Burning darkness [[electronic resource] ] : a half century of Spanish cinema / / edited by Joan Ramon Resina ; with the assistance of Andrés Lema-Hincapié |
| Pubbl/distr/stampa | Albany, : SUNY Press, c2008 |
| Descrizione fisica | 1 online resource (320 p.) |
| Disciplina | 791.430946 |
| Altri autori (Persone) |
ResinaJoan Ramon
Lema-HincapiéAndrés |
| Collana | SUNY series in Latin American and Iberian thought and culture |
| Soggetto topico |
Motion pictures - Spain - History
Motion picture industry - Spain |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-7914-7805-X
1-4356-6330-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""7. Los parasos perdidos: Cinema of Return and Repetition (Basilio Martin Patino, 1985)""""8. (M)Othering Strategies in El pajaro de la felicidad (Pilar Mira, 1993)""; ""9. Abjection, Trauma, and the Material Image: La madre muerta (Juanma Bajo Ulloa, 1993)""; ""10. The Catalan Body Politic as Aired in La teta i la lluna (Bigas Luna, 1994)""; ""11. Genre and Screen Violence: Revisiting Tesis (Alejandro Amenabar, 1995)""; ""12. Conceptualizing the Impact in Los amantes del Carculo Polar (Julio Medem, 1998)""
""13. Immortal/Undead: The Body and the Transmission of Tradition in Amic/Amat (Ventura Pons, 1998)""""14. Imitation of Life: Transsexuality and Transtextuality in Todo sobre mi madre (Pedro Almodovar, 1999)""; ""15. The Construction of the Cinematic Image: En construccion (Jose Luis Gueran, 2000)""; ""Works Cited""; ""Contributors""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""Y""; ""Z"" |
| Record Nr. | UNINA-9910454091203321 |
| Albany, : SUNY Press, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Burning darkness [[electronic resource] ] : a half century of Spanish cinema / / edited by Joan Ramon Resina ; with the assistance of Andrés Lema-Hincapié
| Burning darkness [[electronic resource] ] : a half century of Spanish cinema / / edited by Joan Ramon Resina ; with the assistance of Andrés Lema-Hincapié |
| Pubbl/distr/stampa | Albany, : SUNY Press, c2008 |
| Descrizione fisica | 1 online resource (320 p.) |
| Disciplina | 791.430946 |
| Altri autori (Persone) |
ResinaJoan Ramon
Lema-HincapiéAndrés |
| Collana | SUNY series in Latin American and Iberian thought and culture |
| Soggetto topico |
Motion pictures - Spain - History
Motion picture industry - Spain |
| ISBN |
0-7914-7805-X
1-4356-6330-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""7. Los parasos perdidos: Cinema of Return and Repetition (Basilio Martin Patino, 1985)""""8. (M)Othering Strategies in El pajaro de la felicidad (Pilar Mira, 1993)""; ""9. Abjection, Trauma, and the Material Image: La madre muerta (Juanma Bajo Ulloa, 1993)""; ""10. The Catalan Body Politic as Aired in La teta i la lluna (Bigas Luna, 1994)""; ""11. Genre and Screen Violence: Revisiting Tesis (Alejandro Amenabar, 1995)""; ""12. Conceptualizing the Impact in Los amantes del Carculo Polar (Julio Medem, 1998)""
""13. Immortal/Undead: The Body and the Transmission of Tradition in Amic/Amat (Ventura Pons, 1998)""""14. Imitation of Life: Transsexuality and Transtextuality in Todo sobre mi madre (Pedro Almodovar, 1999)""; ""15. The Construction of the Cinematic Image: En construccion (Jose Luis Gueran, 2000)""; ""Works Cited""; ""Contributors""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""Y""; ""Z"" |
| Record Nr. | UNINA-9910782126803321 |
| Albany, : SUNY Press, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Burning darkness : a half century of Spanish cinema / / edited by Joan Ramon Resina ; with the assistance of Andres Lema-Hincapie
| Burning darkness : a half century of Spanish cinema / / edited by Joan Ramon Resina ; with the assistance of Andres Lema-Hincapie |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Albany, : SUNY Press, c2008 |
| Descrizione fisica | 1 online resource (320 p.) |
| Disciplina | 791.430946 |
| Altri autori (Persone) |
ResinaJoan Ramon
Lema-HincapieAndres |
| Collana | SUNY series in Latin American and Iberian thought and culture |
| Soggetto topico |
Motion pictures - Spain - History
Motion picture industry - Spain |
| ISBN |
0-7914-7805-X
1-4356-6330-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""7. Los parasos perdidos: Cinema of Return and Repetition (Basilio Martin Patino, 1985)""""8. (M)Othering Strategies in El pajaro de la felicidad (Pilar Mira, 1993)""; ""9. Abjection, Trauma, and the Material Image: La madre muerta (Juanma Bajo Ulloa, 1993)""; ""10. The Catalan Body Politic as Aired in La teta i la lluna (Bigas Luna, 1994)""; ""11. Genre and Screen Violence: Revisiting Tesis (Alejandro Amenabar, 1995)""; ""12. Conceptualizing the Impact in Los amantes del Carculo Polar (Julio Medem, 1998)""
""13. Immortal/Undead: The Body and the Transmission of Tradition in Amic/Amat (Ventura Pons, 1998)""""14. Imitation of Life: Transsexuality and Transtextuality in Todo sobre mi madre (Pedro Almodovar, 1999)""; ""15. The Construction of the Cinematic Image: En construccion (Jose Luis Gueran, 2000)""; ""Works Cited""; ""Contributors""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""Y""; ""Z"" |
| Record Nr. | UNINA-9910809888603321 |
| Albany, : SUNY Press, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Challenges to authority : fiction and film in contemporary Spain / Robin W. Fiddian and peter W. Evans
| Challenges to authority : fiction and film in contemporary Spain / Robin W. Fiddian and peter W. Evans |
| Autore | FIDDIAN, Robin W. |
| Pubbl/distr/stampa | London : Tamesis books, c1988 |
| Descrizione fisica | IX, 94 p. : 4 p. di tav. ill. ; 24 cm |
| Disciplina | 791.430946 |
| Altri autori (Persone) | EVANS, Peter W. |
| Collana | Colección Támesis. Ser.A, Monografias |
| Soggetto topico | Cinematrografi e letteratura - Spegna - Sec. 20 |
| ISBN | 0-7293-0264-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISA-990000632380203316 |
|
FIDDIAN, Robin W.
