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Campus Cinephilia in Neoliberal South Korea : A Different Kind of Fun / / by Josie Jung Yeon Sohn
| Campus Cinephilia in Neoliberal South Korea : A Different Kind of Fun / / by Josie Jung Yeon Sohn |
| Autore | Sohn Josie Jung Yeon |
| Edizione | [1st ed. 2022.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 |
| Descrizione fisica | 1 online resource (222 pages) |
| Disciplina |
302.2343
791.43071 |
| Collana | East Asian Popular Culture |
| Soggetto topico |
Motion pictures - Asia
Motion picture industry Television broadcasting Youth - Social life and customs Ethnology - Asia Culture Asian Film and TV Film and Television Industry Youth Culture Asian Culture |
| ISBN |
9783030951436
9783030951429 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: Introduction -- Chapter 2: A History of Youth Culture: Politics and Generations in Transition -- Chapter 3: A History of Cinepol: Film Cultures in Transition -- Chapter 4: Seoul: A Cinephile City -- Chapter 5: Privately Worldwide: Film as an Everyday Practice -- Chapter 6: The Bordwell Regime: 'A Different Kind of Fun' -- Chapter 7: The Godard Regimen: Film Diet and Affective Cinephilia -- Chapter 8: Conclusion. |
| Record Nr. | UNINA-9910568268603321 |
Sohn Josie Jung Yeon
|
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Movie Making as Critical Pedagogy : Conscientization through Visual Storytelling / / by Grady Walker
| Movie Making as Critical Pedagogy : Conscientization through Visual Storytelling / / by Grady Walker |
| Autore | Walker Grady |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (277 pages) |
| Disciplina | 791.43071 |
| Collana | Palgrave Studies in Communication for Social Change |
| Soggetto topico |
Communication
Motion pictures Motion pictures - Production and direction Media and Communication Film Theory Film and Television Production |
| ISBN |
9783319969268
3319969269 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Prologue -- Chapter One: Introduction -- Chapter Two: Developing a Theory -- Chapter Three: Connecting Theory with Action -- Chapter Four: Insider Windows in Nepal: A Case Study -- Chapter Five: Enlarging the Window of Insider Knowledge -- Chapter Six: Praxis with a Purpose. |
| Record Nr. | UNINA-9910300033803321 |
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Walker Grady
|
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
World cinema through global genres / / William V. Costanzo
| World cinema through global genres / / William V. Costanzo |
| Autore | Costanzo William V |
| Pubbl/distr/stampa | Chichester, England : , : Wiley-Blackwell, , 2014 |
| Descrizione fisica | 1 online resource (451 p.) |
| Disciplina | 791.43071 |
| Soggetto topico |
Motion pictures - Study and teaching
Film genres |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-118-71310-9
1-118-71291-9 1-118-71308-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
World Cinema through Global Genres; Copyright; Contents; Preface; Acknowledgments; How to Use This Book; Introduction; Unit I The Warrior Hero; Chapter 1 The Warrior Hero; The Western Hero and the Samurai; Men with Guns: The Western Hero; Men with Swords: The Samurai Tradition; Enchanted Swords and Flying Fists: Wuxia and Kung Fu; Evolution of the Wuxia Hero; Zhang Yimou's "Hero" and Chinese Aesthetics; The Kung Fu Craze Begins; Hong Kong's Movie Industry Comes of Age; Kung Fu, Wuxia, and the Aesthetics of Action; Filmography; Notes; Further Reading; Deep Focus on Chinese Cinemas
The Three Chinas Crouching Tiger, Hidden Dragon: The Making of a Transnational Chinese-Language Film; Notes; Further Reading; Close-up The Magnificent Seven; Questions; Notes; Further Reading and Other Media; Close-up Seven Samurai; Questions; Note; Further Reading; Close-up Sholay; Questions; Note; Further Reading; Close-up Way of the Dragon; Questions; Notes; Unit II The Weeding Film; Chapter 2 The Wedding Film; Questions of Genre and Myth; Every Girl's Dream, Every Father's Nightmare; Wedding Movies as Romantic Comedy; Best Friends, Buddies, and Other Wedding Saboteurs Black Comedy and Dysfunctional Families: Wedding Films as Social Satire Arab Brides on the Border; Rites of Passage, Icons of Success: The Mythology of Wedding Films; Comparative Weddings 101; Towards a Definition of the Genre; Filmography; Notes; Further Reading; Deep Focus on Indian Cinemas; Classical Indian Cinema; History, Politics, and