Info
- Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.
A Companion to Werner Herzog
| A Companion to Werner Herzog |
| Autore | Prager Brad |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Newark : , : John Wiley & Sons, Incorporated, , 2012 |
| Descrizione fisica | 1 online resource (2600 pages) |
| Disciplina | 791.43023092 |
| Altri autori (Persone) | PragerBrad <1971-> |
| Soggetto topico | Motion picture producers and directors - Germany |
| ISBN |
9781444361407
1444361406 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- A Companion to Werner Herzog -- Contents -- Notes on Contributors -- Acknowledgments -- Werner Herzog's Companions: The Consolation of Images -- Part I Critical Approaches and Contexts -- 1 Herzog and Auteurism: Performing Authenticity -- 2 Physicality, Difference, and the Challenge of Representation: Werner Herzog in the Light of the New Waves -- 3 The Pedestrian Ecstasies of Werner Herzog: On Experience, Intelligence, and the Essayistic -- Part II Herzog and the Inter-arts -- 4 Werner Herzog's View of Delft: Or, Nosferatu and the Still Life -- 5 Moving Stills: Herzog and Photography -- 6 Archetypes of Emotion: Werner Herzog and Opera -- 7 Coming to Our Senses: The Viewer and Herzog's Sonic Worlds -- 8 Death for Five Voices: Gesualdo's "Poetic Truth" -- 9 Demythologization and Convergence: Herzog's Late Genre Pictures and the Rogue Cop Film in Bad Lieutenant: Port of Call-New Orleans -- Part III Herzog's German Encounters -- 10 "I don't like the Germans": Even Herzog Started in Bavaria -- 11 Herzog's Heart of Glass and the Sublime of Raw Materials -- 12 The Ironic Ecstasy of Werner Herzog: Embodied Vision in The Great Ecstasy of Woodcarver Steiner -- 13 Tantrum Love: The Fiendship of Klaus Kinski and Werner Herzog -- Part IV Herzog's Far-Flung Cinema Africa, Australia, the Americas, and Beyond -- 14 Werner Herzog's African Sublime -- 15 Didgeridoo, or the Search for the Origin of the Self: Werner Herzog's Where the Green Ants Dream and Bruce Chatwin's The Songlines -- 16 A March into Nothingness: The Changing Course of Herzog's Indian Images -- 17 The Case of Herzog: Re-Opened -- 18 The Veil Between: Werner Herzog's American TV Documentaries -- 19 Herzog's Chickenshit -- 20 Encountering Werner Herzog at the End of the World -- Part V Toward the Limits of Experience Philosophical Approaches.
21 Perceiving the Other in the Land of Silence and Darkness -- 22 Werner Herzog's Romantic Spaces -- 23 The Melancholy Observer: Landscape, Neo-Romanticism, and the Politics of Documentary Filmmaking -- 24 Portrait of the Chimpanzee as a Metaphysician: Parody and Dehumanization in Echoes from a Somber Empire -- 25 Herzog and Human Destiny: The Philosophical Purposiveness of the Filmmaker -- Filmography -- Index. |
| Record Nr. | UNINA-9910962325903321 |
Prager Brad
|
||
| Newark : , : John Wiley & Sons, Incorporated, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A companion to Werner Herzog [[electronic resource] /] / edited by Brad Prager
| A companion to Werner Herzog [[electronic resource] /] / edited by Brad Prager |
| Pubbl/distr/stampa | Oxford, : Wiley-Blackwell, 2012 |
| Descrizione fisica | 1 online resource (645 p.) |
| Disciplina | 791.43023092 |
| Altri autori (Persone) | PragerBrad <1971-> |
| Collana | Wiley-Blackwell companions to film directors |
| Soggetto topico | Motion picture producers and directors - Germany |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-4443-6142-2
1-78268-831-5 1-299-15747-5 1-118-27449-0 1-4443-6139-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. I. Critical approaches and contexts -- pt. II. Herzog and the inter-arts -- pt. III. Herzog's German encounters -- pt. IV. Herzog's far-flung cinema : Africa, Australia, the Americas, and beyond -- pt. V. Toward the limits of experience : philosophical approaches. |
| Record Nr. | UNINA-9910141448603321 |
| Oxford, : Wiley-Blackwell, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A companion to Werner Herzog / / edited by Brad Prager
| A companion to Werner Herzog / / edited by Brad Prager |
| Pubbl/distr/stampa | Chichester, [England] : , : Wiley-Blackwell, , 2012 |
| Descrizione fisica | 1 online resource (645 p.) |
| Disciplina | 791.43023092 |
| Collana | Wiley Blackwell Companions to Film Directors |
| Soggetto topico | Motion picture producers and directors - Germany |
| ISBN |
1-4443-6142-2
1-78268-831-5 1-299-15747-5 1-118-27449-0 1-4443-6139-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. I. Critical approaches and contexts -- pt. II. Herzog and the inter-arts -- pt. III. Herzog's German encounters -- pt. IV. Herzog's far-flung cinema : Africa, Australia, the Americas, and beyond -- pt. V. Toward the limits of experience : philosophical approaches. |
