Info
- Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.
Alex Cox's introduction to film : a director's perspective / / Alex Cox
| Alex Cox's introduction to film : a director's perspective / / Alex Cox |
| Autore | Cox Alex <1954-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Harpenden, Herts : , : Kamera Books, , 2016 |
| Descrizione fisica | 1 online resource (153 pages) : illustrations |
| Disciplina | 791.430232 |
| Soggetto topico |
Motion pictures - Production and direction
Cinematography |
| ISBN |
9781843447498
1843447495 9781843447474 1843447479 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Altri titoli varianti | Introduction to film |
| Record Nr. | UNINA-9910159506603321 |
Cox Alex <1954->
|
||
| Harpenden, Herts : , : Kamera Books, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Antologia poética / Blas De Botero ; edicion, introduccion y notas de Pablo Jauralde Pou
| Antologia poética / Blas De Botero ; edicion, introduccion y notas de Pablo Jauralde Pou |
| Autore | OTERO, Blas : De |
| Pubbl/distr/stampa | Madrid : Castalia, 2007 |
| Descrizione fisica | 248 p. ; 21 cm |
| Disciplina | 791.430232 |
| Collana | Biblioteca contemporánea de clásicos Castalia |
| ISBN | 978-849740225-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | spa |
| Record Nr. | UNISA-990003156410203316 |
|
OTERO, Blas : De
|
||
| Madrid : Castalia, 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Cinematic Virtual Reality : A Critical Study of 21st Century Approaches and Practices / / by Kath Dooley
| Cinematic Virtual Reality : A Critical Study of 21st Century Approaches and Practices / / by Kath Dooley |
| Autore | Dooley Kath |
| Edizione | [1st ed. 2021.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2021 |
| Descrizione fisica | 1 online resource (153 pages) |
| Disciplina |
791.430232
791.436 |
| Soggetto topico |
Experimental films
Technology - Sociological aspects Experimental Film Science, Technology and Society |
| ISBN |
9783030721473
3030721477 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: Introduction -- Chapter 2: The 360- degree Spectator- Key Concepts for the Cinematic Virtual Reality Viewing Experience -- Chapter 3: Crafting the CVR Experience so as to Guide the Viewer -- Chapter 4: The CVR Project on the Page or on the Screen: Writing and Conceptualization -- Chapter 5: Script and Project Development Practices -- Chapter 6: Spatial Relationships in 360-degree Space: Proximity, Body Orientation and the Gaze -- Chapter 7: Creating Impact: The Scripting and Development of a CVR Documentary -- Chapter 8: Conclusion. |
| Record Nr. | UNINA-9910485147103321 |
|
Dooley Kath
|
||
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The complete film production handbook / / Eve Light Honthaner
| The complete film production handbook / / Eve Light Honthaner |
| Autore | Honthaner Eve Light <1950-> |
| Edizione | [4th ed.] |
| Pubbl/distr/stampa | Burlington, MA, : Focal Press, 2010 |
| Descrizione fisica | 1 online resource (531 p.) |
| Disciplina |
791.4302/32
791.430232 |
| Soggetto topico |
Motion pictures - Production and direction
Motion pictures |
| ISBN |
9786612540660
9781136053054 1136053050 9781136053061 1136053069 9781282540668 1282540661 9780080884998 0080884997 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title Page; Copyright Page; Table of Contents; Introduction; Acknowledgments; Forms in the book; Chapter 1: The Production Team andWho Does What; Introduction; Producers; Executive Producer; Producer; Co-Producer; Line Producer; Post Production Producer; Associate Producer; Production Management; Unit Production Manager; First Assistant Director; Second Assistant Director; Production Supervisor; Production Coordinator; Chapter 2: The Production Office; Introduction; Office Space; Setting Up; Phone Systems; The Traveling Production Kit; Answering the Phone; Confidentiality; Shredding
