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The casting handbook : for film and theatre makers / / by Suzy Catliff and Jennifer Granville
| The casting handbook : for film and theatre makers / / by Suzy Catliff and Jennifer Granville |
| Autore | Catliff Suzy |
| Pubbl/distr/stampa | Abingdon, Oxon ; ; New York : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (225 p.) |
| Disciplina | 791.4302/8 |
| Altri autori (Persone) | GranvilleJennifer |
| Soggetto topico |
Motion pictures - Casting
Theater - Casting |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-415-68824-8
0-203-14341-8 1-136-50035-9 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; The Casting Handbook: for Film and Theatre Makers; Copyright; CONTENTS; EXERCISES, CHECKLISTS AND EXAMPLES; ACKNOWLEDGEMENTS; INTRODUCTION; HOW TO USE THIS BOOK; WHAT IS CASTING?; CHAPTER 1 WHERE TO START?; Case Study - the actor; CHAPTER 2 THE BREAKDOWN; Case Study - the agent; CHAPTER 3 WHERE TO LOOK FOR YOUR CAST; Case Study - the freelance casting director; CHAPTER 4 CASTING DIRECTORS; Case Study - the auteur and the casting director; CHAPTER 5 CVs, SHOWREELS AND PLANNING THE SESSION; Case Study - the artistic director; CHAPTER 6 SETTING UP THE SESSION
Case Study - the tv series producerCHAPTER 7 THE SESSION PART 1; Case Study - the fringe actor; CHAPTER 8 THE SESSION PART 2; CASE STUDY - THE HEAD OF CASTING; CHAPTER 9 THE SESSION PART 3; Case Study - the independent film producer; CHAPTER 10 CASTING CHILDREN; Case Study - dramality; CHAPTER 11 THE BUSINESS OF CASTING; QUOTES AND CASE STUDIES - THE INTERVIEWEES; APPENDICES; GLOSSARY; EXERCISES; TEMPLATES; INDEX |
| Record Nr. | UNINA-9910452557003321 |
Catliff Suzy
|
||
| Abingdon, Oxon ; ; New York : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The casting handbook : for film and theatre makers / / by Suzy Catliff and Jennifer Granville
| The casting handbook : for film and theatre makers / / by Suzy Catliff and Jennifer Granville |
| Autore | Catliff Suzy |
| Pubbl/distr/stampa | Abingdon, Oxon ; ; New York : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (225 p.) |
| Disciplina | 791.4302/8 |
| Altri autori (Persone) | GranvilleJennifer |
| Soggetto topico |
Motion pictures - Casting
Theater - Casting |
| ISBN |
1-136-50034-0
0-415-68824-8 0-203-14341-8 1-136-50035-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; The Casting Handbook: for Film and Theatre Makers; Copyright; CONTENTS; EXERCISES, CHECKLISTS AND EXAMPLES; ACKNOWLEDGEMENTS; INTRODUCTION; HOW TO USE THIS BOOK; WHAT IS CASTING?; CHAPTER 1 WHERE TO START?; Case Study - the actor; CHAPTER 2 THE BREAKDOWN; Case Study - the agent; CHAPTER 3 WHERE TO LOOK FOR YOUR CAST; Case Study - the freelance casting director; CHAPTER 4 CASTING DIRECTORS; Case Study - the auteur and the casting director; CHAPTER 5 CVs, SHOWREELS AND PLANNING THE SESSION; Case Study - the artistic director; CHAPTER 6 SETTING UP THE SESSION
Case Study - the tv series producerCHAPTER 7 THE SESSION PART 1; Case Study - the fringe actor; CHAPTER 8 THE SESSION PART 2; CASE STUDY - THE HEAD OF CASTING; CHAPTER 9 THE SESSION PART 3; Case Study - the independent film producer; CHAPTER 10 CASTING CHILDREN; Case Study - dramality; CHAPTER 11 THE BUSINESS OF CASTING; QUOTES AND CASE STUDIES - THE INTERVIEWEES; APPENDICES; GLOSSARY; EXERCISES; TEMPLATES; INDEX |
| Record Nr. | UNINA-9910779739803321 |
|
Catliff Suzy
|
||
| Abingdon, Oxon ; ; New York : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The casting handbook : for film and theatre makers / / by Suzy Catliff and Jennifer Granville
| The casting handbook : for film and theatre makers / / by Suzy Catliff and Jennifer Granville |