| Record Nr. | UNINA-9910642898003321 |
| Chichester, [England] : , : Wiley-Blackwell, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A companion to Werner Herzog / / edited by Brad Prager
| A companion to Werner Herzog / / edited by Brad Prager |
| Pubbl/distr/stampa | Chichester, [England] : , : Wiley-Blackwell, , 2012 |
| Descrizione fisica | 1 online resource (645 p.) |
| Disciplina | 791.43023092 |
| Collana | Wiley Blackwell Companions to Film Directors |
| Soggetto topico | Motion picture producers and directors - Germany |
| ISBN |
1-4443-6142-2
1-78268-831-5 1-299-15747-5 1-118-27449-0 1-4443-6139-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. I. Critical approaches and contexts -- pt. II. Herzog and the inter-arts -- pt. III. Herzog's German encounters -- pt. IV. Herzog's far-flung cinema : Africa, Australia, the Americas, and beyond -- pt. V. Toward the limits of experience : philosophical approaches. |
| Record Nr. | UNINA-9910829802303321 |
| Chichester, [England] : , : Wiley-Blackwell, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Humphrey Jennings / / Keith Beattie
| Humphrey Jennings / / Keith Beattie |
| Autore | Beattie Keith |
| Pubbl/distr/stampa | Manchester, U.K. ; ; New York, : Manchester University Press |
| Descrizione fisica | 1 online resource (184 p.) |
| Disciplina | 791.43023092 |
| Collana | British film makers |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-78170-183-0
1-84779-268-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Modernity, myth, colour and collage : the early films -- Work and leisure : Spare time -- Sound, image and nation : Words for battle and Listen to Britain -- Documentary reconstruction and prognostication : Fires were started and The silent village -- "What will befall Britain?" : A diary for Timothy -- An ambiguous national iconography : Family portrait -- Legacies. |
| Record Nr. | UNINA-9910465661403321 |
|
Beattie Keith
|
||
| Manchester, U.K. ; ; New York, : Manchester University Press | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Indie, inc [[electronic resource] ] : Miramax and the transformation of Hollywood in the 1990s / / Alisa Perren
| Indie, inc [[electronic resource] ] : Miramax and the transformation of Hollywood in the 1990s / / Alisa Perren |
| Autore | Perren Alisa |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Austin, : University of Texas Press, 2012 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 791.43023092 |
| Collana | Texas film and media studies series |
| Soggetto topico | Independent filmmakers - United States |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-292-73715-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Finding a niche in the 1990's -- The rise of Miramax and the quality indie blockbuster (1979-fall 1992) -- The "secret" of Miramax's success: The crying game (winter 1992-spring 1993) -- Corsets, clerks, and criminals: Miramax in the age of Disney (summer 1993-spring 1995) -- Another dimension to the Miramax brand: kids, scream, and the teen audience (spring 1995-spring 1997) -- Majors, indies, independents: the rise of a three-tier system (winter 1996-spring 1997) -- Who says life is beautiful? (summer 1997-spring 1999) -- Maxed out: Miramax and indiewood in the new millennium. |
| Altri titoli varianti | Miramax and the transformation of Hollywood in the 1990s |
| Record Nr. | UNINA-9910463539703321 |
|
Perren Alisa
|
||
| Austin, : University of Texas Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Indie, inc [[electronic resource] ] : Miramax and the transformation of Hollywood in the 1990s / / Alisa Perren
| Indie, inc [[electronic resource] ] : Miramax and the transformation of Hollywood in the 1990s / / Alisa Perren |
| Autore | Perren Alisa |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Austin, : University of Texas Press, 2012 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 791.43023092 |
| Collana | Texas film and media studies series |
| Soggetto topico | Independent filmmakers - United States |
| ISBN |
0-292-74287-8
0-292-73715-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Finding a niche in the 1990's -- The rise of Miramax and the quality indie blockbuster (1979-fall 1992) -- The "secret" of Miramax's success: The crying game (winter 1992-spring 1993) -- Corsets, clerks, and criminals: Miramax in the age of Disney (summer 1993-spring 1995) -- Another dimension to the Miramax brand: kids, scream, and the teen audience (spring 1995-spring 1997) -- Majors, indies, independents: the rise of a three-tier system (winter 1996-spring 1997) -- Who says life is beautiful? (summer 1997-spring 1999) -- Maxed out: Miramax and indiewood in the new millennium. |