WatermarkingProduction Assistants; Interns; Ain't Technology Great?; Techie Wanted; Employees Driving Their OwnVehicles for BusinessPurposes; Staff Scheduling and Assignmentof Duties; Staff Meetings; Office Lunches; Time Management; Office Inventories, Logs, andSign-Out Sheets; The Files; Files of Blank Forms; Files for Features, Movies for Television, Cable or Internet; Series Files; Day Files; Forms in This Chapter; Chapter 3: Basic Accounting; Introduction; The Production Accountant; The Accounting Department; Handling Payroll; Payroll Companies; Accounting Guidelines Start Paperwork PacketsPayroll; Box Rentals; Vendor Accounts; Competitive Bids; Purchase Orders; Check Requests; Petty Cash; Online Purchases; Cell Phone Reimbursement; Auto Allowances; Mileage Reimbursement; Drive-To; Per Diem and Living Allowance; Invoicing; Additional Taxable Income; The Budget; Tracking Costs; The Audit; Forms in This Chapter; Chapter 4: From Script to Schedule; Introduction; It All Starts with a Script; Script Revisions; The Breakdown; The Board; The Schedule; Day-Out-of-Days; Breakdowns; Chapter 5: Incentives; Introduction; The Evolution of IncentivePrograms; In Flux What to ConsiderInfrastructure; Types of Incentives; Rebate; Tax Credits; Refundable Tax Credits; Transferable Tax Credits; Nonrefundable, Nontransferable Tax Credits; Up-Front or Back-End Funding; Chapter 6: Pre-Production; What Is Pre-Production?; Establishing Company Policies; Stages; Meetings, Meetings, and MoreMeetings; Communications; Cellular Phones, BlackBerrys,Wireless Internet and More; Walkie-Talkies; Previsualization; Plan Ahead; Sample Pre-ProductionSchedule; Week #1 (8 weeks to go); Week #2 (7 weeks to go); Week #3 (6 weeks to go); Week #4 (5 weeks to go) Week #5 (4 weeks to go)Week #6 (3 weeks to go); Week #7 (2 weeks to go); Week #8 (final week of prep); Daily Prep Schedules; More on Logs and Sign-OutSheets; Distribution; Collecting Information andMaking Lists; Crew Information Sheet; The Crew List; The Executive Staff List; The Cast List; The Contact List; Better Safe than Sorry; Pre-Production Checklist; Starting from Scratch; Creating Your Own ProductionManual; For Your Own Good; Forms in This Chapter; Chapter 7: Insurance Requirements; Introduction; General Insurance Guidelines; Errors and Omissions (E&O); Comprehensive GeneralLiability Certificates of Insurance |
| Record Nr. | UNINA-9910962184103321 |
|
Honthaner Eve Light <1950->
|
||
| Burlington, MA, : Focal Press, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
David Lynch : Blurred Boundaries / / by Anne Jerslev
| David Lynch : Blurred Boundaries / / by Anne Jerslev |
| Autore | Jerslev Anne <1952-> |
| Edizione | [1st ed. 2021.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2021 |
| Descrizione fisica | 1 online resource (329 pages) |
| Disciplina |
791.430232
791.430233092 |
| Soggetto topico |
Motion pictures - Production and direction
Film genres Directing Genre Studies |
| Soggetto genere / forma | Criticism, interpretation, etc. |
| ISBN |
9783030739249
3030739244 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. David Lynch and the digital -- 3. David Lynch and visual noise -- 4.David Lynch and fear: the uncanny and the sublime -- 5. David Lynch and time: textures of ageing -- 6. David Lynch and the fragment - how not to tell a story -- 7. Conclusion: the precarious and the powerful. |
| Record Nr. | UNINA-9910508435003321 |
|
Jerslev Anne <1952->
|
||
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Directing : film techniques and aesthetics / / Michael Rabiger and Mick Hurbis-Cherrier ; illustrated by Gustavo Mercado
| Directing : film techniques and aesthetics / / Michael Rabiger and Mick Hurbis-Cherrier ; illustrated by Gustavo Mercado |
| Autore | Rabiger Michael |
| Edizione | [Sixth edition.] |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2020 |
| Descrizione fisica | 1 online resource (xxi, 582 pages) |
| Disciplina | 791.430232 |
| Soggetto topico |
Motion pictures - Production and direction
Motion pictures - Aesthetics |
| ISBN |
1-351-18639-6