| Autore | Catliff Suzy |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Oxfordshire, England ; ; New York, : Routledge, c2013 |
| Descrizione fisica | 1 online resource (225 p.) |
| Disciplina | 791.4302/8 |
| Altri autori (Persone) | GranvilleJennifer |
| Soggetto topico |
Motion pictures - Casting
Theater - Casting |
| ISBN |
1-136-50034-0
0-415-68824-8 0-203-14341-8 1-136-50035-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; The Casting Handbook: for Film and Theatre Makers; Copyright; CONTENTS; EXERCISES, CHECKLISTS AND EXAMPLES; ACKNOWLEDGEMENTS; INTRODUCTION; HOW TO USE THIS BOOK; WHAT IS CASTING?; CHAPTER 1 WHERE TO START?; Case Study - the actor; CHAPTER 2 THE BREAKDOWN; Case Study - the agent; CHAPTER 3 WHERE TO LOOK FOR YOUR CAST; Case Study - the freelance casting director; CHAPTER 4 CASTING DIRECTORS; Case Study - the auteur and the casting director; CHAPTER 5 CVs, SHOWREELS AND PLANNING THE SESSION; Case Study - the artistic director; CHAPTER 6 SETTING UP THE SESSION
Case Study - the tv series producerCHAPTER 7 THE SESSION PART 1; Case Study - the fringe actor; CHAPTER 8 THE SESSION PART 2; CASE STUDY - THE HEAD OF CASTING; CHAPTER 9 THE SESSION PART 3; Case Study - the independent film producer; CHAPTER 10 CASTING CHILDREN; Case Study - dramality; CHAPTER 11 THE BUSINESS OF CASTING; QUOTES AND CASE STUDIES - THE INTERVIEWEES; APPENDICES; GLOSSARY; EXERCISES; TEMPLATES; INDEX |
| Record Nr. | UNINA-9910968532703321 |
|
Catliff Suzy
|
||
| Oxfordshire, England ; ; New York, : Routledge, c2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Reframing Screen Performance [[electronic resource]]
| Reframing Screen Performance [[electronic resource]] |
| Autore | Baron Cynthia |
| Pubbl/distr/stampa | Ann Arbor, MI, USA, : University of Michigan Press, 20080501 |
| Descrizione fisica | 1 online resource (311 p.) |
| Disciplina | 791.4302/8 |
| Soggetto topico |
PERFORMING ARTS
Acting & Auditioning Motion picture acting Film Music, Dance, Drama & Film |
| ISBN |
1-282-59760-4
9786612597602 0-472-02541-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910456093003321 |
|
Baron Cynthia
|
||
| Ann Arbor, MI, USA, : University of Michigan Press, 20080501 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Reframing Screen Performance [[electronic resource]]
| Reframing Screen Performance [[electronic resource]] |
| Autore | Baron Cynthia |
| Pubbl/distr/stampa | Ann Arbor, MI, USA, : University of Michigan Press, 20080501 |
| Descrizione fisica | 1 online resource (311 p.) |
| Disciplina | 791.4302/8 |
| Soggetto topico |
PERFORMING ARTS
Acting & Auditioning Motion picture acting Film Music, Dance, Drama & Film |
| ISBN |
1-282-59760-4
9786612597602 0-472-02541-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910780702203321 |
|
Baron Cynthia
|
||
| Ann Arbor, MI, USA, : University of Michigan Press, 20080501 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Reframing screen performance / / Cynthia Baron and Sharon Marie Carnicke
| Reframing screen performance / / Cynthia Baron and Sharon Marie Carnicke |
| Autore | Baron Cynthia <1954-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Ann Arbor, : University of Michigan Press, c2008 |
| Descrizione fisica | 1 online resource (311 p.) |
| Disciplina | 791.4302/8 |
| Altri autori (Persone) | CarnickeSharon Marie <1949-> |
| Soggetto topico | Motion picture acting |
| ISBN |
1-282-59760-4
