Info
- Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.
Film directing fundamentals : see your film before shooting / / Nicholas T. Proferes
| Film directing fundamentals : see your film before shooting / / Nicholas T. Proferes |
| Autore | Proferes Nicholas T. |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | Amsterdam ; ; Boston : , : Focal Press, , 2005 |
| Descrizione fisica | 1 online resource (286 p.) |
| Disciplina | 791.4302/33 |
| Soggetto topico |
Motion pictures - Production and direction
Motion picture industry |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-136-06950-X
1-281-00866-4 9786611008666 1-4237-0824-5 0-08-047772-0 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Film Directing Fundamentals; Copyright Page; Contents; Foreword; Acknowledgments; Part One: Learning How to Draw; Chapter 1.Introduction to Film Language and Grammar; The Film World; Film Language; Shots; Film Grammar; The 180-Degree Rule; The 30-Degree Rule; Screen Direction; Film Time; Compression; Elaboration; Familiar Images; Chapter 2.Introduction to the Dramatic Elements Embedded in the Screenplay; Spines; Whose Film Is It?; Character; Circumstance; Dynamic Relationships; Wants; Expectations; Actions; Activity; Acting Beats; Chapter 3.Organizing Action in a Dramatic Scene
Dramatic BlocksNarrative Beats; The Fulcrum; Dramatic Elements in Notorious Patio Scene; Notorious Patio Scene Annotated; Chapter 4.Staging; Main Functions; Patterns of Dramatic Movement; Changing the Stage Within a Scene; Staging as Part of a Film's Design; Working with a Location Floor Plan; Floor Plan and Staging for Notorious Patio Scene; Chapter 5.The Camera; The Camera as Narrator; The Reveal; Entrances; The Objective Camera; The Subjective Camera; Where Do I Put It?; Visual Design; Style; Coverage; Camera Height; Lenses; Composition; Where to Begin? Working Toward Specificity in VisualizationLooking for Order; Dramatic Blocks and the Camera; Shot Lists and Storyboards; The Prose Storyboard; Chapter 6.Camera in Notorious Patio Scene; First Dramatic Block; Second Dramatic Block; Third Dramatic Block; Fourth Dramatic Block and Fulcrum; Fifth Dramatic Block; Part Two: Making Your Film; Chapter 7. Detective Work on Scripts; Reading Your Screenplay; A Piece of Apple Pie Screenplay; Whose Film Is It?; Character; Circumstance; Spines for a Piece of Apple Pie; Dynamic Relationships; Wants; Actions; Acting Beats; Activity Tone for a Piece of Apple PieBreaking a Piece of Apple Pie into Actions; Designing a Scene; Visualization; Identifying the Fulcrum and Dramatic Blocks; Supplying Narrative Beats to a Piece of Apple Pie; Director's Notebook; Chapter 8. Staging and Camera for a Piece of Apple Pie; Staging; Camera; Conclusions; Chapter 9. Marking Shooting Scripts with Camera Setups; Chapter 10. Working with Actors; Casting; First Read-through; Directing During Rehearsals; Directing Actors on the Set; Chapter 11. Managerial Responsibilities of the Director; Delegating Authority While Accepting Responsibility The ProducerThe Assistant Director; A Realistic Shooting Schedule; Working with the Crew; Working with the Director of Photography; Chapter 12. Postproduction; Editing; Music and Sound; Locking Picture, or How Do You Know When It's Over?; An Audience and a Big Screen; Part Three: Learning the Craft Through Film Analysis; Chapter 13. Alfred Hitchcock's; Overview of Style and Design; First Act; Second Act; Third Act; Summary; Chapter 14. Peter Weir's the Truman Show; Overview of Style and Design; First Act; Second Act; Third Act; Summary; Chapter 15. Federico Fellini's 8-1/2; A Masterpiece? The Director as Auteur |
| Record Nr. | UNINA-9910457514803321 |
Proferes Nicholas T.