1-351-18637-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The world of the film director -- Developing as a director -- Essential elements of drama -- Shaping the story into drama -- Plot, time, and structure -- Screenplay ground rules -- Recognizing the superior screenplay -- Script analysis and development -- Cinematic point of view -- Form and style -- Tone, style and genre -- Film language -- The frame and the shot -- The moving camera -- Language of the edit -- The human vantage of cinematic language -- Exploring the script -- Casting -- Acting fundamentals -- Directing actors -- Rehearsals -- Acting exercise -- Planning the visual design -- Developing the shooting script -- Line producing and logistics -- Developing a production crew -- The director and production tech -- On set : production begins -- Directing on the set -- Monitoring continuity and progress -- Postproduction overview -- Editing begins : getting to know the footage -- The rough cut -- Getting to fine cut and picture lock -- Working with music -- The finishing touches -- Getting it out there. |
| Record Nr. | UNINA-9910956048003321 |
|
Rabiger Michael
|
||
| London ; ; New York : , : Routledge, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Director and Directing : Craft, Process and Aesthetic in Contemporary Theatre / / by Adam J. Ledger
| The Director and Directing : Craft, Process and Aesthetic in Contemporary Theatre / / by Adam J. Ledger |
| Autore | Ledger Adam J |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2019 |
| Descrizione fisica | 1 online resource (283 pages) |
| Disciplina | 791.430232 |
| Soggetto topico |
Performing arts
Theater Theatre and Performance Arts |
| ISBN |
9781137407672
1137407670 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: the Director -- 2. The Director and Stanislavski -- 3. The Director and the Actor -- 4. ‘In the Room’: the Director and Rehearsal -- 5. ‘Making Something from Within’: the Director and Devising -- 6. Design and the Director -- 7. Conclusion(s): the Director and Choice. |
| Record Nr. | UNINA-9910484230503321 |
|
Ledger Adam J
|
||
| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
European Film and Television Co-production : Policy and Practice / / edited by Julia Hammett-Jamart, Petar Mitric, Eva Novrup Redvall
| European Film and Television Co-production : Policy and Practice / / edited by Julia Hammett-Jamart, Petar Mitric, Eva Novrup Redvall |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (377 pages) |
| Disciplina | 791.430232 |
| Collana | Palgrave European Film and Media Studies |
| Soggetto topico |
Motion picture plays, European
Motion picture industry Television broadcasting Cultural policy Communication Culture - Study and teaching European Film and TV Film and Television Industry Cultural Policy and Politics Media and Communication Cultural Studies |
| ISBN |
9783319971575
3319971573 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: European Film and Television Co-production, Julia Hammett-Jamart, Petar Mitric and Eva Novrup Redvall -- 2. Statistical Overview: Production, Co-production and Circulation, Julio Talavera -- Part I: Policy and Practice of Co-Production: Scholarly Voices -- 3. Official Co-production: Policy Instruments and Imperatives, Julia Hammett-Jamart -- 4. The European Co-production Treaties: A Short History and a Possible Typology, Petar Mitric -- 5. From Co-productions to 'Co-distributions'? Re-evaluating Distribution Policies for European Film, Philip Drake -- 6. European Co-productions in a Digital Single Market: EUtopia or Dystopia?, Nina Vindum Rasmussen -- 7. The Emergence of Pan-European Film Studios and Its Implications for Co-production Studies and Policy, Christopher Meir -- 8. International Co-production of Nordic Television Drama: The Case of Ride Upon the Storm, Eva Novrup Redvall -- 9. Breaking through the East-European Ceiling: Minority Co-production and the New Symbolic Economy of Small-Market Cinemas, Petr Szczepanik -- 10. The Regional Film Fund as Co-production Crusader: The Case of Film i Väst, Olof Hedling -- 11. The Many Enemies of Co-productions in Italy: Moviegoers, Broadcasters, Policy-Makers and Half-Hearted Producers, Marco Cucco -- 12. European Co-productions and Greek Cinema Since the Crisis: "Extroversion" as Survivall, Lydia Papadimitriou -- 13. Exporting the French Co-production Model: Aide aux cinėmas du monde and Produire au Sud, Ana Vinuela -- Part II: Policy and Practice of Co-production: Industry Voices -- 14. 