| Altri titoli varianti | Miramax and the transformation of Hollywood in the 1990s |
| Record Nr. | UNINA-9910788267203321 |
|
Perren Alisa
|
||
| Austin, : University of Texas Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Indie, inc : Miramax and the transformation of Hollywood in the 1990s / / Alisa Perren
| Indie, inc : Miramax and the transformation of Hollywood in the 1990s / / Alisa Perren |
| Autore | Perren Alisa |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Austin, : University of Texas Press, 2012 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 791.43023092 |
| Collana | Texas film and media studies series |
| Soggetto topico | Independent filmmakers - United States |
| ISBN |
9780292742871
0292742878 9780292737150 0292737157 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Finding a niche in the 1990's -- The rise of Miramax and the quality indie blockbuster (1979-fall 1992) -- The "secret" of Miramax's success: The crying game (winter 1992-spring 1993) -- Corsets, clerks, and criminals: Miramax in the age of Disney (summer 1993-spring 1995) -- Another dimension to the Miramax brand: kids, scream, and the teen audience (spring 1995-spring 1997) -- Majors, indies, independents: the rise of a three-tier system (winter 1996-spring 1997) -- Who says life is beautiful? (summer 1997-spring 1999) -- Maxed out: Miramax and indiewood in the new millennium. |
| Altri titoli varianti | Miramax and the transformation of Hollywood in the 1990s |
| Record Nr. | UNINA-9910968462403321 |
|
Perren Alisa
|
||
| Austin, : University of Texas Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
John Ford / / Brian Spittles
| John Ford / / Brian Spittles |
| Autore | Spittles Brian |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Abingdon, Oxon : , : Routledge, , 2014 |
| Descrizione fisica | 1 online resource (140 p.) |
| Disciplina |
791.43/0233/092
791.43023092 |
| Collana | On Directors Series |
| Soggetto topico | Ford, John - 1894-1973 |
| ISBN |
1-317-87511-7
1-138-17908-6 1-315-83785-4 1-317-87512-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Half Title; Title Page; Copyright Page; Dedication; Table of Contents; Publisher''s acknowledgements; Acknowledgements; Selected filmography; Background; 1 Ford''s film family; 2 Ford as auteur; 3 Generically challenged; 4 The greatest storyteller; 5 Conservative or subversive; 6 Entertainer or ideologue; 7 Unconscious racist; 8 Patriarchy or matriarchy; Further reading; Bibliography; Index |
| Record Nr. | UNINA-9910967905403321 |
|
Spittles Brian
|
||
| Abingdon, Oxon : , : Routledge, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Joseph Cornell versus cinema / / Michael Pigott
| Joseph Cornell versus cinema / / Michael Pigott |
| Autore | Pigott Michael |
| Pubbl/distr/stampa | London : , : Bloomsbury Academic, , 2013 |
| Descrizione fisica | 1 online resource (145 pages) : illustrations; digital, PDF file(s) |
| Disciplina |
791.43023092
791.430233092 |
| Collana | The WISH List |
| Soggetto topico | Art and motion pictures |
| ISBN |
9781472544728
1472544722 9781472503527 147250352X 9781472503534 1472503538 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover page; Halftitle page; Series page; Title page; Copyright page; Contents; Editorial Preface; Acknowledgements; List of Illustrations; Where to Find Cornell's Films; Introduction; Silence; The Cornellian Century; Joseph Cornell versus Marcel Duchamp; CHAPTER ONE Found Footage; Tom Tom the Piper's Son; Return to the Scene of the Crime; Rose Hobart; An Aside on Sound; The Pleasures of Not Reading the Illegible; The Legible Image; 'Intention' as Aesthetic Component - The Illegible Exam Script; Found Footage and Interpretation; Illegibility and Play; CHAPTER TWO Texture and Affect
Haptic Visuality: A Short History of IntimacyHaptics and Politics; Forking Paths - Schmarsow and Riegl; By Night With Torch And Spear; Moloch: Technology and Darkness; Joseph Cornell versus Cinephilia; CHAPTER THREE Time and the Everyday; Sleep; Dream; Cornell versus Surrealism; Cornell the Flâneur; Real Time; Frames, Morphing and Activity; Faster than Real Time; Silence on Spotify; Mapping; Slow Cinema; Angel and A Legend for Fountains; Conclusion - The Self as Everyday Object; Notes; Filmography; Bibliography; Index |
| Record Nr. | UNINA-9910140192903321 |
|
Pigott Michael
|
||
| London : , : Bloomsbury Academic, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