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| London : Tamesis books, c1988 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
A companion to Spanish cinema [[electronic resource] /] / edited by Jo Labanyi and Tatjana Pavlovic
| A companion to Spanish cinema [[electronic resource] /] / edited by Jo Labanyi and Tatjana Pavlovic |
| Pubbl/distr/stampa | Malden, MA, : Wiley-Blackwell, 2012 |
| Descrizione fisica | 1 online resource (666 p.) |
| Disciplina | 791.430946 |
| Altri autori (Persone) |
LabanyiJo
PavlovicTatjana |
| Collana | Wiley-Blackwell companions to national cinemas |
| Soggetto topico |
Motion pictures - Spain
Performing arts - Spain |
| ISBN |
1-118-32277-0
1-78268-972-9 1-118-32276-2 1-283-60414-0 9786613916594 1-118-32279-7 1-118-32280-0 |
| Classificazione | PER004030 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
A Companion to Spanish Cinema; Copyright; Contents; Acknowledgments; List of Figures; List of Contributors; 1 Introduction; Part I Reframing the National; 2 Transnational Frameworks; Introduction (Marvin D'Lugo and Gerard Dapena); Transnational Beginnings (Gerard Dapena); Breaking the Sound Barrier (Gerard Dapena); War, Isolation, and New Transnational Openings (Gerard Dapena); The Golden Age of Popular Coproductions (Gerard Dapena); The Politics of the Transnational Auteur (Marvin D'Lugo); The Producer-Author as Transnational Entrepreneur (Marvin D'Lugo)
The Latin American Connection (Alberto Elena) Cinematic Relations with the Arab World (Alberto Elena); Spanish Cinema by Immigrant Directors (Alberto Elena); References; Further Reading; 3 Echoes and Traces: Catalan Cinema, or Cinema in Catalonia; Other Voices, Other Scripts: Language, Imagery, and Censorship; Spectacular (Dis)locations: Art, Business, and Morality; Troubled Transitions: The "Talkies," the Republic, the Civil War, the Dictatorship, and Beyond; Notes; References; Further Reading; 4 Negotiating the Local and the Global: Andalusia, the Basque Country, and Galicia Introduction: Fragmentation, Invisibility, and Political Devolution (José Colmeiro)On the Global Formation of Andalusian and Basque Cinemas (Joseba Gabilondo); Galician Cinema: Making the Invisible Visible (José Colmeiro); References; Further Reading; Part II The Construction of the Auteur; 5 Auteurism and the Construction of the Canon; Auteurism and Spain (Marvin D'Lugo); Luis Buñuel (Marvin D'Lugo); Carlos Saura (Marvin D'Lugo); Pedro Almodóvar (Paul Julian Smith); Víctor Erice (Paul Julian Smith); Julio Medem (Paul Julian Smith); Alejandro Amenábar (Paul Julian Smith); References Further Reading6 Strategic Auteurism; Introduction (Susan Martin-Márquez); Neville, Berlanga, and de la Iglesia: A Strategically Disruptive Auteurism (Steven Marsh); Authorizing Screenwriting: Rafael Azcona and Pedro Beltrán (Santos Zunzunegui); Jesús Franco: From Pulp Auteur to Cult Auteur (Antonio Lázaro-Reboll); Pere Portabella: The Politics and Aesthetics of Auteurism (Santos Zunzunegui); Editing in the Woman Auteur (Susan Martin-Márquez); Notes; References; Further Reading; Part III Genre; 7 Comedy and Musicals; Comedy in Spanish Cinema: An Overview (Steven Marsh) Queridos cómicos: Actors and Entertainment (Santos Zunzunegui) The Heyday of the Musical Film (Eva Woods Peiró); Contemporary Musical Comedy, Sex, and Gender (Chris Perriam); Conclusion (Chris Perriam); Notes; References; Further Reading; 8 Melodrama and Historical Film; Melodrama: Modernity's Rebellious Genre (Annabel Martín); The Historical Film: Genre and Legibility (Vicente Rodríguez Ortega); The Ambivalent Attractions of the Past: Historical Film of the Early Franco Period (Jo Labanyi) Between the National and the Global: The Historical Film from the 1960's to the Present (Vicente Rodríguez Ortega) |
| Record Nr. | UNINA-9910141394003321 |
