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Affect and Belonging in Contemporary Spanish Fiction and Film [[electronic resource] ] : Crossroads Visions / / by Jesse Barker
Affect and Belonging in Contemporary Spanish Fiction and Film [[electronic resource] ] : Crossroads Visions / / by Jesse Barker
Autore Barker Jesse
Edizione [1st ed. 2017.]
Pubbl/distr/stampa Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017
Descrizione fisica 1 online resource (XI, 226 p. 15 illus., 12 illus. in color.)
Disciplina 791.43094
Soggetto topico Motion pictures—European influences
European literature
Ethnology—Europe
Motion pictures
Cultural heritage
European Cinema and TV
European Literature
European Culture
Close Reading
Cultural Heritage
ISBN 3-319-58969-5
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Record Nr. UNINA-9910255095303321
Barker Jesse  
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017
Materiale a stampa
Lo trovi qui: Univ. Federico II
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British cinema history / edited by James Curran and Vincent Porter
British cinema history / edited by James Curran and Vincent Porter
Pubbl/distr/stampa London, : Weindelfeld and Nicolson, 1983
Descrizione fisica 445 p. ; 22 cm. -
Disciplina 791.43094(Cinema. Europa. Storia.)
Soggetto topico CINEMA INGLESE - Storia
ISBN 02-977822-3-1
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Record Nr. UNIOR-UON00307343
London, : Weindelfeld and Nicolson, 1983
Materiale a stampa
Lo trovi qui: Univ. L'Orientale
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Cinema e identità europea : Percorsi nel secondo Novecento / Pierre Sorlin
Cinema e identità europea : Percorsi nel secondo Novecento / Pierre Sorlin
Autore SORLIN, Pierre
Pubbl/distr/stampa Milano, : La Nuova Italia, 2001
Descrizione fisica VIII, 255 p. ; 22 cm.
Disciplina 791.43094(Cinema. Europa. Storia.)
Soggetto topico CINEMA - Europa - Storia - 1930-1990
ISBN 88-221-4011-7
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione ita
Record Nr. UNIOR-UON00252147
SORLIN, Pierre  
Milano, : La Nuova Italia, 2001
Materiale a stampa
Lo trovi qui: Univ. L'Orientale
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Cinema italiano, cinema sovietico : 26.incontri internazionali del cinema, Sorrento 2-8 ottobre 1989
Cinema italiano, cinema sovietico : 26.incontri internazionali del cinema, Sorrento 2-8 ottobre 1989
Autore Incontri internazionali del cinema <26 ; 1989 ; Sorrento>
Pubbl/distr/stampa Napoli : Electa, 1989
Descrizione fisica 136 p. : ill. ; 24 cm
Disciplina 791.43094
Soggetto topico Cinematografo italiano - 1989
Cinematografo - Unione Sovietica - 1989
Festival cinematografici - Sorrento
ISBN 88-435-2999-4
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione ita
Record Nr. UNISA-990001066890203316
Incontri internazionali del cinema <26 ; 1989 ; Sorrento>  
Napoli : Electa, 1989
Materiale a stampa
Lo trovi qui: Univ. di Salerno
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The Cinema makers [[electronic resource] ] : public life and the exhibition of difference in south-eastern and central europe since the 1960s / / by Anna Schober
The Cinema makers [[electronic resource] ] : public life and the exhibition of difference in south-eastern and central europe since the 1960s / / by Anna Schober
Autore Schober Anna
Pubbl/distr/stampa Bristol, : Intellect, 2013
Descrizione fisica 1 online resource (258 p.)
Disciplina 791.43094
Soggetto topico Motion pictures - Europe - History - 21st century
Violence in motion pictures
Soggetto genere / forma Electronic books.
ISBN 1-78320-069-3
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Cover; Half Title; Title; Copyright; Contents; List of Illustrations; Acknowledgements; Abbreviations; Introduction; Chapter 1: In the middle of things: city, cinema and the public sphere; 1.1. Cinema's potential for creating a public sphere; 1.2. Difference and the unfamiliar; 1.3. The subject in process: rituals, revolt and storytelling; Chapter 2: Movements and places: modern order and the cinema-squats of the 1960's; 2.1. Cinema and the modern attempt to eliminate ambivalence; 2.2. To become cinema-makers: expanded and other cinemas, the Crni Talas and OHO
2.3. Transnationality: interaction and struggle vis-à-vis official strategies 2.4. Difference, privatized ambivalence and the (informal) public sphere; Chapter 3: Films and urban interventions: the rediscovery of difference since the 1960's; 3.1. The migrant guest worker: Fassbinder's interventions in the projection spaces of the imagination; 3.2. The figuration of difference as aesthetic, sexual and ethnic difference in Yugoslav cinema since the 1960's; Chapter 4: Follow-up initiatives; 4.1. Violence and humour: cinema activism in times of war
4.2. Enthusiasm and critique: cinema between flash mob, new urban transition spaces and art Interviews Cited; References; Back Cover
Record Nr. UNINA-9910462909403321
Schober Anna  
Bristol, : Intellect, 2013
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
The Cinema makers [[electronic resource] ] : public life and the exhibition of difference in south-eastern and central europe since the 1960s / / by Anna Schober
The Cinema makers [[electronic resource] ] : public life and the exhibition of difference in south-eastern and central europe since the 1960s / / by Anna Schober
Autore Schober Anna
Pubbl/distr/stampa Bristol, : Intellect, 2013
Descrizione fisica 1 online resource (258 p.)
