Affect and Belonging in Contemporary Spanish Fiction and Film [[electronic resource] ] : Crossroads Visions / / by Jesse Barker |
Autore | Barker Jesse |
Edizione | [1st ed. 2017.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 |
Descrizione fisica | 1 online resource (XI, 226 p. 15 illus., 12 illus. in color.) |
Disciplina | 791.43094 |
Soggetto topico |
Motion pictures—European influences
European literature Ethnology—Europe Motion pictures Cultural heritage European Cinema and TV European Literature European Culture Close Reading Cultural Heritage |
ISBN | 3-319-58969-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910255095303321 |
Barker Jesse
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Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 | ||
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Lo trovi qui: Univ. Federico II | ||
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British cinema history / edited by James Curran and Vincent Porter |
Pubbl/distr/stampa | London, : Weindelfeld and Nicolson, 1983 |
Descrizione fisica | 445 p. ; 22 cm. - |
Disciplina | 791.43094(Cinema. Europa. Storia.) |
Soggetto topico | CINEMA INGLESE - Storia |
ISBN | 02-977822-3-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNIOR-UON00307343 |
London, : Weindelfeld and Nicolson, 1983 | ||
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Lo trovi qui: Univ. L'Orientale | ||
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Cinema e identità europea : Percorsi nel secondo Novecento / Pierre Sorlin |
Autore | SORLIN, Pierre |
Pubbl/distr/stampa | Milano, : La Nuova Italia, 2001 |
Descrizione fisica | VIII, 255 p. ; 22 cm. |
Disciplina | 791.43094(Cinema. Europa. Storia.) |
Soggetto topico | CINEMA - Europa - Storia - 1930-1990 |
ISBN | 88-221-4011-7 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ita |
Record Nr. | UNIOR-UON00252147 |
SORLIN, Pierre
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Milano, : La Nuova Italia, 2001 | ||
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Lo trovi qui: Univ. L'Orientale | ||
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Cinema italiano, cinema sovietico : 26.incontri internazionali del cinema, Sorrento 2-8 ottobre 1989 |
Autore | Incontri internazionali del cinema <26 ; 1989 ; Sorrento> |
Pubbl/distr/stampa | Napoli : Electa, 1989 |
Descrizione fisica | 136 p. : ill. ; 24 cm |
Disciplina | 791.43094 |
Soggetto topico |
Cinematografo italiano - 1989
Cinematografo - Unione Sovietica - 1989 Festival cinematografici - Sorrento |
ISBN | 88-435-2999-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ita |
Record Nr. | UNISA-990001066890203316 |
Incontri internazionali del cinema <26 ; 1989 ; Sorrento>
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Napoli : Electa, 1989 | ||
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Lo trovi qui: Univ. di Salerno | ||
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The Cinema makers [[electronic resource] ] : public life and the exhibition of difference in south-eastern and central europe since the 1960s / / by Anna Schober |
Autore | Schober Anna |
Pubbl/distr/stampa | Bristol, : Intellect, 2013 |
Descrizione fisica | 1 online resource (258 p.) |
Disciplina | 791.43094 |
Soggetto topico |
Motion pictures - Europe - History - 21st century
Violence in motion pictures |
Soggetto genere / forma | Electronic books. |
ISBN | 1-78320-069-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Half Title; Title; Copyright; Contents; List of Illustrations; Acknowledgements; Abbreviations; Introduction; Chapter 1: In the middle of things: city, cinema and the public sphere; 1.1. Cinema's potential for creating a public sphere; 1.2. Difference and the unfamiliar; 1.3. The subject in process: rituals, revolt and storytelling; Chapter 2: Movements and places: modern order and the cinema-squats of the 1960's; 2.1. Cinema and the modern attempt to eliminate ambivalence; 2.2. To become cinema-makers: expanded and other cinemas, the Crni Talas and OHO
2.3. Transnationality: interaction and struggle vis-à-vis official strategies 2.4. Difference, privatized ambivalence and the (informal) public sphere; Chapter 3: Films and urban interventions: the rediscovery of difference since the 1960's; 3.1. The migrant guest worker: Fassbinder's interventions in the projection spaces of the imagination; 3.2. The figuration of difference as aesthetic, sexual and ethnic difference in Yugoslav cinema since the 1960's; Chapter 4: Follow-up initiatives; 4.1. Violence and humour: cinema activism in times of war 4.2. Enthusiasm and critique: cinema between flash mob, new urban transition spaces and art Interviews Cited; References; Back Cover |
Record Nr. | UNINA-9910462909403321 |
Schober Anna
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Bristol, : Intellect, 2013 | ||
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Lo trovi qui: Univ. Federico II | ||
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The Cinema makers [[electronic resource] ] : public life and the exhibition of difference in south-eastern and central europe since the 1960s / / by Anna Schober |
Autore | Schober Anna |
Pubbl/distr/stampa | Bristol, : Intellect, 2013 |
Descrizione fisica | 1 online resource (258 p.) |
Disciplina | 791.43094 |
Soggetto topico |
Motion pictures - Europe - History - 21st century
Violence in motion pictures |
