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Brazilian women's filmmaking [[electronic resource] ] : from dictatorship to democracy / / Leslie L. Marsh
| Brazilian women's filmmaking [[electronic resource] ] : from dictatorship to democracy / / Leslie L. Marsh |
| Autore | Marsh Leslie L |
| Pubbl/distr/stampa | Urbana, : University of Illinois Press, c2012 |
| Descrizione fisica | 1 online resource (250 p.) |
| Disciplina | 791.43082 |
| Soggetto topico |
Motion pictures - Brazil
Women motion picture producers and directors - Brazil |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-73536-9
0-252-09437-9 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Brazilian women's filmmaking and the state during the 1970's and 1980's -- Contesting the boundaries of belonging in the films of Ana Carolina -- Rescreening the past: the politics of memory in women's films of the 1980's -- Widening the screen: independent and alternative film and video, 1983-1988 -- Developments under democracy: Brazilian women's filmmaking in a new era -- Conclusion. |
| Record Nr. | UNINA-9910461886703321 |
Marsh Leslie L
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| Urbana, : University of Illinois Press, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Brazilian women's filmmaking [[electronic resource] ] : from dictatorship to democracy / / Leslie L. Marsh
| Brazilian women's filmmaking [[electronic resource] ] : from dictatorship to democracy / / Leslie L. Marsh |
| Autore | Marsh Leslie L |
| Pubbl/distr/stampa | Urbana, : University of Illinois Press, c2012 |
| Descrizione fisica | 1 online resource (250 p.) |
| Disciplina | 791.43082 |
| Soggetto topico |
Motion pictures - Brazil
Women motion picture producers and directors - Brazil |
| ISBN |
1-283-73536-9
0-252-09437-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Brazilian women's filmmaking and the state during the 1970's and 1980's -- Contesting the boundaries of belonging in the films of Ana Carolina -- Rescreening the past: the politics of memory in women's films of the 1980's -- Widening the screen: independent and alternative film and video, 1983-1988 -- Developments under democracy: Brazilian women's filmmaking in a new era -- Conclusion. |
| Record Nr. | UNINA-9910786354303321 |
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Marsh Leslie L
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| Urbana, : University of Illinois Press, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Cinematic howling [[electronic resource] ] : women's films, women's film theories / / Hoi F. Cheu
| Cinematic howling [[electronic resource] ] : women's films, women's film theories / / Hoi F. Cheu |
| Autore | Cheu Hoi F (Hoi Fung), <1966-> |
| Pubbl/distr/stampa | Vancouver, Toronto, : UBC Press, c2007 |
| Descrizione fisica | 1 online resource (217 p.) |
| Disciplina | 791.43082 |
| Soggetto topico |
Feminist films - History and criticism
Feminism and motion pictures Feminist film criticism Women motion picture producers and directors Women screenwriters |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-59328-5
9786612593284 0-7748-5550-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Acknowledgments; 1 Feminist Film Theory and the Postfeminist Era; 2 Howling for Multitudes; 3 The Female Authorial Voice; 4 Beyond Freud and Lacan; 5 Cathartic Meta-narrative; 6 Diasporic Imagination and Transcultural Identity; 7 Representing Representation; 8 From Text to Context; 9 Filling the Theory Vacuum; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z |
| Record Nr. | UNINA-9910454213703321 |
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Cheu Hoi F (Hoi Fung), <1966->
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| Vancouver, Toronto, : UBC Press, c2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Cinematic howling [[electronic resource] ] : women's films, women's film theories / / Hoi F. Cheu
| Cinematic howling [[electronic resource] ] : women's films, women's film theories / / Hoi F. Cheu |