| Malden, MA, : Wiley-Blackwell, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A companion to Spanish cinema / / edited by Jo Labanyi and Tatjana Pavlovic
| A companion to Spanish cinema / / edited by Jo Labanyi and Tatjana Pavlovic |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Malden, MA, : Wiley-Blackwell, 2012 |
| Descrizione fisica | 1 online resource (666 p.) |
| Disciplina | 791.430946 |
| Altri autori (Persone) |
LabanyiJo
PavlovicTatjana |
| Collana | Wiley-Blackwell companions to national cinemas |
| Soggetto topico |
Motion pictures - Spain
Performing arts - Spain |
| ISBN |
1-118-32277-0
1-78268-972-9 1-118-32276-2 1-283-60414-0 9786613916594 1-118-32279-7 1-118-32280-0 |
| Classificazione | PER004030 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
A Companion to Spanish Cinema; Copyright; Contents; Acknowledgments; List of Figures; List of Contributors; 1 Introduction; Part I Reframing the National; 2 Transnational Frameworks; Introduction (Marvin D'Lugo and Gerard Dapena); Transnational Beginnings (Gerard Dapena); Breaking the Sound Barrier (Gerard Dapena); War, Isolation, and New Transnational Openings (Gerard Dapena); The Golden Age of Popular Coproductions (Gerard Dapena); The Politics of the Transnational Auteur (Marvin D'Lugo); The Producer-Author as Transnational Entrepreneur (Marvin D'Lugo)
The Latin American Connection (Alberto Elena) Cinematic Relations with the Arab World (Alberto Elena); Spanish Cinema by Immigrant Directors (Alberto Elena); References; Further Reading; 3 Echoes and Traces: Catalan Cinema, or Cinema in Catalonia; Other Voices, Other Scripts: Language, Imagery, and Censorship; Spectacular (Dis)locations: Art, Business, and Morality; Troubled Transitions: The "Talkies," the Republic, the Civil War, the Dictatorship, and Beyond; Notes; References; Further Reading; 4 Negotiating the Local and the Global: Andalusia, the Basque Country, and Galicia Introduction: Fragmentation, Invisibility, and Political Devolution (José Colmeiro)On the Global Formation of Andalusian and Basque Cinemas (Joseba Gabilondo); Galician Cinema: Making the Invisible Visible (José Colmeiro); References; Further Reading; Part II The Construction of the Auteur; 5 Auteurism and the Construction of the Canon; Auteurism and Spain (Marvin D'Lugo); Luis Buñuel (Marvin D'Lugo); Carlos Saura (Marvin D'Lugo); Pedro Almodóvar (Paul Julian Smith); Víctor Erice (Paul Julian Smith); Julio Medem (Paul Julian Smith); Alejandro Amenábar (Paul Julian Smith); References Further Reading6 Strategic Auteurism; Introduction (Susan Martin-Márquez); Neville, Berlanga, and de la Iglesia: A Strategically Disruptive Auteurism (Steven Marsh); Authorizing Screenwriting: Rafael Azcona and Pedro Beltrán (Santos Zunzunegui); Jesús Franco: From Pulp Auteur to Cult Auteur (Antonio Lázaro-Reboll); Pere Portabella: The Politics and Aesthetics of Auteurism (Santos Zunzunegui); Editing in the Woman Auteur (Susan Martin-Márquez); Notes; References; Further Reading; Part III Genre; 7 Comedy and Musicals; Comedy in Spanish Cinema: An Overview (Steven Marsh) Queridos cómicos: Actors and Entertainment (Santos Zunzunegui) The Heyday of the Musical Film (Eva Woods Peiró); Contemporary Musical Comedy, Sex, and Gender (Chris Perriam); Conclusion (Chris Perriam); Notes; References; Further Reading; 8 Melodrama and Historical Film; Melodrama: Modernity's Rebellious Genre (Annabel Martín); The Historical Film: Genre and Legibility (Vicente Rodríguez Ortega); The Ambivalent Attractions of the Past: Historical Film of the Early Franco Period (Jo Labanyi) Between the National and the Global: The Historical Film from the 1960's to the Present (Vicente Rodríguez Ortega) |
| Record Nr. | UNINA-9910813219503321 |
| Malden, MA, : Wiley-Blackwell, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