the Indian Film; Native Aesthetics; Song, Saris, Dance, and Stars; Questions of Influence; Bollywood in the 1990's: Hum Aapke Hain Koun...!and Family Wedding Films; Bride and Prejudice: The Indian Diaspora and Beyond; Global Bollywood and the Wedding Myth; Notes Further Reading Close-up My Big Fat Greek Wedding; Questions; Notes; Close-up Monsoon Wedding; Questions; Notes; Close-up The Wedding Banquet; Questions; Notes; Close-up Wedding in Galilee; Questions; Notes; Unit III The Horror Film; Chapter 3 The Horror Film; Why We Watch Horror Films: The Thrill of Fear; Vampires: The Evolution of a Monster; Gothic Ghosts and Grand Guignol Gore; Soundless Screams on Silent Screens; The 1930's: Universal's Classic Monsters; The 1940's: World War II and Horror Noir; The 1950's: Creature Features and the Cold War The 1960's: Psychos and Zombies, Civil Rights and Vietnam The 1970's: Stalking the American Family; The 1980's: Hauntings and Howlings in the Age of Reagan; The 1990's: Postmodern Horror and Supernatural Realismat the End of the Millennium; The New Millennium: Horror to the Extreme; Filmography; Notes; Further Reading; Deep Focus on Japanese Cinemas; Early History and Culture; Genres and Aesthetics; Anime; J-Horror; Notes; Further Reading; Close-up Halloween; Questions; Notes; Further Reading; Close-up Suspiria; Questions; Notes; Further Reading; Close-up The Devil's Backbone; Questions; Notes Further Reading |
| Record Nr. | UNINA-9910453671303321 |
|
Costanzo William V
|
||
| Chichester, England : , : Wiley-Blackwell, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
World cinema through global genres / / William V. Costanzo
| World cinema through global genres / / William V. Costanzo |
| Autore | Costanzo William V |
| Pubbl/distr/stampa | Chichester, England : , : Wiley-Blackwell, , 2014 |
| Descrizione fisica | 1 online resource (451 p.) |
| Disciplina | 791.43071 |
| Collana | New York Academy of Sciences |
| Soggetto topico |
Motion pictures - Study and teaching
Film genres |
| ISBN |
1-118-71310-9
1-118-71291-9 1-118-71308-7 |
| Classificazione | PER004030 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
World Cinema through Global Genres; Copyright; Contents; Preface; Acknowledgments; How to Use This Book; Introduction; Unit I The Warrior Hero; Chapter 1 The Warrior Hero; The Western Hero and the Samurai; Men with Guns: The Western Hero; Men with Swords: The Samurai Tradition; Enchanted Swords and Flying Fists: Wuxia and Kung Fu; Evolution of the Wuxia Hero; Zhang Yimou's "Hero" and Chinese Aesthetics; The Kung Fu Craze Begins; Hong Kong's Movie Industry Comes of Age; Kung Fu, Wuxia, and the Aesthetics of Action; Filmography; Notes; Further Reading; Deep Focus on Chinese Cinemas
The Three Chinas Crouching Tiger, Hidden Dragon: The Making of a Transnational Chinese-Language Film; Notes; Further Reading; Close-up The Magnificent Seven; Questions; Notes; Further Reading and Other Media; Close-up Seven Samurai; Questions; Note; Further Reading; Close-up Sholay; Questions; Note; Further Reading; Close-up Way of the Dragon; Questions; Notes; Unit II The Weeding Film; Chapter 2 The Wedding Film; Questions of Genre and Myth; Every Girl's Dream, Every Father's Nightmare; Wedding Movies as Romantic Comedy; Best Friends, Buddies, and Other Wedding Saboteurs Black Comedy and Dysfunctional Families: Wedding Films as Social Satire Arab Brides on the Border; Rites of Passage, Icons of Success: The Mythology of Wedding Films; Comparative Weddings 101; Towards a Definition of the Genre; Filmography; Notes; Further Reading; Deep Focus on Indian Cinemas; Classical Indian Cinema; History, Politics, and the Indian Film; Native Aesthetics; Song, Saris, Dance, and Stars; Questions of Influence; Bollywood in the 1990's: Hum Aapke Hain Koun...!and Family Wedding Films; Bride and Prejudice: The Indian Diaspora and Beyond; Global Bollywood and the Wedding Myth; Notes Further Reading Close-up My Big Fat Greek Wedding; Questions; Notes; Close-up Monsoon Wedding; Questions; Notes; Close-up The Wedding Banquet; Questions; Notes; Close-up Wedding in Galilee; Questions; Notes; Unit III The Horror Film; Chapter 3 The Horror Film; Why We Watch Horror Films: The Thrill of Fear; Vampires: The Evolution of a Monster; Gothic Ghosts and Grand Guignol Gore; Soundless Screams on Silent Screens; The 1930's: Universal's Classic Monsters; The 1940's: World War II and Horror Noir; The 1950's: Creature Features and the Cold War The 1960's: Psychos and Zombies, Civil Rights and Vietnam The 1970's: Stalking the American Family; The 1980's: Hauntings and Howlings in the Age of Reagan; The 1990's: Postmodern Horror and Supernatural Realismat the End of the Millennium; The New Millennium: Horror to the Extreme; Filmography; Notes; Further Reading; Deep Focus on Japanese Cinemas; Early History and Culture; Genres and Aesthetics; Anime; J-Horror; Notes; Further Reading; Close-up Halloween; Questions; Notes; Further Reading; Close-up Suspiria; Questions; Notes; Further Reading; Close-up The Devil's Backbone; Questions; Notes Further Reading |