| Autore | Cheu Hoi F (Hoi Fung), <1966-> |
| Pubbl/distr/stampa | Vancouver, Toronto, : UBC Press, c2007 |
| Descrizione fisica | 1 online resource (217 p.) |
| Disciplina | 791.43082 |
| Soggetto topico |
Feminist films - History and criticism
Feminism and motion pictures Feminist film criticism Women motion picture producers and directors Women screenwriters |
| ISBN |
1-282-59328-5
9786612593284 0-7748-5550-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Acknowledgments; 1 Feminist Film Theory and the Postfeminist Era; 2 Howling for Multitudes; 3 The Female Authorial Voice; 4 Beyond Freud and Lacan; 5 Cathartic Meta-narrative; 6 Diasporic Imagination and Transcultural Identity; 7 Representing Representation; 8 From Text to Context; 9 Filling the Theory Vacuum; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z |
| Record Nr. | UNINA-9910777749603321 |
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Cheu Hoi F (Hoi Fung), <1966->
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| Vancouver, Toronto, : UBC Press, c2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Female agencies and subjectivities in film and television / / Diğdem Sezen [and three others] (editors)
| Female agencies and subjectivities in film and television / / Diğdem Sezen [and three others] (editors) |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham, Switzerland : , : Palgrave Macmillan, , [2020] |
| Descrizione fisica | 1 online resource (XVII, 300 p. 6 illus.) |
| Disciplina | 791.43082 |
| Soggetto topico | Feminism and motion pictures |
| ISBN | 3-030-56100-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. Agnès Varda and the Singular Feminine -- 3. Female Agency in Pelin Esmer Films: The Play (2005) and Queen Lear (2019) -- 4. The Feminine Indistinction in Susanne Bier’s Cinema: The Brothers (2005), In a Better World (2010), Bird Box (2019) -- 5. Consuming Bodies, Abject Spaces: Ana Lily Amirpour’s Transcultural Expressionism -- 6. Claire Underwood: Feminist Warrior or Shakespearean Villain? Re-visiting Feminine Evil in House of Cards -- 7. The Phenomenology of Orphan Black as Molecular Politics -- 8. ‘I will not be bullied into submission’: Discussing subjection and resistance in GLOW (2017) -- 9. Female Body Language: Cutting, Scarring, and Becoming in HBO’s Sharp Objects -- 10. The Strong Female Lead: Postfeminist Representation of Women and Femininity in Netflix Shows, Derya Özkan, Deborah Hardt -- 11. The Technological Turn of the Femme Fatale: The Fembot and Alternative Fates -- 12. Women Remembering: Gender and Genre in Persona and Happy Valley -- 13. Bridal anxieties: Politics of gender, neoconservatism and daytime TV in Turkey -- 14. International Filmmor Women’s Film Festival on Wheels: “Women’s Cinema, Women’s Resistance, Cinema of Resistance."- 15. Machine gaze on women: How everyday machine-vision-technologies see women in films. |
| Record Nr. | UNINA-9910484324303321 |
| Cham, Switzerland : , : Palgrave Macmillan, , [2020] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Feminism and film / / Maggie Humm
| Feminism and film / / Maggie Humm |
| Autore | Humm Maggie |
| Pubbl/distr/stampa | Edinburgh, Scotland : , : Edinburgh University Press, , [1997] |
| Descrizione fisica | 1 online resource (256 p.) |
| Disciplina | 791.43082 |
| Soggetto topico |
Feminism and motion pictures
Feminist film criticism |
| ISBN |
1-4744-6938-8
0-585-15645-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- CONTENTS -- LIST OF FIGURES -- PREFACE -- ACKNOWLEDGEMENTS -- PART ONE -- Chapter 1. FEMINIST THEORY, AESTHETICS AND FILM THEORY: Mulvey, Kuhn, Kaplan and hooks -- Chapter 2. SIGHT AND SOUND: Pornography, The Gaze, Klute and Variety -- Chapter 3. CRONENBERG'S FILMS AND FEMINIST THEORIES OF MOTHERING -- Chapter 4. AUTHOR/ AUTEUR: FEMINIST LITERARY THEORY AND FEMINIST FILM -- PART TWO -- Chapter 5. BLACK FILM THEORY, BLACK FEMINISMS: Daughters of the Dust -- Chapter 6. POSTMODERNISM AND ORLANDO -- Chapter 7. PRACTISING FEMINIST THEORY -- AFTERWORD -- BIBLIOGRAPHY -- FILMOGRAPHY -- INDEX |