|
||
| Amsterdam ; ; Boston : , : Focal Press, , 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Icons of grief [[electronic resource] ] : Val Lewton's home front pictures / / Alexander Nemerov
| Icons of grief [[electronic resource] ] : Val Lewton's home front pictures / / Alexander Nemerov |
| Autore | Nemerov Alexander |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2005 |
| Descrizione fisica | 1 online resource (xii, 213 p. ) : ill. ; |
| Disciplina | 791.4302/33 |
| Soggetto topico |
World War, 1939-1945 - Motion pictures and the war
Music, Dance, Drama & Film Film |
| ISBN | 0-520-93776-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The Madonna of the back yard : Simone Simon and Ann Carter in The curse of the cat people -- The power of the minor actor : Skelton Knaggs in The ghost ship -- Stillness and recollection : Darby Jones in I walked with a zombie -- This pretty world : Glenn Vernon in Bedlam. |
| Altri titoli varianti | Val Lewton's home front pictures |
| Record Nr. | UNISA-996248212803316 |
|
Nemerov Alexander
|
||
| Berkeley, : University of California Press, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Secret agents [[electronic resource] /] / Tom Cohen
| Secret agents [[electronic resource] /] / Tom Cohen |
| Autore | Cohen Tom <1953-> |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, c2005 |
| Descrizione fisica | 1 online resource (306 p.) |
| Disciplina | 791.4302/33 |
| Collana | Hitchcock's cryptonymies |
| Soggetto topico |
Spy films - History and criticism
War films - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-8166-9516-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Acknowledgments; Preface; Introduction: The Blind of Ocularcentrism; Part I. Police, Criminals, and the Mediatric State; 1. The Avenging Fog of Media: The Lodger as Host; 2. A User's Guide to Hitchcock's Signature Systems; 3. Espionage in the Teletechnic Empire; 4. Blackmail in the Universal Reading Room; Part II. The Spies' Post Office; 5. The Archival Wars of ""Old Man R""; 6. The Slave Revolt of Memory: R to the Power of Gamma; 7. Contretemps: Secret Agency in the Chocolate Factory; 8. Animation Blackout: The Sabotage of Aura; Part III. State of the Image
9. Solar Fronts: Politics of the Post-Enlightenment10. Zarathustran Hitchcock; 11. Extraterritoriality: An In-House Affair at the Embassy of Ao-; Coda: Exploding Cameos; Notes; Index of Films; B; F; I; J; L; M; N; P; R; S; T; V; W; Y |
| Record Nr. | UNINA-9910452196503321 |
|
Cohen Tom <1953->
|
||
| Minneapolis, : University of Minnesota Press, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Secret agents [[electronic resource] /] / Tom Cohen
| Secret agents [[electronic resource] /] / Tom Cohen |
| Autore | Cohen Tom <1953-> |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, c2005 |
| Descrizione fisica | 1 online resource (306 p.) |
| Disciplina | 791.4302/33 |
| Collana | Hitchcock's cryptonymies |
| Soggetto topico |
Spy films - History and criticism
War films - History and criticism |
| ISBN | 0-8166-9516-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Acknowledgments; Preface; Introduction: The Blind of Ocularcentrism; Part I. Police, Criminals, and the Mediatric State; 1. The Avenging Fog of Media: The Lodger as Host; 2. A User's Guide to Hitchcock's Signature Systems; 3. Espionage in the Teletechnic Empire; 4. Blackmail in the Universal Reading Room; Part II. The Spies' Post Office; 5. The Archival Wars of ""Old Man R""; 6. The Slave Revolt of Memory: R to the Power of Gamma; 7. Contretemps: Secret Agency in the Chocolate Factory; 8. Animation Blackout: The Sabotage of Aura; Part III. State of the Image
9. Solar Fronts: Politics of the Post-Enlightenment10. Zarathustran Hitchcock; 11. Extraterritoriality: An In-House Affair at the Embassy of Ao-; Coda: Exploding Cameos; Notes; Index of Films; B; F; I; J; L; M; N; P; R; S; T; V; W; Y |
| Record Nr. | UNINA-9910784115603321 |
|
Cohen Tom <1953->
|
||
| Minneapolis, : University of Minnesota Press, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
War machines [[electronic resource] /] / Tom Cohen
| War machines [[electronic resource] /] / Tom Cohen |
| Autore | Cohen Tom <1953-> |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, c2005 |
| Descrizione fisica | 1 online resource (318 p.) |
| Disciplina | 791.4302/33 |
| Collana | Hitchcock's cryptonymies |
| Soggetto topico |
Spy films - History and criticism
War films - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-8166-9491-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Acknowledgments; Preface; Introduction: Hitchcock's Esperanto; Part I. Travel Service Window; 1. Transports; 2. Combined Ops: The Postal Politics of Bon Voyage!; Part II. Prehistory of the Afterlife of Cinema; 3. A Performativity without Frame; 4. ""How Old Is Mae West?""; 5. Phoenix Rex: The Passing of Oedipus in Hitchcock; Part III. Jump Cuts; 6. Time Machines; 7. Matrixide; Part IV. The Black Sun; 8. Prosthesis of the Visible; 9. Upping the Ante: A Deauratic Cinema; 10. Hitchcock's Light Touch; Coda: Trouble at the Séance; Notes; Index of Films; A; B; D; E; F; I; J; L; M; N; P; R
ST; V; W; Y |
| Record Nr. | UNINA-9910452169403321 |
|
Cohen Tom <1953->
|
||
| Minneapolis, : University of Minnesota Press, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
War machines [[electronic resource] /] / Tom Cohen
| War machines [[electronic resource] /] / Tom Cohen |
| Autore | Cohen Tom <1953-> |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, c2005 |
| Descrizione fisica | 1 online resource (318 p.) |
| Disciplina | 791.4302/33 |
| Collana | Hitchcock's cryptonymies |
| Soggetto topico |
Spy films - History and criticism
War films - History and criticism |
| ISBN | 0-8166-9491-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Acknowledgments; Preface; Introduction: Hitchcock's Esperanto; Part I. Travel Service Window; 1. Transports; 2. Combined Ops: The Postal Politics of Bon Voyage!; Part II. Prehistory of the Afterlife of Cinema; 3. A Performativity without Frame; 4. ""How Old Is Mae West?""; 5. Phoenix Rex: The Passing of Oedipus in Hitchcock; Part III. Jump Cuts; 6. Time Machines; 7. Matrixide; Part IV. The Black Sun; 8. Prosthesis of the Visible; 9. Upping the Ante: A Deauratic Cinema; 10. Hitchcock's Light Touch; Coda: Trouble at the Séance; Notes; Index of Films; A; B; D; E; F; I; J; L; M; N; P; R
ST; V; W; Y |
| Record Nr. | UNINA-9910784115003321 |
|
Cohen Tom <1953->
|
||
| Minneapolis, : University of Minnesota Press, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||