'Official Co-production in the EU: The Role of Eurimages'-an interview with Roberto Olla, Julia Hammett-Jamart -- 15. Digital Single Market for Audiovisual Content: Utopia or Win-Win for All?, Anna Herold -- 16. The Impact of Regional Film Funds on the European Co-production Model, Charlotte Appelgren -- 17. Minority Co-production: Insights from MEDICI, Joelle Levie -- 18. 'Co-development Initiatives in Europe'-an interview with Isabelle Fauvel, Petar Mitric -- 19. 'A Matter of Survival: Co-production as a Means of Competing Internationally'-an interview with Anders Kjærhauge, Julia Hammett-Jamart -- 20. 'European Television Co-productions'-an interview with Klaus Zimmermann, Benjamin Harris -- 21. 'Co-production Case Study: Ida by Pawel Pawlikowski'- an interview with Ewa Puszczynska and Sofie Wanting Hassing, Petar Mitric -- 22. 'Unofficially European: Case Study of BAFTA-Winning I am not a Witch'-an interview with Juliette Grandmont, Katell Leon. |
| Record Nr. | UNINA-9910309855103321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Fiction Feature Filmmaking : Research and Practice in Screenwriting, Production, Distribution, Exhibition, and Beyond / / by Kamran Qureshi
| Fiction Feature Filmmaking : Research and Practice in Screenwriting, Production, Distribution, Exhibition, and Beyond / / by Kamran Qureshi |
| Autore | Qureshi Kamran |
| Edizione | [1st ed. 2026.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2026 |
| Descrizione fisica | 1 online resource (398 pages) |
| Disciplina | 791.430232 |
| Collana | Literature, Cultural and Media Studies |
| Soggetto topico |
Motion pictures - Production and direction
Gender identity in mass media Film and Television Production Media and Gender |
| ISBN | 3-032-10451-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: Introduction -- Chapter 2: Fiction Feature Filmmaking as a Method of Inquiry -- Chapter 3: Contextualising Intersex Representation -- Chapter 4: Case Study The Research and Writing of Only Love Matters -- Chapter 5: Directing Producing Embodied Approaches to Funding and Logistics -- Chapter 6: Navigating Barriers Sales and Distribution -- Chapter 7: Festivals Marketing Advertising Promotion Exhibition Audience Reception and Beyond -- Chapter 8: Conclusion. |
| Record Nr. | UNINA-9911057013303321 |
|
Qureshi Kamran
|
||
| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2026 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Filmmaking as Research : Screening Memories / / by Diane Charleson
| Filmmaking as Research : Screening Memories / / by Diane Charleson |
| Autore | Charleson Diane |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
| Descrizione fisica | 1 online resource (190 pages) |
| Disciplina |
791.430232
791.43653 |
| Soggetto topico |
Technology - Sociological aspects
Motion pictures - Production and direction Communication Sociology - Methodology Ethnology Science, Technology and Society Film and Television Production Media and Communication Sociological Methods Ethnography |
| ISBN |
9783030246358
3030246353 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Beginnings -- 2. My research journey -- 3. Thematic concentrations : my research world -- 4. Rose's stories -- 5. Video installation and the agency of the viewer -- 6. Creating the still frame -- 7. Remixed memories -- 8. Endings and futures. . |
| Record Nr. | UNINA-9910484857803321 |
|
Charleson Diane
|
||
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