| Record Nr. | UNINA-9910778872803321 |
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Humm Maggie
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| Edinburgh, Scotland : , : Edinburgh University Press, , [1997] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Feminism and film / / Maggie Humm
| Feminism and film / / Maggie Humm |
| Autore | Humm Maggie |
| Pubbl/distr/stampa | Edinburgh, Scotland : , : Edinburgh University Press, , [1997] |
| Descrizione fisica | 1 online resource (256 p.) |
| Disciplina | 791.43082 |
| Soggetto topico |
Feminism and motion pictures
Feminist film criticism |
| ISBN |
1-4744-6938-8
0-585-15645-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- CONTENTS -- LIST OF FIGURES -- PREFACE -- ACKNOWLEDGEMENTS -- PART ONE -- Chapter 1. FEMINIST THEORY, AESTHETICS AND FILM THEORY: Mulvey, Kuhn, Kaplan and hooks -- Chapter 2. SIGHT AND SOUND: Pornography, The Gaze, Klute and Variety -- Chapter 3. CRONENBERG'S FILMS AND FEMINIST THEORIES OF MOTHERING -- Chapter 4. AUTHOR/ AUTEUR: FEMINIST LITERARY THEORY AND FEMINIST FILM -- PART TWO -- Chapter 5. BLACK FILM THEORY, BLACK FEMINISMS: Daughters of the Dust -- Chapter 6. POSTMODERNISM AND ORLANDO -- Chapter 7. PRACTISING FEMINIST THEORY -- AFTERWORD -- BIBLIOGRAPHY -- FILMOGRAPHY -- INDEX |
| Record Nr. | UNINA-9910819399203321 |
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Humm Maggie
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| Edinburgh, Scotland : , : Edinburgh University Press, , [1997] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Feminist film theory [[electronic resource]] : a reader / / edited and introduced by Sue Thornham
| Feminist film theory [[electronic resource]] : a reader / / edited and introduced by Sue Thornham |
| Autore | Thornham Sue |
| Pubbl/distr/stampa | Edinburgh : , : Edinburgh University Press, , 2011 |
| Descrizione fisica | 1 online resource (vi, 361 p. ) |
| Disciplina | 791.43082 |
| Soggetto topico |
Feminism and motion pictures
Film criticism Feminist films Feminist film criticism |
| ISBN |
1-4744-7322-9
0-585-15917-3 |
| Classificazione | AP 45100 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- CONTENTS -- Introduction -- Part I: Taking up the Struggle -- Introduction -- 1.‘The Image of Women in Film: Some Suggestions for Future Research’ -- 2. ‘The Woman’s Film’ -- 3. ‘Women’s Cinema as Counter-Cinema’ -- 4. ‘The Crisis of Naming in Feminist Film Criticism’ -- Further Reading -- Part II: The Language of Theory -- Introduction -- 5. ‘Visual Pleasure and Narrative Cinema’ -- 6. ‘Caught and Rebecca: The Inscription of Femininity as Absence’ -- 7. ‘Oedipus Interruptus’ -- 8. ‘Lost Objects and Mistaken Subjects’ -- Further Reading -- Part III: The Female Spectator -- Introduction -- 9. ‘Women and Film: A Discussion of Feminist Aesthetics’ -- 10. ‘Afterthoughts on “Visual Pleasure and Narrative Cinema” inspired by King Vidor’s Duel in the Sun (1946)’ -- 11. ‘Film and the Masquerade: Theorising the Female Spectator’ -- 12. ‘Women’s Genres: Melodrama, Soap Opera and Theory’ -- Further Reading -- Part IV: Textual Negotiations -- Introduction -- 13. ‘Pleasurable Negotiations’ -- 14. ‘Video Replay: Families, Films and Fantasy’ -- 15. ‘Feminine Fascinations: Forms of Identification in Star-Audience Relations’ -- 16. ‘Taboos and Totems: Cultural Meanings of The Silence of the Lambs' -- Further Reading -- Part V: Fantasy, Horror and the Body -- Introduction -- 17. ‘Her Body, Himself: Gender in the Slasher Film’ -- 18. ‘Horror and the Monstrous-Feminine: An Imaginary Abjection’ -- 19. ‘Film Bodies: Gender, Genre and Excess’ -- Further Reading -- Part VI: Re-thinking Differences -- Introduction -- 20. ‘White Privilege and Looking Relations: Race and Gender in Feminist Film Theory’ -- 21. ‘The Oppositional Gaze: Black Female Spectators’ -- 22. ‘Cinema and the Dark Continent: Race and Gender in Popular Film’ -- 23. ‘Gender is Burning: Questions of Appropriation and Subversion’ -- Further Reading -- Copyright Acknowledgements -- Index |