9786612597602 0-472-02541-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Intro -- Contents -- Introduction -- Part I: Cinema's Varied Use of Gestures and Expressions -- 1. Crafting, Not Capturing "Natural" Behavior on Film -- 2. Giving Performance Elements Their Due -- 3. Thinking Systematically about Acting -- Part II: Performance Elements, Cinematic Conventions, and Cultural Traditions -- 4. Ostensive Signs and Performance Montage -- 5. Acting Choices and Changing Cinematic Conventions -- 6. Acting Styles and Cultural-Aesthetic Traditions -- Part III: Terms and Concepts from the Craft of Acting -- 7. Delsarte and the Dynamics of Human Expression -- 8. Laban: Temporal and Spatial Dimensions of Movement -- 9. Stanislavsky: Players' Actions as a Window into Characters' Interactions -- Conclusion -- Appendix: Case Study of Romeo and Juliet -- Notes -- Bibliography -- Index. |
| Record Nr. | UNINA-9910966449503321 |
|
Baron Cynthia <1954->
|
||
| Ann Arbor, : University of Michigan Press, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Theorizing film acting / / edited by Aaron Taylor
| Theorizing film acting / / edited by Aaron Taylor |
| Pubbl/distr/stampa | New York : , : Routledge, , 2012 |
| Descrizione fisica | 1 online resource (320 p.) |
| Disciplina | 791.4302/8 |
| Altri autori (Persone) | TaylorAaron |
| Collana | Routledge advances in film studies |
| Soggetto topico | Motion picture acting |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-64266-2
0-203-12321-2 1-136-33774-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: acting, casually and theoretically speaking / Aaron Taylor -- Aesthetics: understanding and interpreting film acting. Acting matters: noting performance in three films / Brenda Austin-Smith -- Living meaning: the fluency of film Performance / Andrew Klevan -- Play-acting: a theory of comedic performance / Alex Clayton -- Performed performance and the man who knew too much / Murray Pomerance -- Brando sings! the invincible star persona / George Toles -- Reception: film acting, audiences and communities. "Look at me"?: a phenomenology of Heath Ledger in The dark knight / Jorg Sternagel -- Is acting a form of simulation or being? acting and mirror neurons / William Brown -- The bond that unbinds by binding: acting mythology and the film community / Kevin Esch -- From being to acting: performance in cult cinema / Ernest Mathijs -- Acting and performance in home movies and amateur films / Liz Czach -- Culture: film history, industry and the vicissitudes of star acting. Story and show: the basic contradiction of film star acting / Paul McDonald -- The screen actor's "first self" and "second self": John Wayne and Coquelin's acting theory / Sharon Marie Carnicke -- Acting like a star: Florence Turner, picture personality / Charlie Keil -- Niche stars and acting "gay" / Chris Holmlund -- Apparatus: technology, film form and the actor. What becomes of the camera in the world on film? / William Rothman -- Sonic bodies: listening as acting / Jennifer M. Barker -- Dance of the ubermarionettes: toward a contemporary screen actor training / Sean Aita -- Articulating digital stardom / Barry King. |
| Record Nr. | UNINA-9910461664003321 |
| New York : , : Routledge, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Theorizing film acting / / edited by Aaron Taylor
| Theorizing film acting / / edited by Aaron Taylor |
| Pubbl/distr/stampa | New York : , : Routledge, , 2012 |
| Descrizione fisica | 1 online resource (320 p.) |
| Disciplina | 791.4302/8 |
| Altri autori (Persone) | TaylorAaron |
| Collana | Routledge advances in film studies |
| Soggetto topico | Motion picture acting |
| ISBN |
1-136-33773-3