Disciplina 791.43094
Soggetto topico Motion pictures - Europe - History - 21st century
Violence in motion pictures
ISBN 1-78320-069-3
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Cover; Half Title; Title; Copyright; Contents; List of Illustrations; Acknowledgements; Abbreviations; Introduction; Chapter 1: In the middle of things: city, cinema and the public sphere; 1.1. Cinema's potential for creating a public sphere; 1.2. Difference and the unfamiliar; 1.3. The subject in process: rituals, revolt and storytelling; Chapter 2: Movements and places: modern order and the cinema-squats of the 1960's; 2.1. Cinema and the modern attempt to eliminate ambivalence; 2.2. To become cinema-makers: expanded and other cinemas, the Crni Talas and OHO
2.3. Transnationality: interaction and struggle vis-à-vis official strategies 2.4. Difference, privatized ambivalence and the (informal) public sphere; Chapter 3: Films and urban interventions: the rediscovery of difference since the 1960's; 3.1. The migrant guest worker: Fassbinder's interventions in the projection spaces of the imagination; 3.2. The figuration of difference as aesthetic, sexual and ethnic difference in Yugoslav cinema since the 1960's; Chapter 4: Follow-up initiatives; 4.1. Violence and humour: cinema activism in times of war
4.2. Enthusiasm and critique: cinema between flash mob, new urban transition spaces and art Interviews Cited; References; Back Cover
Record Nr. UNINA-9910786224003321
Schober Anna  
Bristol, : Intellect, 2013
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
The Cinema makers [[electronic resource] ] : public life and the exhibition of difference in south-eastern and central europe since the 1960s / / by Anna Schober
The Cinema makers [[electronic resource] ] : public life and the exhibition of difference in south-eastern and central europe since the 1960s / / by Anna Schober
Autore Schober Anna
Pubbl/distr/stampa Bristol, : Intellect, 2013
Descrizione fisica 1 online resource (258 p.)
Disciplina 791.43094
Soggetto topico Motion pictures - Europe - History - 21st century
Violence in motion pictures
ISBN 1-78320-069-3
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Cover; Half Title; Title; Copyright; Contents; List of Illustrations; Acknowledgements; Abbreviations; Introduction; Chapter 1: In the middle of things: city, cinema and the public sphere; 1.1. Cinema's potential for creating a public sphere; 1.2. Difference and the unfamiliar; 1.3. The subject in process: rituals, revolt and storytelling; Chapter 2: Movements and places: modern order and the cinema-squats of the 1960's; 2.1. Cinema and the modern attempt to eliminate ambivalence; 2.2. To become cinema-makers: expanded and other cinemas, the Crni Talas and OHO
2.3. Transnationality: interaction and struggle vis-à-vis official strategies 2.4. Difference, privatized ambivalence and the (informal) public sphere; Chapter 3: Films and urban interventions: the rediscovery of difference since the 1960's; 3.1. The migrant guest worker: Fassbinder's interventions in the projection spaces of the imagination; 3.2. The figuration of difference as aesthetic, sexual and ethnic difference in Yugoslav cinema since the 1960's; Chapter 4: Follow-up initiatives; 4.1. Violence and humour: cinema activism in times of war
4.2. Enthusiasm and critique: cinema between flash mob, new urban transition spaces and art Interviews Cited; References; Back Cover
Record Nr. UNINA-9910828915903321
Schober Anna  
Bristol, : Intellect, 2013
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Cinéma espagnol 1971
Cinéma espagnol 1971
Pubbl/distr/stampa Madrid, : Uniespana, 1971
Descrizione fisica 217 p. : ill. ; 22 cm
Disciplina 791.43094
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione spa
Record Nr. UNISA-996427144803316
Madrid, : Uniespana, 1971
Materiale a stampa
Lo trovi qui: Univ. di Salerno
Opac: Controlla la disponibilità qui
Cognitive Approaches to German Historical Film [[electronic resource] ] : Seeing is Not Believing / / by Jennifer Marston William
Cognitive Approaches to German Historical Film [[electronic resource] ] : Seeing is Not Believing / / by Jennifer Marston William
Autore William Jennifer Marston
Edizione [1st ed. 2017.]
Pubbl/distr/stampa Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017
Descrizione fisica 1 online resource (IX, 200 p. 5 illus. in color.)
Disciplina 791.43094
Collana Cognitive Studies in Literature and Performance
Soggetto topico Motion pictures—European influences
Motion pictures
Ethnology—Europe
European Cinema and TV
Film Theory
European Culture
ISBN 3-319-39318-9
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto .1. Introduction: What this Book is, and is Not -- 2. Conceptual Blending and Imagining Historical Time and Space -- 3. Theory of Mind and the Cinematic Retelling of History -- 4. Perspective-Taking and Empathic Responses to Historical Film -- 5. Epilogue: Examining the Mind’s Eye through the Viewer’s Eye: Implications and Future Directions.
Record Nr. UNINA-9910155277303321
William Jennifer Marston  
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017
Materiale a stampa
Lo trovi qui: Univ. Federico II
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Da Caligari a Good bye, Lenin! : storia e cinema in Germania / a cura di Matteo Galli
Da Caligari a Good bye, Lenin! : storia e cinema in Germania / a cura di Matteo Galli
Pubbl/distr/stampa Firenze, : Le Lettere, c2004
Descrizione fisica XXIV, 638 p., [15] c. di tav. ;22 cm.
Disciplina 791.43094(Cinema. Europa. Storia.)
Soggetto topico CINEMATOGRAFO E STORIA
FILM - Germania - Storia
ISBN 88-7166-853-7
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione ita
Record Nr. UNIOR-UON00271238
Firenze, : Le Lettere, c2004
Materiale a stampa
Lo trovi qui: Univ. L'Orientale
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