| Record Nr. | UNINA-9910778733903321 |
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Thornham Sue
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| Edinburgh : , : Edinburgh University Press, , 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Feminist film theory [[electronic resource]] : a reader / / edited and introduced by Sue Thornham
| Feminist film theory [[electronic resource]] : a reader / / edited and introduced by Sue Thornham |
| Autore | Thornham Sue |
| Pubbl/distr/stampa | Edinburgh : , : Edinburgh University Press, , 2011 |
| Descrizione fisica | 1 online resource (vi, 361 p. ) |
| Disciplina | 791.43082 |
| Soggetto topico |
Feminism and motion pictures
Film criticism Feminist films Feminist film criticism |
| ISBN |
1-4744-7322-9
0-585-15917-3 |
| Classificazione | AP 45100 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- CONTENTS -- Introduction -- Part I: Taking up the Struggle -- Introduction -- 1.‘The Image of Women in Film: Some Suggestions for Future Research’ -- 2. ‘The Woman’s Film’ -- 3. ‘Women’s Cinema as Counter-Cinema’ -- 4. ‘The Crisis of Naming in Feminist Film Criticism’ -- Further Reading -- Part II: The Language of Theory -- Introduction -- 5. ‘Visual Pleasure and Narrative Cinema’ -- 6. ‘Caught and Rebecca: The Inscription of Femininity as Absence’ -- 7. ‘Oedipus Interruptus’ -- 8. ‘Lost Objects and Mistaken Subjects’ -- Further Reading -- Part III: The Female Spectator -- Introduction -- 9. ‘Women and Film: A Discussion of Feminist Aesthetics’ -- 10. ‘Afterthoughts on “Visual Pleasure and Narrative Cinema” inspired by King Vidor’s Duel in the Sun (1946)’ -- 11. ‘Film and the Masquerade: Theorising the Female Spectator’ -- 12. ‘Women’s Genres: Melodrama, Soap Opera and Theory’ -- Further Reading -- Part IV: Textual Negotiations -- Introduction -- 13. ‘Pleasurable Negotiations’ -- 14. ‘Video Replay: Families, Films and Fantasy’ -- 15. ‘Feminine Fascinations: Forms of Identification in Star-Audience Relations’ -- 16. ‘Taboos and Totems: Cultural Meanings of The Silence of the Lambs' -- Further Reading -- Part V: Fantasy, Horror and the Body -- Introduction -- 17. ‘Her Body, Himself: Gender in the Slasher Film’ -- 18. ‘Horror and the Monstrous-Feminine: An Imaginary Abjection’ -- 19. ‘Film Bodies: Gender, Genre and Excess’ -- Further Reading -- Part VI: Re-thinking Differences -- Introduction -- 20. ‘White Privilege and Looking Relations: Race and Gender in Feminist Film Theory’ -- 21. ‘The Oppositional Gaze: Black Female Spectators’ -- 22. ‘Cinema and the Dark Continent: Race and Gender in Popular Film’ -- 23. ‘Gender is Burning: Questions of Appropriation and Subversion’ -- Further Reading -- Copyright Acknowledgements -- Index |
| Record Nr. | UNINA-9910826657503321 |
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Thornham Sue
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| Edinburgh : , : Edinburgh University Press, , 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Independent stardom : freelance women in the Hollywood studio system / / Emily Carman
| Independent stardom : freelance women in the Hollywood studio system / / Emily Carman |
| Autore | Carman Emily |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | Austin, [Texas] : , : University of Texas Press, , 2016 |
| Descrizione fisica | 1 online resource (237 p.) |
| Disciplina | 791.43082 |
| Collana | Texas Film and Media Studies Series |
| Soggetto topico |
Motion picture industry - California - Los Angeles - History
Women in the motion picture industry - California - Los Angeles - History Motion picture actors and actresses - California - Los Angeles - History |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-4773-0732-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910460898003321 |
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Carman Emily
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| Austin, [Texas] : , : University of Texas Press, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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