1-283-64266-2 0-203-12321-2 1-136-33774-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: acting, casually and theoretically speaking / Aaron Taylor -- Aesthetics: understanding and interpreting film acting. Acting matters: noting performance in three films / Brenda Austin-Smith -- Living meaning: the fluency of film Performance / Andrew Klevan -- Play-acting: a theory of comedic performance / Alex Clayton -- Performed performance and the man who knew too much / Murray Pomerance -- Brando sings! the invincible star persona / George Toles -- Reception: film acting, audiences and communities. "Look at me"?: a phenomenology of Heath Ledger in The dark knight / Jorg Sternagel -- Is acting a form of simulation or being? acting and mirror neurons / William Brown -- The bond that unbinds by binding: acting mythology and the film community / Kevin Esch -- From being to acting: performance in cult cinema / Ernest Mathijs -- Acting and performance in home movies and amateur films / Liz Czach -- Culture: film history, industry and the vicissitudes of star acting. Story and show: the basic contradiction of film star acting / Paul McDonald -- The screen actor's "first self" and "second self": John Wayne and Coquelin's acting theory / Sharon Marie Carnicke -- Acting like a star: Florence Turner, picture personality / Charlie Keil -- Niche stars and acting "gay" / Chris Holmlund -- Apparatus: technology, film form and the actor. What becomes of the camera in the world on film? / William Rothman -- Sonic bodies: listening as acting / Jennifer M. Barker -- Dance of the ubermarionettes: toward a contemporary screen actor training / Sean Aita -- Articulating digital stardom / Barry King. |
| Record Nr. | UNINA-9910785996403321 |
| New York : , : Routledge, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Theorizing film acting / / edited by Aaron Taylor
| Theorizing film acting / / edited by Aaron Taylor |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York : , : Routledge, , 2012 |
| Descrizione fisica | 1 online resource (320 p.) |
| Disciplina | 791.4302/8 |
| Altri autori (Persone) | TaylorAaron |
| Collana | Routledge advances in film studies |
| Soggetto topico | Motion picture acting |
| ISBN |
1-136-33773-3
1-283-64266-2 0-203-12321-2 1-136-33774-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: acting, casually and theoretically speaking / Aaron Taylor -- Aesthetics: understanding and interpreting film acting. Acting matters: noting performance in three films / Brenda Austin-Smith -- Living meaning: the fluency of film Performance / Andrew Klevan -- Play-acting: a theory of comedic performance / Alex Clayton -- Performed performance and the man who knew too much / Murray Pomerance -- Brando sings! the invincible star persona / George Toles -- Reception: film acting, audiences and communities. "Look at me"?: a phenomenology of Heath Ledger in The dark knight / Jorg Sternagel -- Is acting a form of simulation or being? acting and mirror neurons / William Brown -- The bond that unbinds by binding: acting mythology and the film community / Kevin Esch -- From being to acting: performance in cult cinema / Ernest Mathijs -- Acting and performance in home movies and amateur films / Liz Czach -- Culture: film history, industry and the vicissitudes of star acting. Story and show: the basic contradiction of film star acting / Paul McDonald -- The screen actor's "first self" and "second self": John Wayne and Coquelin's acting theory / Sharon Marie Carnicke -- Acting like a star: Florence Turner, picture personality / Charlie Keil -- Niche stars and acting "gay" / Chris Holmlund -- Apparatus: technology, film form and the actor. What becomes of the camera in the world on film? / William Rothman -- Sonic bodies: listening as acting / Jennifer M. Barker -- Dance of the ubermarionettes: toward a contemporary screen actor training / Sean Aita -- Articulating digital stardom / Barry King. |
| Record Nr. | UNINA-9910961597303321 |
| New York : , : Routledge, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||