ISBN | 1-78320-069-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Half Title; Title; Copyright; Contents; List of Illustrations; Acknowledgements; Abbreviations; Introduction; Chapter 1: In the middle of things: city, cinema and the public sphere; 1.1. Cinema's potential for creating a public sphere; 1.2. Difference and the unfamiliar; 1.3. The subject in process: rituals, revolt and storytelling; Chapter 2: Movements and places: modern order and the cinema-squats of the 1960's; 2.1. Cinema and the modern attempt to eliminate ambivalence; 2.2. To become cinema-makers: expanded and other cinemas, the Crni Talas and OHO
2.3. Transnationality: interaction and struggle vis-à-vis official strategies 2.4. Difference, privatized ambivalence and the (informal) public sphere; Chapter 3: Films and urban interventions: the rediscovery of difference since the 1960's; 3.1. The migrant guest worker: Fassbinder's interventions in the projection spaces of the imagination; 3.2. The figuration of difference as aesthetic, sexual and ethnic difference in Yugoslav cinema since the 1960's; Chapter 4: Follow-up initiatives; 4.1. Violence and humour: cinema activism in times of war 4.2. Enthusiasm and critique: cinema between flash mob, new urban transition spaces and art Interviews Cited; References; Back Cover |
Record Nr. | UNINA-9910786224003321 |
Schober Anna
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Bristol, : Intellect, 2013 | ||
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Lo trovi qui: Univ. Federico II | ||
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The Cinema makers [[electronic resource] ] : public life and the exhibition of difference in south-eastern and central europe since the 1960s / / by Anna Schober |
Autore | Schober Anna |
Pubbl/distr/stampa | Bristol, : Intellect, 2013 |
Descrizione fisica | 1 online resource (258 p.) |
Disciplina | 791.43094 |
Soggetto topico |
Motion pictures - Europe - History - 21st century
Violence in motion pictures |
ISBN | 1-78320-069-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Half Title; Title; Copyright; Contents; List of Illustrations; Acknowledgements; Abbreviations; Introduction; Chapter 1: In the middle of things: city, cinema and the public sphere; 1.1. Cinema's potential for creating a public sphere; 1.2. Difference and the unfamiliar; 1.3. The subject in process: rituals, revolt and storytelling; Chapter 2: Movements and places: modern order and the cinema-squats of the 1960's; 2.1. Cinema and the modern attempt to eliminate ambivalence; 2.2. To become cinema-makers: expanded and other cinemas, the Crni Talas and OHO
2.3. Transnationality: interaction and struggle vis-à-vis official strategies 2.4. Difference, privatized ambivalence and the (informal) public sphere; Chapter 3: Films and urban interventions: the rediscovery of difference since the 1960's; 3.1. The migrant guest worker: Fassbinder's interventions in the projection spaces of the imagination; 3.2. The figuration of difference as aesthetic, sexual and ethnic difference in Yugoslav cinema since the 1960's; Chapter 4: Follow-up initiatives; 4.1. Violence and humour: cinema activism in times of war 4.2. Enthusiasm and critique: cinema between flash mob, new urban transition spaces and art Interviews Cited; References; Back Cover |
Record Nr. | UNINA-9910828915903321 |
Schober Anna
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Bristol, : Intellect, 2013 | ||
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Lo trovi qui: Univ. Federico II | ||
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Cinéma espagnol 1971 |
Pubbl/distr/stampa | Madrid, : Uniespana, 1971 |
Descrizione fisica | 217 p. : ill. ; 22 cm |
Disciplina | 791.43094 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | spa |
Record Nr. | UNISA-996427144803316 |
Madrid, : Uniespana, 1971 | ||
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Lo trovi qui: Univ. di Salerno | ||
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Cognitive Approaches to German Historical Film [[electronic resource] ] : Seeing is Not Believing / / by Jennifer Marston William |
Autore | William Jennifer Marston |
Edizione | [1st ed. 2017.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 |
Descrizione fisica | 1 online resource (IX, 200 p. 5 illus. in color.) |
Disciplina | 791.43094 |
Collana | Cognitive Studies in Literature and Performance |
Soggetto topico |
Motion pictures—European influences
Motion pictures Ethnology—Europe European Cinema and TV Film Theory European Culture |
ISBN | 3-319-39318-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | .1. Introduction: What this Book is, and is Not -- 2. Conceptual Blending and Imagining Historical Time and Space -- 3. Theory of Mind and the Cinematic Retelling of History -- 4. Perspective-Taking and Empathic Responses to Historical Film -- 5. Epilogue: Examining the Mind’s Eye through the Viewer’s Eye: Implications and Future Directions. |
Record Nr. | UNINA-9910155277303321 |
William Jennifer Marston
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Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 | ||
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Lo trovi qui: Univ. Federico II | ||
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Da Caligari a Good bye, Lenin! : storia e cinema in Germania / a cura di Matteo Galli |
Pubbl/distr/stampa | Firenze, : Le Lettere, c2004 |
Descrizione fisica | XXIV, 638 p., [15] c. di tav. ;22 cm. |
Disciplina | 791.43094(Cinema. Europa. Storia.) |
Soggetto topico |
CINEMATOGRAFO E STORIA
FILM - Germania - Storia |
ISBN | 88-7166-853-7 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ita |
Record Nr. | UNIOR-UON00271238 |
Firenze, : Le Lettere, c2004 | ||
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Lo trovi qui: Univ. L'Orientale | ||
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