| Record Nr. | UNINA-9910790838103321 |
|
Costanzo William V
|
||
| Chichester, England : , : Wiley-Blackwell, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
World cinema through global genres / / William V. Costanzo
| World cinema through global genres / / William V. Costanzo |
| Autore | Costanzo William V |
| Pubbl/distr/stampa | Chichester, England : , : Wiley-Blackwell, , 2014 |
| Descrizione fisica | 1 online resource (451 p.) |
| Disciplina | 791.43071 |
| Collana | New York Academy of Sciences |
| Soggetto topico |
Motion pictures - Study and teaching
Film genres |
| ISBN |
1-118-71310-9
1-118-71291-9 1-118-71308-7 |
| Classificazione | PER004030 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
World Cinema through Global Genres; Copyright; Contents; Preface; Acknowledgments; How to Use This Book; Introduction; Unit I The Warrior Hero; Chapter 1 The Warrior Hero; The Western Hero and the Samurai; Men with Guns: The Western Hero; Men with Swords: The Samurai Tradition; Enchanted Swords and Flying Fists: Wuxia and Kung Fu; Evolution of the Wuxia Hero; Zhang Yimou's "Hero" and Chinese Aesthetics; The Kung Fu Craze Begins; Hong Kong's Movie Industry Comes of Age; Kung Fu, Wuxia, and the Aesthetics of Action; Filmography; Notes; Further Reading; Deep Focus on Chinese Cinemas
The Three Chinas Crouching Tiger, Hidden Dragon: The Making of a Transnational Chinese-Language Film; Notes; Further Reading; Close-up The Magnificent Seven; Questions; Notes; Further Reading and Other Media; Close-up Seven Samurai; Questions; Note; Further Reading; Close-up Sholay; Questions; Note; Further Reading; Close-up Way of the Dragon; Questions; Notes; Unit II The Weeding Film; Chapter 2 The Wedding Film; Questions of Genre and Myth; Every Girl's Dream, Every Father's Nightmare; Wedding Movies as Romantic Comedy; Best Friends, Buddies, and Other Wedding Saboteurs Black Comedy and Dysfunctional Families: Wedding Films as Social Satire Arab Brides on the Border; Rites of Passage, Icons of Success: The Mythology of Wedding Films; Comparative Weddings 101; Towards a Definition of the Genre; Filmography; Notes; Further Reading; Deep Focus on Indian Cinemas; Classical Indian Cinema; History, Politics, and the Indian Film; Native Aesthetics; Song, Saris, Dance, and Stars; Questions of Influence; Bollywood in the 1990's: Hum Aapke Hain Koun...!and Family Wedding Films; Bride and Prejudice: The Indian Diaspora and Beyond; Global Bollywood and the Wedding Myth; Notes Further Reading Close-up My Big Fat Greek Wedding; Questions; Notes; Close-up Monsoon Wedding; Questions; Notes; Close-up The Wedding Banquet; Questions; Notes; Close-up Wedding in Galilee; Questions; Notes; Unit III The Horror Film; Chapter 3 The Horror Film; Why We Watch Horror Films: The Thrill of Fear; Vampires: The Evolution of a Monster; Gothic Ghosts and Grand Guignol Gore; Soundless Screams on Silent Screens; The 1930's: Universal's Classic Monsters; The 1940's: World War II and Horror Noir; The 1950's: Creature Features and the Cold War The 1960's: Psychos and Zombies, Civil Rights and Vietnam The 1970's: Stalking the American Family; The 1980's: Hauntings and Howlings in the Age of Reagan; The 1990's: Postmodern Horror and Supernatural Realismat the End of the Millennium; The New Millennium: Horror to the Extreme; Filmography; Notes; Further Reading; Deep Focus on Japanese Cinemas; Early History and Culture; Genres and Aesthetics; Anime; J-Horror; Notes; Further Reading; Close-up Halloween; Questions; Notes; Further Reading; Close-up Suspiria; Questions; Notes; Further Reading; Close-up The Devil's Backbone; Questions; Notes Further Reading |
| Record Nr. | UNINA-9910820708703321 |
|
Costanzo William V
|
||
| Chichester, England : , : Wiley-Blackwell, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||